11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 68点の ワシントン・オールストンの作品がカタログにあります
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Self-Portrait (1799)はワシントン・オールストンの作品の中で最も注目を集めている絵画です。原画はケンブリッジのハーバード美術館に所蔵されています。 その後、視線はPortrait of Captain A.H. Pray of the Boston Fusiliers (1796)とDead Man Restored to Life by Touching the Bones of the Prophet Elisha (1811)へと移ります。 当カタログに含まれるワシントン・オールストンの68点の作品のうち、これら68点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
A young man stares through the darkness. He sits in a three-quarter view, his gaze steady and unblinking against the viewer. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This light catches the crisp white of his cravat and the smooth planes of his skin, leaving the rest of his form to dissolve into deep, moody shadows. Behind him,…
Washington Allston’s Portrait of Captain A.H. Pray of the Boston Fusiliers is a delicate and intimate miniature portrait of a young man. The composition employs a close-up, three-quarter view of the subject's head and shoulders, with the figure positioned slightly off-center. This arrangement creates a sense of immediacy, drawing the viewer into a private encounter with the sitter. The focus remains fixed entirely on the subject's expressive blue eyes and…
The oil on canvas titled Dead Man Restored to Life by Touching the Bones of the Prophet Elisha was painted by Washington Allston about 1811. This work captures a singular moment of biblical miracle. It depicts the resurrection of a man through the physical contact of his body with the bones of the prophet Elisha. The scene is a heavy, monumental arrangement of figures caught in the instant of divine…
The oil painting The Poor Author and the Rich Bookseller by Washington Allston depicts a dramatic interaction between three men within a sparse, dimly lit interior. The composition utilizes a triangular arrangement of the figures to guide the eye through the scene. This arrangement is supported by the receding lines of the floorboards and a doorway that leads toward a brightly lit window in the background. The subject matter suggests…
In this intimate oil portrait, Washington Allston captures William Ellery Channing, a man who occupied a significant place in the social and intellectual circles of the early nineteenth century. Painted about 1811, the work offers a quiet study of the subject's character. The connection between the painter and the sitter was deeply personal, as Channing was the brother of the artist's wife, Ann Channing. This familial bond likely contributed to…
In this 1799 oil on canvas, we find a young man caught in a moment of profound stillness. The composition is intimate, focusing on the upper torso and head to create a direct, almost unsettling connection with the viewer. He sits in a three-quarter view, his gaze steady and unblinking. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This…
Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew") is an oil painting by the American painter and poet Washington Allston. Created in 1809, the work captures a dramatic moment of narrative tension. The scene focuses on the complex interactions between the central figures within a classical architectural setting.
The oil painting titled Petruchio attacks the Tailor in Act III, scene IV of The Taming of the Shrew captures a moment of sudden, violent movement. Washington Allston rendered this dramatic narrative work about 1809. The canvas holds a scene of friction and sudden gesture, frozen in the stillness of oil and pigment.
The artwork is titled First study for "Christ Healing the Sick" and was created by the artist Washington Allston. This specific piece functions as a preparatory study, a preliminary version intended to work out the composition and tonal values for a larger religious work. The work is a monochromatic, sepia-toned drawing or wash study, likely executed using ink, bistre, or sepia wash on paper.
