განახლდა ნოემბერი 2026 · დალაგებულია ჩვენი პოპულარობის ქულების მიხედვით (ძიება, ნახვა და შეკვეთები თითოეული ნამუშწაროსთვის) · 50 ნამუშევარი ალფრედ ფილიპ როლი ჩვენს კატალოგში
მოკლედ რომ ვთქვათ
ალფრედ ფილიპ როლი-ის ყველა დატოვებული ორიგინალიდან ყველაზე ცნობილი Portrait de Mme Roll არის. მისდაក្រោយ Retour du bal და The feast of Silenus (1871) მოდიან. ჩვენს კატალოგში ალფრედ ფილიპ როლი-ის 50 ნამუშწარებია; გალერეამ შეინافظა ის 50 ნამუშწარო, რომლებსაც მსოფლიო ყველაზე მეტად აღიარებს, რომელთაგან თითოეული წარმოდგენილია თვის, მუზეუმისა და ისტორიის თანხლებით.
The portrait depicts a woman, identified as Madame Roll, positioned in a vertical orientation. She is situated slightly off-center within a domestic interior, appearing to stand near a window. The figure is rendered with a muted color palette, primarily composed of blacks, grays, and browns. Subtle ochre and muted red tones appear in the highlights and the background. Her attire is formal, and her expression remains serene with a slight…
The air in the room feels heavy with the scent of perfume and the soft rustle of silk as two women move through an opulent interior. We watch them from behind, catching only the graceful curve of their backs and the sweeping lines of their attire. They are poised, perhaps caught in a moment of transition between the excitement of a social gathering and the quietude of their private quarters.…
The feast of Silenus emerges from the brush of Alfred Philippe Roll, a painter whose life spanned the transformative decades of the late nineteenth century. Born in the former 8th arrondissement of Paris, France, in 1845, Roll carries the weight of a changing era within his lineage. He remains a figure of the French tradition, having departed this world in 1919. This specific work, The feast of Silenus, captures a…
In this 1880 oil on canvas, we find ourselves standing at eye-level with a solitary woman, a street vendor whose presence commands a quiet, stoic dignity. She is positioned slightly off-center, a choice that lends a sense of naturalism to the vertical composition. There is a certain weight to her figure, anchored by the heavy folds of her skirt and the rounded, organic form of the basket she carries. The…
The canvas depicts a dense, wide-angle view of a Parisian square during a large-scale public celebration. In the center of the composition, a monument rises toward a sky filled with fluttering flags. The scene is populated by a vast, diverse crowd of figures that extend from the immediate foreground into the distance. These people are rendered with varied postures, some standing in groups and others moving through the space. The…
The portrait emerges from a period of transition in French art, moving away from the rigid constraints of academic tradition toward a more grounded, empathetic realism. The visible layering of paint suggests a preoccupation with the authentic human form rather than an idealized version of it. There is a palpable sense of the man's internal life, a quiet intensity that lingers in the way the light interacts with his features.…
The air feels heavy and still within this shadowed woodland, where the light filters through a dense canopy in soft, dappled patches. A nude woman rests in an intimate, quiet moment, her pale skin glowing against the deep, earthy tones of the surrounding meadow. Beside her, the muscular form of a bull emerges from the darkness, its presence a powerful counterpoint to her vulnerability. There is a profound sense of…
In the work Alsatian and Lorrainer by Alfred Philippe Roll, the composition is structured as a tight, intimate close-up of two female figures. The primary subject is positioned in the foreground, presented in a sharp profile facing toward the left side of the frame. Behind her, a second woman is partially visible, also oriented toward the left. This overlapping arrangement creates a sense of depth within the narrow field of…
In this intimate oil on canvas, Alfred Philippe Roll presents Portrait of Thaulow and His Wife. Painted about 1890, the work captures a quiet moment between a man and a woman. The subjects are likely the artist's acquaintances, Thaulow and his wife, rendered with a sense of naturalism that suggests a close proximity to the figures. There is a palpable sense of companionship in the way they are positioned together.
