11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 99点の マッティア・プレーティの作品がカタログにあります
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The Marriage at Cana (1655)はマッティア・プレーティの作品の中で最も注目を集めている絵画です。原画はロンドンのナショナル・ギャラリーに所蔵されています。 その後、視線はTribute Money (1640)とSt. John the Baptist Preachingへと移ります。 当カタログに含まれるマッティア・プレーティの99点の作品のうち、これら98点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
The air in the room feels heavy, thick with the scent of spilled wine and the heat of a crowded celebration. At the center of this bustling gathering, a miracle unfolds in silence. A long banquet table, draped in a stark white cloth, cuts through the darkness, acting as a stage for a divine transformation. Figures press against one another, their bodies overlapping in a dense, rhythmic movement that pulls…
To stand before Mattia Preti's Tribute Money is to step directly into the charged atmosphere of 17th-century Italian devotion. This magnificent oil on canvas, executed in 1640, pulses with the dramatic energy characteristic of the Baroque period. It is not merely a depiction of an event; it is an immersive experience, masterfully orchestrated by Preti’s hand. The scene gathers a group of men around a central table, their gestures and…
To stand before this depiction of St. John the Baptist is to be enveloped by the very breath of divine revelation. The scene pulses with an almost palpable energy, capturing that electrifying moment when sacred truth breaks through the mundane. At the heart of the composition stands St. John, a figure radiating both ascetic power and profound spiritual authority. He commands attention not merely through his central placement, but through…
A Triumph of Baroque Faith: Exploring Mattia Preti’s ‘Christ in Glory’ Mattia Preti, a Calabrian Knight of the Baroque, stands as an emblem of artistic dynamism and fervent devotion during his era. Born in Taverna, Calabria, on February 24, 1613, his journey was marked by absorbing diverse influences—primarily from Caravaggio—resulting in a uniquely expressive style characterized by dramatic chiaroscuro and meticulous realism that would define his oeuvre. Before 1630, he…
The air in the painting feels heavy, thick with the scent of iron and dust. A single, theatrical light cuts through the murky atmosphere, striking the pale skin of a woman seated on the right. She is the center of a storm, a figure of vulnerability amidst a crowded, muscular arrangement of limbs and steel. Around her, the composition erupts in a series of sweeping diagonals. Weapons and reaching arms…
In this treatment of Ecce Homo, Mattia Preti employs a highly theatrical arrangement to command the viewer's attention. The composition is built upon a balcony placed transversely, a clever spatial device that pushes the figure of Christ into the immediate foreground. This positioning creates an intimate, almost confrontational proximity between the subject and the observer. The artist’s style here is both dramatic and heroic, moving beyond simple naturalism to imbue…
The shadows press in from every corner, leaving only a sliver of light to illuminate the weathered face of Saint Paul the Hermit. He sits in a profound, heavy silence, his body a map of ascetic devotion. Every line etched into his skin tells a story of years spent in the desert, away from the clamor of the world. His eyes are turned upward, searching the darkness for a light…
Mattia Preti’s Wedding at Cana captures the first miracle of Christ during a wedding feast in Galilee. The scene brings together Christ, his mother, and the disciples within a crowded, festive setting. A long banquet table, draped in a white cloth, serves as the central stage for the unfolding event. Amidst the gathering, Mary directs the servants, while the steward observes the transformation of the liquid with astonishment.
In this oil on canvas, we find ourselves pulled into an intimate, almost uncomfortable proximity to a profound biblical encounter. The scene captures the precise second when the apostle Thomas seeks physical verification of the resurrection, reaching out to touch the wound in Christ's side. There is a heavy, palpable tension in the way the figures are arranged along a diagonal axis, guiding our gaze directly toward that central point…
The crucifixion of St Andrew is an oil on canvas work by Mattia Preti. Created about 1651, this piece belongs to the Baroque movement of seventeenth-century Italy. The scene captures a moment of profound religious significance, focusing on the martyrdom of the saint. It is a heavy, physical depiction of faith under the weight of wood and shadow.
