Per Krafft the Elderの肖像画

Per Krafft the Elderの絵画:ギャラリーの視点で選ぶ、最も有名な52作品

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 52点の Per Krafft the Elderの作品がカタログにあります

要約すると

ギャラリーの視点では、Per Krafft the Elderの最も有名な作品はPortrait of Alois Friedrich von Brühl (1739-1793). (1767)であり、その原画はワルシャワのワルシャワ国立博物館に展示されています。 Portrait of Natalia Alexandrovna Repnina (1767)とPortrait of Stanisław August Poniatowski (1767)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるPer Krafft the Elderの作品52点の中から、特に有名な52点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。

1724 – 1793, Arboga Rococo 最多収蔵館: 国立美術館

ギャラリーが選ぶPer Krafft the Elderのトップ10作品

1
Portrait of Alois Friedrich von Brühl (1739-1793). (1767) による Per Krafft the Elder

Portrait of Alois Friedrich von Brühl (1739-1793).

1767 · Oil On Canvas · ワルシャワ国立博物館, ワルシャワ

In this 1767 portrait, we encounter Alois Friedrich von Brühl in a moment of quiet, dignified repose. He is captured in a three-quarter length view, his body turned slightly toward the right while his gaze drifts off-camera, suggesting a man preoccupied with matters beyond the immediate room. The composition relies on a careful balance of light and shadow, a technique that sculpts his features and the heavy textures of his…

2
Portrait of Natalia Alexandrovna Repnina (1767) による Per Krafft the Elder

Portrait of Natalia Alexandrovna Repnina

1767 · Oil On Canvas · エルミタージュ美術館, サンクトペテルブルク

To gaze upon this portrait is to step directly into the gilded salons of 18th-century Sweden, where life was lived with an exquisite, almost breathless elegance. This depiction of Natalia Alexandrovna Repnina captures not merely a likeness, but an entire atmosphere—one steeped in the delicate ornamentation and sophisticated leisure characteristic of the Rococo period. The sitter possesses an air of serene composure; her gaze seems to hold the quiet confidence…

4
Portrait of a Man (1775) による Per Krafft the Elder

Portrait of a Man

1775 · Oil On Canvas · クラクフ国立美術館, クラクフ

Per Krafft the Elder presents a close-up study of a middle-aged man in this 1775 oil portrait. The subject is positioned in a three-quarter view, facing slightly toward the viewer's left. Despite this orientation, his eyes maintain direct contact with the observer, establishing an immediate, intimate connection. He emerges from an indistinct, dark void, a choice that strips away environmental context to focus entirely on the individual's presence.

5
Gustav III (1746–1792), King of Sweden (1791) による Per Krafft the Elder

Gustav III (1746–1792), King of Sweden

1791 · Oil On Canvas · 国立美術館, ストックホルム

The portrait depicts Gustav III, King of Sweden, in a three-quarter view against a dark, atmospheric background. He is shown from the torso up, wearing a military-style uniform of deep crimson and gold. A cerulean blue sash crosses his chest, and the intricate white lace of a cravat is visible at his neck. His hair is styled in a white, powdered wig that contrasts with the darker tones of his…

6
Portrait of Ignacy Krasicki (1767) による Per Krafft the Elder

Portrait of Ignacy Krasicki

1767 · Oil On Canvas · ワルシャワ国立博物館, ワルシャワ

This work is the Portrait of Ignacy Krasicki, a significant oil on canvas executed by the Swedish portraitist Per Krafft the Elder. Painted about 1767, the portrait captures the subject in a moment of quiet authority. The sitter is presented in formal clerical attire, a choice that underscores his ecclesiastical standing and religious devotion. A pectoral cross is visible upon his vestments, providing a specific detail of his high-ranking status…

7
Reading Boy (1758) による Per Krafft the Elder

Reading Boy

1758 · Oil On Canvas · 国立美術館, ストックホルム

The oil on canvas painting titled Reading Boy was executed by the Swedish portraitist Per Krafft the Elder in 1758. This work depicts a young boy positioned in a moment of quiet study. The subject is shown with his head resting against his hand, appearing absorbed in the pages of an open book. The composition focuses on the individual and his immediate activity, presenting a singular figure engaged in the…

8
The Artist's Daughter Wilhelmina (1782) による Per Krafft the Elder

The Artist's Daughter Wilhelmina

1782 · Oil On Canvas · 国立美術館, ストックホルム

The Artist's Daughter Wilhelmina is an oil on canvas portrait executed by Per Krafft the Elder in 1782. The work identifies its subject as Wilhelmina, the artist's daughter. This specific piece is rendered in an oval shape, a common format for intimate portraiture of the period.

