11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 298点の ラウル・デュフィの作品がカタログにあります
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当ギャラリーの視点では、ラウル・デュフィの最も有名な作品はThe Red Concert (1946)です。 Large Bather (1914)とConsole With Two Windows (1948)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるラウル・デュフィの作品298点の中から、特に有名な100点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。
Raoul Dufy created The Red Concert in 1946. This oil on canvas work measures 33 x 41 cm. It captures a bustling Parisian café scene, where the boundaries between performer and audience blur through a lens of expressive spontaneity. The composition is a dynamic, almost chaotic arrangement of figures, centered around a piano player and a captivated crowd, evoking the social pulse of Paris.
The scene unfolds within the expansive 245 x 182 cm space of Large Bather, an oil on canvas created in 1914. Raoul Dufy captures a moment of quiet repose, where the air feels heavy with the warmth of a sunny day. The scale of the work commands attention, pulling the viewer into a private, leisurely interval that feels as though it is happening right now.
To stand before Raoul Dufy’s Console With Two Windows is to step directly into a sun-drenched moment of Parisian leisure, a breath of pure, unadulterated joy. This painting, executed in 1948, is not merely an depiction of an interior space; it is an immersion into the very spirit of French *joie de vivre*. Dufy, whose career was marked by an almost irresistible attraction to light and color, captures here a…
The sea is turned away. In this 1906 oil on canvas, the horizon is replaced by a vertical rush of advertisements and urban energy. A crowd moves along the promenade of Trouville, their forms reduced to quick, gestural strokes that suggest the pulse of a summer afternoon. The architecture of the seaside resort is not a solid weight but a surface for the colorful invasion of posters. Bright hues collide…
To gaze upon Raoul Dufy’s 1928 watercolor, "Still life," is to step directly into a sun-drenched moment of pure Parisian leisure. This painting is not merely an arrangement of objects; it is a celebration of light, color, and the exquisite joy of everyday existence—a quintessential expression of the French spirit. Dufy, whose career was marked by an almost irresistible zest for life, captures this energy here with breathtaking spontaneity. The…
The composition centers on a blue gate, accented with red, positioned amidst a landscape of trees. This architectural element appears open, inviting the eye toward a house nestled in the background. Two figures inhabit the space: one positioned to the left of the gate and another further back on the right. The scene captures a quiet, momentary intersection of man-made geometry and the organic forms of nature.
Step into the light of 1909. In this scene, we find ourselves within the intimate confines of an artist's workspace on Seguier street. There is a profound sense of stillness here, despite the creative energy radiating from the canvas. A figure sits poised at an easel, lost in the act of creation, while a palette rests nearby, holding the potential of color. The room is defined by a cool palette…
A single woman sits beneath the reach of a palm tree, seeking refuge from the heat. The scene is a quiet arrangement of tropical stillness. Two chairs sit empty on either side, waiting for a conversation that has already passed or has yet to begin. A potted plant rests on the ground, anchoring the composition in a moment of domestic leisure. The light feels heavy, filtered through the broad, feathered…
The painting titled The River is an oil on canvas work by the artist Raoul Dufy. This specific piece measures 65 x 81 cm in size. It was executed about 1905, a period during which the artist's approach to color and form was undergoing significant development.
