განახლდა ნოემბერი 2026 · დალაგებულია ჩვენი პოპულარობის ქულების მიხედვით (ძიება, ნახვა და შეკვეთები თითოეული ნამუშწაროსთვის) · 691 ნამუშევარი მორის უტრილო ჩვენს კატალოგში
მოკლედ რომ ვთქვათ
გალერეის თვალს, მორის უტრილო-ის ყველაზე ცნობილი ნამუშწაროა montmartre (1930). Church of Saint Jean Baptiste le Perreux on the Marne (1938) და Three mills montmartre under the snow ქმნიან იმ ტრიოს, რომელიც ყველამ იცნობს. ჩვენს კატალოგში არსებული მორის უტრილო-ის 691 ნამუშწაროდან, გალერეა ქვემოთ წარმოგიდგენთ 100 ყველაზე ცნობილ მათგანს; თითოეული მათგანი არის ორიგინალი, რომლის აღწერა მოიცავს შემოქმედების წელს, მუზეუმს და იმ დეტალებს, რაც მას უნიკალურს ხდის.
The watercolor titled montmartre was created by the artist Maurice Utrillo in 1930. This work captures a specific street within the Montmartre district, a famous hill located in Paris, France. The scene focuses on the urban architecture and the movement of people navigating the thoroughfare.
Maurice Utrillo painted Church of Saint Jean Baptiste le Perreux on the Marne in 1938. The work focuses on the Église Saint-Jean-Baptiste, a parish church situated in Le Perreux-sur-Marne. This location lies within the Val-de-Marne department of France.
In the quiet, wintry atmosphere of Three mills montmartre under the snow, the artist Maurice Utrillo captures a specific, frozen moment on the hill of Montmartre. The scene unfolds as if the viewer is standing upon the rue Lepic, looking out toward the skyline. Three windmills dominate the view, their silhouettes rising against the pale, snowy landscape. These structures—the Blute-Fin, the Radet, and the Debray, also known as Poivre—anchor the…
The world of Maurice Utrillo (1883-1955) is one defined by intimacy, a profound connection to the very bones of Paris – specifically, the weathered streets and humble buildings of Montmartre. Unlike many of his contemporaries who sought grand vistas or fashionable subjects, Utrillo relentlessly pursued the overlooked, the forgotten corners of his beloved district. His paintings aren’t merely depictions; they are emotional echoes, imbued with a quiet melancholy and an…
The scene unfolds in the Rue du Chevalier de la Barre, Les coupoles du Sacré-Cœur et le clocher de Saint-Pierre de Montmartre, a work by Maurice Utrillo. This painting captures a specific, atmospheric moment within the Montmartre district of Paris. The view focuses on the intersection of monumental architecture and the quiet, everyday urban life that pulses through the narrow streets. It is a moment frozen in time, where the…
The light settles softly upon a wooden table, catching the edge of a vase that holds a sudden burst of life. Red and white flowers lean toward one another, their petals heavy with color against a backdrop that feels almost dreamlike and indistinct. There is a stillness here, the kind found in a sunlit corner of a Parisian room where the world outside ceases to matter. The arrangement rests firmly…
Moulin in Sannois under snow is a work by the French painter Maurice Utrillo. The artist, born in 1883, emerged from the 18th arrondissement of Paris, France. His life, which spanned until 1955, was deeply rooted in the urban textures of his birthplace.
The oil painting titled Church of St. Nicolas du Chardonnet Under The Snow is a work by Maurice Utrillo. This French painter, a significant figure of the School of Paris, focused his gaze upon the physical bones of the city. He was born on 26 December 1883 in the Montmartre district of Paris, France.
The oil on canvas painting titled church at deuil was created by the French artist Maurice Utrillo. This work is dated 1912. The subject of the piece is the Church of Deuil, located in France. The artist, Maurice Utrillo, was born in the 18th arrondissement of Paris, France, in 1883.
