განახლდა ნოემბერი 2026 · დალაგებულია ჩვენი პოპულარობის ქულების მიხედვით (ძიება, ნახვა და შეკვეთები თითოეული ნამუშწაროსთვის) · 68 ნამუშევარი იან ვან სკორელი ჩვენს კატალოგში
მოკლედ რომ ვთქვათ
Portrait of a Man (1525) არის იან ვან სკორელი-ის ის ნამუშწარო, რომელიც ყველაზე მეტ ყურადღებას იქცევს; ორიგინალი იმყოფება ბერლინის შტატული მუზეუმები-ში, ბერლინი. ამის შემდეგ, მზერა გადადის Portrait of a Man of Thirty-Two Years (1521)-სა და Pilgrim (1535)-ზე. ჩვენს კატალოგში არსებული იან ვან სკორელი-ის 68 ნამუშწაროდან ეს 67 ყველაზე ცნობილია; თითოეული მათგანი წარმოადგენს უნიკალურ ორიგინალს, რომელიც წარმოდგენილია წელით, მუზეუმითა და იმ მიზეზით, რის გამოც ის დღემდე ცოცხლობს.
The year is 1433. Bruges, a burgeoning center of commerce and art in the Low Countries, hums with activity – the clang of blacksmiths' hammers, the chatter of merchants, and the meticulous brushstrokes of artists striving to capture the essence of their subjects. Within this vibrant scene, Jan van Eyck, one of the most innovative painters of his time, embarked on a remarkably intimate undertaking: a self-portrait, now known as…
Jan van Scorel's "Portrait of a Man of Thirty-Two Years," painted in 1521, is more than just a likeness; it’s a carefully constructed meditation on status, intellect, and the quiet dignity of Renaissance man. Emerging from the shadows of early Netherlandish painting, this half-length portrait captures a figure poised between youthful promise and seasoned wisdom – a testament to van Scorel's skill in rendering both physical detail and psychological depth.…
A dignified man emerges from an arched frame, his presence defined by the heavy textures of a fur collar and a dark, structured hat. He holds a wooden staff, a tool of the traveler, while his gaze remains steady and composed. The composition uses a medium close-up perspective, positioning the subject against a muted, teal-grey sky. In the distance, the soft silhouette of a fortification or castle sits upon a…
The scene unfolds within a quiet, sacred geometry. A central group of figures gathers, anchored by the deep blue of the Virgin Mary’s robe. She holds the Christ child, whose soft skin catches a pale, naturalistic light. Kneeling before them, a magus is draped in a cloak of heavy gold, the metallic sheen of the embroidery catching the eye against the muted tones of the surroundings. To the left, a…
The Portrait of Agatha van Schoonhoven is a painting by the Dutch artist Jan van Scorel. This work identifies its subject, Agatha van Schoonhoven, through a specific inscription located on the panel. The artist's hand is confirmed by the presence of a signature and date in the lower right corner of the composition.
The artwork titled Portrait of a Venetian Man is a painting by the artist Jan van Scorel. This work is categorized among Renaissance paintings and depicts a male portrait, though the specific identity of the subject remains unidentified. The piece is dated about 1520.
A young woman meets the viewer's eyes with a steady, unblinking gaze that pierces through the shadows of the past. She sits in a quiet, half-length pose, her body turned slightly away while her face remains fixed upon us, creating an immediate sense of intimacy. The light falls softly from the upper left, tracing the delicate contours of her face and the smooth, porcelain quality of her skin. She wears…
A Quiet Encounter The gaze of the young girl meets yours with an unexpected stillness. In this close-up bust view, the composition pulls us into her immediate presence, positioning her slightly off-center to create a sense of natural, unposed intimacy. There is a profound softness to the way the light falls from the upper left, brushing against her forehead and cheeks before receding into gentle shadows on the right side…
The scene unfolds within The Baptism of Christ, a work that captures a profound moment of spiritual transition. Jan van Scorel brings this biblical event to life, freezing the instant of divine encounter between the earthly and the celestial. The painting exists today within the halls of the Rijksmuseum in Amsterdam, where it remains a significant presence of the Northern Renaissance.
