განახლდა ნოემბერი 2026 · დალაგებულია ჩვენი პოპულარობის ქულების მიხედვით (ძიება, ნახვა და შეკვეთები თითოეული ნამუშწაროსთვის) · 384 ნამუშევარი ალექსანდრ დეინეკა ჩვენს კატალოგში
მოკლედ რომ ვთქვათ
ალექსანდრ დეინეკა-ის ყველა დატოვებული ორიგინალიდან ყველაზე ცნობილი Mother (1932) არის. მისდაក្រោយ Maiden (1954) და Crimean Pioneers (1934) მოდიან. ჩვენს კატალოგში ალექსანდრ დეინეკა-ის 384 ნამუშწარებია; გალერეამ შეინافظა ის 100 ნამუშწარო, რომლებსაც მსოფლიო ყველაზე მეტად აღიარებს, რომელთაგან თითოეული წარმოდგენილია თვის, მუზეუმისა და ისტორიის თანხლებით.
A woman holds a child against her chest. The baby is a small weight, a soft presence pressed into the center of the frame. She is the anchor of the composition. Her face carries the stillness of a long afternoon. Around them, the world continues in the periphery. Two figures linger in the background, shadows of a larger gathering, yet they remain distant. The focus remains on the tactile connection…
Aleksandr Deyneka’s Maiden is more than just a painting; it is a vibrant celebration captured on canvas, a moment of pure, unbridled joy set against the stark beauty of a Russian winter. The eye is immediately drawn to the central figure—a maiden whose spirit seems to radiate warmth despite the surrounding snowscape. Her striking red dress acts as an immediate focal point, a bold splash of color that defies the…
To stand before Aleksandr Deyneka's Crimean Pioneers is to step directly into the vibrant, idealized heart of the early Soviet era. This painting is far more than a mere depiction of two boys on a balcony; it is a carefully constructed tableau vivant, saturated with the potent spirit of Socialist Realism. The scene captures a moment of youthful contemplation against the vast expanse of a brilliant blue sky. Notice the…
We are looking at After the battle, a work from 1944 by Aleksandr Deyneka. This piece emerged during a period of profound transformation, reflecting the specific aesthetic and ideological currents of its time. The artist, Aleksandr Deyneka, was a central figure in the development of the socialist realism style, a movement that sought to capture the spirit and the social realities of the era through a structured and monumental lens.
The artwork presents a monochromatic scene rendered in shades of gray, black, and white. A central female figure stands vertically, positioned against the backdrop of a large factory building. Her posture is upright, facing the viewer. Below her, several infants are scattered across the foreground. To the left, a man sits in a partially shadowed area. The factory structure is composed of geometric shapes that contrast with the organic forms…
The artwork presents a monochrome study of the human form, rendered in shades of gray that range from near-white highlights to deep blacks. A female figure occupies the center of the composition, kneeling and facing slightly to the left. Her arms are raised, creating a sense of stretching or physical support. The figure's musculature is defined by strong, directional lighting that enters from the left side of the frame, casting…
This large-scale mural, titled Who will defeat whom, was executed by Aleksandr Deyneka in 1932. It captures a moment of significant transition, presenting a scene that moves with a sense of forward momentum. The work is a product of a period defined by rapid industrialization and shifting social structures, reflecting the energy of a nation in flux.
In the vast and often turbulent tapestry of twentieth-century art, there exist rare moments of profound stillness that capture the very essence of human contemplation. Aleksandr Deyneka’s 1934 masterpiece, Girl with Book, is precisely such a moment. This evocative portrait invites the viewer into a private sanctuary, far removed from the industrial clamor and political shifts of the Soviet era. The scene depicts a young woman seated at a dining…
In this 1949 work, we find ourselves observing a private, unhurried moment between two women. They move through a garden, their presence marked by a sense of ease and companionship. Dressed in bathing suits, they appear to have just come from the water, perhaps a nearby beach or a local swimming area, seeking the shade of the greenery. The atmosphere is defined by a certain stillness, the kind found in…
The painting titled Defence of Sevastopol was executed by the artist Aleksandr Deyneka. This work was created in 1942. It is an oil on canvas that depicts the Battle of Sevastopol during World War II. The scene focuses on the military engagement occurring on the Eastern Front.