10
Johan Gustaf Lund, född 1712, kommissarie (1748) による Per Krafft the Elder

Johan Gustaf Lund, född 1712, kommissarie

1748 · Oil · National Portrait Gallery of Sweden, ストレングセス

In the portrait of Johan Gustaf Lund, född 1712, kommissarie by Per Krafft the Elder, the subject is presented in a three-quarter view. The composition focuses on the man from the waist up and is positioned slightly off-center. He is depicted with wavy, shoulder-length hair, a style characteristic of the mid-1700s. The figure is set against a dark, flat, and undifferentiated background that provides no environmental context, ensuring the viewer's…

Per Krafft the Elderの絵画、ランキング11位から52位

11Portrait by Carl von Fersen (1750) による Per Krafft the ElderPortrait by Carl von Fersen1750 · National Portrait Gallery of Sweden 12Birgethe Dorthe and Kirstne Margarethe Colstrup (1754) による Per Krafft the ElderBirgethe Dorthe and Kirstne Margarethe Colstrup1754 · 国立美術館 13Portrait of Stanisław Augustus Poniatowski (1760) による Per Krafft the ElderPortrait of Stanisław Augustus Poniatowski1760 · ワルシャワ国立博物館 14A Boy Reading (1758) による Per Krafft the ElderA Boy Reading1758 · 国立美術館 15Portrait of a Boy (1762) による Per Krafft the ElderPortrait of a Boy1762 · 国立美術館 16Elisabeth Frederike Sophie (1732–1780), Duchess of Württemberg (1762) による Per Krafft the ElderElisabeth Frederike Sophie (1732–1780), Duchess of Württemberg1762 · 国立美術館 17Countess Teresa Kinska Poniatowska (1765) による Per Krafft the ElderCountess Teresa Kinska Poniatowska1765 18Karl XIII, 1748-1818, kung av Sverige och Norge (1772) による Per Krafft the ElderKarl XIII, 1748-1818, kung av Sverige och Norge1772 · 国立美術館 19Anna Charlotta von Stapelmohr (1754-1791), married to State Secretary Elis Schröderheim (1775) による Per Krafft the ElderAnna Charlotta von Stapelmohr (1754-1791), married to State Secretary Elis Schröderheim1775 · 国立美術館 20Portrait of Izabela Lubomirska née Czartoryska (1767) による Per Krafft the ElderPortrait of Izabela Lubomirska née Czartoryska1767 · ワルシャワ国立博物館 21Portrait of a Boy (1773) による Per Krafft the ElderPortrait of a Boy1773 · Finnish National Gallery 22Girl with Bullfinch in a Cage (1766) による Per Krafft the ElderGirl with Bullfinch in a Cage1766 · 国立美術館 23Emanuel Swedenborg, 1688-1772, ämbetsman (1766) による Per Krafft the ElderEmanuel Swedenborg, 1688-1772, ämbetsman1766 · National Portrait Gallery of Sweden 24Old Woman (1768) による Per Krafft the ElderOld Woman1768 · 国立美術館 25Portrait of Teresa Poniatowska (1767) による Per Krafft the ElderPortrait of Teresa Poniatowska1767 · クラクフ国立美術館 26Portrait of Izabela Branicka née Poniatowska (1767) による Per Krafft the ElderPortrait of Izabela Branicka née Poniatowska1767 · クラクフ国立美術館 27Portrait of Konstancja Poniatowska née Czartoryska (1768) による Per Krafft the ElderPortrait of Konstancja Poniatowska née Czartoryska1768 · クラクフ国立美術館 28Gustav IV Adolf, 1778-1837, kung av Sverige (1785) による Per Krafft the ElderGustav IV Adolf, 1778-1837, kung av Sverige1785 · 国立美術館 29Portrait of Gustaf IV Adolf of Sweden (1778-1837) (1785) による Per Krafft the ElderPortrait of Gustaf IV Adolf of Sweden (1778-1837)1785 · National Portrait Gallery of Sweden 30Portrait of