The scene unfolds in 1908, a moment frozen in time through the hand of Raoul Dufy. In The Appetizer, the artist captures a lively social gathering, inviting the viewer to witness a shaded terrace filled with the energy of human connection. This work emerges from a period of intense creative transformation, marking a significant contribution by Raoul Dufy to the unfolding narrative of modern art. The canvas breathes with the…
Paris1934
12
Flags1906
13
The Kessler Family on Horseback
14
Interior with Indian Woman1930 · Statens Museum For Kunst
15
The Racecourse of Deauville1950
16
Amphitrite1936
17
Open Window at Saint-Jeannet
18
Paddock en Deauville
19
Portrait of the Artist's Sister, Suzanne Dufy1904
20
Still life with Bananas1909
21
Bather1908
22
The Pleasures of Peace: Dance (The Journey to the Islands)1910
23
Love1910
24
"La Moisson" (The Harvester)1912 · メトロポリタン美術館
25
Birdcage1914
26
The trapeze artists1922
27
Hotel Sube1926 · フィリップス・コレクション
28
The Casino1906
29
Sailing-Boats in Troville
30
Houses in Trouville1933
31
Races With Goodwwood1930
32
The casino of Nice1929
33
Landscape of Esterel1926
34
Amphitrite1935 · Musée d'art moderne (Saint-Étienne)
35
Arlequin rouge et blanc au violon1945 · Musée Hyacinthe Rigaud
36
Musiciens à la campagne1948 · Musée Hyacinthe Rigaud
37
L'orchestre1948 · Musée Hyacinthe Rigaud
38
Opstilling1925 · Statens Museum For Kunst
39
Gallant green1926
40
Harfleur1903
41
Sainte-Adresse beach
42
Factory in Estaque
43
The Mediterranean1923
44
The Wheat Field1929
45
The Thoroughbred1940
46
Boats in Le Havre1926
47
Anglers1908
48
The Violin1916
49
Sailboat at Sainte-Adresse1912
50
The winter garden
51
The workshop of the grapes
52
The console with the violin yellow
53
Deauville, Drying the Sails
54
The visit of the British fleet to Le Havre
55
Home and Garden in Le Havreパリ市立近代美術館
56
Storm at Sainte Adresse1909
57
Regatta at Trouville1935 · Galerie Paul Pétridès
58
The Port of Martigues1904
59
Electricity1937
60
The sea in Deauville1935
61
The Pantheon and Saint-Étienne-du-Mont1904 · Buffalo AKG Art Museum
62
The Saint Gervais Church1904
63
View of Paris from Monmartre1902
64
The Louis-Philippe Bridge and the Saint Gervais Church1904
65
Self-Portrait1901
66
Theatre in Martigues1903
67
The beach and pier at Trouville1905
68
Landscape in Falaise1902
69
Pier of Le Havre in the Evening1901
70
The Empavesado yacht1905
71
The Fish Market, Marseille1904
72
The Beach of Sainte-Adresse1904
73
The Beach at Sainte Adresse1902
74
View of a Port1902
75
Carnival on the Grands Boulevards1903
76
Self Portrait1899
77
La moisson à Langres1938 · Intercéréales
78
Pink bunch1940
79
The Regattas1907 · パリ市立近代美術館
80
L'Estaque1908 · Rhode Island School of Design Museum of Art
81
Bananas1909 · Statens Museum For Kunst
82
Sun Reflections on the Sea at Sainte-Adresse1906 · Statens Museum For Kunst
83
The Beach of Sainte-Adresse1906 · Museum Barberini
84
The White Sail1906 · Museum Barberini
85
Theatre in Martigues 2
86
Theatre in Martigues 1
87
Fishing 1
88
Pierre Geismar 1
89
Bathers
90
Illustration for Le Bestiaire de Guillaume Apollinaire
91
Female Nude, bust
92
The race 1
93
Holiday
94
Fisherman with net
95
Study of Love
96
Design for fabric
97
Henley Regatta
98
The race
99
Nude with shell
100
Joinville
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | ラウル・デュフィの作品 | このリストの絵画 |
|---|---|---|---|
 Statens Museum For Kunst |
コペンハーゲン | 5 | Interior with Indian Woman, Opstilling, Bananas |
 パリ市立近代美術館 |
パリ | 10 | The Appetizer, Home and Garden in Le Havre, The Regattas |
 Musée Hyacinthe Rigaud |
Perpignan | 9 | Arlequin rouge et blanc au violon, Musiciens à la campagne, L'orchestre |
 Museum Barberini |
ポツダム | 3 | The Beach of Sainte-Adresse, The White Sail |
 フィリップス・コレクション |
Washington, D.C. | 4 | Hotel Sube |
 メトロポリタン美術館 |
