განახლდა ოქტომბერი 2026 · დალაგებულია ჩვენი პოპულარობის ქულების მიხედვით (ძიება, ნახვა და შეკვეთები თითოეული ნამუშწაროსთვის) · 47 ნამუშევარი ედუარდ სტაიხენი ჩვენს კატალოგში
მოკლედ რომ ვთქვათ
ედუარდ სტაიხენი-ის ყველა დატოვებული ორიგინალიდან ყველაზე ცნობილია Le Tournesol (The Sunflower) (1920), რომელიც ვაშინგტონი-ში მდებარე National Gallery of Art-ის კოლექციაშია. მისდაក្រោយ Behind-the-scenes photograph, Paying the Piper (1921) და Portrait, Osgood Perkins (1923) მოდიან. ჩვენს კატალოგში ედუარდ სტაიხენი-ის 47 ნამუშწარებია; გალერეამ შეინافظა ის 47 ნამუშწარო, რომლებსაც მსოფლიო ყველაზე მეტად აღიარებს, რომელთაგან თითოეული წარმოდგენილია თვის, მუზეუმისა და ისტორიის თანხლებით.
The eye meets a sudden, bright collision of color where a stylized sunflower rests against a fractured sky. A large, yellow disk dominates the center, its hue shifting from a pale canary to a deep, warm goldenrod as it moves toward a dark honey outline. At the very heart of this bloom, a pine-green circle sits nestled within a ring of celery green. The flower head appears propped over the…
To stand before this monochromatic document from 1921 is to step directly onto the dusty, exhilarating threshold of cinematic history. This photograph, capturing a behind-the-scenes moment from the production of 'Paying the Piper,' is far more than a mere record; it is an artifact imbued with the palpable energy of creation. One can almost hear the clatter of equipment and the hushed direction calls echoing across the makeshift set. The…
Edward Steichen’s 1923 photograph, "Portrait, Osgood Perkins," is not merely a picture; it is an immersion into the velvet depths of theatrical fantasy. This striking black and white studio portrait captures a moment suspended between life and myth. The subject, dramatically costumed as a vampire, stands in profile, his posture radiating an almost predatory elegance. Steichen masterfully uses the stark contrast inherent to early 20th-century photography to sculpt this figure…
To stand before Edward Steichen's Portrait of Clarence White is to step into a hushed moment suspended in time. This photograph is far more than a mere likeness; it is an immersion into the delicate landscape of introspection. The composition draws the viewer immediately into the intimate space shared between the artist and his subject. Clad in the soft, enveloping tones of monochrome, the portrait captures a man whose gaze…
Edward Steichen's "The Kid," produced in 1921 for the film starring Charles Chaplin and Jackie Coogan, stands as a quintessential example of Art Deco poster design—a bold declaration of cinematic excitement frozen in time. More than just an advertisement, it’s a meticulously crafted visual narrative that captures the spirit of its era.
