თომას ბიჩი პორტრეტი

58 ყველაზე ცნობილი თომას ბიჩი-ის ნახატი, გალერეის შერჩეული კოლექცია

განახლდა ნოემბერი 2026 · დალაგებულია ჩვენი პოპულარობის ქულების მიხედვით (ძიება, ნახვა და შეკვეთები თითოეული ნამუშწაროსთვის) · 70 ნამუშევარი თომას ბიჩი ჩვენს კატალოგში

მოკლედ რომ ვთქვათ

თომას ბიჩი-ის ყველა დატოვებული ორიგინალიდან ყველაზე ცნობილი Portrait of William Helyar (d.1820), holding a design for the Georgian wing of Coker Court, Somerset (1760) არის. მისდაក្រោយ The Hand that Was Not Called (1775) და Sir Richard Edwards (d. 1794) (1774) მოდიან. ჩვენს კატალოგში თომას ბიჩი-ის 70 ნამუშწარებია; გალერეამ შეინافظა ის 58 ნამუშწარო, რომლებსაც მსოფლიო ყველაზე მეტად აღიარებს, რომელთაგან თითოეული წარმოდგენილია თვის, მუზეუმისა და ისტორიის თანხლებით.

1738 – 1806, დორჩესტერი Neoclassicism ყველაზე მეტი ნამشევრი: Victoria Art Gallery

თომას ბიჩი-ის 10 საუკეთესო ნამუშgeryო: გალერეის არჩევანი

1
Portrait of William Helyar (d.1820), holding a design for the Georgian wing of Coker Court, Somerset (1760) ავტორის: თომას ბიჩი

Portrait of William Helyar (d.1820), holding a design for the Georgian wing of Coker Court, Somerset

1760 · Oil On Canvas

This formal 18th-century oil portrait depicts William Helyar in a three-quarter length pose. The gentleman stands against a backdrop featuring heavy drapery and classical architectural elements, including a column. He is shown holding a design for the Georgian wing of Coker Court, Somerset, a detail that serves to symbolize his connection to land and architecture. The composition is a standard eye-level portrait view, creating an intimate yet respectful distance between…

2
The Hand that Was Not Called (1775) ავტორის: თომას ბიჩი

The Hand that Was Not Called

1775 · Oil · ჰიუსტონის fine arts მუზეუმი, ჰიუსტონი

In this 1775 oil painting, titled The Hand that Was Not Called, six men are gathered around a small wooden table in an indoor setting. The composition forms a dense, pyramidal arrangement of figures, creating a sense of social intimacy. The scene captures a moment of calm, focused concentration and gentlemanly camaraderie as the men engage in a game of cards, with hands holding cards and others scattered across the…

3
Sir Richard Edwards (d. 1794) (1774) ავტორის: თომას ბიჩი

Sir Richard Edwards (d. 1794)

1774 · Oil On Canvas · Royal Collection, ლონდონი

The gaze of Sir Richard Edwards (d. 1794) meets the viewer from within this formal oil portrait. Painted by Thomas Beach, the work captures the subject in a moment of quiet authority. The likeness remains fixed in time, preserving the presence of a man who lived through the shifting social landscapes of the eighteenth century. This portrait exists today as a part of the Royal Collection, held within its prestigious…

4
Francis Woodward (1770) ავტორის: თომას ბიჩი

Francis Woodward

1770 · Oil On Canvas · Victoria Art Gallery, ბათი

This oil painting on canvas, executed around 1770, presents a formal portrait of a man identified as Francis Woodward. The subject is depicted from the upper body, positioned slightly off-center with his gaze directed toward the viewer. He is characterized by a pale complexion with subtle rosy cheeks and wears a large white wig typical of the period. His attire consists of a white shirt collar and cuffs paired with…

5
Portrait of a Man (1782) ავტორის: თომას ბიჩი

Portrait of a Man

1782 · Oil · National Gallery of Ireland, დუბლინი

In Thomas Beach's Portrait of a Man, the subject is captured in a three-quarter view, positioned slightly off-center. This placement creates a subtle tension against the dark, indeterminate background. The composition relies on a strong chiaroscuro effect, where the void behind the man pushes his form forward into the viewer's space. The perspective remains at eye-level, establishing a direct and intimate connection.

