Barend Wijnveld의 초상화

세상에 단 하나뿐인, 가장 유명한 Barend Wijnveld 작품 56선

11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 56점의 Barend Wijnveld 작품 (당사 카탈로그 기준)

요약하자면

Anno 1648. The Peace of Munster (1850)은(는) Barend Wijnveld의 작품 중 가장 많은 시선을 사로잡는 회화이며, 원작은 암스테르담에 위치한 암스테르담 박물관에 소장되어 있습니다. 그다음 시선은 Anno 1584. The Murder of Willem van Oranje (1850)와 Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten (1850)로 향합니다. 우리 카탈로그에 수록된 Barend Wijnveld의 작품 56점 중, 가장 유명한 56점을 소개합니다. 각 작품은 제작 연도, 소장 박물관, 그리고 시대를 초월해 사랑받는 이유와 함께 독창적인 원작으로 제시됩니다.

1820 – 1902, Amsterdam 최다 소장처: 암스테르담 박물관
Anno 1648. The Peace of Munster (1850) 의 Barend Wijnveld1. Anno 1648. The Peace of Munster 1850 Anno 1584. The Murder of Willem van Oranje (1850) 의 Barend Wijnveld2. Anno 1584. The Murder of Willem van Oranje 1850 Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten (1850) 의 Barend Wijnveld3. Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten 1850