St John the Baptist before Herod1665
12
Saint Veronica with the Veil1657 · ロサンゼルス・カウンティ・ミュージアム・オブ・アート
13
Portrait of a Grand Master of the Knights of Malta, Martin de Redin1660 · シカゴ美術館
14
Belisarius Receiving Alms1660 · ボイジャンズ・ヴァン・ビューニンゲン美術館
15
The Game of Draughts1630 · アシュモリアン美術館
16
Ecce homo
17
Dice Players1635 · クラクフ国立美術館
18
The Beheading of Saint John the Baptist1640 · National Gallery of Ireland
19
The Pardon of St. John Chrysostom1640 · シンシナティ美術館
20
Clorinda rescues Olindo and Sophronia1646 · Musei di Strada Nuova
21
Vocation of the Apostle Matthew1637 · 美術史美術館
22
The Adoration of the Shepherds1645 · ワルシャワ国立博物館
23
the head of St. John presented to the king1638
24
Bearded Old Man's Head1656 · バイエルン州立絵画コレクション
25
Return of the Prodigal Son1656 · バイエルン州立絵画コレクション
26
Mary Magdalene1656 · バイエルン州立絵画コレクション
27
Tobias and the Angel1656 · バイエルン州立絵画コレクション
28
Saint Andrew1656 · バイエルン州立絵画コレクション
29
The Feast of Absalom1658 · カナダ国立美術館
30
Salomé with the Head of St. John before Herod1658 · ヴィルヘルムスヘーエ城絵画館
31
An Angel shows Hagar the Way1656 · バイエルン州立絵画コレクション
32
Paul of Thebes1675 · 国立古美術館
33
Self-portrait1695
34
The Vision of Saint Paul1700
35
The Martyrdom of Saint Catherine1700 · MUŻA
36
The Denial of Saint Peter1700 · Musée des Beaux-Arts
37
The Raising of Lazarus1650 · ギャラリー・ナショナル・ド・アート・アンティカ
38
The Concert1630 · ティッセン・ボルネミッサ美術館
39
A Man Cutting Tobacco1660
40
ヘロドの宴1661 · トレド美術館
41
Apelle painting Campaspe1600 · Pinacoteca Stuard
42
The Baptism of Christ1661 · 聖ヨハネ修道院教会
43
The Roman Empress Faustina Visiting Saint Catherine of Alexandria in Prison1643 · The Dayton Art Institute
44
Queen Tomyris Receiving the Head of Cyrus, King of Persia1670
45
St. George Victorious over the Dragon1678 · Collegiate Basilica of St. George
46
St John Reproaching Herod1662 · Museo de Bellas Artes de Sevilla
47
Christ and the Money Changers1600 · カポディモンテ美術館
48
Concert (detail)1630 · エルミタージュ美術館
49
Flying Angel1630 · Kunstpalast
50
The Adoration of the Shepherds1699 · ウォーカー・アート・ギャラリー
51
Christ and the Woman Taken in Adulteryセントルイス美術館
52
The Martyrdom of Saint Paulヒューストン美術館
53
Tobias Healing His Father's Blindnessヒューストン美術館
54
Martyrdom of Saint Erasmusバイエルン州立絵画コレクション
55
Martyrdom of Saint Andrew
56
St. Paul the Hermitクリーブランド美術館
57
Concert in the family
58
Zachary on his knees, and studies of his head
59
Old man sitting, holding a book, speaking to a young man
60
Musical angels, studies for a ceiling compartment
61
A Group of Saints and Angels
62
God the Father surrounded by angels
63
The Release of St Peter from PrisonAcademy of Fine Arts Vienna
64
The Visitation1649 · バージニア美術館
65
Pilate Washing his Hands1663 · メトロポリタン美術館
66
The Martyrdom of Saint Gennaro1685 · ナショナル・ギャラリー・オブ・アート
67
The Martyrdom of St. BartholomewPokrajinski muzej Ptuj- Ormož
68
Saint John the Baptist Preaching1650 · メトロポリタン美術館
69
St John Cast into Prison1661 · 聖ヨハネ修道院教会
70
Seated Bishop with Arms Extended and Three Attendant Figures
71
Salome with the Head of St John the Baptistリングリング美術館
72
Design for the Decoration of a Cupola with a Prophet, King David and Two Putti
73
A Mother Entrusting Her Sons to Christピナコテカ・ディ・ブレラ
74
Beheading of St. CatherineNational Museum of Fine Arts
75
Holy martyr (Saint Stephan?)Civic Museums of Reggio Emilia
76
Flying Angel1699 · Kunstpalast
77
St Sebastian1660 · カポディモンテ美術館
78
Sophonisba Receiving the Goblet1670 · リヨン美術館
79
St. Nicholas of Bari1653 · カポディモンテ美術館
80
Aeneas, Anchises and Ascanius Fleeing Troy1630 · ギャラリー・ナショナル・ド・アート・アンティカ
81
