განახლდა ნოემბერი 2026 · დალაგებულია ჩვენი პოპულარობის ქულების მიხედვით (ძიება, ნახვა და შეკვეთები თითოეული ნამუშწაროსთვის) · 76 ნამუშევარი ანტონ რომაკო ჩვენს კატალოგში
მოკლედ რომ ვთქვათ
ანტონ რომაკო-ის ყველა დატოვებული ორიგინალიდან ყველაზე ცნობილია Girl at a window to St. Mark's Square, feeding pigeons (1875), რომელიც ვენა-ში მდებარე ავსტრიული გალერეა ბელვედერი-ის კოლექციაშია. მისდაក្រោយ Fisher boy on the sea beach (1875) და The Shipbuilding Engineer Josef von Romako as First Lieutenant (1851) მოდიან. ჩვენს კატალოგში ანტონ რომაკო-ის 76 ნამუშწარებია; გალერეამ შეინافظა ის 75 ნამუშწარო, რომლებსაც მსოფლიო ყველაზე მეტად აღიარებს, რომელთაგან თითოეული წარმოდგენილია თვის, მუზეუმისა და ისტორიის თანხლებით.
A woman leans toward the light of an open window, her hands occupied with a simple, repetitive grace. She holds a basket, a vessel for sustenance, as she offers grain to the birds gathered at the sill. Outside, the expanse of St. Mark's Square stretches toward the horizon, a pale stage for the movement of pigeons. The birds are caught in mid-motion, some hovering near her fingertips, others settling on…
The sun hangs heavy over the coastline, casting a warm, steady light across the sand. A young boy stands near the water's edge, his small frame anchored against the gentle movement of the tide. He holds a large umbrella, a shield against the heat of the day, while the sea laps at the shore. Nearby, several boats rest in the shallow water, some bobbing near the sand and others drifting…
The oil on canvas work titled The Shipbuilding Engineer Josef von Romako as First Lieutenant was executed by the Austrian painter Anton Romako. This portrait, created about 1851, depicts a man in military attire. The subject of the painting is Josef von Romako, who was the brother of the artist.
The stubborn donkey by Anton Romako is a 19th-century oil painting that presents a horizontal composition centered on a grey donkey. The scene depicts a moment of struggle within a rural setting, involving the animal and two men. To the left of the donkey, a man dressed in light-colored, rustic clothing and a red vest raises a stick or staff in a forceful gesture. On the right, a man wearing…
In "Off to market" by Anton Romako, we find ourselves observing a quiet, singular moment from a medium shot at eye level. The composition is vertically oriented, drawing our attention to a young woman in traditional attire as she moves through a rugged landscape. She carries a basket balanced upon her head, while her arms hold stalks of grain, grounding the scene in the rhythms of rural labor. There is…
In Angelus by Anton Romako, a quiet moment of rural life unfolds beneath the heavy canopy of a large tree. Two women and a baby rest in the shade, their forms anchored to the earth. The scene is set during the soft transition of dusk or dawn, where the light begins to pull shadows from the grass. Beyond this intimate gathering, a distant landscape stretches toward the horizon, offering a…
Babette Tapecierer1874
12
Elisabeth von Nast-Kolb, née Hardegg1874
13
Girl with Pearl Necklace in Her Hair1874
14
The Animal Painter Karl Reichert1874
15
The Internist Professor Samuel Stern (?)1876
16
Carnival on St. Mark's Square in Venice1874
17
Girl with a bouquet of lilacs1873
18
Peasant Girl1882 · ბავარიის სახელმწიფო ფერწერის კოლექციები
19
Dance of Death on the Battlefield before Burning Ruins1883
20
The Rose Picker1883
21
Girl Picking Apples1882
22
Portrait of Isabella Reisser1885 · Leopold Museum
23
Friends1881
24
Lady in a Red Dress1889
25
Woman in Scarlet Dress with Newspaper and Ficus1886
26
Mathilde Stern, née Porges1889
27
Travelers on the Via Appia1889
28
Girl with a frill1875 · ავსტრიული გალერეა ბელვედერი
29
Portrait of Empress Elisabeth
30
Head of a butcher's dog1882 · ავსტრიული გალერეა ბელვედერი
31
The writer Hermann Rollett at the waterfall1885 · ავსტრიული გალერეა ბელვედერი
32
