11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 123점의 바르톨로마우스 브륀(노년) 작품 (당사 카탈로그 기준)
요약하자면
Portrait of a knight (1531)은(는) 바르톨로마우스 브륀(노년)의 작품 중 가장 많은 시선을 사로잡는 회화이며, 원작은 빈에 위치한 빈 미술사 박물관에 소장되어 있습니다. 그다음 시선은 Portrait of Wilhelm Kannengiesser (1550)와 Portrait of Elisabeth Bellinghausen (1530)로 향합니다. 우리 카탈로그에 수록된 바르톨로마우스 브륀(노년)의 작품 123점 중, 가장 유명한 100점을 소개합니다. 각 작품은 제작 연도, 소장 박물관, 그리고 시대를 초월해 사랑받는 이유와 함께 독창적인 원작으로 제시됩니다.
The gaze of the sitter meets us directly in Portrait of a knight, a work that carries the weight of a specific identity. Painted by Bartholomaeus Bruyn the Elder, the image captures a man whose status is etched into his very presence. While the title identifies him simply as a knight, other names for this same figure suggest a more specific history. He is known in some circles as a…
A single light source strikes from the upper left, carving the face of Wilhelm Kannengiesser out of a heavy, dark silence. He sits in a three-quarter view, his gaze directed toward the right, fixed on something beyond the frame. His beard is a stark, white landscape of fine lines, contrasting sharply against the deep black of his heavy garment. This fabric falls in thick, sculptural folds, absorbing the light and…
To look upon this portrait is to encounter a moment of quiet intention from the year 1538. This is not a grand, sweeping scene, but an intimate half-length study of Elisabeth Bellinghausen, rendered with the meticulous precision characteristic of the Northern Renaissance. She is presented against a deep, solid blue background that pushes her figure forward, making the textures of her attire feel almost tangible. There is a certain stillness…
Margaretha von Mochau sits before us, her presence steady and dignified in the soft light of 1524. She is twenty-six years old, caught in a quiet moment of poise that feels as though it might break at any second. Her gaze is calm, directed slightly away, while her pale skin glows against the deep, atmospheric green of the background. She wears a heavy black garment, its weight suggested by the…
The sitter, Cardinal Bernhardus Clesius, is presented in a medium close-up, captured from the waist up against a deep green backdrop. His expression is solemn and contemplative, projecting a sense of gravity and ecclesiastical weight. He is draped in heavy, saturated red robes and a matching cap, the folds of which are defined by sharp, purposeful lines that suggest the substantial weight of silk or satin. Light enters from the…
The work titled Portrait of a young man holding gloves presents a quiet study of identity. Created by the artist Bartholomaeus Bruyn The Elder, the painting captures a single figure in a moment of stillness. The subject is a young man, his presence defined by the weight of his dark attire and the steady gaze directed toward the viewer. He holds gloves, a small detail that anchors the composition and…
The portrait presents a woman in a medium close-up, positioned slightly off-center and facing toward the left. She is depicted against a dark, undifferentiated background that pushes her figure into the foreground. Her attire consists of a heavy black gown and a white headpiece that creates sharp, defined folds. Around her neck, a delicate white ruff or pleated linen collar provides a textural contrast to the smooth, dark fabric of…
In this oil on panel, titled Virgin and Child with Saint Anne, Saint Gereon, and a Donor, we encounter a significant example of the German Renaissance. The work is attributed to Bartholomaeus Bruyn the Elder, a painter who was active in Cologne. Measuring 78.4 x 57.9cm, the panel presents a complex arrangement of figures that bridges the gap between the divine and the earthly through its specific iconographic program.
Crucifixion Altar: Saint Agnes and Donor is an oil on panel work by Bartholomaeus Bruyn the Elder. Created between 1515 and 1520, the piece reflects the stylistic developments of the German Renaissance. The composition is characterized by a vertical orientation, measuring 0.322m x 0.97m.