In this work, titled place pigalle, we encounter a specific moment captured by Maurice Utrillo in 1910. The painting offers a view of a city street, centered around a large white building that dominates the background. A fountain sits before this structure, providing a focal point within the urban scene. Scattered figures move through the space, some positioned in the foreground and others receding into the distance, creating a sense…
The pink house in Montmartre
12
le Maquis de Montmartre Sous la Neige
13
sacre coeur de montmartre rue du chevalier de la barre a montmartre1935
14
Basilica di Saint Denis1909
15
church at st hilaire1911
16
Terrains _ vendre _Gentilly1922
17
paysage _ saint bernard1924
18
The Cottin Passage
19
The castle of Chasseneuil, Charente
20
Gabrielle la belle, montmartre
21
The Public Square at Tertre1911 · Milwaukee Art Museum
22
Sacré-Coeur De Montmartre And Rue Sainte-Rustique
23
Rue de l'Abreuvoir, Montmartre
24
rue des abbesses
25
The Rue Norvins at Montmartre 2
26
Sacré-Coeur De Montmartre And Rue Norvins
27
The Sacré Coeur, Montmartre
28
Hospice of saint vincent de paul
29
The Bridges of Toulouse
30
Rue Saint-Vincent and the Lapin Agile1917
31
Street in Stains
32
Church of Bessines (Haute Vienne)
33
Church of Saint-Pierre de Montmartre and the Sacré-Coeur
34
Sacre Coeur De Montmartre And Square Saint-Pierre
35
House on the Isle of Ouessant, Brittany
36
Montmartre 2
37
Church of Bessines
38
Village street in the snow in Sannois
39
Church of saint peter and the sacred heart of montmartre
40
Rue du Mont-Cenis Montmartre and the house of Berlioz
41
The squre Abbesses in the Snow
42
Mother Catherine's Restaurant in Montmartre
43
Benches at Montmagny (Val-d'Oise)
44
Moutier street and square de la Mairie
45
Old Houses at Fourqueux1900 · Statens Museum For Kunst
46
Row of Houses at Pierrefitte1905 · National Gallery of Art
47
La Butte Pinson
48
Street in Sannois1910 · ანტვერპენის ხელოვნების სამეფო მუზეუმი
49
Rue du Mont-Cenis1911
50
The Red Wall, Boulevard de la Chapelle1910 · Cincinnati Art Museum
51
La Place du Tertre1910 · Scottish National Gallery of Modern Art
52
Rue de L'Abreuvoir, Montmartre1911 · Statens Museum For Kunst
53
Street in Paris1910 · Statens Museum For Kunst
54
Houses on the River Bank1910 · Statens Museum For Kunst
55
Paris Seen from Square Saint-Pierre1908 · Statens Museum For Kunst
56
Church at St Hilaire
57
Street In Montmartre 2
58
Le Moulin De La Galette 11
59
Le Moulin de la Galette at Montmartre
60
Rue Saint-Vincent
61
The Cortot street
62
A Street in a Suburb of Paris 1
63
Street in Montmartre 5
64
Ecouen (Seine et Oise)
65
View of Montmarte
66
The Abreuvoir street
67
Rue d'Orsel
68
Rue Clovis in Paris
69
The Basilica of Longpont
70
The Creil church
71
Church of Simandre-les-Ormes
72
Church of Anse (Rhône)
73
Church of our lady of good hope
74
Le Moulin de la Galette, Montmartre, Paris
75
Street Scene
76
Chapel of the Convent of the Carmelites in Paris
77
Rue du Chevalier-de-la-barre
78
Vue de pontoise
79
Church of Saint-Médard
80
Church of Chapaize - Saône-et-Loire
81
Rue Montmartre
82
Intersection in Sannois
83
Fortifications de Paris, Porte de Clichy
84
Church and street montmagny
85
Street In Montmartre 3
86
Le Moulin De La Galette, Montmartre
87
The Norvins street in Montmartre
88
The Church of Auvers sur Oise
89
Cabaret du Lapin Agile
90
Rue Cortt, Montmartre
91
Le Moulin De La Galette 9
92
Birthplace of Joan of Arc in Domremy (Vosges)
93
Mimi Pinson's House in Montmartre
94
Busy street in Ivry
95
Tertre Square at Montmartre
96
Factories In The Snow
97
Sacré Coeur and the Rue Saint-Rustique
98
Le Moulin de la Galette in the snow 1
99
La Belle Gabrielle and the Saint-Vincent street at Montmartre
100
The Anse Hospital (Rhne)
ამ ორიგინალებში ყველაზე ხშირად განმეორებადი არის 네 თემა, რომელთაგან თითოეულს თავისი საუკეთესო ნიმუში წარმოგვიდგება.
ამ გვერდზე წარმოდგენილი მხატვრობის შედეგების უმეტესობას 6 მუზეუმი ინახავს.
| მუზეუმი | ქალაქი | მორის უტრილო შემოქმედებაలు | ამ სიიდან მოპოვებული ნახატები |
|---|---|---|---|
 Statens Museum For Kunst |
კობენჰაგენი | 6 | Old Houses at Fourqueux, Rue de L'Abreuvoir, Montmartre, Street in Paris |
 National Gallery of Art |
ვაშინგტონი | 2 | Row of Houses at Pierrefitte |
 ანტვერპენის ხელოვნების სამეფო მუზეუმი |
ანტვერპენი | 2 | Street in Sannois |
 Milwaukee Art Museum |
Milwaukee | 1 | The Public Square at Tertre |
 Cincinnati Art Museum |
Sinkcincinnati | 1 | The Red Wall, Boulevard de la Chapelle |
 Scottish National Gallery of Modern Art |
Edinburgh | 1 | La Place du Tertre |
შეარჩიეთ ათწლეული, რათა ნახოთ ის ორიგინალი ნამუშევარი, რომელიც მას განსაზღვრავს.
