11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 14점의 Angelo Caroselli 작품 (당사 카탈로그 기준)
요약하자면
갤러리가 선정한 Angelo Caroselli의 가장 유명한 작품은 Wenceslaus I, Duke of Bohemia (1628)이며, 원작은 빈의 빈 미술사 박물관에 전시되어 있습니다. Saint Jerome in the Wilderness (1625)와 Singing man, possibly a self-portrait (1620)가 더해져 누구나 한눈에 알아볼 수 있는 완벽한 트리오를 완성합니다. Angelo Caroselli의 작품 14점 중, 갤러리는 가장 유명한 14점을 아래와 같이 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품의 특징을 포함한 독창적인 원작입니다.
A heavy, red cloak spills across the floor like a pool of spilled wine. It gathers at the feet of Wenceslaus I, Duke of Bohemia, a man carved from light and deep shadow. He stands in a commanding pose, his body encased in dark metallic armor that catches the singular, directional light of the room. One hand reaches outward, an open gesture of supplication or perhaps a command to the…
The oil painting titled Saint Jerome in the Wilderness is a Baroque work by the Roman artist Angelo Caroselli. Created in Rome, Italy, the piece dates to about 1620-1630. It captures the theologian St. Jerome, who lived from approximately 340 to 420, during a period of intense spiritual focus.
A bearded man is captured in a moment of intense musical concentration, his gaze fixed upon a piece of sheet music held before him. The composition is an intimate close-up, focusing on the upper torso and head. A single light source cuts through the darkness, illuminating the side of his face and his hands while casting the rest of the figure into deep shadow. This use of chiaroscuro creates a…
Angelo Caroselli executed Madonna and Child with St. Lawrence and St. Stephen as a devotional work of religious art. The composition centers on the Virgin Mary and the Christ Child, flanked by the two saints. This piece belongs to the Baroque period, reflecting the stylistic shifts occurring in Rome during the seventeenth century.
The painting titled Allegory of Spring is an oil on canvas work created by the artist Angelo Caroselli. This piece belongs to the genre of allegory, utilizing symbolic figures to represent a specific concept or season. The subject matter is categorized as a genre painting, focusing on a figurative representation rather than a purely historical or religious narrative.
Angelo Caroselli captured the essence of the harvest in this Allegory of Autumn, a work dating to about 1630. The painting functions as one half of a seasonal dialogue, created as part of a pair alongside the work titled "Printemps." Together, these figures trace the cyclical movement of the year through the quietude of their gestures and the weight of their presence.
We are looking at the Allegory of Vanitas, a work painted by Angelo Caroselli in 1637. This piece is an oil on panel, a medium that allows for a specific kind of depth and texture in the rendering of skin and fabric. It is currently held within the collection of the Museum Boijmans Van Beuningen in Rotterdam, Netherlands.
The Necromancer is an oil on canvas portrait by the Roman Baroque painter Angelo Caroselli. Executed about 1649, the work belongs to a period in which the artist explored themes of witchcraft and sorcery. Caroselli, a self-taught painter who learned his craft through work as an art restorer and copyist, developed a style characterized by potent naturalism and the heavy use of chiaroscuro.
Angelo Caroselli’s "Rest on the Flight into Egypt" is not merely a depiction of a biblical passage; it is an immersive journey into the heart of Baroque drama, rendered with profound tenderness. The scene captures that pivotal moment when Mary cradles the infant Jesus amidst the arduous trek to Egypt. One can almost feel the dust of the road and hear the hushed whispers of the accompanying figures. Caroselli masterfully…
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 7개의 미술관
| 소장 미술관 | 도시 | Angelo Caroselli의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 빈 미술사 박물관 |
빈 | 2 | Wenceslaus I, Duke of Bohemia, Singing man, possibly a self-portrait |
 Walters Art Museum |
볼티모어 | 2 | Saint Jerome in the Wilderness, Madonna and Child with St. Lawrence and St. Stephen |
 Musée Fesch |
엑스앙프로방스 | 2 | Allegory of Spring, Allegory of Autumn |
 Museum Boijmans Van Beuningen |
로테르담 | 1 | Allegory of Vanitas |
 Museo Civico |
안코나 | 1 | The necromancer |
 갤러리아 나자날 드 아트 안티카 |
로마 | 1 | Rest on the Flight into Egypt |
 국립 미술관 |
런던 | 1 | The Plague at Ashdod ( Poussin) |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
A heavy, red cloak spills across the floor like a pool of spilled wine. It gathers at the feet of Wenceslaus I, Duke of Bohemia, a man carved from light and deep shadow. He stands in a commanding pose, his body encased in dark metallic armor that catches the singular, directional light of the room. One hand reaches outward, an open gesture of supplication or perhaps a command to the…
The painting titled Allegory of Spring is an oil on canvas work created by the artist Angelo Caroselli. This piece belongs to the genre of allegory, utilizing symbolic figures to represent a specific concept or season. The subject matter is categorized as a genre painting, focusing on a figurative representation rather than a purely historical or religious narrative.