The composition is a dense, multi-layered arrangement that fills the frame from foreground to background. At the center of this celestial and earthly convergence lies the infant Jesus, whose presence emanates a divine light that cuts through the nocturnal shadows. Surrounding the manger are the Virgin Mary, Joseph, and various angels, all rendered with the meticulous detail characteristic of the German Renaissance. The scene is framed by the sharp architectural…
Virgin and Child with Saint Margaret and Dorothy and angels playing music1517 · 바이에른 주립 회화 컬렉션
12
Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors1517 · 바이에른 주립 회화 컬렉션
13
Pietà1514 · 바르샤바 국립 박물관
14
Cyriacus Cycle: Saint Cyriacus Baptizes Arthemia1532 · 바이에른 주립 회화 컬렉션
15
Lamentation Altarpiece, Outer Wing: Saint Suitbert1531 · 바이에른 주립 회화 컬렉션
16
Cyriacus Cycle: Death of Saint Cyriacus1532 · 바이에른 주립 회화 컬렉션
17
Cyriakus Cycle: Saint Cyriacus is Welcomed by the Persian King1532 · 바이에른 주립 회화 컬렉션
18
Lamentation Altarpiece: Saint Stephen with the Donor Stephan Vell von Wevelinghoven1531 · 바이에른 주립 회화 컬렉션
19
Lamentation Altarpiece: A Saint with the Donor Bernhard (?) von Huchtenbroich1531 · 바이에른 주립 회화 컬렉션
20
Lamentation Altarpiece, Outer Wing: Saint Kunibert1531 · 바이에른 주립 회화 컬렉션
21
Cyriakus Cycle: Emperor Diocletian Shakes Hands with Saint Cyricus1532 · 바이에른 주립 회화 컬렉션
22
Cyriacus Cycle: Saint Cyriacus Delivers Jobia from the Evil Spirit1532 · 바이에른 주립 회화 컬렉션
23
Christ Bids Farewell to His Mother1532 · 월라프 리하르츠 미술관
24
Sybilla von Aich, born Reidt, with four daughters1520 · 바이에른 주립 회화 컬렉션
25
Christ carrying the cross1520 · 바이에른 주립 회화 컬렉션
26
Donor image of the Cologne patrician family Rinck: Virgin Mary1530 · 바이에른 주립 회화 컬렉션
27
Donor image of the Cologne patrician family Rinck: Saint Anne1530 · 바이에른 주립 회화 컬렉션
28
Johann von Aich, mayor of Cologne, with his two sons1520 · 바이에른 주립 회화 컬렉션
29
The lamentation of Christ1531 · 바이에른 주립 회화 컬렉션
30
The martyrdom of Saint Cyriacus1532 · 바이에른 주립 회화 컬렉션
31
Wing of an Altarpiece: Saint Catherine and a Donor1521 · 바이에른 주립 회화 컬렉션
32
Portrait Diptych of Johann von Rolinxwerth and his Wife, Christine von Sternberg1529 · Mauritshuis
33
Saint Barbara1520
34
Saint Bartholomew1520
35
Adoration of the Magi1525 · 국립 미술관
36
Christ appearing to Mary Magdalene1520 · 바르샤바 국립 박물관
37
The Annunciation1520 · 바르샤바 국립 박물관
38
The Nativity1520 · 테시엔-본헤르메스 미술관
39
Portrait of a Young Man1528 · 안트베르펜 왕립 미술관
40
Crucifixion1532 · 월라프 리하르츠 미술관
41
Homo bulla: A Boy Blowing Bubbles1532 · Germanisches Nationalmuseum
42
Adoration of the magi1532 · 월라프 리하르츠 미술관
43
Mary with the child, adored by the Duke of Cleves1528 · Gemäldegalerie
44
Portrait of a Man, traditionally said to be Roger, Count Blitterswyk-Geldern1528 · 하버드 미술관
45
Christ appearing before Mary1520 · 바르샤바 국립 박물관
46
Founder with two sons (left panel)1549 · Museum Catharijneconvent
47
Foundress with three daughters before landscape (right wing)1549 · Museum Catharijneconvent
48
Portrait of a Woman with Rosary and Carnation1547 · Gemäldegalerie
49
Portrait of Chancellor Balthasar von Kerpen1535 · 쿤스트뮤지엄
50
Portrait of Sibylla Kessel1542 · 슈테델 미술관
51
Portrait of Peter Heyman1542 · 슈테델 미술관
52
Portrait of an unknown family: a father with his three sons1549 · 바이에른 주립 회화 컬렉션
53
Passion Altarpiece of the Siegen Family: Left Panels1540 · 바이에른 주립 회화 컬렉션
54
Passion Altarpiece of the Siegen Family: Right Panels1540 · 바이에른 주립 회화 컬렉션
55
Donor image of the Cologne patrician family Rinck: Christ Crowned with Thorns1540 · 바이에른 주립 회화 컬렉션
56
Passion Altarpiece of the Siegen family: Central Panel1540 · 바이에른 주립 회화 컬렉션
57
Margarethe von Aich (1517–1570)1540 · 보스턴 미술관
58
Johann von Aich (1510–1549)1540 · 보스턴 미술관
59