The work before us is titled Basilica di Saint Denis, a significant oil on canvas by the French painter Maurice Utrillo. Created around 1909/10, this piece captures a moment in the early development of the artist's unique vision. Utrillo, a prominent figure of the School of Paris, began to establish his presence in the art world during this period, moving away from formal academic training toward a more personal, tactile…
The oil on canvas painting titled church at deuil was created by the French artist Maurice Utrillo. This work is dated 1912. The subject of the piece is the Church of Deuil, located in France. The artist, Maurice Utrillo, was born in the 18th arrondissement of Paris, France, in 1883.
The scene unfolds within the work titled Terrains _ vendre _Gentilly, a creation by the artist Maurice Utrillo. Painted in 1922, this piece captures a specific moment in time, freezing a slice of life as it moves through a rural French setting. The air feels thick with the activity of a community in motion, where the quietude of the countryside meets the steady pulse of daily existence.
The watercolor titled montmartre was created by the artist Maurice Utrillo in 1930. This work captures a specific street within the Montmartre district, a famous hill located in Paris, France. The scene focuses on the urban architecture and the movement of people navigating the thoroughfare.
The light settles softly upon a wooden table, catching the edge of a vase that holds a sudden burst of life. Red and white flowers lean toward one another, their petals heavy with color against a backdrop that feels almost dreamlike and indistinct. There is a stillness here, the kind found in a sunlit corner of a Parisian room where the world outside ceases to matter. The arrangement rests firmly…
montmartre (1930). შემდეგ მოდიან Church of Saint Jean Baptiste le Perreux on the Marne (1938) და Three mills montmartre under the snow.
47 წლის: montmartre შექმნილია 1930 წელს, ხოლო მორის უტრილო დაიბადა 1883 წელს.
montmartre, Church of Saint Jean Baptiste le Perreux on the Marne, Three mills montmartre under the snow, Pontoise, Rue De L'éperon and Rue De La Coutellerie, Rue du Chevalier de la Barre, Les coupoles du Sacré-Cœur et le clocher de Saint-Pierre de Montmartre, flowers, Moulin in Sannois under snow, Church of St. Nicolas du Chardonnet Under The Snow, church at deuil და place pigalle. ზემოთ მოცემული რეიტინგი ასახავს თითოეულის შემოქმედების წელსა და მუზეუმს.
ჩვენს კატალოგში წარმოდგენილია 691 ნამუშწევრი მორის უტრილო-ისგან, დათარიღებული 1900-დან 1946-მდე.
ძირითადად Statens Museum For Kunst (კობენჰაგენი), National Gallery of Art (ვაშინგტონი) და ანტვერპენის ხელოვნების სამეფო მუზეუმი (ანტვერპენი)-ში. ზემოთ მოცემულ მუზეუმების ცხრილში ისინი ყველა listed.
1910s-ში: ამ გვერდზე წარმოდგენილი 100 ნამუშწარwerksიდან 12 შეიქმნა მაშინ, მათგან church at deuil.
ამ გვერდზე ყველაზე ადრეული არის Old Houses at Fourqueux (1900), ხოლო ყველაზე გვიანდელი — flowers (1946).
People (27), Buildings (27) და Street (25), ამ გვერდზე წარმოდგენილ 100 ნამუშწარეს შორის.
Oil, ამ გვერდზე არსებული 100 ნამუშწაროსგან 21 ცალიდან.
Post-impressionism, ამ გვერდზე წარმოდგენილი ორიგინალების მიხედვით.
Old Houses at Fourqueux, Rue de L'Abreuvoir, Montmartre და Street in Paris: Statens Museum For Kunst, კობენჰაგენი-ში წარმოდგენილია ამ გვერდზე მოცემული ნამუშევრების 5 ცალი.
Maurice Utrillo was born Maurice Valadon on 26 December 1883 in the Montmartre district of Paris, France. His arrival into the world was marked by a certain ambiguity, as his mother, Suzanne Valadon, never revealed the identity of his father. Suzanne was a woman of many lives, having transitioned from a circus acrobat to a sought-after artist's model. Growing up in the bohemian atmosphere of Montmartre, Maurice was surrounded by the creative energy of the neighborhood, yet his own path was shaped more by personal hardship than by formal instruction. He received no formal art school training, learning instead through the direct, unpolished guidance of his mother.
