განახლდა ნოემბერი 2026 · დალაგებულია ჩვენი პოპულარობის ქულების მიხედვით (ძიება, ნახვა და შეკვეთები თითოეული ნამუშწაროსთვის) · 130 ნამუშევარი იენს იულ ჩვენს კატალოგში
მოკლედ რომ ვთქვათ
იენს იულ-ის ყველა დატოვებული ორიგინალიდან ყველაზე ცნობილია Portrait of a Woman (1773), რომელიც სან-პეტერბურგი-ში მდებარე ერმიტაჟის მუზეუმი-ის კოლექციაშია. მისდაក្រោយ Kommandørkaptajn Henrik Gerner (1785) და De tre gratier (1765) მოდიან. ჩვენს კატალოგში იენს იულ-ის 130 ნამუშწარებია; გალერეამ შეინافظა ის 100 ნამუშწარო, რომლებსაც მსოფლიო ყველაზე მეტად აღიარებს, რომელთაგან თითოეული წარმოდგენილია თვის, მუზეუმისა და ისტორიის თანხლებით.
Jens Juel's "Portrait of a Woman," painted in 1773, is more than just a likeness; it’s a carefully constructed tableau of elegance and quiet contemplation. This exquisite work, currently residing within the hallowed halls of the Hermitage Museum in St. Petersburg, offers a glimpse into the refined world of Danish aristocracy during the late 18th century. The painting immediately draws the eye to its subject – a woman radiating an…
Jens Juel rendered this portrait of Kommandørkaptajn Henrik Gerner in 1785. The sitter was a prominent Danish engineer and military officer who held the rank of Commandeur-Capitain. His professional life was defined by his service as a Fabrikmester, or Chief naval constructor, a position central to the maritime administration of the era.
The work titled De tre gratier is a mythological painting by the Danish artist Jens Juel. It emerged from his brush between 1765 and 1766. This piece captures a moment of classical grace through the figures of the Three Graces.
The air in the room feels still, held in a quiet tension as Peder Rahr meets our gaze. He sits in a three-quarter pose, his body angled slightly away while his eyes lock onto the observer with a steady, intellectual focus. There is a profound sense of dignity in his posture, the quiet confidence of a man who understands the weight of his own commerce. He is a merchant of…
The light finds Cathrine Sophie Kirchhoff in a quiet collision with the dark. She emerges from an indistinct, shadowy background, her presence defined by the soft glow upon her skin and the intricate textures of her station. Her expression is serene, a poised stillness that suggests a life of composed dignity. She is captured in a three-quarter view, her gaze meeting the viewer with a calm, steady clarity. The darkness…
A young man sits anchored in an upholstered chair, his posture a study in controlled command. He is Frederik VI, captured in the year 1786 as a crown prince. The light falls from the upper left, catching the crisp white of his stockings and the subtle sheen of his silk breeches. He wears a decorated frock coat and a waistcoat, the fabric heavy with the weight of his station. To…
In this 1770 oil on canvas, Johan Georg Pauli is depicted in a three-quarter length pose, seated slightly off-center. He wears a muted grey frock coat over a waistcoat and cravat of soft blue and white tones. His hands rest near papers that signify his professional status as a post director and judicial counselor. The lighting originates from the upper left, casting shadows across the contours of his face and…
A single man sits in the quiet gravity of a seated pose. He is Christen Ravn, a coffee merchant and a friend to the artist, caught in a moment of steady, calm intelligence. The light falls from the upper left, carving the contours of his forehead and the bridge of his nose against a dark, draped background. His heavy coat, perhaps velvet, holds the weight of his social standing in…
In Malerens broder Oluf, Jens Juel presents a close-up bust portrait of a young boy. The subject is positioned slightly off-center, creating a subtle tension within the frame. He gazes directly toward the viewer from an eye-level perspective, establishing an immediate connection. The monochromatic color palette relies on a range of grayscale tones, moving from deep blacks in the background to bright highlights on the face.