Man's portrait with armour, rear: child wifh skull1544 · 월라프 리하르츠 미술관
60
Portrait of a Woman1534 · Gemäldegalerie
61
Portrait of a Man1534 · Gemäldegalerie
62
Portrait of a Woman1537 · 하버드 미술관
63
Portrait of a Man1537 · 하버드 미술관
64
Portrait of a Man1550 · 바이에른 주립 회화 컬렉션
65
Rinck Altar II: Saint Benedict1550 · 바이에른 주립 회화 컬렉션
66
Saint Barbera and the donor Sibylla Rinck-Kannegießer1550 · 바이에른 주립 회화 컬렉션
67
Rinck-Altar II:Saint Catherine with donor Hermann Rinck1550 · 바이에른 주립 회화 컬렉션
68
Portrait of a Man with a Book1550 · 본네파텐 미술관
69
Lamentation over the dead Christ1550 · Musée des Beaux-Arts
70
Kreuzigungs-Triptychon, St. Andreas Köln1550
71
Portrait of a Woman1565 · 세인트루이스 미술관
72
Portrait of a Woman of the Slosgin Family of Cologne1557 · 메트로폴리탄 미술관
73
Portrait of a Young Woman with a Pink1660 · Walters Art Museum
74
Bacchus with putti1747 · 플랑탱-모레투스 박물관
75
Portrait of Scholar Petrus von Clapis1528 · 부다페스트 미술관
76
Vanitas Still-life크롤러뮐러 미술관
77
Portrait of a Woman1539 · 테시엔-본헤르메스 미술관
78
Portrait of a Woman1541 · 예일 대학교 미술관
79
German, )1493
80
Crucifixion of christ1515 · Böttcherstraße Museums
81
Portrait of a Woman1533 · 메트로폴리탄 미술관
82
Portrait of a Man1533 · 메트로폴리탄 미술관
83
Portrait of a Man with Three Sons1530 · 에르미타주 박물관
84
Portrait of an Older Man1535 · Gemäldegalerie
85
Burgomaster Arnold von Brauweiler1535 · 월라프 리하르츠 미술관
86
Crucifixion Altar: Emperor Henry II the Saint바이에른 주립 회화 컬렉션
87
Crucifixion Altar: Saint Helena바이에른 주립 회화 컬렉션
88
Portrait of a Man (Vanitas Portrait)바이에른 주립 회화 컬렉션
89
Appearance of the Risen Christ before Mary바이에른 주립 회화 컬렉션
90
Crucifixion Altar: Saint Bishop (Lambertus of Liège?) with Foundress바이에른 주립 회화 컬렉션
91
Portrait of Johannes Draconites
92
Resurrection of Christ안트베르펜 왕립 미술관
93
Portrait of a Man안트베르펜 왕립 미술관
94
Portrait of a Woman안트베르펜 왕립 미술관
95
Triptych with Donors안트베르펜 왕립 미술관
96
Portrait of a Man안트베르펜 왕립 미술관
97
Portrait of a Lady
98
Portrait of a Man
99
Portrait of a clergyman바르샤바 국립 박물관
100
CATHERINE DE BORE콩데 미술관
#9 Crucifixion Altar: Saint Agnes and Donor
#10 The Nativity with the Donors Peter von Clapis and Bela Bonenberg
#11 Virgin and Child with Saint Margaret and Dorothy and angels playing music
#12 Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors
#13 Pietà
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 바르톨로마우스 브륀(노년)의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 바이에른 주립 회화 컬렉션 |
뮌헨 | 34 | Crucifixion Altar: Saint Agnes and Donor, Virgin and Child with Saint Margaret and Dorothy and angels playing music, Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors |
 안트베르펜 왕립 미술관 |
안트베르펜 | 6 | Portrait of a Young Man, Resurrection of Christ, Portrait of a Man |
 월라프 리하르츠 미술관 |
쾰른 | 7 | Christ Bids Farewell to His Mother, Crucifixion, Adoration of the magi |
 바르샤바 국립 박물관 |
바르샤바 | 5 | Pietà, Christ appearing to Mary Magdalene, The Annunciation |
 Gemäldegalerie |
베를린 | 5 | Mary with the child, adored by the Duke of Cleves, Portrait of a Woman with Rosary and Carnation, Portrait of a Woman |
 빈 미술사 박물관 |
빈 | 3 | Portrait of a knight, Cardinal Bernhardus Clesius, Portrait of a young man holding gloves |
 슈테델 미술관 |
프랑크푸르트 | 3 | The Nativity with the Donors Peter von Clapis and Bela Bonenberg, Portrait of Sibylla Kessel, Portrait of Peter Heyman |
 하버드 미술관 |
캠브리지 | 3 | Portrait of a Man, traditionally said to be Roger, Count Blitterswyk-Geldern, Portrait of a Woman, Portrait of a Man |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
Crucifixion Altar: Saint Agnes and Donor is an oil on panel work by Bartholomaeus Bruyn the Elder. Created between 1515 and 1520, the piece reflects the stylistic developments of the German Renaissance. The composition is characterized by a vertical orientation, measuring 0.322m x 0.97m.