6
Portrait of Sarah Siddons (1782) ავტორის: თომას ბიჩი

Portrait of Sarah Siddons

1782 · Oil On Canvas · Auckland Art Gallery Toi o Tāmaki, Auckland

The gaze of the subject meets the observer in this Portrait of Sarah Siddons, a work that captures the presence of the celebrated actress. Thomas Beach, the artist behind this oil on canvas, brings a sense of quiet dignity to the woman who lived from 1755 to 1831. He renders her with a focused attention that suggests a moment of stillness, holding her within the frame of the composition. The…

7
The Honourable Mrs Craven (1776) ავტორის: თომას ბიჩი

The Honourable Mrs Craven

1776 · Oil On Canvas

The subject sits in a quiet, centered stillness. She is an elderly woman, her presence defined by the soft weight of her years and the dignity of her station. Her face, etched with the subtle lines of experience, emerges from a background of minimal depth. Light falls across her features in a diffused glow, casting gentle shadows that trace the contours of her cheeks and the delicate folds of her…

8
Mrs Charles Davis (1781) ავტორის: თომას ბიჩი

Mrs Charles Davis

1781 · Oil On Canvas · Victoria Art Gallery, ბათი

In this 1781 portrait, the sitter is presented in a three-quarter pose, her gaze meeting the viewer with a directness that suggests both composure and social standing. She is draped in a golden gown, accented by delicate white lace at the neckline, while a dark shawl rests upon her shoulders. The composition relies on a soft, diffused light that illuminates her features against an indistinct, dark background, focusing all attention…

9
George Hanger, 4th Lord Coleraine (1751-1824) (1787) ავტორის: თომას ბიჩი

George Hanger, 4th Lord Coleraine (1751-1824)

1787 · Oil On Canvas · Royal Collection, ლონდონი

The portrait presents a gentleman in a three-quarter view, his presence defined by the structured silhouette of a military-style jacket in deep forest green. Light enters from the upper left, carving the contours of his face and casting soft shadows that lend a three-dimensional volume to his features. A crisp white cravat provides a sharp tonal contrast against the dark, heavy wool of his coat, while the large, airy ostrich…