In this portrait, Jens Juel captures Skuespilleren Frederik Schwarz, a man whose presence was defined by the stage. The subject was a prominent Danish actor, a figure of the Royal Danish Theatre from 1773 to 1810. He moved through the theatrical world with a versatility that allowed him to inhabit the sharp edges of comedy and the heavy shadows of tragedy. His face holds the quiet weight of a man…
Portrait of Countess Caroline Schimmelmann(?)1768 · Statens Museum For Kunst
12
Postmester Frederik Carl Harboe (?)1764 · Statens Museum For Kunst
13
Countess Anna Joachima Danneskiold-Laurvigen, née Ahlefeldt1790 · Statens Museum For Kunst
14
A Running Boy. Marcus Holst von Schmidten1802 · Statens Museum For Kunst
15
Sophie Birgitta Mathiesen1781 · Statens Museum For Kunst
16
Johan Tobias Sergel, Sculptor1794 · Nationalmuseum
17
Promenading in a Park1764 · Statens Museum For Kunst
18
Geheimeråd Henrik Hielmstierne1780 · Statens Museum For Kunst
19
Portrait of Colonel Jean-Jacques Gautier and His Wife1781 · Statens Museum For Kunst
20
Portrait of Anna Elisabeth Battier, née Storp1771 · Statens Museum For Kunst
21
Amtmand, geheimeråd Antoine de la Calmette1781 · Statens Museum For Kunst
22
The Sculptor Jacques-François-Joseph Saly1772 · Statens Museum For Kunst
23
Kobberstikkeren J.F. Clemens1777 · Statens Museum For Kunst
24
Kitchen Interior with a Girl Reading1764 · Statens Museum For Kunst
25
Boy Reading at Artificial Light1763 · Statens Museum For Kunst
26
Maleren Michael Gehrmann (?)1764 · Statens Museum For Kunst
27
Portrait of Lauritz Christian Steen1766 · ხელოვნების, არქიტექტურისა და დიზაინის ეროვნული მუზეუმი
28
Otto Christopher von Munthe af Morgenstierne1772 · ხელოვნების, არქიტექტურისა და დიზაინის ეროვნული მუზეუმი
29
Portrait of Bodilla Birgitte von Munthe af Morgenstierne, b. de Flindt1772 · ხელოვნების, არქიტექტურისა და დიზაინის ეროვნული მუზეუმი
30
Caroline Matilda, Queen of Denmark (1751-75)1772 · Royal Collection
31
The Roman Dwarf Francesco Ravai, called Bajocco1774 · Statens Museum For Kunst
32
A Girl from Holstein1766 · Statens Museum For Kunst
33
Bernt Anker som ung1770
34
Portrait of Maren Juel1780 · ხელოვნების, არქიტექტურისა და დიზაინის ეროვნული მუზეუმი
35
Frederik VI, King of Denmark (1768-1839)1784 · Royal Collection
36
Louise Augusta, Duchess of Augustenburg (1771-1843)1784 · Royal Collection
37
Johanne Sophie de Coninck, f. Wleugel1781 · Statens Museum For Kunst
38
Generalpostdirektør Frederik Hauch som ung1776 · Statens Museum For Kunst
39
Herreportræt1781 · Statens Museum For Kunst
40
Jean-Armand Tronchin, udsending ved det franske og engelske hof. Schweiz1779 · Statens Museum For Kunst
41
Baroness Matilda Guiguer de Prangins in her Park at the Lake of Geneva1779 · Statens Museum For Kunst
42
Generalkonsul Johan Christian Pingels døtre i en have1781 · Statens Museum For Kunst
43
The Artist's First Betrothed1778 · Statens Museum For Kunst
44
Gruppebillede af kunstnerens børn1781 · Statens Museum For Kunst
45
Cecilie Marie Elisabeth Schouw, f. Bagge, Poul Johan Schouws hustru1781 · Statens Museum For Kunst
46
Maria Ulrica Berner, f. Schouw1781 · Statens Museum For Kunst
47
Portrætskitse. Maleren N.A. Abildgaard (?).1781 · Statens Museum For Kunst
48
Skuespilleren Frederik Schwarz1781 · Statens Museum For Kunst
49
Elisabeth (Lisa) de la Calmette, f. baronesse Iselin, Antoine de la Calmettes hustru1781 · Statens Museum For Kunst
50
Portrait of Bernt Anker1790 · ხელოვნების, არქიტექტურისა და დიზაინის ეროვნული მუზეუმი
51
Portrait of Adam Levin Søbøtker1792 · Øregård Museum
52
