11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 37点の Wilhelm Bendzの作品がカタログにあります
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ギャラリーの視点では、Wilhelm Bendzの最も有名な作品はThe German Painter Marcus Johann Heaselich (1831)であり、その原画はコペンハーゲンのStatens Museum For Kunstに展示されています。 Countess Sophia Vilhelmine Moltke, née Levetzau (1831)とA Smoking Party (1828)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるWilhelm Bendzの作品37点の中から、特に有名な37点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。
The light catches the side of a man's face, pulling him out of a deep, shadowy background. He sits in a moment of stillness, his gaze drifting toward the left of the frame as if lost in a thought that has nothing to do with the viewer. This is Marcus Johann Heaselich, captured in a way that feels less like a formal sitting and more like a sudden, fleeting glimpse…
The gaze of Countess Sophia Vilhelmine Moltke, née Levetzau, meets the viewer from within this 1831 portrait by Wilhelm Bendz. She sits with a quiet, composed dignity that speaks of her high social standing and noble lineage. Every detail of her presence suggests a moment of stillness in a life of structured elegance. The subject remains poised, her expression carrying an air of calm authority that defines her character.
by Wilhelm Bendz offers a glimpse into a private social gathering within a Copenhagen home during the Golden Age. Created about 1828, the work functions as an all-male genre grouping of tobacco addicts with a musical bent. The scene captures a moment of leisure and conversation among a circle of friends.
In "The Visit of the Beggar to the Artist" by Wilhelm Bendz, we find ourselves observing a quiet, domestic interior from the early 19th century. The composition is vertically oriented, utilizing a doorway as a framing device to create a sense of depth and a transition between different spaces. This structural choice draws the eye toward the central narrative: an elderly woman and a young child entering a room, seemingly…
In the portrait of the painter Niels Peter Holbech, Wilhelm Bendz utilizes a vertical medium shot to position the subject slightly off-center to the left. The young man, characterized by wavy brown hair, leans against a desk within the quiet confines of an artist's studio. He is dressed in a black waistcoat worn over a voluminous white shirt and a dark necktie. To the right, an anatomical sculpture provides a…
The German Painter Heinrich Marr is a portrait by the Danish artist Wilhelm Bendz. This work captures the likeness of the German painter Heinrich Marr, a man whose presence is fixed within the frame. The artist, Wilhelm Bendz, rendered this image about 1832, a period marking the final chapter of his own creative life.
The composition is vertical and dynamic, organized around a pyramidal arrangement of figures that directs the eye from the fallen soldiers in the foreground toward a central protagonist. This central figure, King Christian IV, is positioned amidst a chaotic battle scene, his stature enhanced by a low-angle perspective. The scene depicts the naval and land-based turmoil of the Battle of Koldby Heath in 1644, specifically focusing on the King's presence…
In Portræt af jomfru Nissen, Wilhelm Bendz presents a formal and dignified oil portrait of an elderly woman. The composition is a centered, bust-length study that focuses entirely on the subject's presence. She is positioned against a dark, muted background, which allows the viewer to focus on the quiet strength of her features. The color palette is dominated by deep, desaturated tones, creating a somber and classical atmosphere that feels…
The painting titled The Life Class at the Royal Academy of Fine Arts was executed by the Danish artist Wilhelm Bendz in 1826. This work is an oil on canvas that captures an observational scene of art instruction. The subject matter focuses on a life drawing class held within the interior of the Royal Academy of Fine Arts.
This oil on canvas painting, titled Young Pan in a Grotto. Model, was executed by the Danish artist Wilhelm Bendz in 1825. It represents a significant moment in the artist's early development, created during a period when he was refining his command of classical and mythological themes. The work captures a specific, quiet moment of repose, moving away from the genre scenes for which he would later become widely recognized.
