განახლდა ნოემბერი 2026 · დალაგებულია ჩვენი პოპულარობის ქულების მიხედვით (ძიება, ნახვა და შეკვეთები თითოეული ნამუშწაროსთვის) · 65 ნამუშევარი სერ ჯონ ალფრედ არნესბი ბრაუნი ჩვენს კატალოგში
მოკლედ რომ ვთქვათ
სერ ჯონ ალფრედ არნესბი ბრაუნი-ის ყველა დატოვებული ორიგინალიდან ყველაზე ცნობილია Full Summer, Ludham, Norfolk (1902), რომელიც Nottingham-ში მდებარე Nottingham Castle Museum And Art Gallery-ის კოლექციაშია. მისდაក្រោយ Dr John Brown Paton, Principal of the Nottingham Congregational Institute for 35 Years (1899) და The Riverbank (1902) მოდიან. ჩვენს კატალოგში სერ ჯონ ალფრედ არნესბი ბრაუნი-ის 65 ნამუშწარებია; გალერეამ შეინافظა ის 57 ნამუშწარო, რომლებსაც მსოფლიო ყველაზე მეტად აღიარებს, რომელთაგან თითოეული წარმოდგენილია თვის, მუზეუმისა და ისტორიის თანხლებით.
A man occupies the center of a dirt road, his gaze cast backward toward a pair of cows. He holds a gun, a detail that introduces a subtle tension to the otherwise quiet pastoral scene. The landscape of Ludham unfolds around him, framed by the dense greenery of trees that line the path. Other figures appear in the periphery, one near the left edge and two others positioned further in…
Dr John Brown Paton, Principal of the Nottingham Congregational Institute for 35 Years, is a portrait executed by the English painter John Arnesby Brown. The work, dating to about 1899, captures the likeness of Dr John Brown Paton, a Scottish Congregationalist minister and educator who served as the first principal of the Nottingham Congregational Institute. His tenure at the institution spanned thirty-five years, from 1863 until 1898.
The Riverbank is a work by John Arnesby Brown, painted in 1902. This piece emerged during a period when the artist was establishing his presence within the British landscape tradition. Brown, who was born in Nottingham, United Kingdom, brought a specific sensitivity to the English countryside that would define much of his career.
In this 1899 portrait, we find ourselves in the presence of Dr Paton. The subject is a man of considerable presence, defined by a thick, white beard that catches the light against a deep, saturated red background. He is captured in a moment of quiet composure, dressed in a formal suit and tie, with his hands clasped together in a gesture that suggests both patience and gravity. There is a…
In The Marshes from Burgh Castle, Norfolk, John Arnesby Brown captures a quiet moment within a rural coastal landscape. Painted about 1919, the scene unfolds across a wide vista where the earth meets the sky in a soft, hazy embrace. A weathered stone wall anchors the left side of the view, providing a solid, tactile presence against the shifting elements. Beyond this boundary, a field stretches toward a body of…
Haddiscoe Church, Norfolk is a landscape painting by John Arnesby Brown. The work focuses on a church situated atop a hill, overlooking the surrounding terrain. A road winds through the landscape, leading the eye toward the structure.
The Hayfield is a work by John Arnesby Brown, painted in 1910. The artist, born in 1866 in Nottingham, United Kingdom, captured this rural scene during a period of significant development in his career. He lived until 1955, passing away in Haddiscoe, Norfolk.
