Pomona
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
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Robert Tournièresが遺したオリジナル作品の中で最も有名なものは、ストックホルムの国立美術館に収蔵されているPomona (1739)です。 それに次いで、Portrait of an Old Man (Guillaume de Lisle?) (1700)とMichel Corneille l'Aîné (1642-1708) (1702)が続きます。 Robert Tournièresによる18点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する16点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。
The artwork titled Pomona is a painting by the French artist Robert Tournières. This specific composition is a copy after the work of Aert de Gelder. The piece is dated to 1739.
A Glimpse of Aristocratic Life: Robert Le Vrac de Tournières’ “Count Ferdinand Adolf von Plettenberg and His Family” Robert Le Vrac de Tournières' 1727 painting, "Count Ferdinand Adolf von Plettenberg and His Family," is more than just a portrait; it’s a meticulously crafted window into the refined world of 18th-century European aristocracy. The scene unfolds within a richly appointed interior – likely a salon or drawing room – dominated by…
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | Robert Tournièresの作品 | このリストの絵画 |
|---|---|---|---|
| ストックホルム | 1 | Pomona | |
| ヴェルサイユ | 1 | Michel Corneille l'Aîné (1642-1708) | |
| バーミンガム | 1 | Portrait of Richard (Dicky) Bateman | |
| ディジョン | 1 | Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) | |
| ブダペスト | 1 | Count Ferdinand Adolf von Plettenberg and his Family | |
| パリ | 1 | Concert | |
| サンクトペテルブルク | 1 | Portrait of Unknown Woman as Hebe | |
| ナント | 1 | Portrait of the Maupertuis family |
その時代を象徴する名作を見るために、年代を選択してください。
Robert Le Vrac de Tournières: Bridging Dutch Intimacy and Rococo Elegance Robert Le Vrac de Tournières (1667–1752) stands as an intriguing figure in the annals of French Baroque painting, embodying a pivotal transitional period where influences from the Netherlands intertwined with the burgeoning stylistic sensibilities of the Rococo era. Unlike many contemporaries who adhered rigidly to established conventions, Tournières skillfully blended elements of Dutch genre scenes—characterized by their candid portrayal…
Pomona (1739)(国立美術館, ストックホルム)。次いでPortrait of an Old Man (Guillaume de Lisle?) (1700)、Michel Corneille l'Aîné (1642-1708) (1702)が続きます。
72歳:Pomonaは1739年の作品で、Robert Tournièresの生年は1667年です。
Pomona, Portrait of an Old Man (Guillaume de Lisle?), Michel Corneille l'Aîné (1642-1708), Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain, Portrait of Richard (Dicky) Bateman, Portrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727), Dibutade Drawing, by the Light of a Lamp, the Portrait of His Lover, Count Ferdinand Adolf von Plettenberg and his Family, Concert と Pierre Louis Moreau de Maupertuis。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1690年から1750年にかけて制作されたRobert Tournièresによる18点の作品が収められています。
主に国立美術館 (ストックホルム), ヴェルサイユ王立歌劇場 (ヴェルサイユ) と バーミンガム博物館・美術館 (バーミンガム)に所蔵されています。上記の美術館一覧にすべて記載されています。
1700s年:このページにある全16作品のうち、2作品がその時期に制作されました。そのうちPortrait of an Old Man (Guillaume de Lisle?)作品が含まれます。
このページでは、最も古い作品はConcert (1690)、最新の作品はPortrait of Chancellor Louis Phélypeaux, Count of Pontchartrain (1643-1727) (1750)です。
このページに掲載されている16点の作品におけるPortraits (3) と Portraiture (2)
このページに掲載されている全16作品のうち、3作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Rococoです。
Robert Le Vrac de Tournières was born in Caen, France, in 1667. His artistic journey began with studies under Lucas Delahaye, a respected painter of the time. He further honed his skills under the tutelage of Bon Boullogne and Rigaud, both prominent figures in French painting, setting the stage for a successful career.
Tournières’ artistic style reflects a fascinating transitional period within French art. He skillfully blended elements of Dutch intimacy – particularly evident in his genre scenes – with the emerging lightness and elegance that would come to define the Rococo style. His palette was noted for its delicate coloring, and he demonstrated a keen talent for capturing both pose and drapery. While not considered among the most powerful painters of his era, critics acknowledged his careful technique and refined execution.
Tournières achieved significant recognition during his lifetime, being received into the Académie royale de peinture twice. The first acceptance in 1702 was based on his portraiture skills, specifically portraits of fellow artists Pierre Mosnier and Michel Corneille. His second reception in 1716, as a history painter, came with his work Invention of Drawing (1716), depicting a romantic scene illuminated by candlelight. Although many of his large-scale paintings have been lost to time, numerous smaller works survive, showcasing his mastery of detail and character portrayal.
Tournières was deeply influenced by Dutch masters such as Godfried Schalken and Gerard Dou, dedicating considerable study to their techniques. This influence is visible in his attention to light, shadow, and the intimate portrayal of everyday life. He also drew inspiration from his teachers, incorporating elements of their styles into his own unique approach.
In 1737, Tournières was promoted to professeur auxiliaire, further solidifying his position within the artistic community. He continued to exhibit successfully at the Salon of 1742. However, he returned to Caen in 1749 and ceased painting. His father, an engraver, had familial connections through marriage to François Lemoyne. Despite fading from active practice, Tournières left behind a considerable body of portraits that remain highly regarded and are found in notable collections today.
Robert Le Vrac de Tournières occupies an important place as a transitional figure in French art. He embodies the shift from the more formal Baroque style towards the lighter, more decorative Rococo aesthetic. His ability to synthesize Dutch realism with emerging French sensibilities makes his work particularly valuable for understanding the evolution of 18th-century painting.