The Necromancer is an oil on canvas portrait by the Roman Baroque painter Angelo Caroselli. Executed about 1649, the work belongs to a period in which the artist explored themes of witchcraft and sorcery. Caroselli, a self-taught painter who learned his craft through work as an art restorer and copyist, developed a style characterized by potent naturalism and the heavy use of chiaroscuro.
Wenceslaus I, Duke of Bohemia (1628), 빈 미술사 박물관, 빈. 다음은 Saint Jerome in the Wilderness (1625)와 Singing man, possibly a self-portrait (1620)입니다.
43세: Wenceslaus I, Duke of Bohemia은(는) 1628년 작품이며, Angelo Caroselli은(는) 1585년에 태어났습니다.
Wenceslaus I, Duke of Bohemia, Saint Jerome in the Wilderness, Singing man, possibly a self-portrait, Madonna and Child with St. Lawrence and St. Stephen, Allegory of Spring, Allegory of Autumn, Allegory of Vanitas, The necromancer, Rest on the Flight into Egypt 및 Portrait of a Young Man in Armor, as Saint George. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1620년부터 1649년 사이의 Angelo Caroselli 작가의 작품 14점이 수록되어 있습니다.
대부분 빈 미술사 박물관 (빈), Walters Art Museum (볼티모어) 및 Musée Fesch (엑스앙프로방스)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1620s 동안: 이 페이지의 총 14점의 작품 중 4점이 해당 시기에 제작되었으며, 그중 Wenceslaus I, Duke of Bohemia점입니다.
이 페이지에서 가장 오래된 작품은 Singing man, possibly a self-portrait (1620)이며, 가장 최근 작품은 The necromancer (1649)입니다.
이 페이지의 14점의 작품에 걸쳐 있는 Woman (5), Man (4) 및 Beard (2)
이 페이지의 총 14점의 작품 중 4점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Baroque
Wenceslaus I, Duke of Bohemia 및 Singing man, possibly a self-portrait: 빈 미술사 박물관, 빈은(는) 이 페이지에 있는 작품 중 2점을 소장하고 있습니다.
Angelo Caroselli was born in Rome, Italy, in 1585. Little is known about his early training; sources indicate he did not formally apprentice under a single master, a factor that would later influence the trajectory of his career. This lack of traditional grounding led to an eclectic style and a somewhat precarious professional life.
Caroselli operated during the Baroque period, and his work reflects the dynamism and dramatic flair characteristic of that era. He was significantly influenced by two key artistic currents: Caravaggism – the style pioneered by Michelangelo Merisi da Caravaggio, emphasizing strong contrasts of light and shadow (tenebrism) and realistic depictions – and the Bamboccianti, a group of Dutch and Flemish painters in Rome known for their genre scenes depicting everyday life. His style blended these influences, resulting in works that were both dramatic and grounded in reality.
Caroselli’s career was marked by instability. Contemporary accounts, particularly those of Giovanni Battista Passeri, describe him as lacking consistent patronage. He traveled to Naples and Piedmont de Liso seeking employment, but his independent nature and perhaps a somewhat questionable reputation hindered his success. A notable incident involved accusations of creating forgeries in the style of established masters, further complicating his professional life.
Caroselli experienced personal loss, being widowed twice. His second marriage connected him to a prominent artistic family; he married Brigitta Lauwers, daughter of the Flemish landscape painter Balthasar Lauwers, becoming brother-in-law to Filippo and Francesco Lauwers. He also trained pupils including Pietro Paolini and his son Carlo Caroselli.
While not as widely celebrated as some of his Baroque contemporaries, Angelo Caroselli represents an interesting facet of Roman art during the 17th century. His eclectic style and independent spirit set him apart. He demonstrates the diverse artistic currents flowing through Rome at the time and provides insight into the challenges faced by artists operating outside established patronage networks. His pupils continued to spread his influence, ensuring a modest but lasting legacy.
