11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 10점의 안토니오 바딜레 3세 작품 (당사 카탈로그 기준)
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안토니오 바딜레 3세가 남긴 모든 원작 중 가장 유명한 작품은 베로나의 카스텔베키오 박물관에 소장된 Polyptych of the Four Crowned Saints, Simplicius (1552)입니다. 그 뒤를 이어 Portrait of an unknown woman (1550)와 The Virgin and Child with Saint John the Baptist (1550)가 뒤를 잇습니다. 안토니오 바딜레 3세의 작품 10점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 10점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
In this 1550 oil on canvas, a pyramidal arrangement of figures emerges from a luminous, ethereal background. The Virgin Mary, the Christ Child, and Saint John the Baptist are positioned in an intimate, frontal perspective, creating a sense of immediate spiritual connection. A radiant glow emanates from behind the Virgin's head, casting a divine light that defines the contours of the figures while leaving the periphery in shadow. This use…
A middle-aged man emerges from a deep, indeterminate darkness, his form defined by a soft, directional light. He is positioned in a three-quarter view, gaze directed toward the left of the frame. The composition relies heavily on chiaroscuro, a technique where light and shadow define the volume of the face and the texture of the hands. A white collar provides a sharp point of contrast against the somber, dark drapery…
In the realm of Renaissance craftsmanship, few objects command attention quite like the Coffer of the Giusti Family with Stories of Virginia. This exquisite wedding chest, dating back to approximately 1400, serves as a breathtaking intersection of fine woodworking and classical storytelling. Crafted from sturdy fir wood using the meticulous dovetail joint technique, the piece is far more than a mere functional item; it is a portable stage for historical…
The polyptych was placed in the Veronese church of San Pietro Incarnario, on the altar pertaining to the art of stone cutting, of which the four crowned saints were patrons. There are represented the crowned figures of the saints, five Pannonian sculptors and four Roman officers, united in the original passio despite the two groups having been martyred two years apart. Responding to a demand for greater adherence to ancient…
The polyptych was placed in the Veronese church of San Pietro Incarnario, on the altar pertaining to the art of stone cutting, of which the four crowned saints were patrons. There are represented the crowned figures of the saints, five Pannonian sculptors and four Roman officers, united in the original passio despite the two groups having been martyred two years apart. Responding to a demand for greater adherence to ancient…
In the heart of Verona, within the hallowed halls of the Castelvecchio Museum, resides a profound testament to the spiritual and artistic fervor of the mid-16th century. Antonio Badile III’s Polyptych of the Four Crowned Saints, Simphorianus is not merely a painting but a window into the soul of the Counter-Reformation. Created in 1552, this masterful oil on board captures the solemnity of Saint Simphorianus with a gravity that commands…
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
The triptych represent saints Cecilia, Tiburtius and Valerius in an original attempt on the part of the artist to absorb Renaissance artistic innovations, such as the perspective of the pavement and the marble parapet decorated with classical medallions, within the confines of a linear style that is still Gothic. The studio of the “Master of the Cespo di Garofano”, so-called for his habit of inserting carnation plants as decorative motifs…
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 3개의 미술관
| 소장 미술관 | 도시 | 안토니오 바딜레 3세의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 카스텔베키오 박물관 |
베로나 | 7 | Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius |
 프라도 미술관 |
마드리드 | 1 | Portrait of an unknown woman |
 National Museum of Art, Architecture and Design |
오슬로 | 1 | Portrait of a Musician |
불과 10년 남짓한 기간인 1550년부터 1560년 사이, 이 컬렉션에 포함된 모든 안토니오 바딜레 3세의 연도별 원작을 한눈에 확인해 보세요.
연도를 선택하여 원작을 확인해 보세요.
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
1550의 더 많은 작품
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
1552의 더 많은 작품
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
Polyptych of the Four Crowned Saints, Simplicius (1552), 카스텔베키오 박물관, 베로나. 다음은 Portrait of an unknown woman (1550)와 The Virgin and Child with Saint John the Baptist (1550)입니다.
34세: Polyptych of the Four Crowned Saints, Simplicius은(는) 1552년 작품이며, 안토니오 바딜레 3세은(는) 1518년에 태어났습니다.
Polyptych of the Four Crowned Saints, Simplicius, Portrait of an unknown woman, The Virgin and Child with Saint John the Baptist, Portrait of a Musician, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius, Polyptych of the Four Crowned Saints, Nicostratus, Polyptych of the Four Crowned Saints, Simphorianus, Tobias and the Angel 및 Saints Cecilia, Tiburtius, Valerian. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1550년부터 1560년 사이의 안토니오 바딜레 3세 작가의 작품 10점이 수록되어 있습니다.
대부분 카스텔베키오 박물관 (베로나), 프라도 미술관 (마드리드) 및 National Museum of Art, Architecture and Design (오슬로)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1552 동안: 이 페이지의 총 10점의 작품 중 4점이 해당 시기에 제작되었으며, 그중 Polyptych of the Four Crowned Saints, Simplicius점입니다.
이 페이지에서 가장 오래된 작품은 Portrait of an unknown woman (1550)이며, 가장 최근 작품은 Tobias and the Angel (1560)입니다.
이 페이지의 10점의 작품에 걸쳐 있는 Man (2), Drapery (2) 및 Woman (2)
이 페이지의 총 10점의 작품 중 3점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Renaissance
Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia 및 Polyptych of the Four Crowned Saints, Claudius: 카스텔베키오 박물관, 베로나은(는) 이 페이지에 있는 작품 중 7점을 소장하고 있습니다.