갤러리의 시선으로 선정한 Barend Wijnveld의 명작 Top 10

Barend Wijnveld의 유명 작품, 11~56번

11Count Jan II grants the first Privilege to Amsterdam, 1300 (1861) 의 Barend WijnveldCount Jan II grants the first Privilege to Amsterdam, 13001861 · 암스테르담 박물관 12Anno 1576. The Pacification of Ghent (1866) 의 Barend WijnveldAnno 1576. The Pacification of Ghent1866 · 암스테르담 박물관 13Anno 1571. Viglius Resists Alva's Tyranny (1866) 의 Barend WijnveldAnno 1571. Viglius Resists Alva's Tyranny1866 · 암스테르담 박물관 14Anno 1574. Oranje sees how the fleet of d'Avila lets the tide pass (1866) 의 Barend WijnveldAnno 1574. Oranje sees how the fleet of d'Avila lets the tide pass1866 · 암스테르담 박물관 15Anno 1472. Reinoud van Brederode defends his right as a knight of the Golden Fleece (1866) 의 Barend WijnveldAnno 1472. Reinoud van Brederode defends his right as a knight of the Golden Fleece1866 · 암스테르담 박물관 16Anno 1630. Frederik Hendrik visits Count Jan van Nassau in his prison at Wezel (1866) 의 Barend WijnveldAnno 1630. Frederik Hendrik visits Count Jan van Nassau in his prison at Wezel1866 · 암스테르담 박물관 17Anno 1813. Return of the Prince of Orange at Scheveningen (1866) 의 Barend WijnveldAnno 1813. Return of the Prince of Orange at Scheveningen1866 · 암스테르담 박물관 18Anno 1840. The Abdication of Willem I (1866) 의 Barend WijnveldAnno 1840. The Abdication of Willem I1866 · 암스테르담 박물관 19Anno 1787. Burgemeester Dedel is Brought Home in Triumph (1865) 의 Barend WijnveldAnno 1787. Burgemeester Dedel is Brought Home in Triumph1865 · 암스테르담 박물관 20Anno 1619. The Founding of Batavia (1866) 의 Barend WijnveldAnno 1619. The Founding of Batavia1866 · 암스테르담 박물관 21Anno 1672. The People of Dordrecht Cheer Willem III (1866) 의 Barend WijnveldAnno 1672. The People of Dordrecht Cheer Willem III1866 · 암스테르담 박물관 22Anno 1692. Menno van Couhoorn leads Vauban around through the fortifications of Namen (1865) 의 Barend WijnveldAnno 1692. Menno van Couhoorn leads Vauban around through the fortifications of Namen1865 · 암스테르담 박물관 23Anno 1596. The Brave Appearance of Paulus Bax as Commander of Bergen op Zoom (1866) 의 Barend WijnveldAnno 1596. The Brave Appearance of Paulus Bax as Commander of Bergen op Zoom1866 · 암스테르담 박물관 24Anno 1477. Charles the Bold falls at Nancy (1866) 의 Barend WijnveldAnno 1477. Charles the Bold falls at Nancy1866 · 암스테르담 박물관 25Anno 1492. The Cheese and Bread People in Haarlem (1866) 의 Barend WijnveldAnno 1492. The Cheese and Bread People in Haarlem1866 · 암스테르담 박물관 26Arnoud and Adolf van Gelre Plead Their Case Before Charles the Bold (1866) 의 Barend WijnveldArnoud and Adolf van Gelre Plead Their Case Before Charles the Bold1866 · 암스테르담 박물관 27Anno 1468. The Audacity of Charles the Bold in Middelburg (1866) 의 Barend WijnveldAnno 1468. The Audacity of Charles the Bold in Middelburg1866 · 암스테르담 박물관 28Anno 1039. Bernulf is Appointed Bishop of Utrecht (1866) 의 Barend WijnveldAnno 1039. Bernulf is Appointed Bishop of Utrecht1866 · 암스테르담 박물관 29Anno 1395. Willem van Oostervant and the Cut Tablecloth (1866) 의 Barend WijnveldAnno 1395. Willem van Oostervant and the Cut Tablecloth1866 · 암스테르담 박물관 30Anno 1287. A Flood in Friesland (1866) 의 Barend WijnveldAnno 1287. A Flood in Friesland1866 · 암스테르담 박물관 31Anno 1512. Wassenaer is Displayed in an Iron Cage (1866) 의 Barend WijnveldAnno 1512. Wassenaer is Displayed in an Iron Cage1866 · 암스테르담 박물관 32Anno 1417. Willem van Arkel falls in