განახლდა ნოემბერი 2026 · დალაგებულია ჩვენი პოპულარობის ქულების მიხედვით (ძიება, ნახვა და შეკვეთები თითოეული ნამუშწაროსთვის) · 112 ნამუშევარი სემიუელ ჯონ პეპლო ჩვენს კატალოგში
მოკლედ რომ ვთქვათ
სემიუელ ჯონ პეპლო-ის ყველა დატოვებული ორიგინალიდან ყველაზე ცნობილი Street Scene, France (1910) არის. მისდაក្រោយ Margaret Peploe (1911) და The Lobster (1903) მოდიან. ჩვენს კატალოგში სემიუელ ჯონ პეპლო-ის 112 ნამუშწარებია; გალერეამ შეინافظა ის 100 ნამუშწარო, რომლებსაც მსოფლიო ყველაზე მეტად აღიარებს, რომელთაგან თითოეული წარმოდგენილია თვის, მუზეუმისა და ისტორიის თანხლებით.
Samuel Peploe captured a quiet moment in 1910 within this oil on panel work. The piece, titled Street Scene, France, presents a view of a road lined with trees. Green leaves cast a lush weight over the sidewalk. French flags hang at various heights above the street, marking the setting with a sense of place and depth.
In this 1911 oil on panel, Samuel Peploe turns his attention to Margaret Peploe. The portrait captures a woman in a moment of quiet reflection, her gaze directed away from the viewer toward something unseen to the side. There is a certain stillness in her pensive expression that invites a closer look at the subtle nuances of her character.
A lobster rests upon a dark wooden table, positioned toward the left of the composition. Beside it, a lemon sits near the right edge, its bright skin contrasting against the deep tones of the surface. The arrangement is completed by a bowl in the upper-right corner and a knife resting on the far right. These objects suggest a scene prepared for a meal, capturing a moment of quietude before consumption.
Evening, North Berwick is a work by Samuel Peploe, executed about 1903. The artist, born in Edinburgh, United Kingdom, was a significant figure in early 20th-century British art. Peploe's career spanned several decades until his death in 1935.
In this work, titled Tulips and Fruit, we encounter a significant example of the skill of Samuel Peploe. Painted in 1919, the piece reflects the artist's established presence within the early twentieth-century British art scene. Peploe, a Scottish Master of Colour and Light, brought a specific sensibility to his arrangements, focusing on the way light interacts with form and hue.
In this 1911 work titled Self-Portrait, the artist Samuel Peploe gazes back from the canvas, capturing a moment of quiet introspection. The subject is a man with a mustache, his features emerging from a dark, indistinct background. He holds a pipe in his mouth, a small detail that grounds the figure in a sense of personal habit and stillness. The portrait focuses on the man's face and torso, presenting a…
In this intimate oil portrait, titled Boy Reading (Portrait Of The Artist's Son, Willie), the viewer finds themselves drawn into a private, quiet moment. The subject is Willie, the son of the artist Samuel Peploe. There is a sense of stillness in the way the young boy is captured, lost entirely in the pages of his book. The connection between the painter and the subject feels deeply personal, as if…
In this intimate portrait titled Gypsy, the artist Samuel Peploe turns his gaze toward a young woman. She appears caught in a fleeting moment of amusement, her head tilted slightly as if she has just shared a private thought or a playful glance. The subject dominates the view, her presence filling the space with a sense of immediate closeness. A single red flower rests in her hair, adding a sudden…
In Portrait of the Artist's Wife, Samuel Peploe centers the composition on a woman depicted from the waist up. The subject occupies most of the frame, creating an immediate sense of proximity. This frontal view establishes an intimate connection between the sitter and the viewer, as the figure dominates the visual field against a receding, shadowy space.