In this captivating artifact from July 1915, we are transported back to the dawn of the silver screen, an era where the magic of motion pictures began to weave itself into the very fabric of global culture. The cover of Motion Picture Magazine, volume 9, number 6, serves as more than just a periodical; it is a vibrant time capsule of early twentieth-century celebrity worship and artistic caricature. At its…
This evocative piece captures not merely an event, but a monumental moment in human mythology—the parting of the Red Sea. The composition immediately plunges the viewer into a scene of overwhelming drama and divine intervention. One can almost hear the roar of the receding waters and feel the tension gripping the figures on the shore. It is a visual narrative rendered with epic scope, designed to transport the observer across…
This evocative lobby card for "Blood and Sand," dating back to 1922, transports the viewer directly into the passionate, sun-drenched melodrama of early cinema. It is more than just a promotional piece; it is a carefully constructed tableau vivant, capturing the very essence of cinematic yearning. The composition immediately draws the eye to the central figure—a man embodying the romantic archetype, dressed in attire suggestive of Spanish passion and drama.…
To gaze upon this lobby card for "Blood and Sand" is to step directly onto the vibrant, dramatic set of early cinema history. This piece is not merely a promotional artifact; it is a carefully constructed tableau vivant, capturing the raw energy and intoxicating allure that defined the silent film era. The composition immediately arrests the viewer with its bold chromatic choices—the passionate reds, the electric yellows, and the deep,…
In the realm of vintage visual culture, few images capture the whimsical essence of early cinema as effectively as this Preview slide for The Immigrant. This evocative piece serves as a window into a bygone era, presenting a delightful caricature of the legendary Charlie Chaplin in his most iconic role as the Tramp. The central figure is rendered with a charmingly exaggerated physicality; his oversized shoes, hat, and suit create…
Paul Robesonჯორჯ Eastman-ის მუზეუმი
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ლობი ბარდი, თე ლუვი სፔშალი1921 · Museum of the Moving Image
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In Memoriam1906 · Denver Art Museum
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ლობი ბარდი, ჩრდილოეთი გული1921 · Museum of the Moving Image
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Studio site photograph, Famous Players-Lasky, Hollywood, CA1922 · Museum of the Moving Image
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Sunflower1920 · ჯორჯ Eastman-ის მუზეუმი
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Preview slide, Hunting Big Game in Africa1922 · Museum of the Moving Image
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Isadora Duncan in the Parthenon, Athens1921 · ტოლედოს ხელოვნების მუზეუმი
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Lobby card, The Green Temptation1922 · Museum of the Moving Image
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Film still, Footlights1921 · Museum of the Moving Image
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Nocturne, Temple d'Amour1910
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Film still, Experience1921 · Museum of the Moving Image
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Brequet Photographic Plane Brought Down in Flames, World War I1918
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Lobby card, Java Head1923 · Museum of the Moving Image
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Advertising slide, Paramount Pictures1915 · Museum of the Moving Image
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Herald, The Kid Brother1927 · Museum of the Moving Image
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Lobby card, The Blue Fox, Episode 101921 · Museum of the Moving Image
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Special message slide,1915 · Museum of the Moving Image
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Lobby card, The Man from Lost River1921 · Museum of the Moving Image
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The Lotus Screen, S.S.S1909
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Studio site photograph, Thomas H. Ince Studios, Culver City, CA1922 · Museum of the Moving Image
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Herald, Blood and Sand1922 · Museum of the Moving Image
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Portrait, Constance Talmadge1920 · Museum of the Moving Image
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Preview slide, Cleopatra1917 · Museum of the Moving Image
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Lady in a Flower Field1899
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The Little Round Mirror1901
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Film still, Behind the Scenes1914 · Museum of the Moving Image
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Portrait, William Farnum1920 · Museum of the Moving Image
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Aerial Bombs Dropping on Montmedy, World War I1918
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Aerial View of Trenches1918 · New Orleans Museum of Art
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Film still, Footlights1921 · Museum of the Moving Image
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Jean Walker Simpson1923
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Film still, Puritan Passions1923 · Museum of the Moving Image
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ორფეუმის თეატრის პროგრამა ფილადელფიაში პენსილვანია1915 · Museum of the Moving Image
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Aerial View of Trenches (37)1918 · New Orleans Museum of Art
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ლობი არტის ბროშურა, როசிტა1923 · Museum of the Moving Image
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სტუდიოს ფოტოგრაფია, ტომას ჰ. ინსესის სტოუჯიო და კალიფორნია1922 · Museum of the Moving Image
ამ ორიგინალებში ყველაზე ხშირად განმეორებადი არის 네 თემა, რომელთაგან თითოეულს თავისი საუკეთესო ნიმუში წარმოგვიდგება.