Anders Mattsson (1778) による Per Krafft the ElderPortrait of Anders Mattsson1778 · National Portrait Gallery of Sweden 31Portrait of Carl Michael Bellman, 1740-1795 (1779) による Per Krafft the ElderPortrait of Carl Michael Bellman, 1740-17951779 · National Portrait Gallery of Sweden 32Anna Charlotta Stapelmohr, 1754-1791, g Schröderheim (1778) による Per Krafft the ElderAnna Charlotta Stapelmohr, 1754-1791, g Schröderheim1778 · National Portrait Gallery of Sweden 33The Artist's Daughter Wilhelmina (1783) による Per Krafft the ElderThe Artist's Daughter Wilhelmina1783 · 国立美術館 34Gustav IV Adolf, 1778 - 1837, kung av Sverige (1793) による Per Krafft the ElderGustav IV Adolf, 1778 - 1837, kung av Sverige1793 · 国立美術館 35Manufacturer Erik Westén the younger (1787) による Per Krafft the ElderManufacturer Erik Westén the younger1787 · Finnish National Gallery 36Secretary Konrad Arvid Johan Mandorf (1793) による Per Krafft the ElderSecretary Konrad Arvid Johan Mandorf1793 · Finnish National Gallery 37Johan August Meijerfeldt, 1725 - 1800. Greve, fältmarskalk (1792) による Per Krafft the ElderJohan August Meijerfeldt, 1725 - 1800. Greve, fältmarskalk1792 · National Portrait Gallery of Sweden 38Gustav IV Adolf, 1778-1837, konung av Sverige (1793) による Per Krafft the ElderGustav IV Adolf, 1778-1837, konung av Sverige1793 · National Portrait Gallery of Sweden 39Elis Schröderheim, 1747-1795, ämbetsman (1787) による Per Krafft the ElderElis Schröderheim, 1747-1795, ämbetsman1787 · National Portrait Gallery of Sweden 40Portrait of a Lady (1788) による Per Krafft the ElderPortrait of a Lady1788 · 国立美術館 41Portrait of Bishop Ignacy Krasicki による Per Krafft the ElderPortrait of Bishop Ignacy Krasickiクラクフ国立美術館 42Carl Funck, 1708-1783 による Per Krafft the ElderCarl Funck, 1708-1783国立美術館 43Thomas von Plomgren, 1702-1754, grosshandlare による Per Krafft the ElderThomas von Plomgren, 1702-1754, grosshandlare国立美術館 44Mrs Dorotea Westén による Per Krafft the ElderMrs Dorotea WesténFinnish National Gallery 45The Artist's Wife Maria Wilhelmina による Per Krafft the ElderThe Artist's Wife Maria Wilhelmina国立美術館 46Sofia Albertina, 1753-1829, prinsessa av Sverige による Per Krafft the ElderSofia Albertina, 1753-1829, prinsessa av SverigeNational Portrait Gallery of Sweden 47David Anckarloo (1687-1765), admiral, married to 1. Ingeborg Bering, 2. Eva Catharina Humble による Per Krafft the ElderDavid Anckarloo (1687-1765), admiral, married to 1. Ingeborg Bering, 2. Eva Catharina HumbleNational Portrait Gallery of Sweden 48Henrik af Trolle, 1730-1784 による Per Krafft the ElderHenrik af Trolle, 1730-1784National Portrait Gallery of Sweden 49Brita Christina Sparre, 1720-1776, g. Törnflycht による Per Krafft the ElderBrita Christina Sparre, 1720-1776, g. TörnflychtNational Portrait Gallery of Sweden 50Anders Johan von Höpken, 1712-1789, greve による Per Krafft the ElderAnders Johan von Höpken, 1712-1789, greveNational Portrait Gallery of Sweden 51Augustin Ehrensvärd, 1710-1772, militär, greve による Per Krafft the ElderAugustin Ehrensvärd, 1710-1772, militär, greveNational Portrait Gallery of Sweden 52Izabela Lubomirska née Czartoryska による Per Krafft the ElderIzabela Lubomirska née CzartoryskaRoyal Łazienki Museum