Two Dwarfs: Obligeert, a Jewish pigtail-ribbon Vendor, beside the Roman Dwarf Bajocco in one of the Streets of Copenhagen1795 · Statens Museum For Kunst
53
Peder Anker med hustru og datter1792 · Statens Museum For Kunst
54
En kurtisane1788 · Statens Museum For Kunst
55
Debora Fabritius de Tengnagel, née Cloppenburg1787 · Statens Museum For Kunst
56
The Ryberg Family1795 · Statens Museum For Kunst
57
Grevinde Margarethe Moltke, f. Løvenskiold1786 · Statens Museum For Kunst
58
Portræt af Louise Augusta1792 · Statens Museum For Kunst
59
Dameportræt1794 · Statens Museum For Kunst
60
En aldrende maler1789 · Statens Museum For Kunst
61
Johan Tobias Sergel, the Swedish sculptor1794 · Nationalmuseum
62
Portrait of Isabella Agneta Elisabeth van Tuyll van Serooskerken (1740-1805)1787 · Zuylen Castle
63
Haagen Mathiesen1788
64
Benedicta Henrikka Løvenskiold, née Aall1790
65
Caroline Rudolphine Schubart1800
66
Peter Nicolai Arbo1800 · ხელოვნების, არქიტექტურისა და დიზაინის ეროვნული მუზეუმი
67
Portrait of Anne Cathrine Collett (1768-1846)1800 · ხელოვნების, არქიტექტურისა და დიზაინის ეროვნული მუზეუმი
68
Kjøpmann David Chrystie1801 · ხელოვნების, არქიტექტურისა და დიზაინის ეროვნული მუზეუმი
69
Fru Elisabeth Sophie Chrystie, f. Krefting1801 · ხელოვნების, არქიტექტურისა და დიზაინის ეროვნული მუზეუმი
70
Peter Tutein with his Youngest Son Louis Alexander1800 · Nivaagaards Malerisamling
71
Poul Johan Schouw, guvernør i Ostindien1799 · Statens Museum For Kunst
72
Portrait of Gertrud Hage, née Heitmann1800 · Statens Museum For Kunst
73
Ane Margrethe Abildgaard, f. Bastholm. Maleren N.A. Abildgaards moder1781 · Statens Museum For Kunst
74
The Artist's Five Children in a garden. Study1801 · Statens Museum For Kunst
75
Jacob Aall1802
76
Lovise Andrea Aall1802
77
Dameportræt1781 · Statens Museum For Kunst
78
The Engraver Johann Friderich Clemens at his Work Table1776 · Statens Museum For Kunst
79
Self-portrait by artificial light1762 · Statens Museum For Kunst
80
Stocks and Carnations1781 · Statens Museum For Kunst
81
An Apple, caville rouge, and other Fruits1791 · Statens Museum For Kunst
82
Hyena from the zoo at Frederiksberg Castle1767 · Statens Museum For Kunst
83
An Autumn Landscape by the Rhine1781 · Statens Museum For Kunst
84
Uvejrslandskab1781 · Statens Museum For Kunst
85
Tordenvejr i udkanten af en by1781 · Statens Museum For Kunst
86
View of the Country near Jægerspris1782 · Statens Museum For Kunst
87
A View Across Lake Leman Towards Mont Blanc and Geneva1779 · Statens Museum For Kunst
88
View of the Lake Geneva Close to Veyrier1778 · თორვალდსენის მუზეუმი
89
A Mountainous Landscape with a Waterfall. Sunrise1790 · Statens Museum For Kunst
90
Et vadested ved foden af en kirke1789 · Statens Museum For Kunst
91
The Crossing over the Little Belt at Snoghøj. Moonrise1787 · Statens Museum For Kunst
92
Arcadian Landscape. Motif from Baia in Italy1791 · Statens Museum For Kunst
93
The Bridge and the Waterfall at Dornach, Switzerland1791 · Statens Museum For Kunst
94
Heavy rain on sea1791 · Statens Museum For Kunst
95
Flowers and Fruit on a Table1791 · Statens Museum For Kunst
96
Landscape with Northern Lights1790 · ნიუ კარლსბერგ გლიპტეკი
97
Count Siegfred Victor Raben-Levetzau and Wife1796 · ნიუ კარლსბერგ გლიპტეკი
98
Landscape with a Church and a Mill1797 · ხელოვნების, არქიტექტურისა და დიზაინის ეროვნული მუზეუმი
99
Johann Jacob Frølich d.æ.Statens Museum For Kunst
100
Elisabeth (Lisa) de la Calmette, f. baronesse IselinStatens Museum For Kunst
ამ ორიგინალებში ყველაზე ხშირად განმეორებადი არის 네 თემა, რომელთაგან თითოეულს თავისი საუკეთესო ნიმუში წარმოგვიდგება.