ამ გვერდზე წარმოდგენილი მხატვრობის შედეგების უმეტესობას 6 მუზეუმი ინახავს.
| მუზეუმი | ქალაქი | ედუარდ სტაიხენი შემოქმედებაలు | ამ სიიდან მოპოვებული ნახატები |
|---|---|---|---|
 Museum of the Moving Image |
ასტორია | 32 | Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins, Preview slide, The Kid |
 Denver Art Museum |
Denver | 2 | Portrait of Clarence White, In Memoriam |
 ჯორჯ Eastman-ის მუზეუმი |
როჩესტერი | 2 | Paul Robeson, Sunflower |
 New Orleans Museum of Art |
New Orleans | 2 | Aerial View of Trenches, Aerial View of Trenches (37) |
 National Gallery of Art |
ვაშინგტონი | 1 | Le Tournesol (The Sunflower) |
 ტოლედოს ხელოვნების მუზეუმი |
ტოლედო | 1 | Isadora Duncan in the Parthenon, Athens |
შეარჩიეთ ათწლეული, რათა ნახოთ ის ორიგინალი ნამუშევარი, რომელიც მას განსაზღვრავს.
In the quiet, amber-hued depths of Edward Steichen’s The Lotus Screen, S.S.S, we encounter a moment frozen in time, where the boundaries between painting and photography begin to blur into a singular, evocative vision. Created in 1909, this masterpiece captures a woman lost in a profound state of contemplation. Seated with her hands delicately pressed against her face, she creates a veil of privacy, shielding her inner world from the…
In this captivating artifact from July 1915, we are transported back to the dawn of the silver screen, an era where the magic of motion pictures began to weave itself into the very fabric of global culture. The cover of Motion Picture Magazine, volume 9, number 6, serves as more than just a periodical; it is a vibrant time capsule of early twentieth-century celebrity worship and artistic caricature. At its…
The eye meets a sudden, bright collision of color where a stylized sunflower rests against a fractured sky. A large, yellow disk dominates the center, its hue shifting from a pale canary to a deep, warm goldenrod as it moves toward a dark honey outline. At the very heart of this bloom, a pine-green circle sits nestled within a ring of celery green. The flower head appears propped over the…
Le Tournesol (The Sunflower) (1920), National Gallery of Art, ვაშინგტონი. შემდეგ მოდიან Behind-the-scenes photograph, Paying the Piper (1921) და Portrait, Osgood Perkins (1923).
20 წლის: Le Tournesol (The Sunflower) შექმნილია 1920 წელს, ხოლო ედუარდ სტაიხენი დაიბადა 1900 წელს.
Le Tournesol (The Sunflower), Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins, Portrait of Clarence White, Preview slide, The Kid, Fan magazine, Motion Picture Magazine, vol. 9, no. 6, Herald, The Ten Commandments, Lobby card, Blood and Sand, Lobby card, Blood and Sand და Preview slide, The Immigrant. ზემოთ მოცემული რეიტინგი ასახავს თითოეულის შემოქმედების წელსა და მუზეუმს.
ჩვენს კატალოგში წარმოდგენილია 47 ნამუშწევრი ედუარდ სტაიხენი-ისგან, დათარიღებული 1909-დან 1927-მდე.
ძირითადად Museum of the Moving Image (ასტორია), Denver Art Museum (Denver) და ჯორჯ Eastman-ის მუზეუმი (როჩესტერი)-ში. ზემოთ მოცემულ მუზეუმების ცხრილში ისინი ყველა listed.
1920s-ში: ამ გვერდზე წარმოდგენილი 47 ნამუშწარwerksიდან 29 შეიქმნა მაშინ, მათგან Le Tournesol (The Sunflower).
ამ გვერდზე ყველაზე ადრეული არის The Lotus Screen, S.S.S (1909), ხოლო ყველაზე გვიანდელი — Herald, The Kid Brother (1927).
Black and white (7), Edward steichen (7) და Portrait (6), ამ გვერდზე წარმოდგენილ 47 ნამუშწარეს შორის.
Black and White Photography, ამ გვერდზე არსებული 47 ნამუშწაროსგან 9 ცალიდან.
Pictorialism, ამ გვერდზე წარმოდგენილი ორიგინალების მიხედვით.
Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins და Preview slide, The Kid: Museum of the Moving Image, ასტორია-ში წარმოდგენილია ამ გვერდზე მოცემული ნამუშევრების 32 ცალი.