The portrait presents a woman seated centrally within a luxurious interior. She is positioned in a vertical orientation, wearing a sleeveless black gown that features shimmering, light-colored patterns suggestive of sequins or embroidery. A large, dark, textured element, resembling a fur mantle or heavy drapery, surrounds the upper portion of her chair. Her skin is rendered with smooth, luminous textures, and her reddish-brown hair is styled softly around her face.…
André Manaut1890 · Municipal museum (Saverne)
12
Au trot1888 · Municipal museum (Saverne)
13
Adolphe Alphand1888 · პატარა პალატა
14
Centenary of the Estates General at the Neptune Basin (May 3, 1889)1889
15
Exodus1893 · პატარა პალატა
16
Louise Cattel, wet nurse1894 · ლილის fine arts-ის მ્યુზეუმი
17
Alexandre Dumas fils1895 · Musée des Beaux-Arts
18
Roll Painting1900 · პატარა პალატა
19
Portrait de Mme Henriette Roll1900 · Municipal museum (Saverne)
20
Nu couché1900 · სტრასბურის თანამედროვე და კონტემპერარული ხელოვნების მუზეუმი
21
In Summer, Woman with Dog1909 · პატარა პალატა
22
Sketch for the Petit Palais, south gallery: Apotheosis (central ceiling)1909 · პატარა პალატა
23
Sketch for the Petit Palais, south gallery: Poetry - Drama1910 · პატარა პალატა
24
Sketch for the Petit Palais, south gallery: Fantastic Music1911 · პატარა პალატა
25
Sketch for the South Gallery of the Petit Palais: Apotheosis (central ceiling)1913 · პატარა პალატა
26
The Big Bed1912 · Municipal museum (Saverne)
27
Bourgeoisie1913 · Municipal museum (Saverne)
28
Portrait of Miss Amélie Diéterle, in 1913. Title : In June, Amélie Diéterle.1913 · პატარა პალატა
29
The Tea Cup1918 · Municipal museum (Saverne)
30
CHEMIN SOUS BOIS
31
July 14, 1880, Inauguration of the Monument to the Republic1881 · პატარა პალატა
32
Esquisse pour La fête nationale du 14 juillet 18801881 · Municipal museum (Saverne)
33
Sketch for the Hôtel de Ville de Paris: Art, Movement, Work, Lights1897 · პატარა პალატა
34
The Vigil under the Arc de Triomphe1903 · Musée Victor Hugo
35
The Wave1911 · პატარა პალატა
36
Sketch for the Petit Palais, south gallery: Fantastic Music1911 · პატარა პალატა
37
Peder Severin Kröyer (1851-1909)Nationalmuseum
38
Female nude sitting
39
Petite République1907 · Municipal museum (Saverne)
40
La grève de mineurs
41
Portrait de Léon Bourgeois
42
PORTRAIT DE JEUNE FILLE
43
Portrait de jeune femme
44
L'Exécution d'un trompette sous la CommuneCarnavalet Museum
45
Les baigneuses Panneau décoratif (Ancien titre)
46
BathersMusée des Beaux-Arts de Dijon
47
Chevaux à l'écurie
48
Manda Lamétrie, fermière1887 · Musée d'Orsay
49
The Young Republic1908 · Musée d'Orsay
50
The Striker's WifeMusee Baron Martin
ამ ორიგინალებში ყველაზე ხშირად განმეორებადი არის 네 თემა, რომელთაგან თითოეულს თავისი საუკეთესო ნიმუში წარმოგვიდგება.
