11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 156점의 알렉상드르 가브리엘 데캉 작품 (당사 카탈로그 기준)
요약하자면
알렉상드르 가브리엘 데캉가 남긴 모든 원작 중 가장 유명한 작품은 파리의 루브르 박물관에 소장된 The Defeat of the Cimbri (1833)입니다. 그 뒤를 이어 The Witches in 'Macbeth' (1841)와 Old Woman and Boy in a Forest (1848)가 뒤를 잇습니다. 알렉상드르 가브리엘 데캉의 작품 156점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 100점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.
Alexandre Gabriel Decamps’ “The Defeat of the Cimbri,” completed in 1833, stands as a cornerstone of Romantic art—a bold assertion against the rigid formalism of Neoclassicism and an embodiment of the era's fervent embrace of emotion and grandeur. Housed within the Louvre Museum’s walls, this monumental oil on canvas (measuring 130 x 195 cm) captures not merely a historical event but also the very spirit of its time.
The air in the cavern feels heavy, thick with the scent of woodsmoke and something older. Three women gather around a central cauldron, their forms caught in the flickering, amber light of a small fire. One figure stands with arms raised toward the darkness, a silhouette against the gloom, while another leans into the heat of the flames. A third kneels upon the earth, her presence anchored near the glowing…
The forest is a vertical cage of shadows and light. Within this grayscale world, an elderly woman moves through the dense timber, her body bent under the weight of a heavy bundle of sticks. Beside her, a small boy looks upward, his gaze a silent anchor to her labor. The scene is captured in monochrome, stripping away the distraction of color to focus on the stark reality of their connection.…
The scene unfolds in 1836 through the oil on canvas work titled Souvenir de la Turquie d'Asie, dit aussi Enfants turcs auprès d'une fontaine. Alexandre Gabriel Decamps captures a quiet moment of discovery in this Orientalist painting. The air feels heavy with the warmth of the sun as Turkish children gather in a courtyard. They focus their attention on a slow-moving tortoise, their youthful curiosity drawing them toward the small…
In a dimly lit interior, a man sits in profile at a large table, his attention fixed upon an open book. The scene is composed within a shallow space, creating a sense of enclosure. A rectangular patch of sunlight strikes the back wall, providing a sharp geometric contrast to the surrounding shadows. This light illuminates the pages of the book and the surface of the table, where various objects are…
In this 1852 oil painting, a seated, bearded figure wrapped in a white cloth occupies the left foreground, positioned within a shadowed architectural courtyard. The composition uses high walls to create a sense of enclosure, directing the eye toward a sunlit colonnade in the background. Through these arches, a clear blue sky is visible, providing a sharp contrast to the deep shadows of the foreground. A woman watches from an…
In this oil on canvas, a solitary soldier is positioned within an architectural arcade. The figure stands slightly to the right of the vertical midline, draped in a patterned robe that catches the light from the upper left. This light source casts soft shadows across the stone surfaces and highlights the metallic sheen of the soldier's weaponry. The color palette is composed of warm, earthy tones, specifically ochre, gold, cream,…
Inside a dimly lit enclosure, the air feels heavy and still. Two pigs occupy the center of this somber space, their forms emerging from deep shadows. One animal stands, leaning its weight toward a trough on the left, while the other lies resting in the foreground, surrendered to stillness. The scene is bathed in a muted, earthy palette where deep browns, ochre, and sienna dominate the view. Light descends from…
The painting reflects a deep interest in the reality of daily life and the dignity found in physical labor. Rather than focusing on idealized figures, the work presents the masons as they are: weathered, focused, and deeply integrated into their environment. There is a sense of movement in the way the figures are distributed, suggesting a continuous, ongoing process of creation. The heavy, organic shapes of the stones contrast with…
is a 19th-century landscape by Alexandre Gabriel Decamps. Created about 1830, the work presents a genre scene of outdoor sport. The composition centers on a group of men engaged in the pursuit of birds within an open, rural setting.
