갤러리 엄선, 가장 유명한 아바닌드라나트 타고르 작품 47선

바랏 마타

라는 제목의 이 회화는 인도의 화가 아바닌드라나트 타고르의 걸작입니다. 1905년에 제작된 이 작품은 인도를 한 여신으로 의인화하여 보여줍니다. 이러한 시각적 재현은 문학 작품인 아난다마스(Anandamath)에 묘사된 국가의 모습에 그 뿌리를 두고 있습니다. 즉, 이 형상은 문학적 개념 속에서 실체화된 '어머니 조국'이라는 관념으로부터 탄생한 것입니다.

My mother

The portrait known as My mother emerges from the shadows, a quiet presence captured by the hand of Abanindranath Tagore. This intimate work presents an elderly woman shown in profile, her features softened by a sense of memory and reverence. The artist, who lived from 1871 to 1951, focuses the viewer's attention on the dignity of the subject, creating a moment of stillness that feels suspended in time. There is…

Arab

This work, titled Arab, was created by the artist Abanindranath Tagore. It is a significant piece from his extensive body of work, reflecting the individual vision of a man who was born in 1871 in Kolkata, India. Throughout his life, which concluded in 1951, Tagore remained a central figure in the evolution of Indian modernism, moving away from Western academic models to find a distinct visual language.

Untitled

In this quiet moment of observation, we encounter Untitled, a profile portrait sketch by the artist Abanindranath Tagore. The subject, a middle-aged man, gazes outward from a side view, his features captured in a state of calm contemplation. There is a sense of stillness in his posture, as if he has just paused in thought, allowing the artist to trace the contours of his character.

Rabindranath in the role of 'blind singer'

The watercolor painting titled Rabindranath in the role of 'blind singer' was created by Abanindranath Tagore. This work dates to about 1916. It emerged from the hands of a man born into the distinguished Tagore family of Kolkata, India.

The Final Release

In "The Final Release" by Abanindranath Tagore, we find ourselves witnessing a quiet, ritualistic moment. The scene depicts a group of Buddhist monks gathered in solemn observation. They are positioned toward the right side of the frame, their forms oriented toward a large, vertical mass of light and smoke rising on the left. This asymmetrical arrangement directs the viewer's gaze across the void between the observers and the source of…

Buddha as mendicant

Abanindranath Tagore presents Buddha as mendicant in this vertically oriented portrait from about 1914. The composition centers on a single figure positioned slightly to the right of the frame, creating a sense of quiet presence. Captured from a straightforward, eye-level perspective, the subject is shown in a state of mendicancy, holding an alms bowl in one hand. This posture emphasizes the spiritual stillness of the monk.

Departure of Prince Siddhartha

Abanindranath Tagore’s Departure of Prince Siddhartha, created about 1914, presents an intimate, close-up scene centered on a pivotal moment of renunciation and spiritual transition. The composition utilizes a side profile view to establish a sense of quiet movement. Within this frame, the profile of Prince Siddhartha is positioned alongside the head of his horse, Kanthaka. A subtle halo emanates from behind the Prince's head, providing a focal point that emphasizes…

Sindbad the Sailor

is a painting by the artist Abanindranath Tagore. Created about 1930, this work belongs to the artist's Arabian Nights series. This collection of paintings remains among the finest achievements of his career.

Mother and Child