The Portrait of Anna of Lorraine, Consort of René de Chalon, Prince of Orange, Jan van Scorel (possibly copy after), after 1542 is an oil painting on panel attributed to Jan van Scorel. Dated 1542, the work captures the likeness of Anne, daughter of the Duke of Lorraine. She was the spouse of René II, Prince of Chalon, following their marriage on 20 August 1540.
The Adoration of the Magi1524 · National Gallery of Ireland
12
Virgin and Child1530 · Museum Boijmans Van Beuningen
13
The Virgin with wild roses1530 · Centraal Museum
14
The crucifixion1530 · Centraal Museum
15
Madonna and Child1527 · Centraal Museum
16
Adoration of the Magi.1530 · Centraal Museum
17
Christ Preaching on the Sea of Galilee1524 · ბოსტონის fine arts-ის მუზეუმი
18
The Baptism of Christ in the Jordan1530 · ფრანს ჰალსის მუზეუმი
19
The Holy Family and Saint John the Baptist under an Oak Tree (after Raphael)1524 · Glasgow Museums Resource Centre
20
Virgin and Child1528 · Gemäldegalerie
21
Portrait of a Man1530 · Musée Des Beaux
22
DECAYED Triptych,1538 · გრონინგერის მუზეუმი
23
The bearing of the cross (interior left wing), the crucifixion (centre panel), the resurrection (interior right wing); portrait of the donor (exterior left wing), portrait of the donatric (exterior right wing)1534 · Museum Catharijneconvent
24
Portrait of a donor1534 · Museum Catharijneconvent
25
St. Paul1540 · Museum Catharijneconvent
26
Five Members of the Utrecht Brotherhood of Jerusalem Pilgrims1541 · Centraal Museum
27
Lamentation of Christ with donor1535 · Centraal Museum
28
Portrait of Cornelis Aertsz. van der Dussen (1481-1556)1537
29
Portrait of Willem van Lockhorst (1514-1564)1539 · ვესტფალის სახელმწიფო მუზეუმი
30
Portrait of a man, possibly of Cornelis Aerentsz van der Dussen1537 · Kunsthandel P. de Boer
31
Portrait of Joost Aemsz. van der Burch (died 1570)1541
32
Portrait of Cornelis Aerentsz. van der Dussen, secretary of Delft as of 15361549 · Gemäldegalerie
33
Baptism of Christ1540 · Gemäldegalerie
34
Presentation of Jesus in the Temple1524 · კუნსტისტორიშეს მუზეუმი
35
Cartouche with inscription and the motto of Johannes de Visscher van der Gheer: reeds that bend but do not break in the waves; the coats of arms De Visscher, bastard branch Culenborg and Van de Leck1555 · Centraal Museum
36
The Baptism of Christ1550 · Indianapolis Museum of Art
37
The raising of Lazarus1550 · Centraal Museum
38
Johannes Mellinchus1536 · Nationalmuseum
39
Virgin and Child1526 · ეროვნული ძველი ხელოვნების მუზეუმი
40
Madonna of the Daffodils with the Child and Donors1535 · თისენ-ბორნემიმზას მუზეუმი
41
Landscape with Tobias and the Angel1521 · კუნსტპალასი
42
Mary Magdalen1528 · Rijksmuseum
43
Portrait of a Man1520 · Liechtenstein Museum
44
Portrait of a Man1530 · შტედელის მუზეუმი
45
Landscape with Tournament and Hunters1519 · ჩიკაგოს ხელოვნების ინსტიტუტი