His youth was a difficult period defined by struggles with alcoholism and mental illness. As he faced bouts of illness and a growing sense of isolation, Suzanne encouraged him to take up painting. She saw it as a form of therapy, a way to find stability amidst his internal turbulence. Around 1904 to 1905, he began to paint under her watchful eye. This early period was less about academic technique and more about finding a way to navigate his own reality. The streets and buildings of his home district became his first teachers, providing a sense of structure when his personal life felt uncertain.
Around 1909, Utrillo entered a distinctive phase of his work known as the "White Period." During these years, his approach to the canvas became deeply physical. He often chose to work on cardboard rather than traditional canvas, a choice that influenced the weight and presence of his compositions. His technique involved a heavy impasto, where he applied paint with a thickness that gave the surface a tangible, sculptural quality. To achieve this, he mixed zinc white with plaster, creating textured layers that mimicked the very surfaces he sought to depict.
This method allowed him to capture the weathered walls and timeworn facades of the Montmartre streets he knew so well. His palette during this time was restrained, favoring muted tones of ochres, browns, and grays. These colors, combined with the chalky, cracked textures of the plaster, reflected the aging architecture of the district. He was not interested in the bright colors of a bustling city, but rather in the quiet, pale light that settled on the stone and mortar of the buildings.
Utrillo focused his gaze on the physical bones of the city, specializing in cityscapes and landscapes. His most frequent subjects were the houses and streets of the Montmartre district in Paris. He had a particular affinity for the quiet, weathered facades and the winding alleys that defined the neighborhood. Many of his paintings captured the Sacré-Coeur or various Parisian street scenes, often focusing on the way light hit the stone and plaster of the buildings.
He often returned to the same corners of his world, finding deep familiarity in the local landmarks. One such place was the Lapin Agile, a cabaret in Montmartre that served as a gathering point for many artists and writers. His work frequently depicted these social hubs and the surrounding architecture. As his health changed in later years, his perspective shifted. No longer able to wander the streets freely, he began to paint landscapes viewed from his windows, often using postcards or his own memory to reconstruct the scenes he could no longer reach.
By the late 1920s, Utrillo had achieved a level of stability and respect that had long eluded him. In 1928, the French government awarded him the Cross of the Légion d'honneur, recognizing the unique way he had captured the spirit of the streets. His personal life also saw a significant change in 1935 when he married Lucie Valore. Following their marriage, the couple moved to Le Vésinet, a quiet area located just outside the edges of Paris.
As his health began to decline, his ability to paint changed. He could no longer work in the open air, so he turned his attention to the views from his windows. He often relied on postcards or his own memory to recreate the scenes of Montmartre that had defined his earlier years. Even in these later stages, his connection to the city remained a constant thread in his life.
His life came to an end on 5 November 1955. He passed away at the Hotel Splendid in Dax, France. Though his final years were spent away from the bustling center of the capital, his roots remained firmly planted in the district of his birth. He was eventually buried in the Cimetière Saint-Vincent in Montmartre.
Utrillo remains a singular figure in the history of the School of Paris, largely because he was one of the few notable painters of Montmartre who was actually born and raised within the district. While many artists traveled to the neighborhood to find inspiration in its bohemian lifestyle, his work grew from a lived experience of its winding streets and weathered facades. His canvases offer an invaluable insight into the atmosphere of early 20th-century Paris, capturing a version of the city that was rapidly changing even as he painted it.
The reach of his work extends far beyond the hills of Montmartre. His paintings are held in numerous museums worldwide, ensuring that his specific vision of urban solitude remains accessible to those studying the era. His presence in major international collections, such as the Hermitage Museum and the Musée d'Orsay, confirms the lasting importance of his perspective on the built environment. He did not seek to paint grand historical events, but instead focused on the quiet, everyday reality of the streets and buildings that defined his home.
To experience the quiet, textured streets of Montmartre through his eyes, one can travel to several major institutions. In New York, his paintings are part of the collections at the Metropolitan Museum of Art and the Museum of Modern Art. These works offer a way to see the heavy impasto and the pale, chalky facades he favored, even when he was painting from memory in his later years.
In Europe, his presence is felt in many significant galleries. The Musée National d'Art Moderne and the Tate Museum both hold his pieces, preserving the specific atmosphere of the Parisian neighborhoods he loved. For a more intimate connection to the district that shaped him, his art is featured in the Musée de Montmartre, a place that feels deeply connected to the life he lived.
