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학생 작품 안내서

Left by the Tide

성명 학년/반 날짜

samuel maurice jones, Left by the Tide, Caernarfon Record Office. 저작권 만료 작품

상세 정보

작가
samuel maurice jones originaluniqueart.com/ko/artists/samuel-maurice-jones/
작가 활동 시기
1853 – 1932
원본 크기
55 x 68 cm
운동성
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
장소
Caernarfon Record Office originaluniqueart.com/ko/museums/caernarfon-record-office-carnarvon_ko/

문맥상

Left by the Tide — samuel maurice jones

크기 정보

원작의 크기는 55 × 68 cm (높이 × 너비)이며, 여기에는 평균 신장의 성인과 나란히 배치하여 크기를 비교할 수 있습니다.

이 작품의 제작 시기는 언제쯤일까요?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

음영 처리됨: samuel maurice jones의 생애 (1853–1932)

이 레코드의 정확한 발매 연도는 기록되어 있지 않습니다. 아티스트의 생애와 작품의 스타일을 바탕으로 볼 때, 몇 년대 작품이라고 추측하시나요?

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컬러 팔레트

이미지 기반 측정값

    주요 색상

    Rosy Brown #cdab95

    컬렉션된 팔레트

    • #CDAB95
    • #432F1F
    • #765237
    • #BB8361
    팔레트
    Earthy 작품에서 주를 이루는 색상군.
    주요 색상
    Rosy Brown
    강도
    Balanced 단일한 차분한 색조부터 다채롭고 밝은 색조에 이르기까지, 색상의 채도와 다양성을 나타냅니다.
    대비
    Bold 작품 전체에 걸쳐 색상의 명도와 채도가 얼마나 차이 나는지를 나타냅니다.
    조화
    Unified Palette 색채가 서로 충돌하는지 혹은 완벽하게 조화를 이루는지 등, 색채의 어우러짐 정도.
    밝기
    Bright 깊은 그림자부터 밝은 하이라이트까지, 작품 전체의 전반적인 명암 정도.
    채도
    Balanced Soft 회색에 가까운 색조부터 매우 선명한 색조까지, 얼마나 순수하고 강렬한 색채를 지녔는지 확인해 보세요.

    아티스트와 미술관

    작가

    samuel maurice jones

    Samuel Maurice Jones (1853 - 1932), Artist

    Samuel Maurice Jones R.C.A. (1853 – 30 December 1932) was a Welsh landscape painter and illustrator, particularly active in North Wales. Working principally in watercolour, Jones made numerous studies and paintings of the fields near Caernarfon and the Conwy Valley. Many of these rural studies have an idealised, pastoral character suggestive of the English picturesque and Romantic landscape traditions originating in the works of John Constable and developed by J.M.W Turner.

    Early Life

    Samuel Maurice Jones was born in Mochdre, a coastal village in north-east Wales near Colwyn Bay. His father, Rev. John Jones, was a Calvinistic Methodist minister. Jones was trained first at the Caernarfon School of Art under the tutelage of John Cambrian Rowland and later, in London where he studied under William Collingwood between 1870 and 1873. Collingwood was an Associate of the Society of Painters in Watercolours and offered Jones a thorough and traditional training in the fundamentals of arts education; schooling him in the importance of line and composition, shading, drawing carefully from nature and drawing from memory.

    The first entry in the study book documenting his lesson with Collingwood on Monday, 11 April 1870, recalls his teachers' words:

    "You must regard your hand as an instrument requiring to be taught how to execute with certainty and freedom, every mental command.'"

    While he was in London, Jones met two figures closely associated with the Pre-Raphaelite Brotherhood: the art critic, John Ruskin, and the painter, Holman Hunt, who reviewed and offered constructive criticism of his work. Shortly afterwards Jones returned to Caernarfon in order to pursue his career as an artist.

    Early Work

    Jones' early sketchbooks attest to the influence of the British Romantic painters, particularly J.M.W. Turner. A small, leather-bound copy book and sketchbook dated 1874 by Jones includes a copy of Turner’s painting Crossing the Brook, exhibited in the National Gallery in 1815. An inscription later in the small notebook reads:

    *The Crossing the Brook is one of those pictures of Turner's which every one admires... The view is taken from the banks of Tamar, that divides Devonshire from Cornwall*.

    It is possible that the first study in the 1874 notebook, a gothic ink study of Caernarfon Castle by moonlight, is modelled on Turner’s painting of

    c. 1798, though Jones may well have brought his first-hand knowledge of the castle to bear on this study.

    Notable Paintings

    Jones' artistic output focused primarily on capturing the beauty of North Wales landscapes. His paintings frequently depict serene valleys and dramatic mountain vistas, imbued with a Romantic sensibility reminiscent of Turner’s masterful use of light and atmosphere. Recurring themes included depictions of Snowdonia National Park and coastal scenes along the Lleyn Peninsula.

    Among his most celebrated works are “Left by the Tide,” an evocative oil painting depicting a shipwreck scene at sunset, and “Maesincla Road near Caernarfon,” which showcases Jones’ ability to convey mood and emotion through subtle tonal variations. His meticulous attention to detail—particularly in capturing the textures of stone and foliage—established him as one of Wales' foremost watercolour artists.

    Legacy

    Samuel Maurice Jones left an indelible mark on Welsh art history. His paintings continue to inspire admiration for their lyrical beauty and technical precision, cementing his place among the Romantic landscape painters who shaped the visual culture of Victorian Britain. He was elected an Associate of the Royal Cambrian Academy in 1882 and became an Academician (R.C.A.) in 1921. He was a regular exhibitor at the Academy’s annual exhibition in Conway.

