The mocking of Christ
The light fades into the dark.
요약하자면
The mocking of Christ (1699)은(는) Anthoni Schoonjans의 작품 중 가장 많은 시선을 사로잡는 회화이며, 원작은 빈에 위치한 빈 미술사 박물관에 소장되어 있습니다. 그다음 시선은 The Apple of Eris (1690)와 Portrait of an unknown lady (1690)로 향합니다. 우리 카탈로그에 수록된 Anthoni Schoonjans의 작품 15점 중, 가장 유명한 15점을 소개합니다. 각 작품은 제작 연도, 소장 박물관, 그리고 시대를 초월해 사랑받는 이유와 함께 독창적인 원작으로 제시됩니다.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 3개의 미술관
| 소장 미술관 | 도시 | Anthoni Schoonjans의 작품 | 이 목록의 작품들 |
|---|---|---|---|
| 뮌헨 | 11 | The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27) | |
| 빈 | 2 | The mocking of Christ, Vestal virgins | |
| 베를린 | 1 | Portrait of crown prince Frederick William as David with a sling |
The mocking of Christ (1699), 빈 미술사 박물관, 빈. 다음은 The Apple of Eris (1690)와 Portrait of an unknown lady (1690)입니다.
44세: The mocking of Christ은(는) 1699년 작품이며, Anthoni Schoonjans은(는) 1655년에 태어났습니다.
The mocking of Christ, The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27), Girl with a bird, Self-portrait of Anthon Schoonjans (1655-1726), Narcissus admires his reflection in the water, Joseph and Potiphar's Wife, allegory on the dew 및 Elector Johann Wilhelm on Horseback. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1690년부터 1716년 사이의 Anthoni Schoonjans 작가의 작품 15점이 수록되어 있습니다.
대부분 바이에른 주립 회화 컬렉션 (뮌헨), 빈 미술사 박물관 (빈) 및 샤를로텐부르크 궁전 (베를린)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1690s 동안: 이 페이지의 총 15점의 작품 중 10점이 해당 시기에 제작되었으며, 그중 The mocking of Christ점입니다.
이 페이지에서 가장 오래된 작품은 The Apple of Eris (1690)이며, 가장 최근 작품은 Saint Elizabeth of Hungary Distributing Alms to the Poor (1716)입니다.
이 페이지의 총 15점의 작품 중 2점의 Oil
The Apple of Eris, Portrait of an unknown lady 및 Jacob blames Laban of his deception with Lea (Genesis 29:25-27): 바이에른 주립 회화 컬렉션, 뮌헨은(는) 이 페이지에 있는 작품 중 11점을 소장하고 있습니다.
Anthoni Schoonjans, also known by the nickname Parrhasius, was a Flemish painter born in Ninove. After receiving his training in Antwerp under Erasmus Quellinus II and Jan-Erasmus Quellinus, his career took him across much of Europe. His journey included stays in France, specifically Reims and Paris, and a significant period in Rome, where he resided with the flower painter Carel de Vogelaer. During his time in Rome, he joined the Bentvueghels, a society for Flemish and Dutch artists.
His international presence saw him serve as a court painter in several locations, including Copenhagen, Berlin, and Düsseldorf. In Vienna, he became a court painter to Emperor Leopold I and married the opera singer Maria Regina Schweizer. His travels also led him to Frankfurt am Main, Kassel, Hamburg, The Hague, Amsterdam, and England, where he painted the stairwell in Montagu House. He eventually returned to Vienna, spending his final years in Perchtoldsdorf before passing away in 1726.
The works of Anthoni Schoonjans encompassed a variety of genres, including:
His religious commissions included an altarpiece of the Martyrdom of St. Sebastian for St. Roch's Church and a Visitation of Mary for St. Stephen's Cathedral in Vienna. In Denmark, he was invited by the court to paint portraits of the royal family. While in Berlin, he was commissioned by Queen Sophie Charlotte to paint the ceiling, rooms, and galleries of Charlottenburg Palace. His portraiture also extended to figures such as the composer Giovanni Bononcini and Attilio Ariosti. In Düsseldorf, he painted the portrait of the Elector Johann Wilhelm and his wife.