ニューヨーク | 2 | "La Moisson" (The Harvester) |
 Intercéréales |
Paris | 2 | La moisson à Langres |
| Musée d'art moderne (Saint-Étienne) | Saint-Priest-en-Jarez | 1 | Amphitrite |
その時代を象徴する名作を見るために、年代を選択してください。
In the quiet, contemplative moments before his brush became a conduit for the exuberant colors of Fauvism, Raoul Dufy captured a profound sense of self through his Self Portrait. Painted in 1899, this work serves as a poignant window into the artist's early psyche, long before he became the master of light and joyful French landscapes. The portrait presents a man poised in a moment of deep thought, his gaze…
The sea is turned away. In this 1906 oil on canvas, the horizon is replaced by a vertical rush of advertisements and urban energy. A crowd moves along the promenade of Trouville, their forms reduced to quick, gestural strokes that suggest the pulse of a summer afternoon. The architecture of the seaside resort is not a solid weight but a surface for the colorful invasion of posters. Bright hues collide…
The scene unfolds within the expansive 245 x 182 cm space of Large Bather, an oil on canvas created in 1914. Raoul Dufy captures a moment of quiet repose, where the air feels heavy with the warmth of a sunny day. The scale of the work commands attention, pulling the viewer into a private, leisurely interval that feels as though it is happening right now.
To gaze upon Raoul Dufy’s 1928 watercolor, "Still life," is to step directly into a sun-drenched moment of pure Parisian leisure. This painting is not merely an arrangement of objects; it is a celebration of light, color, and the exquisite joy of everyday existence—a quintessential expression of the French spirit. Dufy, whose career was marked by an almost irresistible zest for life, captures this energy here with breathtaking spontaneity. The…
The composition centers on a blue gate, accented with red, positioned amidst a landscape of trees. This architectural element appears open, inviting the eye toward a house nestled in the background. Two figures inhabit the space: one positioned to the left of the gate and another further back on the right. The scene captures a quiet, momentary intersection of man-made geometry and the organic forms of nature.
Raoul Dufy created The Red Concert in 1946. This oil on canvas work measures 33 x 41 cm. It captures a bustling Parisian café scene, where the boundaries between performer and audience blur through a lens of expressive spontaneity. The composition is a dynamic, almost chaotic arrangement of figures, centered around a piano player and a captivated crowd, evoking the social pulse of Paris.
is a work by Raoul Dufy, executed in 1950. The artist, born in Le Havre, France, in 1877, developed a distinctive visual language that emphasized color and movement, often capturing the energy of contemporary social life.
The Red Concert (1946)。続いてLarge Bather (1914)、Console With Two Windows (1948)が続きます。
69歳：The Red Concertは1946年の作品で、ラウル・デュフィの生年は1877年です。
The Red Concert, Large Bather, Console With Two Windows, Posters at Trouville, Still life, The Grid, The studio on Seguier street, The small palm tree, The River と The Appetizer。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1899年から1950年にかけて制作されたラウル・デュフィによる298点の作品が収められています。
主にStatens Museum For Kunst (コペンハーゲン), パリ市立近代美術館 (パリ) と Musée Hyacinthe Rigaud (Perpignan)に所蔵されています。上記の美術館一覧にすべて記載されています。
1900s年：このページにある全100作品のうち、34作品がその時期に制作されました。そのうちPosters at Trouville作品が含まれます。
このページでは、最も古い作品はSelf Portrait (1899)、最新の作品はThe Racecourse of Deauville (1950)です。
このページに掲載されている100点の作品におけるPeople (20), Buildings (9) と Boats (7)
このページに掲載されている全100作品のうち、25作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Fauvismです。
Interior with Indian Woman, Opstilling と Bananas：Statens Museum For Kunst, コペンハーゲンには、このページに掲載されている作品のうち4点が所蔵されています。
