განახლდა ნოემბერი 2026 · დალაგებულია ჩვენი პოპულარობის ქულების მიხედვით (ძიება, ნახვა და შეკვეთები თითოეული ნამუშწაროსთვის) · 18 ნამუშევარი ჯუზეპე აბატი ჩვენს კატალოგში
მოკლედ რომ ვთქვათ
Oration (The prayer) (1866) არის ჯუზეპე აბატი-ის ის ნამუშწარო, რომელიც ყველაზე მეტ ყურადღებას იქცევს; ორიგინალი იმყოფება პალაცო პიტის მუზეუმი-ში, ფლორენცია. ამის შემდეგ, მზერა გადადის Horse in the Sunlight (1866)-სა და Marina in Castiglioncello (1863)-ზე. ჩვენს კატალოგში არსებული ჯუზეპე აბატი-ის 18 ნამუშწაროდან ეს 18 ყველაზე ცნობილია; თითოეული მათგანი წარმოადგენს უნიკალურ ორიგინალს, რომელიც წარმოდგენილია წელით, მუზეუმითა და იმ მიზეზით, რის გამოც ის დღემდე ცოცხლობს.
A solitary woman sits within a dimly lit, classical interior, her figure centered in a quiet moment of introspection. She is absorbed in prayer or reading, her presence defined by the heavy folds of a voluminous skirt and a dark cloak. The scene is structured by the verticality of background columns and the geometric precision of a tiled floor, creating a sense of architectural permanence around her private ritual. A…
The sunlight washes over the scene in Horse in the Sunlight, a work that captures a quiet moment of care between a man and his animal. Giuseppe Abbati, the artist behind this piece, brings a sense of warmth to the subject through his specific handling of light. The painting, created in 1866, finds its origins in the life of an artist born in Naples, Italy, on January 13, 1836. Here,…
Marina in Castiglioncello is an oil on canvas work by the Italian painter Giuseppe Abbati. This piece captures a specific coastal view, reflecting the artist's engagement with the natural light of the Italian landscape. The work is attributed to Abbati, who was born in Naples in 1836.
is an oil painting by the Italian artist Giuseppe Abbati. Created in 1861, the work emerged during a transformative period in the artist's development following his participation in Garibaldi’s 1860 campaign for Italian unification. This period of conflict, which resulted in the loss of his right eye at the Battle of Capua, preceded his move to Florence and his subsequent association with the Macchiaioli movement.
Giuseppe Abbati’s Portrait of a man, created about 1867, presents a somber and intimate study of a male subject in profile. The composition utilizes a close-up head-and-shoulders view, focusing the viewer's attention on the lateral silhouette of the man. This perspective establishes a quiet sense of distance between the observer and the subject, fostering a contemplative mood. The subject's features are defined by organic shapes, particularly within the structure of…
The work before us is titled Interior of a cloister (San Marco), a piece painted by Giuseppe Abbati. This specific composition reflects the artist's early focus on architectural settings, a direction influenced by the training he received from his father, Vincenzo Abbati, who specialized in interior scenes. It is a quiet study that captures a moment of solitude within a structured, stone environment.
In the quietude of 1865, Giuseppe Abbati captured more than just a figure in repose; he bottled a fleeting fragment of human existence. "A Man Seated and Asleep" serves as a profound window into the heart of the Macchiaioli movement, an Italian avant-garde that sought to strip away the artifice of academic tradition in favor of raw, unadorned truth. The painting presents us with a solitary figure, his head resting…
The Arno river near Casaccia1863
12
Landscape at Castiglioncello1863 · Галерея сучасного мистецтва
13
Country Road with Cypresses1860 · Галерея сучасного мистецтва
14
The Tower of the Palazzo Del Podestà1865
15
Gallery with Armor Bearer1864
16
Portrait of a Woman1865 · Галерея сучасного мистецтва
17
The milkman in Piagentina1864
18
The Artist Stanislao Pointeau1863 · ჟივერნის იმპრესიონიზმის მუზეუმი
ამ ორიგინალებში ყველაზე ხშირად განმეორებადი არის 네 თემა, რომელთაგან თითოეულს თავისი საუკეთესო ნიმუში წარმოგვიდგება.
ამ გვერდზე წარმოდგენილი მხატვრობის შედეგების უმეტესობას 5 მუზეუმი ინახავს.
| მუზეუმი | ქალაქი | ჯუზეპე აბატი შემოქმედებაలు | ამ სიიდან მოპოვებული ნახატები |
|---|---|---|---|
 Галерея сучасного мистецтва |
ფლორენცია | 4 | Cloister, Landscape at Castiglioncello, Country Road with Cypresses |
 პალაცო პიტის მუზეუმი |
ფლორენცია | 2 | Oration (The prayer), The Cloister of Santa Croce |
 Galleria d'arte moderna Ricci Oddi |
Piacenza | 1 | Portrait of a man |
 მეტროპოლიტენის ხელოვნების მუზეუმი |
ნიუ-იორკი | 1 | A Man Seated and Asleep |
 ჟივერნის იმპრესიონიზმის მუზეუმი |
ჟივერნი | 1 | The Artist Stanislao Pointeau |
ჯუზეპე აბატი-ის აქ წარმოდგენილი ორიგინალი ნამუშევრები დაახლოებით ათწლეულს მოიცავს, 1860-დან 1867-მდე: მზერა მათ წელიწადী마다 მიჰყვება.
