Two Boobs (sign)
In the early 1970s David Porter was a contributing photographer for some of the most influential Australian Rock music and underground publications (Go-Set, Daily/Planet, Rolling Stone (Australian Edition), The Digger. Porter was based in Melbourne, his subject the zeitgeist of its Rock/Pop music, underground theatre, and Counterculture scenes, sometimes working as ‘David Porter’, sometimes ‘Jacques L’Affrique’, sometimes ‘Jack Africa’. In 1973 he left Melbourne, stopped working in commercial photography, and pursued a teaching career.This photograph was taken at T.F. MUCH/MUCH MORE BALLROOM (1970-72)Cathedral Hall (aka Central Hall) Brunswick St, FitzroySeries of ‘Counterculture’ performance events staged at Cathedral Hall (owned by the Catholic Church). Created by John Pinder, Peter Andrew, Warren Knight, Bani McSpeeden, Hugh McSpedden. Music, art, light shows, circus, and vaudeville inspired by the psychedelic San Francisco ballrooms of the late 1960s. Built 1903 Cathedral Hall had generous floor space, large proscenium style stage, heavy draw curtains, large domed windows, ornate ceiling and chandeliers, dress circle on three sides facing the stage. Held up to 1,500 patrons (sitting on the floor and in the balcony, standing or dancing).The first T.F. Much Ballroom took place in August 1970 featuring Spectrum, Jeff Crozier’s Indian Medicine Magik Show, Lipp Arthur, Adderley Smith Blues Band, Sons of the Vegetal Mother, Gerry Humphreys & the Joy Band, Captain Matchbox Whoopee Band, Margret RoadKnight, Flash Light Show, Tribe Theatre. A flea market also sold macrobiotic food, hippie clothing. Subsequent events were usually held monthly and featured concert-style performances presenting multiple musical acts interspersed with comedy, poetry, theatrical, dance and novelty performances. The epicentre of the early 1970s ‘Carlton scene’, the T.F. Much/Much More Ballroom was a ‘head venue’. Capturing Melbourne’s alternative theatre, music, and experimental art scenes and counterculture, it was the antithesis of Melbourne’s pub and suburban rock music circuits.After a name change (necessitated when officials twigged that T.F. Much meant ‘Too Fucking’ Much) the ‘Much More Ballroom’ began in November 1971. The last event was held in December 1972 with Spectrum, Indelible Murtceps, Captain Matchbox Whoopee Band, Miss Universe, Gary Young and Hot Dog.
질의응답
데이비드 딕슨 포터의 "Two Boobs (sign)"을(를) 슬라이드쇼로 어떻게 감상할 수 있나요?
슬라이드쇼를 이용하실 수 있습니다: 데이비드 딕슨 포터의 "Two Boobs (sign)"의 슬라이드쇼 페이지.
데이비드 딕슨 포터의 "Two Boobs (sign)"의 엑스레이(X-ray) 이미지를 볼 수 있을까요?
데이비드 딕슨 포터의 "Two Boobs (sign)"의 X-Ray 뷰는 작품의 X선 분석 페이지에서 확인하실 수 있습니다. 이 페이지에서는 11개의 광학 레이어를 통해 이미지를 인터랙티브하게 살펴볼 수 있습니다.
"Two Boobs (sign)"의 유화 복제본을 주문할 수 있을까요?
"Two Boobs (sign)" 작품은 리넨 캔버스 위에 손으로 직접 그린 유화 복제화로 만나보실 수 있습니다. 주문은 수작업 유화 복제화 페이지에서 가능하며, 다양한 사이즈를 선택하실 수 있습니다.
데이비드 딕슨 포터 (1813 – 1891)
미 해군의 저명한 제독이자 예술가인 데이비드 딕슨 포터(1813-1891)를 만나보세요! 콘서트 사진, 밴드 초상화, 행사 장면 등 그의 매혹적인 작품들을 통해 해군 역사와 예술적 표현이 어우러진 독특한 세계를 탐험할 수 있습니다.
Penrith Regional Gallery - Home of the Lewers Bequest (이뮤 플레인스, 호주)
에뮤 플레인스에 위치한 펜리스 지역 갤러리는 특별한 루어스 유산(Lewers Bequest)의 본거지로, 아름다운 유산 정원 속에서 호주 모더니즘을 경험할 수 있는 몰입형 여정을 제공하며 활기찬 예술 세계로 여러분을 초대합니다.
이 작품에 대하여
- 제목: Two Boobs (sign)
- 작가: 데이비드 딕슨 포터
- 제작 연도: 1971
- 형식: Landscape
- 저작권 상태: 퍼블릭 도메인
- 전시 장소: Penrith Regional Gallery - Home of the Lewers Bequest
- 색상 및 색조: Green to Violet Spectrum
- 체감 밝기: shadow