ამ გვერდზე წარმოდგენილი მხატვრობის შედეგების უმეტესობას 8 მუზეუმი ინახავს.
| მუზეუმი | ქალაქი | იენს იულ შემოქმედებაలు | ამ სიიდან მოპოვებული ნახატები |
|---|---|---|---|
 Statens Museum For Kunst |
კობენჰაგენი | 77 | Kommandørkaptajn Henrik Gerner, De tre gratier, Peder Rahr, købmand i Ribe |
 ხელოვნების, არქიტექტურისა და დიზაინის ეროვნული მუზეუმი |
ოსლო | 10 | Portrait of Lauritz Christian Steen, Otto Christopher von Munthe af Morgenstierne, Portrait of Bodilla Birgitte von Munthe af Morgenstierne, b. de Flindt |
 Royal Collection |
ლონდონი | 3 | Caroline Matilda, Queen of Denmark (1751-75), Frederik VI, King of Denmark (1768-1839), Louise Augusta, Duchess of Augustenburg (1771-1843) |
 ნიუ კარლსბერგ გლიპტეკი |
კოპენჰაგენი | 3 | Landscape with Northern Lights, Count Siegfred Victor Raben-Levetzau and Wife |
 Nationalmuseum |
სტოქჰოლმი | 2 | Johan Tobias Sergel, Sculptor, Johan Tobias Sergel, the Swedish sculptor |
 Nivaagaards Malerisamling |
ნიბე | 2 | Peter Tutein with his Youngest Son Louis Alexander |
 ერმიტაჟის მუზეუმი |
სან-პეტერბურგი | 1 | Portrait of a Woman |
 Øregård Museum |
Gentofte | 1 | Portrait of Adam Levin Søbøtker |
შეარჩიეთ ათწლეული, რათა ნახოთ ის ორიგინალი ნამუშევარი, რომელიც მას განსაზღვრავს.
The work titled De tre gratier is a mythological painting by the Danish artist Jens Juel. It emerged from his brush between 1765 and 1766. This piece captures a moment of classical grace through the figures of the Three Graces.
Jens Juel's "Portrait of a Woman," painted in 1773, is more than just a likeness; it’s a carefully constructed tableau of elegance and quiet contemplation. This exquisite work, currently residing within the hallowed halls of the Hermitage Museum in St. Petersburg, offers a glimpse into the refined world of Danish aristocracy during the late 18th century. The painting immediately draws the eye to its subject – a woman radiating an…
Jens Juel rendered this portrait of Kommandørkaptajn Henrik Gerner in 1785. The sitter was a prominent Danish engineer and military officer who held the rank of Commandeur-Capitain. His professional life was defined by his service as a Fabrikmester, or Chief naval constructor, a position central to the maritime administration of the era.
This oil on canvas portrait by Jens Juel depicts Countess Anna Joachima Danneskiold-Laurvigen, née Ahlefeldt. Painted about 1790, the work captures the subject during the later years of her life, as she lived from 1717 to 1795. The sitter was the daughter of Privy Councillor Hans Adolph Ahlefeldt and held the position of lady-in-waiting to Queen Sophie Magdalene. Her social standing is reflected in her formal presentation and the specific…
The oil on canvas painting titled A Running Boy. Marcus Holst von Schmidten was executed by the Danish artist Jens Juel in 1802. The work identifies its subject as Marcus Pauli Holst von Schmidten, a young nobleman. The figure is captured in a state of movement, depicted as he dashes toward his destination.
Portrait of a Woman (1773), ერმიტაჟის მუზეუმი, სან-პეტერბურგი. შემდეგ მოდიან Kommandørkaptajn Henrik Gerner (1785) და De tre gratier (1765).
28 წლის: Portrait of a Woman შექმნილია 1773 წელს, ხოლო იენს იულ დაიბადა 1745 წელს.
Portrait of a Woman, Kommandørkaptajn Henrik Gerner, De tre gratier, Peder Rahr, købmand i Ribe, Cathrine Sophie Kirchhoff, f. Christensen, Frederik VI som kronprins, Postdirektør, justitsråd Johan Georg Pauli, Kaffehandler Christen Ravn, en ungdomsven af Juel, Malerens broder Oluf და Skuespilleren Frederik Schwarz. ზემოთ მოცემული რეიტინგი ასახავს თითოეულის შემოქმედების წელსა და მუზეუმს.