ამ გვერდზე წარმოდგენილი მხატვრობის შედეგების უმეტესობას 8 მუზეუმი ინახავს.
| მუზეუმი | ქალაქი | ალფრედ ფილიპ როლი შემოქმედებაలు | ამ სიიდან მოპოვებული ნახატები |
|---|---|---|---|
 პატარა პალატა |
პარიზი | 16 | July 14, 1880, Inauguration of the Monument to the République, Portrait of Thaulow and His Wife, Portrait of Jane Hading |
 Municipal museum (Saverne) |
Saverne | 8 | André Manaut, Au trot, Portrait de Mme Henriette Roll |
 Carnavalet Museum |
პარისი | 2 | Henri Rochefort (Victor-Henri, marquis de Rochefort-Luçay, 1831-1913), journalist, politician and writer, L'Exécution d'un trompette sous la Commune |
 Musée d'Orsay |
პარიზი | 2 | Manda Lamétrie, fermière, The Young Republic |
 Musée d'Arts de Nantes |
ნანტი | 1 | Retour du bal |
 გენტის fine arts-ის მ્યુზეუმი (MSK) |
გენტ | 1 | The feast of Silenus |
 Musée des Beaux-Arts de Pau |
Pau | 1 | Marianne Orfrey, Green Crier |
 ბუენოს-アイრესის ხელოვნების ეროვნული მუზეუმი |
ბუენოს-アイრესი | 1 | Woman and bull |
შეარჩიეთ ათწლეული, რათა ნახოთ ის ორიგინალი ნამუშევარი, რომელიც მას განსაზღვრავს.
The feast of Silenus emerges from the brush of Alfred Philippe Roll, a painter whose life spanned the transformative decades of the late nineteenth century. Born in the former 8th arrondissement of Paris, France, in 1845, Roll carries the weight of a changing era within his lineage. He remains a figure of the French tradition, having departed this world in 1919. This specific work, The feast of Silenus, captures a…
In this 1880 oil on canvas, we find ourselves standing at eye-level with a solitary woman, a street vendor whose presence commands a quiet, stoic dignity. She is positioned slightly off-center, a choice that lends a sense of naturalism to the vertical composition. There is a certain weight to her figure, anchored by the heavy folds of her skirt and the rounded, organic form of the basket she carries. The…
In the work Alsatian and Lorrainer by Alfred Philippe Roll, the composition is structured as a tight, intimate close-up of two female figures. The primary subject is positioned in the foreground, presented in a sharp profile facing toward the left side of the frame. Behind her, a second woman is partially visible, also oriented toward the left. This overlapping arrangement creates a sense of depth within the narrow field of…
Roll Painting by Alfred Philippe Roll presents a close-up profile of an older man. The composition is tightly cropped, focusing the viewer's attention on the subject's head and upper torso. Positioned diagonally across the frame, the figure occupies the space with a sense of immediacy. The man possesses white hair and a beard that appears bright white against the surrounding tones. Light descends from above, illuminating the forehead and the…
A pale orb, like a moon caught in a slow drift, anchors a swirling expanse of blue. Around this light, human forms dissolve into the atmosphere, their limbs stretching through a haze of cerulean and navy. The figures do not stand; they float, caught in a rhythmic, tidal movement that suggests the weightless drift of clouds. Soft purples and muted ochres bleed into the shadows, creating a landscape that feels…
Portrait de Mme Roll. შემდეგ მოდიან Retour du bal და The feast of Silenus (1871).
Portrait de Mme Roll, Retour du bal, The feast of Silenus, Marianne Orfrey, Green Crier, July 14, 1880, Inauguration of the Monument to the République, Henri Rochefort (Victor-Henri, marquis de Rochefort-Luçay, 1831-1913), journalist, politician and writer, Woman and bull, Alsatian and Lorrainer, Portrait of Thaulow and His Wife და Portrait of Jane Hading. ზემოთ მოცემული რეიტინგი ასახავს თითოეულის შემოქმედების წელსა და მუზეუმს.
ჩვენს კატალოგში წარმოდგენილია 50 ნამუშწევრი ალფრედ ფილიპ როლი-ისგან, დათარიღებული 1871-დან 1918-მდე.
ძირითადად პატარა პალატა (პარიზი), Municipal museum (Saverne) (Saverne) და Carnavalet Museum (პარისი)-ში. ზემოთ მოცემულ მუზეუმების ცხრილში ისინი ყველა listed.