თომას ბიჩი-ის შერჩევა გრძელდება, 11-დან 58-მდე

11Sir Abraham Isaac Elton (1718–1790), 4th Bt (1790) ავტორის: თომას ბიჩიSir Abraham Isaac Elton (1718–1790), 4th Bt1790 · National Trust 12Charles Penruddock (c.1742–1788), MP, of Compton Chamberlayne (1788) ავტორის: თომას ბიჩიCharles Penruddock (c.1742–1788), MP, of Compton Chamberlayne1788 · National Trust 13Miss Jenny Davis (1796) ავტორის: თომას ბიჩიMiss Jenny Davis1796 · Victoria Art Gallery 14Lewis Dimoke Grosvenor Tregonwell (1753–1831), Dorset Yeomanry (1798) ავტორის: თომას ბიჩიLewis Dimoke Grosvenor Tregonwell (1753–1831), Dorset Yeomanry1798 · Bournemouth Town Hall 15Anne Templer (d.1832), Lady De la Pole (1793) ავტორის: თომას ბიჩიAnne Templer (d.1832), Lady De la Pole1793 · National Trust 16Portrait of Elizabeth, Lady Craven (Later Margravine of Anspach) ავტორის: თომას ბიჩიPortrait of Elizabeth, Lady Craven (Later Margravine of Anspach) 17William, Mary Ann, and John De la Pole as Children (Sir William Templer Pole, 1782–1847, 7th Bt, Mary Ann Pole, b.1783, and John George Pole, 1787–1803) (1793) ავტორის: თომას ბიჩიWilliam, Mary Ann, and John De la Pole as Children (Sir William Templer Pole, 1782–1847, 7th Bt, Mary Ann Pole, b.1783, and John George Pole, 1787–1803)1793 · National Trust 18Portrait of a Gentleman in a Green Robe (1773) ავტორის: თომას ბიჩიPortrait of a Gentleman in a Green Robe1773 19Miss Elizabeth Phelips, Dressed as Diana (1770) ავტორის: თომას ბიჩიMiss Elizabeth Phelips, Dressed as Diana1770 · მანჩესტერის ხელოვნების გალერეა 20Francis Woodward (1721–1785) (1770) ავტორის: თომას ბიჩიFrancis Woodward (1721–1785)1770 · Victoria Art Gallery 21Portrait of the Children of Charles Blair (1769) ავტორის: თომას ბიჩიPortrait of the Children of Charles Blair1769 22Portrait of Francis Steward (1743 1798), Mayor of Weymouth and Melcombe Regis ავტორის: თომას ბიჩიPortrait of Francis Steward (1743 1798), Mayor of Weymouth and Melcombe Regis 23Reverend William Phelips II (1755–1806) (1780) ავტორის: თომას ბიჩიReverend William Phelips II (1755–1806)1780 · Montacute House 24Edward Phelips VI (1753–1792), MP (1780) ავტორის: თომას ბიჩიEdward Phelips VI (1753–1792), MP1780 · Montacute House 25Miss Davis as a Bride (1780) ავტორის: თომას ბიჩიMiss Davis as a Bride1780 · Victoria Art Gallery 26Cornet Edmund Pitts Middleton, 2nd Queen's Dragoon Guards (1778) ავტორის: თომას ბიჩიCornet Edmund Pitts Middleton, 2nd Queen's Dragoon Guards1778 27Charles Davis (1741–1805) (1784) ავტორის: თომას ბიჩიCharles Davis (1741–1805)1784 · Victoria Art Gallery 28Portrait of a Gentleman in Georgian Dress (1780) ავტორის: თომას ბიჩიPortrait of a Gentleman in Georgian Dress1780 · Ludlow Library - Museum Resource Centre 29William 'Memory' Woodfall (1746–1803) (1782) ავტორის: თომას ბიჩიWilliam 'Memory' Woodfall (1746–1803)1782 30Portrait of a Man (1785) ავტორის: თომას ბიჩიPortrait of a Man1785 · Dulwich Picture Gallery 31Mrs Charles Davis (1726–1782) (1781) ავტორის: თომას ბიჩიMrs Charles Davis (1726–1782)1781 · Victoria Art Gallery 32The Honourable Mrs Craven (1776) ავტორის: თომას ბიჩიThe Honourable Mrs Craven1776 · Walker Art Gallery 33Rebecca Steward (1766–1859) (1783) ავტორის: თომას ბიჩიRebecca Steward (1766–1859)1783 34Miss Davis as a Bride (1780) ავტორის: თომას ბიჩიMiss Davis as a Bride1780 · Bath Pump Room 35William Woodfall (1782) ავტორის: თომას ბიჩიWilliam Woodfall1782 · National Portrait Gallery 36George Pitt (1721–1803), 1st Lord Rivers (1779) ავტორის: თომას ბიჩიGeorge Pitt (1721–1803), 1st Lord Rivers1779 · The Keep Military Museum 37Maria Craven (1769–1851), Later Countess of Sefton, as a Young Girl (1776) ავტორის: თომას ბიჩიMaria Craven (1769–1851), Later Countess of Sefton, as a Young Girl1776 · Walker Art Gallery 38Portrait of a Gentleman, Aged 53 (1782) ავტორის: თომას ბიჩიPortrait of a Gentleman, Aged 531782 · Government Art Collection 39Dr Richard Pulteney (1730–1801), FRS, FLS (1788) ავტორის: თომას ბიჩიDr Richard Pulteney (1730–1801), FRS, FLS1788 40The Reverend Edward Pole (1758–1836) (1794) ავტორის: თომას ბიჩიThe Reverend Edward Pole (1758–1836)1794 · National Trust 41Sarah Siddons (1755–1831) (1790) ავტორის: თომას ბიჩიSarah Siddons (1755–1831)1790 · უელსის ეროვნული ბიბლიოთეკა / The National Library of Wales 42Peter Palmer (Huntsman to Sir John William De la Pole, 6th Bt) (1793) ავტორის: თომას ბიჩიPeter Palmer (Huntsman to Sir John William De la Pole, 6th Bt)1793 · National Trust 43The Stapleton Family (1789) ავტორის: თომას ბიჩიThe Stapleton Family1789 · ჰოლბურნის მუზეუმი 44Sir John William De la Pole (1757–1799), 6th Bt (1794) ავტორის: თომას ბიჩიSir John William De la Pole (1757–1799), 6th Bt1794 · National Trust 45Portrait of a Girl of the Burnaby Family (1801) ავტორის: თომას ბიჩიPortrait of a Girl of the Burnaby Family1801 46Mrs Charles Davis, Grandmother of Major C. E. Davis (1796) ავტორის: თომას ბიჩიMrs Charles Davis, Grandmother of Major C. E. Davis1796 · Victoria Art Gallery 47Miss Jenny Davis (1796) ავტორის: თომას ბიჩიMiss Jenny Davis1796 · Bath Pump Room 48Thomas Tyndall with Wife and Children (1800) ავტორის: თომას ბიჩიThomas Tyndall with Wife and Children1800 · ბრისტოლის უნივერსიტეტის მუზეუმები 49Mrs Charles Davis, Grandmother of Major C. E. Davis (1796) ავტორის: თომას ბიჩიMrs Charles Davis, Grandmother of Major C. E. Davis1796 · Bath Pump Room 50Thomas Beach (1802) ავტორის: თომას ბიჩიThomas Beach1802 · National Portrait Gallery 51John Hungerford Penruddock (1770–1841), MP, DL, of Compton Chamberlayne (1800) ავტორის: თომას ბიჩიJohn Hungerford Penruddock (1770–1841), MP, DL, of Compton Chamberlayne1800 · National Trust 52John Montagu, 4th Earl of Sandwich, PC, FRS ავტორის: თომას ბიჩიJohn Montagu, 4th Earl of Sandwich, PC, FRSMinistry of Defence 53Henry Hoare of Mitcham Grove, Surrey (1750–1820) ავტორის: თომას ბიჩიHenry Hoare of Mitcham Grove, Surrey (1750–1820)National Trust 54John Montagu (1718–1792), 4th Earl of Sandwich (after Thomas Gainsborough) ავტორის: თომას ბიჩიJohn Montagu (1718–1792), 4th Earl of Sandwich (after Thomas Gainsborough)Huntingdon Town Hall 55Portrait of the Children of William Craven, 6th Baron Craven ავტორის: თომას ბიჩიPortrait of the Children of William Craven, 6th Baron Craven 56Henry Thomas Fox Strangways (1747–1802), 2nd Earl of Ilchester ავტორის: თომას ბიჩიHenry Thomas Fox Strangways (1747–1802), 2nd Earl of IlchesterLacock Abbey 57Colonel George Worden Baynton (1738–1806) ავტორის: თომას ბიჩიColonel George Worden Baynton (1738–1806)Royal Welch Fusiliers Regimental Museum 58John Montagu, 4th Earl of Sandwich ავტორის: თომას ბიჩიJohn Montagu, 4th Earl of Sandwich