battle (1866) 의 Barend WijnveldAnno 1417. Willem van Arkel falls in battle1866 · 암스테르담 박물관 33Anno 1697. Tsar Peter the Great in Holland (1865) 의 Barend WijnveldAnno 1697. Tsar Peter the Great in Holland1865 · 암스테르담 박물관 34Anno 1049. Count Dirk IV of Holland is killed by an arrow (1866) 의 Barend WijnveldAnno 1049. Count Dirk IV of Holland is killed by an arrow1866 · 암스테르담 박물관 35Anno 1513. The Surprise of Arnhem (1866) 의 Barend WijnveldAnno 1513. The Surprise of Arnhem1866 · 암스테르담 박물관 36Anno 1813. The Upheaval in Amsterdam (1866) 의 Barend WijnveldAnno 1813. The Upheaval in Amsterdam1866 · 암스테르담 박물관 37Anno 1793. Prince Frederik is wounded in the battle at Wervik (1865) 의 Barend WijnveldAnno 1793. Prince Frederik is wounded in the battle at Wervik1865 · 암스테르담 박물관 38Anno 1748. Plundering of the Houses of the Tax Farmers (1866) 의 Barend WijnveldAnno 1748. Plundering of the Houses of the Tax Farmers1866 · 암스테르담 박물관 39Anno 1696. The Aansprekersoproer in Amsterdam (1865) 의 Barend WijnveldAnno 1696. The Aansprekersoproer in Amsterdam1865 · 암스테르담 박물관 40The death of Angelus Merula (1875) 의 Barend WijnveldThe death of Angelus Merula1875 41Anno 1651. De Grote Vergadering at 's-Gravenhage (1866) 의 Barend WijnveldAnno 1651. De Grote Vergadering at 's-Gravenhage1866 · 암스테르담 박물관 42Anno 1861. Ice Skaters Show King Willem III the Way During the Flood in the Bommelerwaard (1866) 의 Barend WijnveldAnno 1861. Ice Skaters Show King Willem III the Way During the Flood in the Bommelerwaard1866 · 암스테르담 박물관 43Anno 1631. The Victory on the Slaak (1866) 의 Barend WijnveldAnno 1631. The Victory on the Slaak1866 · 암스테르담 박물관 44Anno 1574. The Battle on the Mookerheide (1866) 의 Barend WijnveldAnno 1574. The Battle on the Mookerheide1866 · 암스테르담 박물관 45Anno 1568. The Battle of Heiligerlee (1866) 의 Barend WijnveldAnno 1568. The Battle of Heiligerlee1866 · 암스테르담 박물관 46Anno 1831. The Self-Sacrifice of Van Speyk (1866) 의 Barend WijnveldAnno 1831. The Self-Sacrifice of Van Speyk1866 · 암스테르담 박물관 47Anno 1677. Roemer Vlacq is Blown into the Air in the Bay of Tobago (1866) 의 Barend WijnveldAnno 1677. Roemer Vlacq is Blown into the Air in the Bay of Tobago1866 · 암스테르담 박물관 48Anno 1596. The Overwintering on Nova Zembla (1866) 의 Barend WijnveldAnno 1596. The Overwintering on Nova Zembla1866 · 암스테르담 박물관 49Anno 1632. The Inauguration of the Athenaeum in Amsterdam (1866) 의 Barend WijnveldAnno 1632. The Inauguration of the Athenaeum in Amsterdam1866 · 암스테르담 박물관 50Anno 1645. The Capture of Hulst (1866) 의 Barend WijnveldAnno 1645. The Capture of Hulst1866 · 암스테르담 박물관 51Anno 1821. The Victory at Palembang (1866) 의 Barend WijnveldAnno 1821. The Victory at Palembang1866 · 암스테르담 박물관 52Anno 1795. The Departure of Prince Willem V at Scheveningen (1865) 의 Barend WijnveldAnno 1795. The Departure of Prince Willem V at Scheveningen1865 · 암스테르담 박물관 53Anno 1697. The Peace of Rijswijk (1865) 의 Barend WijnveldAnno 1697. The Peace of Rijswijk1865 · 암스테르담 박물관 54Anno 1747. The Fall of Bergen op Zoom (1865) 의 Barend WijnveldAnno 1747. The Fall of Bergen op Zoom1865 · 암스테르담 박물관 55Anno 1794. The Heir Apparent of Oranje Achieves Victory at Fleurus (1865) 의 Barend WijnveldAnno 1794. The Heir Apparent of Oranje Achieves Victory at Fleurus1865 · 암스테르담 박물관 56Anno 1573. The Battle on the Zuiderzee (1885) 의 Barend WijnveldAnno 1573. The Battle on the Zuiderzee1885 · 암스테르담 박물관