Albanian Dancers1835 · Musée Des Beaux
12
Turkish Executioners1837 · 암스테르담 박물관
13
The Gypsy Camp1837
14
A Turkish School1846 · 암스테르담 박물관
15
The Punishment of the Hooks1837 · 월리스 컬렉션
16
Asses Resting: A Turkish Scene1833 · 월리스 컬렉션
17
Interior of a Turkish Cafe1833
18
The Scythe Sharpener1841 · 암스테르담 박물관
19
Towhorses1842
20
The Roman Campagna1847 · 월리스 컬렉션
21
An Arab and His Steed1843
22
The Grinder1840
23
Goatherd of the Abruzzi1845 · 미니애폴리스 미술관
24
Rocky Bay South of Salerno with View of Capri1847 · 하버드 미술관
25
The Poacher1847
26
Black and White Basset Hound in the Kennel1849
27
A Street in Smyrna1850
28
Winter Fuel1850 · Aberdeen Art Gallery
29
Eastern Women at a Well1851 · 월리스 컬렉션
30
Oxen before a Farmhouse at Le Verrier1853 · 클리블랜드 미술관
31
Courtyard1855 · 시카고 미술관
32
The Turkish Patrol1831 · 월리스 컬렉션
33
Before a Mosque1868 · 에르미타주 박물관
34
The Good Samaritan1842 · 클리블랜드 미술관
35
LA CARAVANE루브르 박물관
36
LE SINGE PEINTRE DIT AUSSI INTERIEUR D'ATELIER루브르 박물관
37
CHEVAUX DE HALAGE루브르 박물관
38
Souvenir De La Turquie d'Asie Enfants Turcs Jouant Avec Une Tortue콩데 미술관
39
LE PASSAGE DU GUE루브르 박물관
40
Evening Landscape1830 · Museum Gouda
41
The Hunter (Le garde-chasse)1830 · Museum Gouda
42
Watchdogs1829 · The Mesdag Collection
43
Napoleon op St. Helena1826 · The Mesdag Collection
44
Landscape1840 · 메트로폴리탄 미술관
45
Descamps Self Portrait early1830
46
The Villa Doria Pamphilj, Rome1838 · 월리스 컬렉션
47
The Finding of Moses1837 · 월리스 컬렉션
48
Joseph Sold by his Brethren1838 · 월리스 컬렉션
49
Eastern Figures Reposing1832 · 월리스 컬렉션
50
Bazaar in Cairo1833 · Rhode Island School of Design Museum of Art
51
The huntsman1839 · Rijksmuseum Twenthe
52
Turkish Standard-bearer1839 · 바이에른 주립 회화 컬렉션
53
Landscape with the Good Samaritan1837 · 미니애폴리스 미술관
54
Windmill1835 · 보스턴 미술관
55
Cat, Weasel, and Rabbit1836
56
Bulldog and Scottish Terrier1843
57
A Meadow with Horses1845 · 암스테르담 박물관
58
A City in Asia Minor1846 · 암스테르담 박물관
59
A Shepherd with His Flock1843 · 암스테르담 박물관
60
The Lost Trail1842 · 암스테르담 박물관
61
Bertrand and Raton1847 · Musée Jean de La Fontaine
62
The Anchorage of Smyrna1847 · 월리스 컬렉션
63
A Well in the East1847 · 월리스 컬렉션
64
The Watering Place1850 · Aberdeen Art Gallery
65
The Miraculous Draught of Fishes1853 · 월리스 컬렉션
66
Tobias and the Angel1855 · 캐나다 국립 미술관
67
Aftenlandskap1854 · National Museum of Art, Architecture and Design
68
The Beggars1849 · 스코틀랜드 국립 미술관
69
Sunset, Tombs Near Cairo1850 · Walters Art Museum
70
Still Life with Herring, Bread, and Cheese1858 · 클리블랜드 미술관
71
Still Life with Pipe and Matches1858 · 클리블랜드 미술관
72
Old Port, Singapore1860 · 보스턴 미술관
73
The poacher1857 · The Mesdag Collection
74
A Monkey Playing a LuteBowes Museum
75
The Blind Beggar
76
A Horse with Child Holding Reins아일랜드 국립 미술관
77
Young Beggars보스턴 미술관
78
TETE DE SINGE FUMANT LA PIPE
79
Monkey looking in a mirrorMusée Grobet-Labadié
80
REBECCA A LA FONTAINE콩데 미술관
81
Singe au miroir
82
PAYSAGE (DON QUICHOTTE)콩데 미술관
83
Braconnier vu de dos
84
Don Quichotte et Sancho
85
Souvenir de Turquie d'Asie (Environs de Smyrne) (titre attribué)
86
Le marché aux bestiauxMusée des Beaux-Arts de Bordeaux
87
Paysage Saül poursuivant David
88
Bertrand et Raton Le Singe et le Chat, IX, 17
89
INTERIEUR DE COUR RUSTIQUE A FONTAINEBLEAU
90
Enfants effrayés à la vue d'une chienne
91
BERTRAND ET RATON콩데 미술관
92
Vue d'Orient
93
L'ECOLE TURQUE콩데 미술관
94
UN CORPS DE GARDE TURC SUR LA ROUTE DE SMYRNE A MAGNESIE콩데 미술관
95
PORTE ETENDARD TURC콩데 미술관
96
Marchand turc fumant dans sa boutique
97
Guerriers arabes
98
A Bedouin and a Camel Resting in a Desert
99
ENFANT DONNANT A MANGER A UN MOUTON콩데 미술관
100
ENFANTS TURCS AUPRES D'UNE FONTAINE
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 알렉상드르 가브리엘 데캉의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 월리스 컬렉션 |