In Mrs. Peploe, Samuel Peploe captures a quiet moment within an interior setting. The subject sits upon a couch, her presence anchoring the scene. While the composition feels central, the woman is positioned slightly off-center, a choice that introduces a subtle sense of movement to her seated pose. This slight asymmetry draws the eye across the frame, following the soft lines of her figure against the domestic backdrop. The arrangement…
Perthshire landscape (Blair Fettie)1935 · Art Gallery of New South Wales
12
Samuel John Peploe, 1871 - 1935. Artist (Self-portrait)1911 · Scottish National Portrait Gallery
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Kirkcudbright1919
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Still life: apples and jar1912 · Art Gallery of New South Wales
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Still LIfe with Pink and Red Roses in a Chinese Vase1920
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Étaples1906 · Scottish National Gallery of Modern Art
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The Green Blouse1904 · Scottish National Gallery of Modern Art
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Still life with pears and wineglass1915 · სამხრეთ ავსტრალიის სახელოვნებო გალერეა
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The Harbor at Cassis
20
Still Life of Red Tulips in a Chinese Vase
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Peonies1902 · Scottish National Gallery of Modern Art
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Flowers in a Green Vase1920
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Tulips1912
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Tulips and Cup1912
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Waves1903 · Scottish National Gallery of Modern Art
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North Berwick1903 · Scottish National Gallery of Modern Art
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Rocks at Barra1903 · Scottish National Gallery of Modern Art
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Barra1903 · Scottish National Gallery of Modern Art
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Barra1903 · Scottish National Gallery of Modern Art
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Still Life, Painter's Materials1900
31
Souvenir1905
32
Street in Comrie1902
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The Cart, Comrie1900
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Comrie1900
35
Jeffrey's Brewery, Edinburgh1900
36
Still LIfe with Coffee Pot1905
37
North Berwick1903
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Man Laughing (Tom Morris)1902 · Scottish National Gallery of Modern Art
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Jeannie Blyth1905
40
Roses in a Blue and White Vase, Black Background1904
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Flowers against a Dark Background1899
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Boats at Royan1910 · Scottish National Gallery of Modern Art
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Game of Tennis, Luxembourg Gardens1906 · Scottish National Gallery of Modern Art
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On the French Coast1907 · Scottish National Gallery of Modern Art
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Veules-les-Roses1910
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Paris-Plage1907
47
Girl in White1907
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Girl in White1907
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Lady in a White Dress1906
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Ile de Bréhat1911 · Scottish National Gallery of Modern Art
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Nannie1908 · University of Dundee
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The Luxembourg Gardens1910
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On the Seine1907
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Ile de Bréhat1911
55
Pink Roses, Chinese Vase1916
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In Port, Cassis1913
57
A Still LIfe of Roses, Oranges and Lemon1916
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Laggan Farm Buildings near Dalbeattie1916
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Kirkcudbright, Street Corner1917
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Flowers and Fruit (also known as Flowers and Fruit on a Japanese Background)1915
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Tulips - The Blue Jug1919 · Scottish National Gallery of Modern Art
62![Roses [verso: Portrait of a Woman] (1920) ავტორის: სემიუელ ჯონ პეპლო](/media/artworks/images-thumb/76/d0/76d0be6be0ff9ca06190f51d086b5ee1.jpg)
Roses [verso: Portrait of a Woman]1920 · Scottish National Gallery of Modern Art
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Douglas Hall, Dumfries1918 · Art Gallery of New South Wales
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Cathedral Rock, Iona1920
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Still Life with Roses, Oranges and Apples1920
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Green Sea, Iona1920
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Dish with Apples (also known as The Ginger Jar)1918
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Still LIfe, Roses and Book1920
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Iona1923 · Scottish National Gallery of Modern Art
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Aspidistra1927
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Chops1927
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Still Life With Roses1924
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Iona, Pink Rocks1927
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Landscape, Cassis1924
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Blue Sea, Iona1927
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Iona, Grey Day1927
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The Ginger Jar1926
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Landscape at Cassis1924 · Scottish National Gallery of Modern Art
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Studio Interior1929
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Tulips In A Brown Jar1933
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Landscape1932
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Stormy Weather, Iona1929
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River1932
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Iona Study1929 · Scottish National Gallery of Modern Art
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Landscape1932
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The Green Jar1930
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Interior with Japanese Print1916
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Still LIfe with Statuette and Books1920
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Fruit and FlowersIndianapolis Museum of Art
90
Still Life with Melon and Apples
91
Still Life - Roses And Apples
92
Still Life With Tulips And Fan
93
A Perthshire Road
94
Pink Roses
95
The White Strand, Iona
96
Woman with Long Hair
97
Figures on a Beach
98
Kirkcudbright
99
Female Nude with PitcherUniversity of Edinburgh Fine Art Collection
100
Flowers in a Silver Jug
ამ ორიგინალებში ყველაზე ხშირად განმეორებადი არის 네 თემა, რომელთაგან თითოეულს თავისი საუკეთესო ნიმუში წარმოგვიდგება.