The Drinking Pool1895 · მანჩესტერის ხელოვნების გალერეა
12
The Drinking Pool1895
13
Homeward1896 · ჰარისის მუზეუმი - სახელოვნებო გალერეა
14
The Pier1905 · Ferens Art Gallery
15
The Bridge1904 · Walker Art Gallery
16
Hay Cutting on the Norfolk Marshes
17
The Coming Day
18
Calves
19
Silver Morning1910
20
Fading Day1910 · ჰარისის მუზეუმი - სახელოვნებო გალერეა
21
Sheepfold1908
22
A Norfolk Landscape1912
23
Sir Edward Henry Fraser1913
24
In June1917
25
A Summer Day1912
26
The Raincloud1915
27
The Line of the Plough1919
28
The Smug and Silver Trent1924
29
Spring1925
30
The Watch Tower1923 · Laing Art Gallery
31
Nottingham Castle The Centre of Medieval England (London, Midland and Scottish Railway poster artwork)1924
32
The Cloud (September)1930
33
Sketch for 'The Estuary, Gathering Clouds'1931
34
View of Norwich from the Bungay Road, Norfolk1935
35
A Fellside Cumberland Village1939 · Touchstones Rochdale
36
Panoramic View of Nottingham
37
Herald of Night
38
May Morning, Nottingham
39
Wymondham Abbey, Norfolk
40
Seascape with Yacht
41
The Dutch Windmill
42
Cattle in a Field
43
Blythsburgh (Beccles across the Marshes)
44
A Norfolk Landscape with Potato PickersThe National Trust For Scotland
45
The Yacht RaceFitzwilliam College
46
Morston Church, Norfolk
47
The Old Silk Mill, Derby
48
Haystacks, Evening
49
Landscape with Church
50
Suffolk Riverბრისტოლის მუზეუმი - ხელოვნების გალერეა
51
Landscape
52
The White Bull
53
Study for 'The Two Piers'Nottingham Castle Museum And Art Gallery
54
Autumn MorningRoyal Albert Memorial Museum
55
Spring
56
Alderman William LambertNottingham Castle Museum And Art Gallery
57
Near NottinghamNottingham Castle Museum And Art Gallery
ამ ორიგინალებში ყველაზე ხშირად განმეორებადი არის 네 თემა, რომელთაგან თითოეულს თავისი საუკეთესო ნიმუში წარმოგვიდგება.
ამ გვერდზე წარმოდგენილი მხატვრობის შედეგების უმეტესობას 8 მუზეუმი ინახავს.
| მუზეუმი | ქალაქი | სერ ჯონ ალფრედ არნესბი ბრაუნი შემოქმედებაలు | ამ სიიდან მოპოვებული ნახატები |
|---|---|---|---|
 Nottingham Castle Museum And Art Gallery |
Nottingham | 7 | Full Summer, Ludham, Norfolk, Dr John Brown Paton, Principal of the Nottingham Congregational Institute for 35 Years, Haymaking |
 ჰარისის მუზეუმი - სახელოვნებო გალერეა |
პრესტონი | 2 | Homeward, Fading Day |
 Guildhall Art Gallery |
London | 1 | The Riverbank |
 The Congregational Memorial Hall |
Nottingham | 1 | Dr Paton (1830–1911) |
 Norfolk Museums |
Norwich | 1 | Myra Plater, Sister of the Artist |
 მანჩესტერის ხელოვნების გალერეა |
Manchester | 1 | The Drinking Pool |
 Ferens Art Gallery |
ჰალი | 1 | The Pier |
 Walker Art Gallery |
ლივერპული | 1 | The Bridge |
შეარჩიეთ ათწლეული, რათა ნახოთ ის ორიგინალი ნამუშევარი, რომელიც მას განსაზღვრავს.
Dr John Brown Paton, Principal of the Nottingham Congregational Institute for 35 Years, is a portrait executed by the English painter John Arnesby Brown. The work, dating to about 1899, captures the likeness of Dr John Brown Paton, a Scottish Congregationalist minister and educator who served as the first principal of the Nottingham Congregational Institute. His tenure at the institution spanned thirty-five years, from 1863 until 1898.
A man occupies the center of a dirt road, his gaze cast backward toward a pair of cows. He holds a gun, a detail that introduces a subtle tension to the otherwise quiet pastoral scene. The landscape of Ludham unfolds around him, framed by the dense greenery of trees that line the path. Other figures appear in the periphery, one near the left edge and two others positioned further in…
In The Marshes from Burgh Castle, Norfolk, John Arnesby Brown captures a quiet moment within a rural coastal landscape. Painted about 1919, the scene unfolds across a wide vista where the earth meets the sky in a soft, hazy embrace. A weathered stone wall anchors the left side of the view, providing a solid, tactile presence against the shifting elements. Beyond this boundary, a field stretches toward a body of…
Full Summer, Ludham, Norfolk (1902), Nottingham Castle Museum And Art Gallery, Nottingham. შემდეგ მოდიან Dr John Brown Paton, Principal of the Nottingham Congregational Institute for 35 Years (1899) და The Riverbank (1902).
36 წლის: Full Summer, Ludham, Norfolk შექმნილია 1902 წელს, ხოლო სერ ჯონ ალფრედ არნესბი ბრაუნი დაიბადა 1866 წელს.
Full Summer, Ludham, Norfolk, Dr John Brown Paton, Principal of the Nottingham Congregational Institute for 35 Years, The Riverbank, Dr Paton (1830–1911), The Marshes from Burgh Castle, Norfolk, Haddiscoe Church, Norfolk, The Hayfield, Haymaking, Myra Plater, Sister of the Artist და Poppy Field (verso). ზემოთ მოცემული რეიტინგი ასახავს თითოეულის შემოქმედების წელსა და მუზეუმს.