Per Krafft the Elderの代表作、時代別一覧

Per Krafft the Elderが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

Per Krafft the Elderの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 7 の美術館

美術館 都市 Per Krafft the Elderの作品 このリストの絵画
国立美術館, ストックホルム国立美術館 ストックホルム 18 Gustav III (1746–1792), King of Sweden, Reading Boy, The Artist's Daughter Wilhelmina
National Portrait Gallery of Sweden, ストレングセスNational Portrait Gallery of Sweden ストレングセス 17 Ivan Andrejevitj Osterman, 1725-1811, Johan Gustaf Lund, född 1712, kommissarie, Portrait by Carl von Fersen
ワルシャワ国立博物館, ワルシャワワルシャワ国立博物館 ワルシャワ 5 Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Stanisław August Poniatowski, Portrait of Ignacy Krasicki
クラクフ国立美術館, クラクフクラクフ国立美術館 クラクフ 5 Portrait of a Man, Portrait of Teresa Poniatowska, Portrait of Izabela Branicka née Poniatowska
Finnish National Gallery, ヘルシンキFinnish National Gallery ヘルシンキ 4 Portrait of a Boy, Manufacturer Erik Westén the younger, Secretary Konrad Arvid Johan Mandorf
エルミタージュ美術館, サンクトペテルブルクエルミタージュ美術館 サンクトペテルブルク 1 Portrait of Natalia Alexandrovna Repnina
Royal Łazienki Museum, ワルシャワRoyal Łazienki Museum ワルシャワ 1 Izabela Lubomirska née Czartoryska

Per Krafft the Elder、10年ごとに1枚の代表作

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

Per Krafft the Elderの絵画:ギャラリーの回答

Per Krafft the Elderの作品の中で、最も有名な絵画は何ですか?答えを見る

Portrait of Alois Friedrich von Brühl (1739-1793). (1767)(ワルシャワ国立博物館, ワルシャワ)。次いでPortrait of Natalia Alexandrovna Repnina (1767)、Portrait of Stanisław August Poniatowski (1767)が続きます。

Per Krafft the ElderがPortrait of Alois Friedrich von Brühl (1739-1793).を完成させた時の年齢は?答えを見る

43歳:Portrait of Alois Friedrich von Brühl (1739-1793).は1767年の作品で、Per Krafft the Elderの生年は1724年です。

Per Krafft the Elderの代表的な絵画トップ10は?答えを見る

Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Natalia Alexandrovna Repnina, Portrait of Stanisław August Poniatowski, Portrait of a Man, Gustav III (1746–1792), King of Sweden, Portrait of Ignacy Krasicki, Reading Boy, The Artist's Daughter Wilhelmina, Ivan Andrejevitj Osterman, 1725-1811 と Johan Gustaf Lund, född 1712, kommissarie。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Per Krafft the Elderの作品数は?答えを見る

当カタログには、1748年から1793年にかけて制作されたPer Krafft the Elderによる52点の作品が収められています。

Per Krafft the Elderの最も有名なオリジナル作品はどこに展示されていますか?答えを見る

主に国立美術館 (ストックホルム), National Portrait Gallery of Sweden (ストレングセス) と ワルシャワ国立博物館 (ワルシャワ)に所蔵されています。上記の美術館一覧にすべて記載されています。

Per Krafft the Elderが最も有名な作品を描いたのはいつですか?答えを見る

1760s年:このページにある全52作品のうち、15作品がその時期に制作されました。そのうちPortrait of Alois Friedrich von Brühl (1739-1793).作品が含まれます。

Per Krafft the Elderの初期および後期の代表作は何ですか?答えを見る

このページでは、最も古い作品はJohan Gustaf Lund, född 1712, kommissarie (1748)、最新の作品はGustav IV Adolf, 1778 - 1837, kung av Sverige (1793)です。

Per Krafft the Elder が最も多く描いた主題は何ですか?答えを見る

このページに掲載されている52点の作品におけるMan (20), Lace (15) と Woman (10)