In the south1966
12
New York1935
13
Seaside1957
14
Running girl1941
15
Noon1932
16
The road to Mount Vernon1935
17
Locomotive. In the Donbas1924
18
On building new plants1926
19
Noon (Dream)1932
20
American landscape1935
21
Philadelphia. Old Square1935
22
Go to war1944
23
Expanse1944
24
Berlin. Tiergarten1945
25
Moscow. Landscape1952
26
Friends1962
27
'Picture for children's book ''The Electrician'''1930
28
Red-winged giant1937
29
Boys1935
30
Pioneer1934
31
Conquerors of Space1961
32
Good morning1960
33
Boy1914
34
Portrait of a student1916
35
Portrait of an old man1916
36
Theater1921
37
Female figure1921
38
Portrait of a Woman1922
39
Female figure1922
40
Pop dance1922
41
Portrait of a Woman1921
42
Cabaret1921
43
Portrait of Mother1920
44
End1926
45
We took. Raise production1924
46
Decided unanimously1925
47
In the workplace1925
48
Sportsground. At the finish line1927
49
In the Donbas. Picture from magazine ''At the bench''1924
50
Skiers. Cover for magazine Krasnaya Niva1927
51
The girl in the mirror1927
52
The old man and a boy. Figure for ''At the bench''1924
53
With change1927
54
Portrait of a Man1924
55
Football. Picture for ''Red cornfield''1927
56
Donbass1924
57
Imperishable1924
58
Portrait of a Woman1923
59
Fist1925
60
NEP-typen, Illustration for ''At the bench''1926
61
The warm water1924
62
The city1928
63
Portrait of a Girl1923
64
Tennis1923
65
Football1923
66
Picture for magazine1925
67
A worker at the loom. Picture for ''At the bench''1925
68
Female figures. Etching1923
69
Longing for a graceful life. Picture for ''Searchlight''1927
70
Tennis1928
71
The Model in front of a mirror1928
72
Golden youth. Picture for magazine ''Searchlight''1928
73
Skates1927
74
In the theater box1925
75
Father complained himself1925
76
Run. Magazine 'Spotlight'1928
77
Worker and peasant1927
78
Before going into mine1925
79
African hunters1927
80
The Model1932
81
At work. Magazine Cover ''Red Panorama''1930
82
Advertising magazine cover ''Give.''1929
83
Civil aviation. Panels for the factory kitchen1932
84
City1929
85
Why Janie ran away and returned1929
86
Order restored1929
87
Tennis. Paper1931
88
Cross1932
89
Picture for children book ''In the cloud''1930
90
Country landscape with cows1933
91
Farmer1930
92
Milkmaids1929
93
Vacationers children1933
94
Stadium1935
95
When finally the war ended. Illustration to the book1934
96
Berlin. On the stairs1945
97
Sketch Hall building Narkomzem1934
98
Negro burlesque1935
99
Seaplanes1934
100
Pop dance1935
ამ ორიგინალებში ყველაზე ხშირად განმეორებადი არის 네 თემა, რომელთაგან თითოეულს თავისი საუკეთესო ნიმუში წარმოგვიდგება.
შეარჩიეთ ათწლეული, რათა ნახოთ ის ორიგინალი ნამუშევარი, რომელიც მას განსაზღვრავს.
The artwork presents a monochromatic scene rendered in shades of gray, black, and white. A central female figure stands vertically, positioned against the backdrop of a large factory building. Her posture is upright, facing the viewer. Below her, several infants are scattered across the foreground. To the left, a man sits in a partially shadowed area. The factory structure is composed of geometric shapes that contrast with the organic forms…
A woman holds a child against her chest. The baby is a small weight, a soft presence pressed into the center of the frame. She is the anchor of the composition. Her face carries the stillness of a long afternoon. Around them, the world continues in the periphery. Two figures linger in the background, shadows of a larger gathering, yet they remain distant. The focus remains on the tactile connection…
We are looking at After the battle, a work from 1944 by Aleksandr Deyneka. This piece emerged during a period of profound transformation, reflecting the specific aesthetic and ideological currents of its time. The artist, Aleksandr Deyneka, was a central figure in the development of the socialist realism style, a movement that sought to capture the spirit and the social realities of the era through a structured and monumental lens.
Aleksandr Deyneka’s Maiden is more than just a painting; it is a vibrant celebration captured on canvas, a moment of pure, unbridled joy set against the stark beauty of a Russian winter. The eye is immediately drawn to the central figure—a maiden whose spirit seems to radiate warmth despite the surrounding snowscape. Her striking red dress acts as an immediate focal point, a bold splash of color that defies the…
The canvas known as In the south captures a quiet moment of leisure under the open sky. Created in 1966, this work emerges from the hand of Aleksandr Deyneka, an artist whose life was deeply intertwined with the shifting tides of the twentieth century. Born in 1899 in Kursk, Russia, Deyneka spent his years navigating a landscape of profound transformation, eventually passing away in 1969. His perspective remains fixed on…
Mother (1932). შემდეგ მოდიან Maiden (1954) და Crimean Pioneers (1934).
33 წლის: Mother შექმნილია 1932 წელს, ხოლო ალექსანდრ დეინეკა დაიბადა 1899 წელს.
Mother, Maiden, Crimean Pioneers, After the battle, Operating margin, Morning, Who will defeat whom, Girl with book, Day off და Defence of Sevastopol. ზემოთ მოცემული რეიტინგი ასახავს თითოეულის შემოქმედების წელსა და მუზეუმს.
ჩვენს კატალოგში წარმოდგენილია 384 ნამუშწევრი ალექსანდრ დეინეკა-ისგან, დათარიღებული 1914-დან 1966-მდე.
1920s-ში: ამ გვერდზე წარმოდგენილი 100 ნამუშწარwerksიდან 52 შეიქმნა მაშინ, მათგან Operating margin.
ამ გვერდზე ყველაზე ადრეული არის Boy (1914), ხოლო ყველაზე გვიანდელი — In the south (1966).
Women (7), Portraits (7) და People (6), ამ გვერდზე წარმოდგენილ 100 ნამუშწარეს შორის.
Oil On Canvas, ამ გვერდზე არსებული 100 ნამუშწაროსგან 13 ცალიდან.
Socialist realism, ამ გვერდზე წარმოდგენილი ორიგინალების მიხედვით.