ჩვენს კატალოგში წარმოდგენილია 130 ნამუშწევრი იენს იულ-ისგან, დათარიღებული 1762-დან 1802-მდე.
ძირითადად Statens Museum For Kunst (კობენჰაგენი), ხელოვნების, არქიტექტურისა და დიზაინის ეროვნული მუზეუმი (ოსლო) და Royal Collection (ლონდონი)-ში. ზემოთ მოცემულ მუზეუმების ცხრილში ისინი ყველა listed.
1780s-ში: ამ გვერდზე წარმოდგენილი 100 ნამუშწარwerksიდან 35 შეიქმნა მაშინ, მათგან Kommandørkaptajn Henrik Gerner.
ამ გვერდზე ყველაზე ადრეული არის Self-portrait by artificial light (1762), ხოლო ყველაზე გვიანდელი — A Running Boy. Marcus Holst von Schmidten (1802).
Man (15), Woman (9) და Lace (7), ამ გვერდზე წარმოდგენილ 100 ნამუშწარეს შორის.
Oil On Canvas, ამ გვერდზე არსებული 100 ნამუშწაროსგან 22 ცალიდან.
Neoclassicism, ამ გვერდზე წარმოდგენილი ორიგინალების მიხედვით.
Kommandørkaptajn Henrik Gerner, De tre gratier და Peder Rahr, købmand i Ribe: Statens Museum For Kunst, კობენჰაგენი-ში წარმოდგენილია ამ გვერდზე მოცემული ნამუშევრების 72 ცალი.
In the golden age of Danish Neoclassicism, few names command as much reverence as Jens Juel. A painter whose brush possessed the rare ability to capture not just a physical likeness, but the very soul and social standing of his subjects, Juel stands as the preeminent portraitist of his era. Born on May 12, 1745, in the house of his maternal uncle in Balslev, Denmark, his journey from modest beginnings to the heights of royal patronage is a testament to an extraordinary talent shaped by rigorous discipline and an insatiable curiosity for the world around him.
Juel’s artistic foundation was laid far from the halls of Copenhagen. His parents, recognizing his early inclination toward the arts, sent him to Hamburg to apprentice under the painter Johann Michael Gehrman. For five or six years, he immersed himself in the technical rigors of the craft, honing a skill set that would eventually allow him to master landscapes, genre scenes, and, most famously, the portrait. This period of intense study provided him with the versatility that would define his career, allowing him to move seamlessly between the intimate details of a single face and the expansive beauty of the natural world.
At just twenty years old, Juel moved to Copenhagen to attend the Royal Danish Academy of Art, where his brilliance was quickly recognized. His academic triumphs were significant; he was awarded the academy's small gold medal in 1767 and the prestigious great gold medal in 1771 for works centered on Biblical themes. However, the confines of the academy could not hold a spirit as expansive as his. Seeking the pulse of the contemporary art world, Juel embarked on a grand European tour that would refine his Neoclassical sensibilities.
His travels took him to the timeless grandeur of Rome, where he spent four years alongside fellow Danish artists like Nicolai Abildgaard, absorbing the classical influences that would later permeate his work. From Italy, he journeyed to Paris, the epicenter of portraiture, and eventually to Geneva. In Switzerland, residing at the home of his friend Charles Bonnet, Juel’s reputation flourished. It was here that he demonstrated his ability to blend scientific observation with artistic grace, even illustrating the Naturalist and Philosophical History of Bonnet. These international experiences infused his Danish roots with a cosmopolitan sophistication, making him a bridge between Northern European tradition and the broader European Enlightenment.
What truly distinguishes Jens Juel from his contemporaries was his ability to construct more than mere likenesses; he created tableaux of elegance and quiet contemplation. Whether painting the refined aristocracy or the gentle light of a landscape, his work is characterized by a sense of classical realism and an understated beauty. His portraits often feature subjects with gazes that are direct yet subtly distant, inviting the viewer into a private, almost sacred moment of connection.
His historical significance cannot be overstated. As the leading Danish portrait painter of the 18th century, he shaped the visual identity of the Danish Golden Age. His legacy is preserved in vast collections, most notably at Frederiksborg Castle, where his many portraits continue to breathe life into the history of the Danish monarchy and nobility. Through his mastery of light, texture, and human emotion, Jens Juel remains a timeless figure, reminding us that true art does not merely record history—it captures the very essence of the human experience.