View of Rome from Monte Mario1865
33
Peasant couple in the Campagna1865
34
Gypsy Camp in the Puszta1877
35
The Gasteinertal in Fog1877
36
The Gasteinertal II1877
37
Evening in the Prossau near Gastein1877
38
At Lake Wolfgangsee1877
39
On the Balcony1878
40
Gasteinertal I1877
41
Wildbad Gastein in the evening (with Bengal lights)1877
42
Merry company in a gondola1876 · ავსტრიული გალერეა ბელვედერი
43
Tarantula dancers and mandolin players1876
44
Two Girls Gathering Ears of Corn near a Wayside Shrine1876
45
Prince Eugene of Savoy in the Battle of Zenta1881
46
The Meiereiwiese in the Vorderbrühl with the Mödling Ruin1885
47
Weilburg bei Baden1885
48
Forest Clearing with Thistles1885
49
Sea Storm1881
50
Greillenstein Castle1885 · Leopold Museum
51
Portrait of Johann Strauss II1880
52
Makart salon interior, with a lady and a seated gentleman1887
53
Rudolf von Habsburg at the Corpse of Přemysl Ottokar, King of Bohemia
54
Bust Portrait of the Niece, Käthchen Winder
55
Eating Girl
56
Empress Elizabeth of Austria
57
A study of a dog
58
A young woman with black hair, gazing towards the sky
59
galley of the battle of Lepanto on October 7, 1571
60
Portrait of a woman
61
Vienna Carnival Scene (Two cavaliers competing for a woman)
62
Don Juan de Austria ("Joannes Austriacus")
63
Hungarian Farm
64
Landscape with Castle
65
At the waterfall
66
Female nude
67
Children collecting twigsLeopold Museum
68
Tegetthoff Auf Der Brücke
69
The Artist's Wife Sophie With Their Daughters
70
A water lily pond
71
Landscape at the lakeside
72
A shepherd
73
Italian fishermen child
74
Admiral Tegetthoff in der Seeschlacht bei Lissa II
75
Portrait of a Young Manზალცბურგის რეზიდენციის გალერეა
ამ ორიგინალებში ყველაზე ხშირად განმეორებადი არის 네 თემა, რომელთაგან თითოეულს თავისი საუკეთესო ნიმუში წარმოგვიდგება.
ამ გვერდზე წარმოდგენილი მხატვრობის შედეგების უმეტესობას 4 მუზეუმი ინახავს.
| მუზეუმი | ქალაქი | ანტონ რომაკო შემოქმედებაలు | ამ სიიდან მოპოვებული ნახატები |
|---|---|---|---|
 ავსტრიული გალერეა ბელვედერი |
ვენა | 6 | Girl at a window to St. Mark's Square, feeding pigeons, Fisher boy on the sea beach, Girl with a frill |
 Leopold Museum |
ვენა | 3 | Portrait of Isabella Reisser, Greillenstein Castle, Children collecting twigs |
 ბავარიის სახელმწიფო ფერწერის კოლექციები |
მუნხენი | 1 | Peasant Girl |
 ზალცბურგის რეზიდენციის გალერეა |
ზალცბურგი | 1 | Portrait of a Young Man |
შეარჩიეთ ათწლეული, რათა ნახოთ ის ორიგინალი ნამუშევარი, რომელიც მას განსაზღვრავს.
The oil on canvas work titled The Shipbuilding Engineer Josef von Romako as First Lieutenant was executed by the Austrian painter Anton Romako. This portrait, created about 1851, depicts a man in military attire. The subject of the painting is Josef von Romako, who was the brother of the artist.
In "Off to market" by Anton Romako, we find ourselves observing a quiet, singular moment from a medium shot at eye level. The composition is vertically oriented, drawing our attention to a young woman in traditional attire as she moves through a rugged landscape. She carries a basket balanced upon her head, while her arms hold stalks of grain, grounding the scene in the rhythms of rural labor. There is…
A woman leans toward the light of an open window, her hands occupied with a simple, repetitive grace. She holds a basket, a vessel for sustenance, as she offers grain to the birds gathered at the sill. Outside, the expanse of St. Mark's Square stretches toward the horizon, a pale stage for the movement of pigeons. The birds are caught in mid-motion, some hovering near her fingertips, others settling on…
Girl at a window to St. Mark's Square, feeding pigeons (1875), ავსტრიული გალერეა ბელვედერი, ვენა. შემდეგ მოდიან Fisher boy on the sea beach (1875) და The Shipbuilding Engineer Josef von Romako as First Lieutenant (1851).
43 წლის: Girl at a window to St. Mark's Square, feeding pigeons შექმნილია 1875 წელს, ხოლო ანტონ რომაკო დაიბადა 1832 წელს.