    Jones' dedication to artistic excellence and his unwavering commitment to portraying the grandeur of Welsh scenery ensured that his legacy would endure for generations to come.

    박물관

    Caernarfon Record Office

    전시 장소 Carnarvon, United Kingdom

    Caernarfon Record Office: Preserving Gwynedd’s Legacy Through Document and Detail

    The Caernarfon Record Office stands as a cornerstone of Welsh heritage, more than just a repository of parchment and ink—it's a tangible embodiment of centuries past. Located in Victoria Dock, Caernarfon, this unassuming building houses an astonishing collection spanning eleven centuries, offering researchers and enthusiasts alike unparalleled access to the region’s formative narratives.

    A Chronicle Etched in Ink:

    The Archive’s core comprises official documents—deeds, wills, legal proceedings—providing a granular portrait of Gwynedd's governance from Norman conquest through Victorian expansion. These aren’t merely facts; they are whispers of battles fought, treaties negotiated, and lives lived under the watchful gaze of monarchs and revolutionaries.

    Tracing Roots:

    For genealogists captivated by Welsh ancestry, the Record Office presents a treasure trove of resources. Parish registers meticulously documenting births, marriages, and deaths alongside census records illuminate familial connections across generations. Examining estate papers unveils glimpses into social hierarchies and economic realities of bygone eras.

    Visualizing Gwynedd’s Past:

    Beyond textual accounts lie maps—detailed charts charting territorial disputes and agricultural landscapes—and architectural drawings capturing the grandeur of castles like Caernarfon Castle itself. These visual aids transport viewers back in time, fostering a deeper understanding of Gwynedd's evolving physical environment.

    Community Voices:

    Unique collections delve into the lives of specific Gwynedd communities – diaries detailing daily routines, newspapers chronicling local events, and photographs documenting social customs—revealing the vibrant tapestry of Welsh life beyond official records.

    The Record Office’s significance extends far beyond its collection; it's inextricably linked to Caernarfon Castle’s history. Documents unearthed here illuminate the castle’s role in shaping Welsh identity and political discourse, complementing its imposing stone façade with layers of historical context.

    What distinguishes Caernarfon Record Office is its unwavering commitment to conservation—a practice rooted in recognizing that these documents are not merely artifacts but living links to Gwynedd's past. Skilled archivists painstakingly preserve fragile manuscripts and prints, ensuring their stories endure for future generations.

    Visitor Information & Engagement

    Researchers and curious visitors alike are welcomed at Caernarfon Record Office. Dedicated research services cater to scholarly inquiries, while educational visits inspire a passion for Welsh history among younger audiences. Contact them at 01286 679095 to explore scheduling opportunities.

    Beyond the Archives: Exploring Gwynedd’s Artistic Heritage

    While primarily focused on historical documentation, Caernarfon Record Office's location within Gwynedd—a region celebrated for its artistic traditions—offers a serendipitous connection to Welsh art history. Consider visiting Art UK (

    ) to discover artworks inspired by the landscape and culture of Gwynedd, furthering your appreciation for Wales’s multifaceted heritage.

    Further Exploration

    Delve deeper into Welsh artistic expression with a visit to Essex Record Office (

    Connecting Gwynedd’s Past & Present

    Finally, explore Gwynedd County Council Collection (

    자세히 보기

    온라인에서 더 보기

    Left by the Tide 다운로드 페이지로 연결되는 QR 코드

    originaluniqueart.com/ko/art/download/samuel-maurice-jones-left-by-the-tide-AS83WB-en/

    이 작품 인용하기

    MLA
    jones, samuel maurice. Left by the Tide. n.d., Caernarfon Record Office. https://originaluniqueart.com/ko/art/samuel-maurice-jones-left-by-the-tide-AS83WB-en/
    APA
    jones, samuel maurice (n.d.). Left by the Tide [Painting]. Caernarfon Record Office. https://originaluniqueart.com/ko/art/samuel-maurice-jones-left-by-the-tide-AS83WB-en/
    Chicago
    samuel maurice jones. Left by the Tide. n.d. Caernarfon Record Office. https://originaluniqueart.com/ko/art/samuel-maurice-jones-left-by-the-tide-AS83WB-en/
    Harvard
    jones, samuel maurice (n.d.) Left by the Tide. Caernarfon Record Office. Available at: https://originaluniqueart.com/ko/art/samuel-maurice-jones-left-by-the-tide-AS83WB-en/

    상세히 보기

    Left by the Tide — samuel maurice jones

    자세히 들여다보기

    자신의 언어로 답변해 주세요. 정답은 없습니다. 오직 스스로 설명할 수 있는 답변이 있을 뿐입니다.

    1. 가장 먼저 눈길을 사로잡는 것은 무엇이며, 그 이유는 무엇인가요?
    2. 어떤 색상이나 형태가 분위기를 조성하며, 그 분위기는 무엇인가요?
    3. 저희 카탈로그는 이 작품을 다음 분류로 등록하고 있습니다: shipwreck, sunset, beach. 이에 동의하시나요? 추가하거나 제외하고 싶은 내용이 있으신가요?
    4. 이 가이드 앞부분에서 보았던 Maesincla Road, near Caernarvon (1889)를 다시 한번 떠올려 보세요. 이 작품과 공통점 두 가지와 차이점 한 가지를 찾아보세요.
    5. Romanticism: Art that puts feeling, wildness and the power of nature above calm order and rules. 이 작품의 어느 부분에서 그 특징을 찾아볼 수 있을까요?

    작성하신 내용

    이 작품에 대해 짧은 글을 작성해 보세요. 가이드 앞부분의 정보와 위에서 답변한 내용을 활용하시기 바랍니다.