Margaretha von Mochau sits before us, her presence steady and dignified in the soft light of 1524. She is twenty-six years old, caught in a quiet moment of poise that feels as though it might break at any second. Her gaze is calm, directed slightly away, while her pale skin glows against the deep, atmospheric green of the background. She wears a heavy black garment, its weight suggested by the…
The gaze of the sitter meets us directly in Portrait of a knight, a work that carries the weight of a specific identity. Painted by Bartholomaeus Bruyn the Elder, the image captures a man whose status is etched into his very presence. While the title identifies him simply as a knight, other names for this same figure suggest a more specific history. He is known in some circles as a…
The gaze of the viewer meets the steady presence of Founder with two sons (left panel), a work that captures a family moment frozen in time. This portrait, dating to about 1549, presents a man and his children within a structured, formal arrangement. The scene holds a quiet gravity, as if the subjects have just paused their movements to face the observer. Every detail of their attire and the landscape…
A single light source strikes from the upper left, carving the face of Wilhelm Kannengiesser out of a heavy, dark silence. He sits in a three-quarter view, his gaze directed toward the right, fixed on something beyond the frame. His beard is a stark, white landscape of fine lines, contrasting sharply against the deep black of his heavy garment. This fabric falls in thick, sculptural folds, absorbing the light and…
Portrait of a knight (1531), 빈 미술사 박물관, 빈. 다음은 Portrait of Wilhelm Kannengiesser (1550)와 Portrait of Elisabeth Bellinghausen (1530)입니다.
38세: Portrait of a knight은(는) 1531년 작품이며, 바르톨로마우스 브륀(노년)은(는) 1493년에 태어났습니다.
Portrait of a knight, Portrait of Wilhelm Kannengiesser, Portrait of Elisabeth Bellinghausen, Portrait of Margaretha von Mochau, wife of Gerhard von Westerburg, Cardinal Bernhardus Clesius, Portrait of a young man holding gloves, Portrait of a Woman with a Prayer Book, Virgin and Child with Saint Anne, Saint Gereon, and a Donor, Crucifixion Altar: Saint Agnes and Donor 및 The Nativity with the Donors Peter von Clapis and Bela Bonenberg. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1514년부터 1550년 사이의 바르톨로마우스 브륀(노년) 작가의 작품 123점이 수록되어 있습니다.
대부분 바이에른 주립 회화 컬렉션 (뮌헨), 안트베르펜 왕립 미술관 (안트베르펜) 및 월라프 리하르츠 미술관 (쾰른)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1530s 동안: 이 페이지의 총 100점의 작품 중 31점이 해당 시기에 제작되었으며, 그중 Portrait of a knight점입니다.
이 페이지에서 가장 오래된 작품은 Pietà (1514)이며, 가장 최근 작품은 Portrait of Wilhelm Kannengiesser (1550)입니다.
이 페이지의 100점의 작품에 걸쳐 있는 Man (41), Woman (35) 및 Landscape (22)
이 페이지의 총 100점의 작품 중 79점의 Oil On Panel
이 페이지의 원작들을 기준으로 볼 때, Northern renaissance
Crucifixion Altar: Saint Agnes and Donor, Virgin and Child with Saint Margaret and Dorothy and angels playing music 및 Christ on the cross with the saints Peter, Mary, Mary Magdalene, John the Evangelist and Barbara, with three donors: 바이에른 주립 회화 컬렉션, 뮌헨은(는) 이 페이지에 있는 작품 중 34점을 소장하고 있습니다.