Barend Wijnveld의 원작을 소장하고 있는 미술관

이 페이지에 있는 작품을 가장 많이 소장하고 있는 1개의 미술관

소장 미술관 도시 Barend Wijnveld의 작품 이 목록의 작품들
암스테르담 박물관, 암스테르담암스테르담 박물관 암스테르담 55 Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje, Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten

수십 년에 걸친 Barend Wijnveld의 작품: 각 시대의 유일무이한 원화

연대별 작품 수

그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.

Barend Wijnveld의 작품: 갤러리에 문의하기

Barend Wijnveld의 가장 대표적인 작품은 무엇인가요?정답 확인하기

Anno 1648. The Peace of Munster (1850), 암스테르담 박물관, 암스테르담. 다음은 Anno 1584. The Murder of Willem van Oranje (1850)와 Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten (1850)입니다.

Barend Wijnveld 작가는 몇 세에 Anno 1648. The Peace of Munster을(를) 제작했을까요?정답 확인하기

30세: Anno 1648. The Peace of Munster은(는) 1850년 작품이며, Barend Wijnveld은(는) 1820년에 태어났습니다.

Barend Wijnveld의 작품 중 가장 유명한 10가지 명작은 무엇인가요?정답 확인하기

Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje, Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten, Anno 1672. The Heroic Defense of Aardenburg, Anno 1648. The first laying of the stone of the Amsterdamse stadhuis, Anno 1465. Duke Arnoud van Gelre is taken prisoner by his son Adolf, Anno 70. Brinio as Leader of the Kaninefaten Raised on the Shield, Anno 70. Claudius Civilis incites the Batavians to revolt, Anno 1830. The Prince of Orange escapes the wrath of the Brussels people 및 Anno 1018. The Duke of Lotharingen is defeated by Dirk III of Holland near Dordrecht. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.

Barend Wijnveld의 작품은 몇 점인가요?정답 확인하기

저희 카탈로그에는 1850년부터 1885년 사이의 Barend Wijnveld 작가의 작품 56점이 수록되어 있습니다.

가장 유명한 Barend Wijnveld의 원작은 어디에서 볼 수 있나요?정답 확인하기

대부분 암스테르담 박물관 (암스테르담)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.

Barend Wijnveld의 가장 유명한 작품들은 어느 시기에 제작되었나요?정답 확인하기

1860s 동안: 이 페이지의 총 56점의 작품 중 44점이 해당 시기에 제작되었으며, 그중 Count Jan II grants the first Privilege to Amsterdam, 1300점입니다.

Barend Wijnveld의 유명 작품 중 가장 먼저 그려진 작품과 가장 나중에 그려진 작품은 무엇인가요?정답 확인하기

이 페이지에서 가장 오래된 작품은 Anno 1648. The Peace of Munster (1850)이며, 가장 최근 작품은 Anno 1573. The Battle on the Zuiderzee (1885)입니다.

암스테르담 박물관에서 어떤 Barend Wijnveld의 원화를 볼 수 있나요?정답 확인하기

Anno 1648. The Peace of Munster, Anno 1584. The Murder of Willem van Oranje 및 Anno 1647. Frederik Hendrik feels his end approaching and takes leave of the Staten: 암스테르담 박물관, 암스테르담은(는) 이 페이지에 있는 작품 중 55점을 소장하고 있습니다.

Barend Wijnveld: 작가의 초상화

The Life of a Dutch Painter

Born in the bustling streets of Amsterdam, Barend Wijnveld entered a world where the brush and the palette were the primary tools of a dedicated life. His path was one of steady progression, beginning his active work in the mid-1830s and continuing until his final days. He was a man deeply embedded in the artistic fabric of the Netherlands, finding a home within the prestigious circles of Arti et Amicitiae from 1854. His existence was defined by the quiet discipline of the studio and the lively exchange of ideas among his peers.

His presence in the Dutch art scene was not merely that of a solitary creator, but that of a mentor. He understood that the survival of craft depended on the passing of knowledge from one hand to another. This commitment to the future of art led him to the halls of the Rijksakademie van Beeldende Kunsten, where he held the position of professor starting in 1869. Through his guidance, many pupils learned to see the world through a painter's eyes, ensuring his influence extended far beyond his own canvases.

A Legacy of Instruction and Residence

Wijnveld’s professional life was marked by several significant roles that allowed him to engage with the creative community in diverse ways. His influence was felt in both the formal academy and the more intimate settings of artistic gathering. His career was characterized by these specific engagements:

  • Professor at the Rijksakademie van Beeldende Kunsten
  • Member of the society Arti et Amicitiae
  • Artist-in-residence at Natura Artis Magistra

His work often turned its gaze toward the past, capturing moments of historical weight. One such effort involved depicting the people of Dordrecht as they celebrated William III in 1672. He sought to translate the collective energy of a nation into a visual form, documenting the spirit of a specific era through his brushwork. Whether painting historical scenes or participating in the academic life of his country, he remained a constant figure in the Dutch landscape.

The Final Years in Haarlem

As the decades passed, Wijnveld’s connection to the art world only deepened. He moved through the various stages of a long and productive career, maintaining his practice from 1835 until his death in 1902. His final years were spent in Haarlem, far from the birthplace of his youth but still within the heart of the culture he helped shape. He left behind a lineage of students and a body of work that remains a part of the historical record of the Netherlands.

Barend Wijnveld의 작품 56점 전체 보기 →