In this intimate oil portrait, we find ourselves in the presence of a young man caught in a moment of profound introspection. The subject is positioned slightly off-center, his gaze directed toward the right of the frame as if lost in a private thought or a distant memory. There is a quietude here that feels almost heavy, a stillness that invites the viewer to lean in and observe the subtle…
Diana on a Chase1805 · ハーバード美術館
12
Study for "Jason Returning to Demand His Father's Kingdom"1807 · ハーバード美術館
13
Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe1820 · Yale University Art Gallery
14
Beatrice1819 · ボストン美術館
15
Donna Mencia in the Robber's Cavern1815 · ボストン美術館
16
Head of a Jew1817 · ボストン美術館
17
Study for Belshazzar's Feast1817 · ボストン美術館
18
Study for "Belshazzar's Feast"; verso: Studies for "Angel Releasing Saint Peter from Prison"1817 · ハーバード美術館
19
Rebecca at the Well1816 · ハーバード美術館
20![A Study from Life [and] Study for Angel Releasing Saint Peter from Prison (1815) による ワシントン・オールストン](/media/artworks/images-thumb/ff/46/ff46c6226208aa3441d2d9ba42ab2d29.jpg)
A Study from Life [and] Study for Angel Releasing Saint Peter from Prison1815 · メトロポリタン美術館
21
A Tuscan Girl1831 · New Britain Museum of American Art
22
Loammi Baldwin, Jr. (1780-1838); verso: Study for Female Head1823 · ハーバード美術館
23
Ideal Head1835 · Rhode Island School of Design Museum of Art
24
The Sisters1816 · ハーバード美術館
25
Elijah Fed by the Ravens1818 · ボストン美術館
26
A Landscape after Sunset1819 · ナショナル・ギャラリー・オブ・アート
27
Moonlit Landscape1819 · ボストン美術館
28
The Rising of a Thunderstorm at Sea1804 · ボストン美術館
29
Italian Shepard Boyデトロイト美術館
30
Rising of a Thunderstorm at Sea1804 · ボストン美術館
31
Landscape with a Lake1804 · ボストン美術館
32
Jacob's Dream1817 · Petworth House
33
Hermina and Helena1815
34
Miriam the Prophetess1821
35
Italian Landscape1814 · トレド美術館
36
Ship in a Squall1827 · ハーバード美術館
37
Landscape, American Scenery: Time, Afternoon, with a Southwest Haze1835 · ボストン美術館
38
Landscape Composition1834 · ハーバード美術館
39
The Angel Releasing St. Peter from Prisonボストン美術館
40
Romantic Landscape
41
HEAD OF A JEWNational Portrait Gallery of Sweden
42
Moses and the Serpent
43
Benjamin Lynde, Sr
44
Saul and the Witch of Endor
45
Italian Shepherd Boy1819 · デトロイト美術館
46
Dr. John King1814 · サンフランシスコ美術館
47
Italian Landscape1828 · デトロイト美術館
48
An American LandscapeNational Gallery of Ireland
49
Head of Saint Peter: Study for ''The Angel Releasing Saint Peter from Prison''Pennsylvania Academy of Fine Arts
50
Storm Rising at Sea
51
Christ Healing the SickWorcester Art Museum
52
The Spanish Girl in Reverie
53
Classical Landscape
54
Samuel Williamsクリーブランド美術館
55
Jason Returning to Demand his Father's KingdomLowe Gallery
56
Landscape With A Lake
57
The Tippler
58
David Playing before Saul
59
Belshazzar's Featデトロイト美術館
60
Samuel Taylor Coleridgeナショナル・ポートレート・ギャラリー
61
The Opening of the Casket
62
Angel Releasing St. Peter from Prison
63
Meeting of Lear and Cordelia
64
Coast Scene on the Mediterranean
65
Hermia and Helenaスミソニアン・アメリカン・アート・ミュージアム
66
ウリエル太陽に立つ男1817 · Mugar Memorial Library
67
The Flight of Florimell1819 · デトロイト美術館
68
The Spanish Girl in Reverie1831 · メトロポリタン美術館
#3 Dead Man Restored to Life by Touching the Bones of the Prophet Elisha
#7 Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew")
#8 Petruchio attacks the Tailor in Act III, scene IV of The Taming of the Shrew
#13 Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe
#15 Donna Mencia in the Robber's Cavern
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | ワシントン・オールストンの作品 | このリストの絵画 |
|---|---|---|---|
 ボストン美術館 |
ボストン | 14 | The Poor Author and the Rich Bookseller, William Ellery Channing, Self Portrait |
 ハーバード美術館 |
ケンブリッジ | 11 | Self-Portrait, First study for "Christ Healing the Sick", Samuel Taylor Coleridge (1772-1834) |
 デトロイト美術館 |
デトロイト | 5 | Italian Shepard Boy, Italian Shepherd Boy, Italian Landscape |
 Rhode Island School of Design Museum of Art |
プロビデンス | 2 | Portrait of Captain A.H. Pray of the Boston Fusiliers, Ideal Head |