Male Model1824 · Statens Museum For Kunst
12
Self-Portrait1825 · Statens Museum For Kunst
13
The Raffenberg Family1830 · Statens Museum For Kunst
14
Cathrine von Halle, née Nathanson1830 · Statens Museum For Kunst
15
Dame med strikketøj. En af kunstnerens søstre (?)1827 · Statens Museum For Kunst
16
Unknown Young Gentleman1831 · Statens Museum For Kunst
17
Marie Raffenberg, the Artist's Betrothed1831 · Statens Museum For Kunst
18
The Actor Christoffer Hvid1826 · Statens Museum For Kunst
19
The German Painter Herman Kaufmann1831 · Statens Museum For Kunst
20
A Sculptor in his Studio Working from the Life1827 · Statens Museum For Kunst
21
Interior with women and children around a table.1827
22
Outside the Odense poorhouse.1831 · Hirschsprung Collection
23
Portrait of a young man with a Phrygian cap1825 · ナイ・カールスベリ・グリプトテーク
24
The painter Georg Heinrich Crola in his study.1832 · アルテ・ナショナルギャラリー
25
Artists in Finck's Coffee House1832 · Thorvaldsen Museum
26
Portrait of the German Painter Wilhelm von Kaulbach1832 · Statens Museum For Kunst
27
Portrait of a girl in a black dress sitting at table1837 · Statens Museum For Kunst
28
Portrait of a ManFitzwilliam College
29
A Coach House. Partenkirchen1831 · Statens Museum For Kunst
30
Parti ved Odense kanal1825 · Statens Museum For Kunst
31
Mountain landscape1831 · Hirschsprung Collection
32
The Church of Ramsau1832 · アシュモリアン美術館
33
Study of Light in a Vaulted Interior
34
Portrait of a WomanFitzwilliam College
35
A Young Artist (Ditlev Blunck) Examining a Sketch in a Mirror1826 · Statens Museum For Kunst
36
Familien Waagepetersen1830 · Statens Museum For Kunst
37
Interior from Amaliegade. Captain Carl Ludvig Bendz standing and Dr. Jacob Christian Bendz seated1829 · Hirschsprung Collection
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | Wilhelm Bendzの作品 | このリストの絵画 |
|---|---|---|---|
 Statens Museum For Kunst |
コペンハーゲン | 22 | The German Painter Marcus Johann Heaselich, The German Painter Heinrich Marr, Christian IV på "Trefoldigheden" i slaget på Koldberger Heide 1644 |
 Hirschsprung Collection |
コペンハーゲン | 3 | Outside the Odense poorhouse., Mountain landscape, Interior from Amaliegade. Captain Carl Ludvig Bendz standing and Dr. Jacob Christian Bendz seated |
 ナイ・カールスベリ・グリプトテーク |
コペンハーゲン | 2 | A Smoking Party, Portrait of a young man with a Phrygian cap |
 Fitzwilliam College |
Cambridge | 2 | Portrait of a Man, Portrait of a Woman |
 国立美術館 |
ストックホルム | 1 | Countess Sophia Vilhelmine Moltke, née Levetzau |
 Fuglsang Art Museum |
Guldborgsund | 1 | portrait of the painter Niels Peter Holbech |
 アルテ・ナショナルギャラリー |
ベルリン | 1 | The painter Georg Heinrich Crola in his study. |
 Thorvaldsen Museum |
コペンハーゲン | 1 | Artists in Finck's Coffee House |
1824年から1832年までの10年余りの歳月は、Wilhelm Bendzにとって非常に重要なものでした。ギャラリーでは、名作の原画を次々と辿りながら、その歩みを年ごとに振り返ります。
年代を選択して、当時のオリジナル作品を見る
In the portrait of the painter Niels Peter Holbech, Wilhelm Bendz utilizes a vertical medium shot to position the subject slightly off-center to the left. The young man, characterized by wavy brown hair, leans against a desk within the quiet confines of an artist's studio. He is dressed in a black waistcoat worn over a voluminous white shirt and a dark necktie. To the right, an anatomical sculpture provides a…
1824のその他の作品
In Portræt af jomfru Nissen, Wilhelm Bendz presents a formal and dignified oil portrait of an elderly woman. The composition is a centered, bust-length study that focuses entirely on the subject's presence. She is positioned against a dark, muted background, which allows the viewer to focus on the quiet strength of her features. The color palette is dominated by deep, desaturated tones, creating a somber and classical atmosphere that feels…
1825のその他の作品
The painting titled The Life Class at the Royal Academy of Fine Arts was executed by the Danish artist Wilhelm Bendz in 1826. This work is an oil on canvas that captures an observational scene of art instruction. The subject matter focuses on a life drawing class held within the interior of the Royal Academy of Fine Arts.