1880s-ში: ამ გვერდზე წარმოდგენილი 50 ნამუშწარwerksიდან 9 შეიქმნა მაშინ, მათგან Marianne Orfrey, Green Crier.
ამ გვერდზე ყველაზე ადრეული არის The feast of Silenus (1871), ხოლო ყველაზე გვიანდელი — The Tea Cup (1918).
Woman (19), Man (8) და Skin tones (5), ამ გვერდზე წარმოდგენილ 50 ნამუშწარეს შორის.
Oil On Canvas, ამ გვერდზე არსებული 50 ნამუშწაროსგან 17 ცალიდან.
July 14, 1880, Inauguration of the Monument to the République, Portrait of Thaulow and His Wife და Portrait of Jane Hading: პატარა პალატა, პარიზი-ში წარმოდგენილია ამ გვერდზე მოცემული ნამუშევრების 16 ცალი.
In the vibrant, shifting landscape of late 19th-century France, few artists captured the pulse of a changing nation as poignantly as Alfred Philippe Roll. Born in Paris in 1846, Roll emerged from the prestigious halls of the École des Beaux-Arts, a student shaped by the rigorous academic traditions of masters such as Jean-Léon Gérôme, Léon Bonnat, and Charles-François Daubigny. His early years were marked by a romantic sensibility, a stylistic period where his canvases breathed with the grandeur and picturesque charm characteristic of the era. During this formative stage, his work often echoed the sweeping emotionality of the Bolognese tradition and the burgeoning realism of Gustave Courbet, creating a delicate tension between classical beauty and raw observation.
The trajectory of Roll’s career was irrevocably altered by the turbulent winds of history. The Franco-Prussian War, which saw him serving as a lieutenant of militia, infused his perspective with a profound understanding of human resilience and societal upheaval. This period of conflict acted as a crucible, refining his gaze from the purely romantic toward a more grounded, empathetic realism. His 1s75 masterpiece, The Flood at Toulouse, stands as a haunting testament to this transition; by capturing the immediate suffering and the fragility of life during a natural disaster, he moved beyond mere decoration to engage with the collective psyche of the French people. This work, which now resides in the Musée Malraux, signaled his arrival as an artist capable of profound visual storytelling.
As the decades progressed, Roll’s brushwork began to shed its romanticized edges, embracing instead the grit and truth of the Naturalist movement. He became a painter of the people, turning his attention toward the socio-political dynamics of the Third Republic. This evolution was not merely stylistic but deeply ideological. He sought to document the authentic human experience, particularly the struggles and triumphs of the working class. His landmark painting, Miners’ Strike (1880), remains one of his most significant achievements, catapulting him into the upper echelons of the French art world. In this work, he did not merely depict labor unrest; he humanized the struggle, imbuing the figures with a dignity that resonated far beyond the gallery walls.
This commitment to social realism allowed Roll to navigate the complexities of his era with remarkable dexterity. His repertoire expanded to include:
His ability to blend the technical precision learned from his academic mentors with a progressive, almost documentary-like approach to subject matter made him a vital voice in French art. He was not just an observer of life but a chronicler of its most pressing transformations.
Alfred Philippe Roll’s legacy is defined by his role as a bridge between the old world of academic tradition and the new world of social engagement. As a co-founder of the Société Nationale des Beaux-Arts, he played a crucial part in reshaping the institutional landscape of French art, advocating for a space where diverse styles could coexist. His work remains a vital historical record, capturing the essence of a France caught between the echoes of romanticism and the stark realities of industrialization and social reform.
Through his mastery of light, texture, and composition, Roll ensured that the struggles and the beauty of everyday life were immortalized. Whether through the sweeping vistas of the Champagne region or the somber tones of a labor strike, his art continues to invite viewers into a profound dialogue with the past. He remains a significant figure for anyone seeking to understand the heartbeat of 19th-century France—an artist who looked at the world not just as it appeared, but as it was felt.