ჩვენს კატალოგში წარმოდგენილია 65 ნამუშწევრი სერ ჯონ ალფრედ არნესბი ბრაუნი-ისგან, დათარიღებული 1890-დან 1939-მდე.
ძირითადად Nottingham Castle Museum And Art Gallery (Nottingham), ჰარისის მუზეუმი - სახელოვნებო გალერეა (პრესტონი) და Guildhall Art Gallery (London)-ში. ზემოთ მოცემულ მუზეუმების ცხრილში ისინი ყველა listed.
1910s-ში: ამ გვერდზე წარმოდგენილი 57 ნამუშწარwerksიდან 10 შეიქმნა მაშინ, მათგან The Marshes from Burgh Castle, Norfolk.
ამ გვერდზე ყველაზე ადრეული არის Haymaking (1890), ხოლო ყველაზე გვიანდელი — A Fellside Cumberland Village (1939).
Rural landscape (5), British countryside (5) და Man (4), ამ გვერდზე წარმოდგენილ 57 ნამუშწარეს შორის.
Oil, ამ გვერდზე არსებული 57 ნამუშწაროსგან 5 ცალიდან.
Impressionism, ამ გვერდზე წარმოდგენილი ორიგინალების მიხედვით.
Full Summer, Ludham, Norfolk, Dr John Brown Paton, Principal of the Nottingham Congregational Institute for 35 Years და Haymaking: Nottingham Castle Museum And Art Gallery, Nottingham-ში წარმოდგენილია ამ გვერდზე მოცემული ნამუშევრების 7 ცალი.
Sir John Alfred Arnesby Brown was a figure of remarkable duality, a man who navigated the physical vigor of professional sport and the delicate, atmospheric nuances of fine art with equal distinction. Born in Nottingham, his early years were marked by a pursuit of athletic excellence; he was an English footballer who famously played for Notts County in the Football League. Yet, it was through the lens of the landscape painter that he would secure his enduring legacy as one of the leading British landscape artists of the 20th century. His journey from the competitive pitches of the late 19th century to the prestigious halls of the Royal Academy is a testament to a profound devotion to the natural world.
His artistic education was rigorous and transformative, beginning with lessons under a local tutor in Nottingham before he moved to the renowned Bushey School of Art in Hertfordshire. There, studying under Hubert von Herkomer, Brown began to cultivate a technique that would become his hallmark. His work was deeply influenced by the plein air ideal and the evocative traditions of the Barbizon School and French Impressionists. This influence manifested in his ability to capture the fleeting qualities of light and atmosphere, turning the English countryside into a stage for luminous, emotive storytelling.
Brown’s oeuvre is most celebrated for its impressionistic depictions of pastoral landscapes, where the quiet majesty of the countryside is often punctuated by the presence of cattle. He possessed a unique ability to render the textures of the earth and the shifting moods of the sky, creating scenes that felt both timeless and intensely immediate. While his heart often resided in the tranquil meadows of Norfolk—specifically around Haddiscoe, where he eventually settled—his vision was not limited to a single geography. His work frequently captured the serene beauty of the marshes and the rhythmic life of rural England.
As his career matured, Brown’s interests underwent a fascinating evolution. While he remained a master of the pastoral, after 1905, he began to direct his observant eye toward the industrial landscape. He found a new kind of beauty in the structural complexities of rail yards and brickworks around Kings Lynn, proving that his sensitivity to light and form could transcend the idyllic and embrace the burgeoning modernity of his era. This expansion of subject matter demonstrated a profound artistic maturity and an unwavering commitment to documenting the changing face of the British landscape.
The significance of Sir John Alfred Arnesby Brown extends far beyond the canvas, reaching into the very fabric of British cultural history. His dedication to his craft was recognized with the highest honors, culminating in his knighthood in 1938 for his services to the nation's art. This accolade served as a formal acknowledgment of a career that had successfully bridged the gap between traditional landscape values and the evolving sensibilities of modern impressionism.
His life was also intertwined with the artistic community through his marriage to Mia Edwards, a talented Welsh painter noted for her portraits of children. Together, they shared a life steeped in creativity, moving between the artist colonies of St Ives, Cornwall, and the seasonal beauty of Norfolk. Today, the works of Arnesby Brown continue to resonate within prestigious UK public collections, serving as enduring windows into a vanished era of pastoral peace and atmospheric wonder.
