クリオ
17世紀のフランス絵画界において、バロック様式の極致を体現した画家として知られるのが、ピエール・ミニャールです。彼の数ある傑作の中でも、とりわけ輝きを放つ作品の一つが「クリオ」であり、現在はハンガリーのブダペストにあるセーチェニ国立美術館(ブダペスト美術館)にその姿を留めています。
要約すると
ピエール・ミニャールが遺したオリジナル作品の中で最も有名なものは、ブダペストのブダペスト美術館に収蔵されているクリオ (1689)です。 それに次いで、The Young Louis XIV (1663)とPerseus and Andromeda (1679)が続きます。 ピエール・ミニャールによる96点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する94点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。
17世紀のフランス絵画界において、バロック様式の極致を体現した画家として知られるのが、ピエール・ミニャールです。彼の数ある傑作の中でも、とりわけ輝きを放つ作品の一つが「クリオ」であり、現在はハンガリーのブダペストにあるセーチェニ国立美術館(ブダペスト美術館)にその姿を留めています。
The air in the room feels heavy with the weight of impending rule. A young nobleman sits in a three-quarter pose, his gaze meeting the viewer with a directness that demands immediate recognition. He is draped in the shadows of a dark, dramatic backdrop, yet the light finds him with theatrical precision. This chiaroscuro lighting carves his features out of the gloom, illuminating the smooth skin of his face and…
Pierre Mignard captures a dramatic episode from Ovid's Metamorphoses through a lens of Baroque grandeur. The composition centers on Andromeda, chained to a rugged rock overlooking a turbulent sea. Her posture conveys a tension between vulnerability and resilience. Beside her, Perseus appears in gleaming armor, wielding a sword with a sense of determined grace. The scene is populated by several figures, including Cepheus and Cassiopeia, whose presence underscores the royal…
A muscular, weathered hand grips a scythe, its curved blade slicing through the air. Below, the soft, pale flesh of a child meets the coarse, sun-darkened skin of an elder. This is the collision of two worlds. One is the fleeting heat of passion, represented by the winged Cupid; the other is the cold, inevitable pull of the years, embodied by Chronos. The light falls from the upper left, carving…
In this 1660 portrait, we encounter Queen Marie Thérèse of France through a lens of quiet, structured grandeur. The composition places her in a three-quarter length pose, a choice that grants her a sense of dynamic stability without sacrificing the intimacy of a personal encounter. There is a certain weight to the image, conveyed through the heavy folds of silk and velvet that define her silhouette. Light enters from the…
Two young children sit closely together, their forms emerging from a dark, atmospheric background. One child is draped in reddish-brown fabric, while the other is wrapped in white and blue cloth. They rest upon a red cushioned surface, their limbs and faces defined by soft, curvilinear lines. The composition is centered and intimate, focusing on the physical connection between the two subjects. Light falls primarily on their faces and upper…
The light catches a single, luminous curve of skin against a void of deep charcoal. This is a bust-length portrait of a woman, her gaze directed slightly to the left, yet her eyes find the observer with a quiet, steady weight. She is framed by dark, voluminous curls that absorb the surrounding gloom, creating a soft halo around a face of pale, smooth texture. Around her neck, a string of…
The portrait depicts Philippe of Orleans in a full-length vertical composition. He is positioned slightly off-center, captured in a contrapposto stance that shifts his weight to one side. In his right hand, he holds a commander's baton, extending it outward from his body. His attire consists of a polished steel cuirass and a golden pteruges skirt, which are partially covered by a heavy red cloak. This fabric flows from his…
In this portrait, we encounter Jacques Louis de Beringhen, a man whose very posture commands the space he occupies. He is presented in a three-quarter length view, a composition that allows us to feel the weight of his status. There is a quiet gravity in his gaze, directed toward the viewer with a poise that suggests a life lived within the upper echelons of French society. The lighting, descending from…
The room falls into a quiet, heavy stillness as the lady gazes out from her oval frame. She sits with a poise that speaks of high station, her presence commanding the space through a delicate balance of light and shadow. A deep, royal blue drapery cascades around her, its heavy satin folds catching a soft light that seems to emanate from an unseen window to the upper left. Beneath this,…
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | ピエール・ミニャールの作品 | このリストの絵画 |
|---|---|---|---|
| パリ | 9 | Perseus and Andromeda, La Vierge à la grappe, Mademoiselle de Blois | |