46
Diptych1525
47
The Baptism of Christ1530 · ფრანს ჰალსის მუზეუმი
48
Portrait of a Schoolboy1531 · Museum Boijmans Van Beuningen
49
12 Members of the Haarlem Brotherhood of Jerusalem Pilgrims1528 · ფრანს ჰალსის მუზეუმი
50
David and Goliath1537 · დრეზდენის სახელმწიფო ხელოვნების კოლექციები
51
Portrait of a Womanანტვერპენის ხელოვნების სამეფო მუზეუმი
52
Male portraitბავარიის სახელმწიფო ფერწერის კოლექციები
53
the founder with uer patron
54
Lucretia1535 · ბერლინის შტატული მუზეუმები
55
Landscape with Bathsheba, Jan van Scorel, c. 1540 - c. 15451545 · Rijksmuseum
56
Portrait of a Haarlem Citizen, Jan van Scorel, 15291529 · Rijksmuseum
57
Landscape with St. Magdalena as penitent
58
Maria + child and St. Anna
59
Portrait of Reinoud III of Brederode, Jan van Scorel, c. 15451545 · Rijksmuseum
60
Portrait of René de Chalon (c. 1519-1544), Prince of Orange, Jan van Scorel (possibly copy after), after 15421542
61
Virgin and Child1525 · Kartinnaja Galerija
62
Portrait of Joris van Egmond, Jan van Scorel, c. 1535 - c. 15401540 · Rijksmuseum
63
Solomon and the Queen of Sheba, Jan van Scorel (circle of), c. 1540 - c. 15451545 · Rijksmuseum
64
Portrait of Willem van Lokhorst (1514-64), Jan van Scorel (copy after), 15541554
65
The Dying Cleopatra, Jan van Scorel (attributed to), c. 1520 - c. 15241524 · Rijksmuseum
66
Portrait of David Joris1540 · კუნსტმუზეუ ბაზელი
67
Frangipani Altar1550
ამ ორიგინალებში ყველაზე ხშირად განმეორებადი არის 네 თემა, რომელთაგან თითოეულს თავისი საუკეთესო ნიმუში წარმოგვიდგება.
ამ გვერდზე წარმოდგენილი მხატვრობის შედეგების უმეტესობას 8 მუზეუმი ინახავს.
| მუზეუმი | ქალაქი | იან ვან სკორელი შემოქმედებაలు | ამ სიიდან მოპოვებული ნახატები |
|---|---|---|---|
 Rijksmuseum |
ამსტერდამი | 8 | The Baptism of Christ, Mary Magdalen, Landscape with Bathsheba, Jan van Scorel, c. 1540 - c. 1545 |
 Centraal Museum |
უტრეხტი | 8 | The Virgin with wild roses, The crucifixion, Madonna and Child |
 Gemäldegalerie |
ბერლინი | 3 | Virgin and Child, Portrait of Cornelis Aerentsz. van der Dussen, secretary of Delft as of 1536, Baptism of Christ |
 Museum Catharijneconvent |
უთრექტი | 3 | The bearing of the cross (interior left wing), the crucifixion (centre panel), the resurrection (interior right wing); portrait of the donor (exterior left wing), portrait of the donatric (exterior right wing), Portrait of a donor, St. Paul |
 ბერლინის შტატული მუზეუმები |
ბერლინი | 2 | Portrait of a Man, Lucretia |
 ჩიკაგოს ხელოვნების ინსტიტუტი |
ჩიკაგო | 2 | Adoration of the Magi, Landscape with Tournament and Hunters |
 კუნსტისტორიშეს მუზეუმი |
ვენა | 2 | Girl's Head, Presentation of Jesus in the Temple |
 Museum Boijmans Van Beuningen |
როტერდამი | 2 | Virgin and Child, Portrait of a Schoolboy |
შეარჩიეთ ათწლეული, რათა ნახოთ ის ორიგინალი ნამუშევარი, რომელიც მას განსაზღვრავს.