თომას ბიჩი-ის ცნობილი სურათები, პერიოდების მიხედვით

სუბიექტები, რომლებმაც თომას ბიჩი-ის ყურადღება მიიპყრო

ამ ორიგინალებში ყველაზე ხშირად განმეორებადი არის 네 თემა, რომელთაგან თითოეულს თავისი საუკეთესო ნიმუში წარმოგვიდგება.

მუზეუმები, სადაც თომას ბიჩი-ის ორიგინალები ინახება

ამ გვერდზე წარმოდგენილი მხატვრობის შედეგების უმეტესობას 8 მუზეუმი ინახავს.

მუზეუმი ქალაქი თომას ბიჩი შემოქმედებაలు ამ სიიდან მოპოვებული ნახატები
Victoria Art Gallery, ბათიVictoria Art Gallery ბათი 8 Francis Woodward, Mrs Charles Davis, Miss Jenny Davis
National Trust, ანტონიNational Trust ანტონი 5 Anne Templer (d.1832), Lady De la Pole, William, Mary Ann, and John De la Pole as Children (Sir William Templer Pole, 1782–1847, 7th Bt, Mary Ann Pole, b.1783, and John George Pole, 1787–1803), The Reverend Edward Pole (1758–1836)
Bath Pump Room, ბათიBath Pump Room ბათი 3 Miss Davis as a Bride, Miss Jenny Davis, Mrs Charles Davis, Grandmother of Major C. E. Davis
Royal Collection, ლონდონიRoyal Collection ლონდონი 2 Sir Richard Edwards (d. 1794), George Hanger, 4th Lord Coleraine (1751-1824)
National Trust, GuildfordNational Trust Guildford 2 Charles Penruddock (c.1742–1788), MP, of Compton Chamberlayne, John Hungerford Penruddock (1770–1841), MP, DL, of Compton Chamberlayne
Montacute HouseMontacute House 2 Reverend William Phelips II (1755–1806), Edward Phelips VI (1753–1792), MP
Walker Art Gallery, ლივერპულიWalker Art Gallery ლივერპული 2 The Honourable Mrs Craven, Maria Craven (1769–1851), Later Countess of Sefton, as a Young Girl
National Portrait Gallery, ლონდონიNational Portrait Gallery ლონდონი 2 William Woodfall, Thomas Beach