Girl at a window to St. Mark's Square, feeding pigeons, Fisher boy on the sea beach, The Shipbuilding Engineer Josef von Romako as First Lieutenant, The stubborn donkey, Off to market, The Sculptor Reinhold Begas with His Wife Margarethe, The Soap Bubble Blower, Angelus, The Artist's Nieces, Elisabeth and Maja და Hofrat Dr. Karl Zehden. ზემოთ მოცემული რეიტინგი ასახავს თითოეულის შემოქმედების წელსა და მუზეუმს.
ჩვენს კატალოგში წარმოდგენილია 76 ნამუშწევრი ანტონ რომაკო-ისგან, დათარიღებული 1851-დან 1889-მდე.
ძირითადად ავსტრიული გალერეა ბელვედერი (ვენა), Leopold Museum (ვენა) და ბავარიის სახელმწიფო ფერწერის კოლექციები (მუნხენი)-ში. ზემოთ მოცემულ მუზეუმების ცხრილში ისინი ყველა listed.
1870s-ში: ამ გვერდზე წარმოდგენილი 75 ნამუშწარwerksიდან 25 შეიქმნა მაშინ, მათგან Girl at a window to St. Mark's Square, feeding pigeons.
ამ გვერდზე ყველაზე ადრეული არის The Shipbuilding Engineer Josef von Romako as First Lieutenant (1851), ხოლო ყველაზე გვიანდელი — Lady in a Red Dress (1889).
Woman (3), Man (3) და Landscape (3), ამ გვერდზე წარმოდგენილ 75 ნამუშწარეს შორის.
Oil On Panel, ამ გვერდზე არსებული 75 ნამუშწაროსგან 4 ცალიდან.
Realism, ამ გვერდზე წარმოდგენილი ორიგინალების მიხედვით.
Girl at a window to St. Mark's Square, feeding pigeons, Fisher boy on the sea beach და Girl with a frill: ავსტრიული გალერეა ბელვედერი, ვენა-ში წარმოდგენილია ამ გვერდზე მოცემული ნამუშევრების 6 ცალი.
The life of Anton Romako was a tapestry woven from threads of social complexity and artistic restlessness. Born in 1834 in Atzgersdorf, the artist entered the world under circumstances that would forever color his perception of identity and belonging. As the illegitimate son of Josef Lepper, a factory owner, and Elisabeth Maria Anna Romako, a Czech housemaid, his early years were marked by a profound sense of being an outsider. This inherent tension between his humble origins and the burgeoning grandeur of the Viennese Ringstraße era became a driving force behind his creative spirit, fueling a lifelong quest to capture the psychological depth beneath the surface of imperial splendor.
Romako’s journey through the halls of artistic tradition was anything but linear. His initial foray into the Academy of Fine Arts Vienna proved to be a period of significant friction; the conservative dictates of Ferdinand Georg Waldmüller, who famously dismissed the young student as talentless, acted not as a deterrent but as a powerful catalyst. This early rejection propelled Romako toward the broader horizons of Munich and eventually into the sun-drenched landscapes of Italy. Immersing himself in the legacies of Titian and Raphael, he began to synthesize a style that moved away from rigid academicism toward something far more emotive and fluid.
The true metamorphosis of Romako’s hand can be traced to his private tutelage under Carl Rähl. It was through Rähl that the artist discovered the power of the loose brushstroke and the subtle modulation of tone, techniques that allowed him to breathe life into the atmosphere itself. This influence anchored his landscapes in the spirit of the Barbizon School, where he sought to capture the sublime, melancholic beauty of the Austrian countryside through atmospheric perspective rather than mere topographical accuracy.
As his technical mastery grew, Romako transitioned from the quietude of nature to the dramatic theater of human history and character. His work began to reflect a fascination with the psychological weight of his subjects, particularly in his portraiture and historical compositions. He possessed a rare ability to depict not just the physical likeness of the Viennese elite, but the underlying tensions and fleeting emotions of an era on the brink of transformation. His paintings often serve as windows into the soul, where the interplay of light and shadow mirrors the internal conflicts of his subjects.
Though he navigated a complex social landscape, Romako’s contribution to 19th-century art remains indelible. He stood as a bridge between the traditionalist past and the burgeoning modernism that would soon redefine European painting. His ability to blend the historical gravity of his subjects with an expressive, almost proto-expressionist technique allowed him to capture the very essence of the Ringstraße era—a period of immense outward growth masking deep internal shifts.
Today, the significance of Anton Romako lies in his role as a trailblazer who refused to be confined by the labels imposed upon him. His oeuvre stands as a testament to the power of artistic resilience, proving that even from the margins of society, one can create a vision that commands the center of the art world. Through his portraits and historical scenes, he left behind a profound record of a vanished era, rendered with a sensitivity that continues to captivate the modern eye.