The scene unfolds within a quiet, sacred geometry. A central group of figures gathers, anchored by the deep blue of the Virgin Mary’s robe. She holds the Christ child, whose soft skin catches a pale, naturalistic light. Kneeling before them, a magus is draped in a cloak of heavy gold, the metallic sheen of the embroidery catching the eye against the muted tones of the surroundings. To the left, a…
The year is 1433. Bruges, a burgeoning center of commerce and art in the Low Countries, hums with activity – the clang of blacksmiths' hammers, the chatter of merchants, and the meticulous brushstrokes of artists striving to capture the essence of their subjects. Within this vibrant scene, Jan van Eyck, one of the most innovative painters of his time, embarked on a remarkably intimate undertaking: a self-portrait, now known as…
A dignified man emerges from an arched frame, his presence defined by the heavy textures of a fur collar and a dark, structured hat. He holds a wooden staff, a tool of the traveler, while his gaze remains steady and composed. The composition uses a medium close-up perspective, positioning the subject against a muted, teal-grey sky. In the distance, the soft silhouette of a fortification or castle sits upon a…
The Portrait of Anna of Lorraine, Consort of René de Chalon, Prince of Orange, Jan van Scorel (possibly copy after), after 1542 is an oil painting on panel attributed to Jan van Scorel. Dated 1542, the work captures the likeness of Anne, daughter of the Duke of Lorraine. She was the spouse of René II, Prince of Chalon, following their marriage on 20 August 1540.
In "Cartouche with inscription and the motto of Johannes de Visscher van der Gheer: reeds that bend but do not break in the waves; the coats of arms De Visscher, bastard branch Culenborg and Van de Leck" by Jan van Scorel, a triptych-style arrangement organizes the sacred and the secular. The composition is divided into three vertical panels. At the center, the Madonna and Child meet the gaze of a…
Portrait of a Man (1525), ბერლინის შტატული მუზეუმები, ბერლინი. შემდეგ მოდიან Portrait of a Man of Thirty-Two Years (1521) და Pilgrim (1535).
30 წლის: Portrait of a Man შექმნილია 1525 წელს, ხოლო იან ვან სკორელი დაიბადა 1495 წელს.
Portrait of a Man, Portrait of a Man of Thirty-Two Years, Pilgrim, Adoration of the Magi, Portrait of Agatha van Schoonhoven, Portrait of a Venetian Man, Portrait of a Lady, Girl's Head, The Baptism of Christ და Portrait of Anna of Lorraine, Consort of René de Chalon, Prince of Orange, Jan van Scorel (possibly copy after), after 1542. ზემოთ მოცემული რეიტინგი ასახავს თითოეულის შემოქმედების წელსა და მუზეუმს.
ჩვენს კატალოგში წარმოდგენილია 68 ნამუშწევრი იან ვან სკორელი-ისგან, დათარიღებული 1519-დან 1555-მდე.
ძირითადად Rijksmuseum (ამსტერდამი), Centraal Museum (უტრეხტი) და Gemäldegalerie (ბერლინი)-ში. ზემოთ მოცემულ მუზეუმების ცხრილში ისინი ყველა listed.
1530s-ში: ამ გვერდზე წარმოდგენილი 67 ნამუშწარwerksიდან 24 შეიქმნა მაშინ, მათგან Pilgrim.
ამ გვერდზე ყველაზე ადრეული არის Adoration of the Magi (1519), ხოლო ყველაზე გვიანდელი — Cartouche with inscription and the motto of Johannes de Visscher van der Gheer: reeds that bend but do not break in the waves; the coats of arms De Visscher, bastard branch Culenborg and Van de Leck (1555).
Man (18), Landscape (17) და Woman (13), ამ გვერდზე წარმოდგენილ 67 ნამუშწარეს შორის.
Oil On Panel, ამ გვერდზე არსებული 67 ნამუშწაროსგან 28 ცალიდან.
Northern renaissance, ამ გვერდზე წარმოდგენილი ორიგინალების მიხედვით.
The Baptism of Christ, Mary Magdalen და Landscape with Bathsheba, Jan van Scorel, c. 1540 - c. 1545: Rijksmuseum, ამსტერდამი-ში წარმოდგენილია ამ გვერდზე მოცემული ნამუშევრების 8 ცალი.