თომას ბიჩი ათწლეულების მიხედვით: ორიგინალი, რომელიც განსაზღვრავს თითოეულ მათგანს

ნამუშევრები ათწლეულების მიხედვით

შეარჩიეთ ათწლეული, რათა ნახოთ ის ორიგინალი ნამუშევარი, რომელიც მას განსაზღვრავს.

კოლექციონერთა კითხვები თომას ბიჩი-ის ნახატებზე

რა ნამუშწარესით არის ყველაზე ცნობილი თომას ბიჩი?გაამჟღავნეთ პასუხი

Portrait of William Helyar (d.1820), holding a design for the Georgian wing of Coker Court, Somerset (1760). შემდეგ მოდიან The Hand that Was Not Called (1775) და Sir Richard Edwards (d. 1794) (1774).

რამდენage იყო თომას ბიჩი, როდესაც შეიქმნა Portrait of William Helyar (d.1820), holding a design for the Georgian wing of Coker Court, Somerset?გაამჟღავნეთ პასუხი

22 წლის: Portrait of William Helyar (d.1820), holding a design for the Georgian wing of Coker Court, Somerset შექმნილია 1760 წელს, ხოლო თომას ბიჩი დაიბადა 1738 წელს.

რა არის თომას ბიჩი-ის 열 иң ცნობილი 열ი ტილო?გაამჟღავნეთ პასუხი

Portrait of William Helyar (d.1820), holding a design for the Georgian wing of Coker Court, Somerset, The Hand that Was Not Called, Sir Richard Edwards (d. 1794), Francis Woodward, Portrait of a Man, Portrait of Sarah Siddons, The Honourable Mrs Craven, Mrs Charles Davis, George Hanger, 4th Lord Coleraine (1751-1824) და George Damer, Viscount Milton. ზემოთ მოცემული რეიტინგი ასახავს თითოეულის შემოქმედების წელსა და მუზეუმს.

რამდენი სურათი დატოვა თომას ბიჩი-მა?გაამჟღავნეთ პასუხი

ჩვენს კატალოგში წარმოდგენილია 70 ნამუშწევრი თომას ბიჩი-ისგან, დათარიღებული 1760-დან 1802-მდე.

რომელ მუზეუმებშია და hangs თომას ბიჩი-ის შედევრული ნამუშევრები?გაამჟღავნეთ პასუხი

ძირითადად Victoria Art Gallery (ბათი), National Trust (ანტონი) და Bath Pump Room (ბათი)-ში. ზემოთ მოცემულ მუზეუმების ცხრილში ისინი ყველა listed.

მათ რომელ წლებში შექმნა თომას ბიჩი-მა ყველაზე ცნობილი ნამუშევრები?გაამჟღავნეთ პასუხი

1780s-ში: ამ გვერდზე წარმოდგენილი 58 ნამუშწარwerksიდან 19 შეიქმნა მაშინ, მათგან Portrait of a Man.

რა არის თომას ბიჩი-ის პირველი და ბოლო ცნობილი ორიგინალი?გაამჟღავნეთ პასუხი

ამ გვერდზე ყველაზე ადრეული არის Portrait of William Helyar (d.1820), holding a design for the Georgian wing of Coker Court, Somerset (1760), ხოლო ყველაზე გვიანდელი — Thomas Beach (1802).

რომელ თემებს ირჩევდა თომას ბიჩი ყველაზე ხშირად?გაამჟღავნეთ პასუხი

Man (22), Woman (15) და Portrait (14), ამ გვერდზე წარმოდგენილ 58 ნამუშწარეს შორის.

