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GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972)は、Mingering Mikeの作品の中で最も注目を集めている絵画です。 その後、視線はTHE FREEDOM STOMPERS (1969)と3 FOOTSTEPS away from the altar, mingering mike the big D (1969)へと移ります。 当カタログに含まれるMingering Mikeの151点の作品のうち、これら100点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
ギャラリーの視点で選ぶ、Mingering Mikeによるトップ10作品
Mingering Mikeの名作、11〜100点目
Mingering Mikeの代表作、時代別一覧
Late Period
1969 – 1972 · 5作品がこのリストに含まれていますContemporary
1968 – 1972 · 5作品がこのリストに含まれていますMingering Mikeが心を惹かれた主題
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
Social commentary 8点
Music memorabilia 4点
Vintage vinyl 4点
Mingering Mikeの歩み:それぞれの作品が持つ唯一無二のオリジナル
ここに掲載されているMingering Mikeの年代別のオリジナル作品は、1968年から1975年までの約10年間にわたるもので、その変遷を年を追うごとに辿ることができます。
年別作品数
年代を選択して、当時のオリジナル作品を見る
A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS
1970のその他の作品
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON
1972のその他の作品
Mingering Mikeの絵画:ギャラリーへの質問
Mingering Mikeの最も有名な作品は何ですか?答えを見る
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972)。続いてTHE FREEDOM STOMPERS (1969)、3 FOOTSTEPS away from the altar, mingering mike the big D (1969)が続きます。
Mingering MikeがGEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTONを制作したのは何歳の時ですか?答えを見る
22歳:GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTONは1972年の作品で、Mingering Mikeの生年は1950年です。
Mingering Mikeの最も有名な10作品は何ですか?答えを見る
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON, THE FREEDOM STOMPERS, 3 FOOTSTEPS away from the altar, mingering mike the big D, THE MINGERING MIKE SHOW LIVE FROM THE HOWARD THEATER, 3 FOOT STEPS DUET CLOSE, EAT MYSELF SILLY (M. MIKE), Gold Pot Records LIVE, FROM PARIS, MINGERING MIKE REVUE (C), PIANOMAN, MINGERING MIKE, MING · WAR ARRANGES AND DIRECT ARRANGES AND DIRECTS, A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS と DON'T TRY AND TAKE IT ALL IN (MINGERING MIKE) MIKE THE MONITORS LOVE COMES AND GOES (JUST LIKE A RAINBOW) M. MIKE Y, RIGHT OF WAY MINGERING MIKE。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
Mingering Mikeの既知の作品数は?答えを見る
当カタログには、1968年から1975年にかけて制作されたMingering Mikeによる151点の作品が収められています。
Mingering Mikeが最も有名な作品を制作したのは、どの時期ですか?答えを見る
1972年:このページにある全100作品のうち、45作品がその時期に制作されました。そのうちGEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON作品が含まれます。
Mingering Mikeの有名な絵画の中で、最も古い作品と最も新しい作品はどれですか?答えを見る
このページでは、最も古い作品はMOTHER GOOSE IT'S A BOYS LIFE (MINGERING MIKE) TWO WAY TRAFFIC (1968)、最新の作品はMERCY LET THE MUSIC TAKE YOUR MIND (1975)です。
Mingering Mikeが好んだ主題は何ですか?答えを見る
このページに掲載されている100点の作品におけるSocial commentary (8), Music memorabilia (4) と Vintage vinyl (4)
Mingering Mikeの作品は、どの芸術運動に属していますか?答えを見る
このページに掲載されているオリジナル作品から判断すると、Pop art と Contemporary realismです。
Mingering Mike:アーティストの肖像画
The Genesis of a Dream: Mingering Mike’s Constructed Reality
Mingering Mike, born in Washington, D.C., in 1950, wasn't simply an artist; he was the architect of his own elaborate and entirely self-contained universe. From roughly 1968 to 1977, this young man meticulously crafted a career as a soul singer and songwriter, producing over fifty “albums” – each a painstakingly assembled cardboard record complete with intricate gatefolds, handwritten liner notes, and simulated vinyl grooves. This wasn’t mere performance art; it was the embodiment of a teenage fantasy, a deeply personal project born from the vibrant, often turbulent, landscape of his youth.
The genesis of this singular endeavor lies in a potent blend of influences – the burgeoning soul music scene of the era, fueled by artists like Aretha Franklin and Otis Redding; the social unrest simmering within American cities during the Civil Rights Movement; and perhaps most crucially, the imaginative world of a young man seeking an outlet for his emotions and aspirations. Mingering Mike’s work wasn't about replicating reality; it was about constructing an idealized version of it, one where he held the microphone, commanded sold-out stadiums, and expressed profound truths through carefully crafted lyrics and soulful melodies.
The Art of the Constructed Album
What distinguishes Mingering Mike’s work is not just its scale – over fifty albums! – but the sheer dedication to detail in each piece. He didn't simply draw album covers; he built entire worlds within them, meticulously crafting cardboard records that resembled authentic vinyl releases. The liner notes were handwritten, often filled with biographical details about his “band,” tour dates, and personal reflections on the songs. This level of commitment transformed a simple artistic project into a fully realized, immersive experience.
The albums themselves are remarkable feats of miniature engineering. They’re layered constructions, incorporating elements like simulated album jackets, meticulously drawn grooves on the “vinyl,” and even tiny photographs depicting concert scenes. The process involved an obsessive attention to detail, reflecting a deep understanding of the music industry and a desire to replicate it with painstaking accuracy. This wasn't about creating art; it was about recreating a career – a career entirely within his own imagination.
Rediscovery and Recognition
For decades, Mingering Mike’s work remained largely unknown outside a small circle of collectors. It wasn’t until 2003 that the world began to take notice when record collectors Dori Hadar and Frank Beylotte stumbled upon his collection at a flea market in Washington, D.C. This serendipitous discovery sparked an intense interest in Mingering Mike's unique project, leading to exhibitions, publications, and widespread recognition within the art world.
The Smithsonian American Art Museum acquired his entire collection in 2015, solidifying his place as a significant figure in contemporary art. The museum’s exhibition, “Mingering Mike’s Supersonic Greatest Hits,” offered visitors a rare glimpse into this extraordinary artist's constructed reality – a testament to the power of imagination and the enduring appeal of a dream realized.
Themes and Legacy
While seemingly fantastical, Mingering Mike’s work resonates with profound themes. It explores ideas of identity, ambition, performance, and the construction of self. His albums often touch upon social issues – civil rights, political upheaval, and personal struggles – reflecting the realities of his youth while simultaneously offering a utopian vision of success and fulfillment.
Mingering Mike’s legacy lies not just in his unique artistic practice but also in challenging our understanding of art itself. He demonstrated that an artwork doesn't need to be “real” to be meaningful, and that the act of creation can be as important as the final product. His work continues to fascinate and inspire artists and collectors alike, reminding us of the boundless possibilities of the human imagination.