| バーナード・キャッスル | 4 | Madame de Grignan (1646-1705), Daughter of the Comtesse de Sévigné, Equestrian Portrait of Louis XIV, Portrait of a Young Lady, Time of Louis XIV | |
| ワルシャワ | 3 | Portrait of Two Children (Louis XIV with his milk sister), Portrait of Anne of Austria (1601-1666)., Portrait of a young woman | |
| パリ | 3 | The Circumcision, Claude Le Peletier (1630-1711), Provost of the Merchants from 1668 to 1676, Françoise-Marguerite de Sévigné, comtesse de Grignan | |
| ヴェルサイユ | 3 | Philippe of France, Duke of Orleans, Louis XIV à cheval couronné par la Victoire, Françoise d'Aubigné, Marquise de Maintenon (1635 1719) | |
| コペンハーゲン | 2 | The Young Louis XIV, Queen Marie Thérèse of France (1638-1683) | |
| アゼ・ル・リドー | 2 | Portrait of Jacques Louis de Beringhen (1651-1723), Louis 14th | |
| ミュンヘン | 2 | Mary with Child, Maria Anna Christina, Dauphine of France (1660-1690) |
その時代を象徴する名作を見るために、年代を選択してください。
In "The Death of Cleopatra" by Pierre Mignard I, the air hangs heavy with the weight of a tragic end. Painted about 1635, the scene captures the precise, harrowing moment of the Egyptian queen's passing. She lies still, her pale skin a stark contrast to the surrounding darkness, marking the conclusion of a historical drama that has reached its final, somber act. The tragedy unfolds not as a distant legend,…
Two young children sit closely together, their forms emerging from a dark, atmospheric background. One child is draped in reddish-brown fabric, while the other is wrapped in white and blue cloth. They rest upon a red cushioned surface, their limbs and faces defined by soft, curvilinear lines. The composition is centered and intimate, focusing on the physical connection between the two subjects. Light falls primarily on their faces and upper…
The artwork titled Mary with Child features a depiction of the Madonna and Child. This specific piece is a copy after the artist Pierre Mignard I. The work is dated to about 1652. It presents a close-up portrait style focusing on the figures of Mary and the infant Jesus.
The air in the room feels heavy with the weight of impending rule. A young nobleman sits in a three-quarter pose, his gaze meeting the viewer with a directness that demands immediate recognition. He is draped in the shadows of a dark, dramatic backdrop, yet the light finds him with theatrical precision. This chiaroscuro lighting carves his features out of the gloom, illuminating the smooth skin of his face and…
Pierre Mignard captures a dramatic episode from Ovid's Metamorphoses through a lens of Baroque grandeur. The composition centers on Andromeda, chained to a rugged rock overlooking a turbulent sea. Her posture conveys a tension between vulnerability and resilience. Beside her, Perseus appears in gleaming armor, wielding a sword with a sense of determined grace. The scene is populated by several figures, including Cepheus and Cassiopeia, whose presence underscores the royal…
A muscular, weathered hand grips a scythe, its curved blade slicing through the air. Below, the soft, pale flesh of a child meets the coarse, sun-darkened skin of an elder. This is the collision of two worlds. One is the fleeting heat of passion, represented by the winged Cupid; the other is the cold, inevitable pull of the years, embodied by Chronos. The light falls from the upper left, carving…
クリオ (1689)(ブダペスト美術館, ブダペスト)。次いでThe Young Louis XIV (1663)、Perseus and Andromeda (1679)が続きます。
77歳:クリオは1689年の作品で、ピエール・ミニャールの生年は1612年です。
クリオ, The Young Louis XIV, Perseus and Andromeda, Time Clipping Cupid's Wings, Queen Marie Thérèse of France (1638-1683), Portrait of Two Children (Louis XIV with his milk sister), Portrait of Anne of Austria (1601-1666)., Portrait of Philippe of Orleans, brother of Louis XIV, Portrait of Jacques Louis de Beringhen (1651-1723) と Portrait of a Lady, said to be the Duchess of Aiguillon (1604-1675)。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1635年から1695年にかけて制作されたピエール・ミニャールによる96点の作品が収められています。
主にルーブル美術館 (パリ), Bowes Museum (バーナード・キャッスル) と ワルシャワ国立博物館 (ワルシャワ)に所蔵されています。上記の美術館一覧にすべて記載されています。
1660s年:このページにある全94作品のうち、10作品がその時期に制作されました。そのうちThe Young Louis XIV作品が含まれます。
このページでは、最も古い作品はThe Death of Cleopatra (1635)、最新の作品はSaint Luke Painting the Virgin with the Self-Portrait of Mignard (1695)です。
このページに掲載されている94点の作品におけるWoman (27), Man (21) と Drapery (12)
このページに掲載されている全94作品のうち、55作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Baroqueです。
Perseus and Andromeda, La Vierge à la grappe と Mademoiselle de Blois:ルーブル美術館, パリには、このページに掲載されている作品のうち9点が所蔵されています。