런던 | 16 | The Witches in 'Macbeth', The Bookworm, Soldier of the Guard of a Vizier |
 콩데 미술관 |
샹티이 | 12 | Souvenir de la Turquie d'Asie, dit aussi Enfants turcs auprès d'une fontaine, Souvenir De La Turquie d'Asie Enfants Turcs Jouant Avec Une Tortue, REBECCA A LA FONTAINE |
 암스테르담 박물관 |
암스테르담 | 7 | Turkish Executioners, A Turkish School, The Scythe Sharpener |
 루브르 박물관 |
파리 | 28 | The Defeat of the Cimbri, LA CARAVANE, LE SINGE PEINTRE DIT AUSSI INTERIEUR D'ATELIER |
 클리블랜드 미술관 |
클리블랜드 | 4 | Oxen before a Farmhouse at Le Verrier, The Good Samaritan, Still Life with Herring, Bread, and Cheese |
 보스턴 미술관 |
보스턴 | 5 | Windmill, Old Port, Singapore, Young Beggars |
 미니애폴리스 미술관 |
미니애폴리스 | 3 | Job and His Friends, Goatherd of the Abruzzi, Landscape with the Good Samaritan |
 The Mesdag Collection |
헤이그 | 3 | Watchdogs, Napoleon op St. Helena, The poacher |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
In this oil on canvas, a solitary soldier is positioned within an architectural arcade. The figure stands slightly to the right of the vertical midline, draped in a patterned robe that catches the light from the upper left. This light source casts soft shadows across the stone surfaces and highlights the metallic sheen of the soldier's weaponry. The color palette is composed of warm, earthy tones, specifically ochre, gold, cream,…
Alexandre Gabriel Decamps’ “The Defeat of the Cimbri,” completed in 1833, stands as a cornerstone of Romantic art—a bold assertion against the rigid formalism of Neoclassicism and an embodiment of the era's fervent embrace of emotion and grandeur. Housed within the Louvre Museum’s walls, this monumental oil on canvas (measuring 130 x 195 cm) captures not merely a historical event but also the very spirit of its time.
The air in the cavern feels heavy, thick with the scent of woodsmoke and something older. Three women gather around a central cauldron, their forms caught in the flickering, amber light of a small fire. One figure stands with arms raised toward the darkness, a silhouette against the gloom, while another leans into the heat of the flames. A third kneels upon the earth, her presence anchored near the glowing…
In this 1852 oil painting, a seated, bearded figure wrapped in a white cloth occupies the left foreground, positioned within a shadowed architectural courtyard. The composition uses high walls to create a sense of enclosure, directing the eye toward a sunlit colonnade in the background. Through these arches, a clear blue sky is visible, providing a sharp contrast to the deep shadows of the foreground. A woman watches from an…
The Defeat of the Cimbri (1833), 루브르 박물관, 파리. 다음은 The Witches in 'Macbeth' (1841)와 Old Woman and Boy in a Forest (1848)입니다.
30세: The Defeat of the Cimbri은(는) 1833년 작품이며, 알렉상드르 가브리엘 데캉은(는) 1803년에 태어났습니다.
The Defeat of the Cimbri, The Witches in 'Macbeth', Old Woman and Boy in a Forest, Souvenir de la Turquie d'Asie, dit aussi Enfants turcs auprès d'une fontaine, The Bookworm, Job and His Friends, Soldier of the Guard of a Vizier, Study of Pigs, The Masons 및 Bird Hunting. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1825년부터 1860년 사이의 알렉상드르 가브리엘 데캉 작가의 작품 156점이 수록되어 있습니다.
대부분 월리스 컬렉션 (런던), 콩데 미술관 (샹티이) 및 암스테르담 박물관 (암스테르담)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1840s 동안: 이 페이지의 총 100점의 작품 중 25점이 해당 시기에 제작되었으며, 그중 The Witches in 'Macbeth'점입니다.
이 페이지에서 가장 오래된 작품은 The Masons (1825)이며, 가장 최근 작품은 Old Port, Singapore (1860)입니다.
이 페이지의 100점의 작품에 걸쳐 있는 Man (11), Shadows (10) 및 Landscape (7)
이 페이지의 총 100점의 작품 중 26점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Romanticism 및 Orientalism
The Witches in 'Macbeth', The Bookworm 및 Soldier of the Guard of a Vizier: 월리스 컬렉션, 런던은(는) 이 페이지에 있는 작품 중 15점을 소장하고 있습니다.