ამ გვერდზე წარმოდგენილი მხატვრობის შედეგების უმეტესობას 7 მუზეუმი ინახავს.
| მუზეუმი | ქალაქი | სემიუელ ჯონ პეპლო შემოქმედებაలు | ამ სიიდან მოპოვებული ნახატები |
|---|---|---|---|
 Scottish National Gallery of Modern Art |
Edinburgh | 20 | Self-Portrait, Portrait of the Artist's Wife, Étaples |
 Art Gallery of New South Wales |
სიდნეი | 3 | Perthshire landscape (Blair Fettie), Still life: apples and jar, Douglas Hall, Dumfries |
 Scottish National Portrait Gallery |
Edinburgh | 1 | Samuel John Peploe, 1871 - 1935. Artist (Self-portrait) |
 სამხრეთ ავსტრალიის სახელოვნებო გალერეა |
ადელაიდა | 1 | Still life with pears and wineglass |
 University of Dundee |
Dundee | 1 | Nannie |
 Indianapolis Museum of Art |
Indianapolis | 1 | Fruit and Flowers |
 University of Edinburgh Fine Art Collection |
Edinburgh | 1 | Female Nude with Pitcher |
შეარჩიეთ ათწლეული, რათა ნახოთ ის ორიგინალი ნამუშევარი, რომელიც მას განსაზღვრავს.
In this intimate portrait titled Gypsy, the artist Samuel Peploe turns his gaze toward a young woman. She appears caught in a fleeting moment of amusement, her head tilted slightly as if she has just shared a private thought or a playful glance. The subject dominates the view, her presence filling the space with a sense of immediate closeness. A single red flower rests in her hair, adding a sudden…
A lobster rests upon a dark wooden table, positioned toward the left of the composition. Beside it, a lemon sits near the right edge, its bright skin contrasting against the deep tones of the surface. The arrangement is completed by a bowl in the upper-right corner and a knife resting on the far right. These objects suggest a scene prepared for a meal, capturing a moment of quietude before consumption.
Samuel Peploe captured a quiet moment in 1910 within this oil on panel work. The piece, titled Street Scene, France, presents a view of a road lined with trees. Green leaves cast a lush weight over the sidewalk. French flags hang at various heights above the street, marking the setting with a sense of place and depth.
To gaze upon Samuel John Peploe’s Still Life with Pink and Red Roses in a Chinese Vase is to step directly into the vibrant, sun-drenched palette of early 20th-century Scottish artistry. This painting, executed in 1920, transcends the mere depiction of flowers and fruit; it is a carefully orchestrated meditation on beauty, transience, and the enduring power of color. Peploe, a master who navigated the currents of Post-Impressionism while retaining…
Street Scene, France (1910). შემდეგ მოდიან Margaret Peploe (1911) და The Lobster (1903).
39 წლის: Street Scene, France შექმნილია 1910 წელს, ხოლო სემიუელ ჯონ პეპლო დაიბადა 1871 წელს.
Street Scene, France, Margaret Peploe, The Lobster, Evening, North Berwick, Tulips and Fruit, Self-Portrait, Boy Reading (Portrait Of The Artist's Son, Willie), Gypsy, Portrait of the Artist's Wife და Mrs. Peploe. ზემოთ მოცემული რეიტინგი ასახავს თითოეულის შემოქმედების წელსა და მუზეუმს.
ჩვენს კატალოგში წარმოდგენილია 112 ნამუშწევრი სემიუელ ჯონ პეპლო-ისგან, დათარიღებული 1899-დან 1935-მდე.
ძირითადად Scottish National Gallery of Modern Art (Edinburgh), Art Gallery of New South Wales (სიდნეი) და Scottish National Portrait Gallery (Edinburgh)-ში. ზემოთ მოცემულ მუზეუმების ცხრილში ისინი ყველა listed.
1900s-ში: ამ გვერდზე წარმოდგენილი 100 ნამუშწარwerksიდან 33 შეიქმნა მაშინ, მათგან The Lobster.
ამ გვერდზე ყველაზე ადრეული არის Gypsy (1899), ხოლო ყველაზე გვიანდელი — Perthshire landscape (Blair Fettie) (1935).
Still life (7), Flowers (7) და Woman (4), ამ გვერდზე წარმოდგენილ 100 ნამუშწარეს შორის.
Oil On Canvas, ამ გვერდზე არსებული 100 ნამუშწაროსგან 14 ცალიდან.
Post-impressionism, ამ გვერდზე წარმოდგენილი ორიგინალების მიხედვით.
Self-Portrait, Portrait of the Artist's Wife და Étaples: Scottish National Gallery of Modern Art, Edinburgh-ში წარმოდგენილია ამ გვერდზე მოცემული ნამუშევრების 20 ცალი.