Per Krafft the Elder が最も多く用いた技法は何ですか?答えを見る

このページに掲載されている全52作品のうち、30作品のOil On Canvas

Per Krafft the Elderはどの芸術運動に関連していますか?答えを見る

このページに掲載されているオリジナル作品から判断すると、Rococoです。

国立美術館が所蔵するPer Krafft the Elderのオリジナル作品は何ですか?答えを見る

Gustav III (1746–1792), King of Sweden, Reading Boy と The Artist's Daughter Wilhelmina:国立美術館, ストックホルムには、このページに掲載されている作品のうち18点が所蔵されています。

Per Krafft the Elder:アーティスト

Per the Elder Krafft: A Swedish Portraitist Embodied in Rococo Elegance

To step into the world of Per the Elder Krafft is to enter a realm of gilded salons and breathless elegance, where the light of the Enlightenment meets the delicate ornamentation of the Rococo. Born in 1724 in Arboga, Sweden, Krafft emerged as a pivotal figure in Swedish art history, a master whose brush captured not merely the physical likenesses of his era, and but the very soul of the eighteenth-century aristocratic elite. His life and work serve as a window into a period defined by a fascinating juxtaposition of grace and burgeoning neoclassical structure, reflecting a society caught between the playful whimsy of the past and the disciplined ideals of a new age.

Krafft’s artistic evolution was shaped by a lineage of profound influence. His early training began in Uppsala, where his interest in the arts first took root, but it was through his studies under established masters that his technical virtuosity truly blossomed. In Stockholm, he became a dedicated pupil of the court painter Johan Henrik Scheffel, whose influence is clearly visible in Krafft’s early self-portraits and intimate family depictions. This foundation of precision was further enriched when Krafft traveled to Copenhagen, where he encountered the works of Carl Gustaf Pilo. From these mentors, Krafft inherited a meticulous attention to detail and an unparalleled ability to manipulate light, learning how to use chiaroscuro to sculpt form and imbue his subjects with a palpable, breathing presence.

The Art of the Aristocratic Narrative

The essence of Krafft’s oeuvre lies in its ability to weave complex narratives through the medium of portraiture. His canvases were far more than simple records of identity; they were carefully constructed tapestries of status, lineage, and moral virtue. Utilizing the soft, pastel palettes characteristic of the Rococo movement, Krafft breathed life into shimmering fabrics, intricate lacework, and the subtle sheen of silk. He possessed a rare technical ability to render the ephemeral softness of human skin alongside the tangible weight of luxurious textiles, creating an illusion of depth that draws the viewer into a close, intimate encounter with the sitter.

His subject matter often centered on the most prominent figures of European nobility, documenting the splendor of dynasties such as the Czartoryski. In his portrait of Izabela Lubomirska née Czartoryska, one can observe his mastery in conveying a sense of refined dignity and serene composure. Similarly, his depiction of the celebrated Russian ballerina, Natalia Alexandrovna Repnina, serves as a breathtaking testament to his skill. In this work, the artist captures an entire atmosphere of sophisticated leisure, where every fold of fabric and every glint of light whispers tales of wealth and societal expectation. Through these works, Krafft did not just paint people; he painted the very concept of nobility.

Legacy and Artistic Lineage

Beyond his individual achievements, Per the Elder Krafft’s historical significance is cemented by the artistic legacy he left within his own family. He was a patriarch of Swedish painting, father to artists who would continue to shape the nation's aesthetic landscape. His children, Per Krafft the Younger and the miniaturist Wilhelmina Krafft, both studied at the Royal Swedish Academy of Fine Arts, carrying forward the technical excellence and emotive depth instilled by their father. This familial continuity ensured that the refined sensibilities of his era would resonate well into the next century.

Ultimately, the work of Per the Elder Krafft remains a vital touchstone for understanding the cultural heartbeat of eighteenth-century Sweden. His ability to balance the playful asymmetry and organic curves of the Rococo with a profound psychological depth allows his portraits to transcend their historical moment. Even today, when we gaze upon his meticulously rendered subjects, we are reminded of a time when art was a grand celebration of beauty, grace, and the enduring allure of the human spirit.