 Pennsylvania Academy of Fine Arts |
フィラデルフィア | 2 | Dead Man Restored to Life by Touching the Bones of the Prophet Elisha, Head of Saint Peter: Study for ''The Angel Releasing Saint Peter from Prison'' |
 メトロポリタン美術館 |
ニューヨーク | 2 | A Study from Life [and] Study for Angel Releasing Saint Peter from Prison, The Spanish Girl in Reverie |
 フィラデルフィア美術館 |
フィラデルフィア | 1 | Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew") |
 Yale University Art Gallery |
ニューヘイブン | 1 | Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe |
その時代を象徴する名作を見るために、年代を選択してください。
A young man stares through the darkness. He sits in a three-quarter view, his gaze steady and unblinking against the viewer. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This light catches the crisp white of his cravat and the smooth planes of his skin, leaving the rest of his form to dissolve into deep, moody shadows. Behind him,…
In this 1799 oil on canvas, we find a young man caught in a moment of profound stillness. The composition is intimate, focusing on the upper torso and head to create a direct, almost unsettling connection with the viewer. He sits in a three-quarter view, his gaze steady and unblinking. A single, strong light source strikes the left side of his face, carving his features out of the gloom. This…
The oil on canvas titled Dead Man Restored to Life by Touching the Bones of the Prophet Elisha was painted by Washington Allston about 1811. This work captures a singular moment of biblical miracle. It depicts the resurrection of a man through the physical contact of his body with the bones of the prophet Elisha. The scene is a heavy, monumental arrangement of figures caught in the instant of divine…
In this work, titled Jeremiah Dictating His Prophecy of the Destruction of Jerusalem to Baruch the Scribe, Washington Allston presents a somber biblical scene set within a dimly lit, architectural interior. The composition centers on two figures positioned amidst stone arches and a dark, recessed space. On the left, the prophet Jeremiah is depicted in a commanding yet distressed pose, his gaze directed upward as if receiving divine revelation. He…
In A Tuscan Girl, Washington Allston positions a single female figure centrally within a three-quarter length pose. Seated amidst dense foliage, the subject is illuminated by a soft, directional light striking from the upper left. This lighting highlights her face, shoulder, and chest, while a chiaroscuro effect casts the surrounding landscape into deep, shadowy tones. The woman's attire provides a sharp chromatic contrast to the dark background, featuring a red…
Self-Portrait (1799)（ハーバード美術館, ケンブリッジ）。次いでPortrait of Captain A.H. Pray of the Boston Fusiliers (1796)、Dead Man Restored to Life by Touching the Bones of the Prophet Elisha (1811)が続きます。
20歳：Self-Portraitは1799年の作品で、ワシントン・オールストンの生年は1779年です。
Self-Portrait, Portrait of Captain A.H. Pray of the Boston Fusiliers, Dead Man Restored to Life by Touching the Bones of the Prophet Elisha, The Poor Author and the Rich Bookseller, William Ellery Channing, Self Portrait, Katharina and Petruchio (Scene from Shakespeare's "The Taming of the Shrew"), Petruchio attacks the Tailor in Act III, scene IV of The Taming of the Shrew, First study for "Christ Healing the Sick" と Samuel Taylor Coleridge (1772-1834)。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1796年から1835年にかけて制作されたワシントン・オールストンによる68点の作品が収められています。
主にボストン美術館 (ボストン), ハーバード美術館 (ケンブリッジ) と デトロイト美術館 (デトロイト)に所蔵されています。上記の美術館一覧にすべて記載されています。
1810s年：このページにある全68作品のうち、22作品がその時期に制作されました。そのうちDead Man Restored to Life by Touching the Bones of the Prophet Elisha作品が含まれます。
このページでは、最も古い作品はPortrait of Captain A.H. Pray of the Boston Fusiliers (1796)、最新の作品はIdeal Head (1835)です。
このページに掲載されている68点の作品におけるMan (16), Woman (9) と Portrait (8)
このページに掲載されている全68作品のうち、18作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Romantic landscape paintingです。
The Poor Author and the Rich Bookseller, William Ellery Channing と Self Portrait：ボストン美術館, ボストンには、このページに掲載されている作品のうち14点が所蔵されています。