1826のその他の作品
A soft light spills from the upper left, catching the delicate curve of a young woman's profile as she sits in a moment of profound stillness. She is lost in the rhythmic, silent labor of her needles, her hands cradling a piece of white cloth that glows against the deep, light-absorbing velvet of her dress. There is a heavy, comforting weight to the fabric of her gown, a darkness that…
1827のその他の作品
by Wilhelm Bendz offers a glimpse into a private social gathering within a Copenhagen home during the Golden Age. Created about 1828, the work functions as an all-male genre grouping of tobacco addicts with a musical bent. The scene captures a moment of leisure and conversation among a circle of friends.
1828のその他の作品
In "The Visit of the Beggar to the Artist" by Wilhelm Bendz, we find ourselves observing a quiet, domestic interior from the early 19th century. The composition is vertically oriented, utilizing a doorway as a framing device to create a sense of depth and a transition between different spaces. This structural choice draws the eye toward the central narrative: an elderly woman and a young child entering a room, seemingly…
1829のその他の作品
In this 1830 portrait, we find ourselves invited into a private, tranquil interior where the Raffenberg family is gathered. The composition is structured with a gentle, triangular stability, placing a standing woman at the center of the group, her presence anchoring the seated figures below. There is a profound sense of stillness here, the kind found in a room where the air is heavy with the scent of old wood…
1830のその他の作品
The light catches the side of a man's face, pulling him out of a deep, shadowy background. He sits in a moment of stillness, his gaze drifting toward the left of the frame as if lost in a thought that has nothing to do with the viewer. This is Marcus Johann Heaselich, captured in a way that feels less like a formal sitting and more like a sudden, fleeting glimpse…
1831のその他の作品
The German Painter Heinrich Marr is a portrait by the Danish artist Wilhelm Bendz. This work captures the likeness of the German painter Heinrich Marr, a man whose presence is fixed within the frame. The artist, Wilhelm Bendz, rendered this image about 1832, a period marking the final chapter of his own creative life.
1832のその他の作品
The German Painter Marcus Johann Heaselich (1831)（Statens Museum For Kunst, コペンハーゲン）。次いでCountess Sophia Vilhelmine Moltke, née Levetzau (1831)、A Smoking Party (1828)が続きます。
27歳：The German Painter Marcus Johann Heaselichは1831年の作品で、Wilhelm Bendzの生年は1804年です。
The German Painter Marcus Johann Heaselich, Countess Sophia Vilhelmine Moltke, née Levetzau, A Smoking Party, The Visit of the Beggar to the Artist, portrait of the painter Niels Peter Holbech, The German Painter Heinrich Marr, Christian IV på "Trefoldigheden" i slaget på Koldberger Heide 1644, Portræt af jomfru Nissen, The Life Class at the Royal Academy of Fine Arts と Young Pan in a Grotto. Model。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1824年から1832年にかけて制作されたWilhelm Bendzによる37点の作品が収められています。
主にStatens Museum For Kunst (コペンハーゲン), Hirschsprung Collection (コペンハーゲン) と ナイ・カールスベリ・グリプトテーク (コペンハーゲン)に所蔵されています。上記の美術館一覧にすべて記載されています。
1831年：このページにある全37作品のうち、8作品がその時期に制作されました。そのうちThe German Painter Marcus Johann Heaselich作品が含まれます。
このページでは、最も古い作品はportrait of the painter Niels Peter Holbech (1824)、最新の作品はThe German Painter Heinrich Marr (1832)です。
このページに掲載されている37点の作品におけるMan (14), Woman (12) と Portrait (10)
このページに掲載されている全37作品のうち、17作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Danish golden ageです。
The German Painter Marcus Johann Heaselich, The German Painter Heinrich Marr と Christian IV på "Trefoldigheden" i slaget på Koldberger Heide 1644：Statens Museum For Kunst, コペンハーゲンには、このページに掲載されている作品のうち22点が所蔵されています。