შეარჩიეთ წელი ორიგინალების სანახავად.
is an oil painting by the Italian artist Giuseppe Abbati. Created in 1861, the work emerged during a transformative period in the artist's development following his participation in Garibaldi’s 1860 campaign for Italian unification. This period of conflict, which resulted in the loss of his right eye at the Battle of Capua, preceded his move to Florence and his subsequent association with the Macchiaioli movement.
კიდევ 1861
Marina in Castiglioncello is an oil on canvas work by the Italian painter Giuseppe Abbati. This piece captures a specific coastal view, reflecting the artist's engagement with the natural light of the Italian landscape. The work is attributed to Abbati, who was born in Naples in 1836.
კიდევ 1863
The work before us is titled Interior of a cloister (San Marco), a piece painted by Giuseppe Abbati. This specific composition reflects the artist's early focus on architectural settings, a direction influenced by the training he received from his father, Vincenzo Abbati, who specialized in interior scenes. It is a quiet study that captures a moment of solitude within a structured, stone environment.
კიდევ 1865
A solitary woman sits within a dimly lit, classical interior, her figure centered in a quiet moment of introspection. She is absorbed in prayer or reading, her presence defined by the heavy folds of a voluminous skirt and a dark cloak. The scene is structured by the verticality of background columns and the geometric precision of a tiled floor, creating a sense of architectural permanence around her private ritual. A…
კიდევ 1866
Giuseppe Abbati’s Portrait of a man, created about 1867, presents a somber and intimate study of a male subject in profile. The composition utilizes a close-up head-and-shoulders view, focusing the viewer's attention on the lateral silhouette of the man. This perspective establishes a quiet sense of distance between the observer and the subject, fostering a contemplative mood. The subject's features are defined by organic shapes, particularly within the structure of…
Oration (The prayer) (1866), პალაცო პიტის მუზეუმი, ფლორენცია. შემდეგ მოდიან Horse in the Sunlight (1866) და Marina in Castiglioncello (1863).
30 წლის: Oration (The prayer) შექმნილია 1866 წელს, ხოლო ჯუზეპე აბატი დაიბადა 1836 წელს.
Oration (The prayer), Horse in the Sunlight, Marina in Castiglioncello, Cloister, Portrait of a man, Interior of a cloister (San Marco), A Man Seated and Asleep, Beach at Caletta, The Cloister of Santa Croce და House at the River. ზემოთ მოცემული რეიტინგი ასახავს თითოეულის შემოქმედების წელსა და მუზეუმს.
ჩვენს კატალოგში წარმოდგენილია 18 ნამუშწევრი ჯუზეპე აბატი-ისგან, დათარიღებული 1860-დან 1867-მდე.
ძირითადად Галерея сучасного мистецтва (ფლორენცია), პალაცო პიტის მუზეუმი (ფლორენცია) და Galleria d'arte moderna Ricci Oddi (Piacenza)-ში. ზემოთ მოცემულ მუზეუმების ცხრილში ისინი ყველა listed.
1863-ში: ამ გვერდზე წარმოდგენილი 18 ნამუშწარwerksიდან 6 შეიქმნა მაშინ, მათგან Marina in Castiglioncello.
ამ გვერდზე ყველაზე ადრეული არის Country Road with Cypresses (1860), ხოლო ყველაზე გვიანდელი — Portrait of a man (1867).
Man (2), Landscape (2) და Italian art (2), ამ გვერდზე წარმოდგენილ 18 ნამუშწარეს შორის.
Oil On Canvas, ამ გვერდზე არსებული 18 ნამუშწაროსგან 5 ცალიდან.
Cloister, Landscape at Castiglioncello და Country Road with Cypresses: Галерея сучасного мистецтва, ფლორენცია-ში წარმოდგენილია ამ გვერდზე მოცემული ნამუშევრების 4 ცალი.
Giuseppe Abbati was born in Naples, Italy, on January 13, 1836. He received his initial artistic training from his father, Vincenzo Abbati, who specialized in paintings of architectural interiors. This early influence is evident in Giuseppe’s first works, which also focused on interior scenes.
Abbati's life took a dramatic turn when he participated in Garibaldi’s 1860 campaign for Italian unification. During the Battle of Capua, he tragically lost his right eye. Following this experience, he moved to Florence, a pivotal moment that shaped his artistic trajectory. In Florence, at the famed Caffè Michelangiolo, he connected with key figures who would become known as the Macchiaioli – Giovanni Fattori, Silvestro Lega, and others.
Initially recognized for his interior views—for which he even received a medal at the National Exposition in Florence in 1861 (which he refused as protest against the jury)—Abbati soon embraced plein air painting, influenced by his new circle of artists. His style became characterized by a bold treatment of light and shadow, focusing on capturing luminous effects in landscapes. He often depicted scenes viewed through doorways or windows, creating a sense of depth and atmosphere.
Abbati’s artistic pursuits were again interrupted in 1866 when he enlisted in the army for the Third Independence War. He was captured by Austrian forces in Croatia before returning to civilian life at the end of the year. He spent his final year painting in the countryside near Castelnuovo della Misericordia. Tragically, Abbati died on February 21, 1868, in Florence, after being bitten by his own dog and contracting rabies.
Abbati was significantly influenced by the ideals of the Macchiaioli movement, which sought to break away from academic traditions and embrace a more realistic depiction of Italian life. He contributed to the Risorgimento artistic expression through his depictions of landscapes and everyday scenes. While his career was cut short, Abbati’s work remains important for its innovative use of light, its connection to the Macchiaioli aesthetic, and its reflection of a pivotal period in Italian history.
