11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 8点の William Henry Davisの作品がカタログにあります
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William Henry Davisが遺したオリジナル作品の中で最も有名なものは、Attingham Parkに所蔵されているPrize Bull (1855)です。 それに次いで、Hereford Cow (1852)とHereford Cow (1852)が続きます。 William Henry Davisによる8点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する8点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。
In this 1855 oil painting, a large, robust bull occupies the central composition. The animal is presented in profile, positioned in the middle ground of a pastoral landscape. Its coat features a palette of deep reddish-brown and white, rendered with smooth, blended brushstrokes that suggest a soft texture. The muscular anatomy of the bull is defined by precise lines, highlighting its physical mass and weight. The animal stands upon a…
The oil painting Hereford Cow presents a serene and realistic depiction of a cow standing within a pastoral landscape. The composition is dominated by a large, profile view of the animal, which is positioned centrally in the mid-ground to create a sense of stability and importance. The cow is rendered with deep browns and whites, showcasing its muscular structure through defined lines. The surrounding meadow is composed of muted greens…
The oil painting Hereford Cow presents a serene and realistic depiction of a cow standing within a pastoral landscape. The composition is centered on the large figure of the animal, which is positioned in profile facing left, creating a sense of stability and weight. The cow features a coat of deep browns and reds, contrasted by creamy whites on its head and underbelly. The perspective is set at eye-level with…
The 1852 oil on canvas, Hereford Cow, presents a serene and realistic depiction of a single cow positioned horizontally across the middle ground. The composition is centered on the animal, creating a sense of stability and presence within a pastoral landscape. The subject is rendered with anatomical accuracy, showcasing the muscular structure of the animal and the specific textures of its hide.
The artwork Hereford Bull is a realistic oil painting that presents a detailed profile view of a bull standing within a pastoral landscape. The composition is centered on the large, heavy mass of the animal, which is positioned slightly towards the left to create a sense of weight and presence. The bull features a deep reddish-brown coat contrasted by creamy white on its head and underbelly.
The artwork is a realistic oil painting on canvas that depicts a single Hereford cow standing in a pastoral landscape. The subject is positioned in the mid-ground, shown in profile facing toward the left of the frame. The cow's anatomy is defined by lines that suggest muscularity, with a coat featuring deep reddish-brown and white tones. The texture of the fur and the surrounding grass is captured through fine brushwork.
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 1 の美術館
| 美術館 | 都市 | William Henry Davisの作品 | このリストの絵画 |
|---|---|---|---|
 Attingham Park |
8 | Prize Bull, Hereford Cow, Hereford Cow |
Prize Bull (1855)（Attingham Park）。次いでHereford Cow (1852)、Hereford Cow (1852)が続きます。
当カタログにはWilliam Henry Davisによる作品が8点ございます。
主にAttingham Parkに所蔵されています。上記の美術館一覧にすべて記載されています。
このページに掲載されている8点の作品におけるSky (8), Grass (7) と Trees (7)
このページに掲載されている全8作品のうち、6作品のOil On Canvas
Prize Bull, Hereford Cow と Hereford Cow：Attingham Parkには、このページに掲載されている作品のうち8点が所蔵されています。
William Henry Davis was born in Watford, Hertfordshire. His family lived in a world closely tied to the traditions of the hunt and the land. In 1789, his father took up the role of huntsman to King George III. This connection to the sporting life ran through the household, as his brother Charles Davis became an artist and the Master of the Royal Buckhounds. Another brother, Richard Barrett Davis, also followed a path in painting, focusing on landscapes and animals.
The training of William Henry Davis took him far from the English countryside to Rome, where he studied the art of landscape painting. This time spent abroad shaped how he would later observe the natural world. He eventually settled in Chelsea, where he spent much of his working life. His early years and the influence of his brothers suggest a life spent observing the specific details of animals and the terrain they inhabit.
Davis found a steady place within the circles of the British elite, securing positions that required a precise hand for animal subjects. In 1837, he was appointed animal painter to William IV, and by 1839, he held the same title for Queen Victoria. These roles reflected a career built on the specific demands of those who owned and bred livestock and horses. He moved between the study of landscape and the more structured requirements of portraiture, often focusing on the physical presence of animals in a setting.
Much of his work came from commissions to record specific animals. He spent significant time capturing the likenesses of horses and livestock, often working from life to satisfy the needs of his patrons. His connection to the Berwick family is seen in the many portraits he produced for them. These works, which include several studies of Hereford cattle, remain tied to the history of the estate at Attingham Park in Shropshire.
His paintings are held in various collections across the United Kingdom, often tucked away in the quiet corners of country estates and museums. At Calke Abbey, one can find his 1831 oil on canvas, A Grey Shorthorn Cow. The work sits there in the United Kingdom, a quiet study of livestock. In Shropshire, the Berwick Collection at Attingham Park holds his Hereford Cow, which was painted in 1852. This piece is part of a larger set of sixteen portraits of cattle reared at Cronkhill by Richard Noel-Hill.
Other works have found their way into specialized collections. The Museum of Lincolnshire Life keeps Prize Sheep, while the Royal Agricultural University Collection holds Five Leicester Sheep. There are also depictions of Three South Down sheep held within a collection, showing the breadth of his focus on the animals that defined the era's agricultural life.