რომელ ტექნიკას იყენებდა თომას ბიჩი ყველაზე ხშირად?გაამჟღავნეთ პასუხი

Oil On Canvas, ამ გვერდზე არსებული 58 ნამუშწაროსგან 30 ცალიდან.

რა ხელოვნების მიმართულებას მიეკუთვნება თომას ბიჩი?გაამჟღავნეთ პასუხი

Neoclassicism, ამ გვერდზე წარმოდგენილი ორიგინალების მიხედვით.

თომას ბიჩი-ის რომელ ნამუშევრებს ჰქ나 Victoria Art Gallery-ში?გაამჟღავნეთ პასუხი

Francis Woodward, Mrs Charles Davis და Miss Jenny Davis: Victoria Art Gallery, ბათი-ში წარმოდგენილია ამ გვერდზე მოცემული ნამუშევრების 8 ცალი.

თომას ბიჩი: ცხოვრება და შემოქმედება

A Legacy of Quiet Elegance: The Life and Art of Thomas Beach

In the grand, sweeping narrative of British portraiture, certain names command the spotlight with theatrical brilliance, while others whisper with a more profound, understated grace. Thomas Beach (1738–1806) belongs to that second, more intimate category. A painter whose brush captured the very essence of the Regency era's dignity, Beach navigated an artistic landscape dominated by giants, yet he carved out a niche defined by a distinctive sensitivity and a melancholic beauty that remains deeply moving to the modern eye.

Born in the vibrant, culturally ascending city of Bath around 1738, Beach’s early years were steeped in an environment of burgeoning social prestige. While much of his personal history remains shrouded in the mists of the eighteenth century, his artistic lineage is clearly traced to one of the most formidable figures in art history: Sir Joshua Reynolds. It is believed that Beach received his foundational training at Chiswick House under Reynolds’s direct tutelage. This apprenticeship was more than mere technical instruction; it was an immersion into a philosophy of painting that prioritized classical composition, tonal gradation, and the pursuit of psychological depth. From Reynolds, Beach inherited the ability to render not just a likeness, but a soul, though he would eventually diverge from his master's penchant for the dramatic in favor of a more subdued, reflective elegance.

The Bath Years: Mastery and Influence

As Beach’s career matured during the 1760s and 1770s, he became a fixture of the Bath art scene, a period where his reputation as a premier portraitist solidified among the city's aristocratic and intellectual circles. His work from this era serves as a beautiful synthesis of the Reynoldsian style—characterized by precise facial rendering and masterful use of light—tempered by Beach’s own unique emotional palette. Where Reynolds might employ grand gestures and sweeping landscapes to elevate his subjects, Beach often leaned into a subtle, quiet grace, using soft shading and thoughtful compositions to evoke a sense of introspective calm.

His ability to capture the character of his sitters led to prestigious commissions that placed him at the heart of British cultural life. Among his most notable achievements was his portraiture of Sarah Siddons, the legendary actress whose presence on the stage was as commanding as Beach’s brushwork was delicate. Through these portraits, Beach did more than document the faces of the era; he captured the very atmosphere of a society caught between the Enlightenment and the Romantic movement.

Artistic Significance and Enduring Impression

The historical significance of Thomas Beach lies in his role as a bridge between the grandiosity of the mid-eighteenth century and the more nuanced, emotive portraiture that would follow. While he may not have sought the fame of the more flamboyant masters, his contribution to the British school of painting is undeniable. His works are characterized by several enduring elements:

  • Psychological Insight: A profound ability to convey the inner temperament and quiet dignity of his subjects through subtle facial expressions.
  • Tonal Mastery: The use of light and shadow to create a sense of atmosphere that feels both timeless and intimate.
  • Refined Composition: A commitment to classical principles that provides a structured, balanced beauty to every canvas.

Today, the works of Thomas Beach offer a window into a lost world of refinement. To view a Beach portrait is to experience a moment of stillness amidst the historical noise, finding beauty in the soft shadows and the quiet, enduring strength of his subjects. He remains a vital figure for any student of British art, reminding us that true greatness often resides not in the loudest voice, but in the most thoughtful stroke.