Saint John the Baptistカポディモンテ美術館
82
Judith and Holofernesカポディモンテ美術館
83
The Return of the Prodigal Son
84
The Martyrdom of Saint Peter1630 · Musée de Grenoble
85
Saint Anthony Abbot1628
86
Vanitas1650
87
The Return of the Prodigal Son1658 · Royal Palace of Naples
88
The Four Evangelists1650 · Galleria Regionale di Palazzo Abatellis
89
Concert1630 · エルミタージュ美術館
90
The Banquet Of Baldassare
91
Absalom's Feast1653 · カポディモンテ美術館
92
The Madonna of Costantinople1656 · カポディモンテ美術館
93
Christ and the Woman Taken in AdulteryGalleria Regionale di Palazzo Abatellis
94
St. George on Horseback1658 · 聖ヨハネ修道院教会
95
Saint John the Baptist Wearing the Red Tabard of the Order of Saint John1671 · MUŻA
96
The Banquet of the Rich Glutton1685 · Galleria Nazionale d'Arte Antica
97
Tomyris Plunges the Head of the Dead Cyrus Into a Vessel of Blood1685
98
Plato and Diogenes1690 · カピトリーニ美術館
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | マッティア・プレーティの作品 | このリストの絵画 |
|---|---|---|---|
 バイエルン州立絵画コレクション |
ミュンヘン | 7 | Bearded Old Man's Head, Return of the Prodigal Son, Mary Magdalene |
 カポディモンテ美術館 |
ナポリ | 7 | Christ and the Money Changers, St Sebastian, St. Nicholas of Bari |
 聖ヨハネ修道院教会 |
ヴァレッタ | 3 | The Baptism of Christ, St John Cast into Prison, St. George on Horseback |
 ナショナル・ギャラリー |
ロンドン | 2 | The Marriage at Cana, Wedding at Cana |
 ピナコテカ・ディ・ブレラ |
ミラノ | 2 | Tribute Money, A Mother Entrusting Her Sons to Christ |
 美術史美術館 |
ウィーン | 2 | Doubting Thomas, Vocation of the Apostle Matthew |
 MUŻA |
Valletta | 2 | The Martyrdom of Saint Catherine, Saint John the Baptist Wearing the Red Tabard of the Order of Saint John |
 ギャラリー・ナショナル・ド・アート・アンティカ |
ローマ | 2 | The Raising of Lazarus, Aeneas, Anchises and Ascanius Fleeing Troy |
その時代を象徴する名作を見るために、年代を選択してください。
The air in the room feels heavy, thick with the scent of old wood and the quiet tension of a contest in progress. Three figures lean into a shared circle of focus, their bodies forming a tight, intimate triangle around a simple game board. Light spills from an unseen source to the left, cutting through the gloom to catch the curve of a cheek, the edge of a white sleeve,…
To stand before Mattia Preti's Tribute Money is to step directly into the charged atmosphere of 17th-century Italian devotion. This magnificent oil on canvas, executed in 1640, pulses with the dramatic energy characteristic of the Baroque period. It is not merely a depiction of an event; it is an immersive experience, masterfully orchestrated by Preti’s hand. The scene gathers a group of men around a central table, their gestures and…
The air in the room feels heavy, thick with the scent of spilled wine and the heat of a crowded celebration. At the center of this bustling gathering, a miracle unfolds in silence. A long banquet table, draped in a stark white cloth, cuts through the darkness, acting as a stage for a divine transformation. Figures press against one another, their bodies overlapping in a dense, rhythmic movement that pulls…
A Triumph of Baroque Faith: Exploring Mattia Preti’s ‘Christ in Glory’ Mattia Preti, a Calabrian Knight of the Baroque, stands as an emblem of artistic dynamism and fervent devotion during his era. Born in Taverna, Calabria, on February 24, 1613, his journey was marked by absorbing diverse influences—primarily from Caravaggio—resulting in a uniquely expressive style characterized by dramatic chiaroscuro and meticulous realism that would define his oeuvre. Before 1630, he…
This oil painting, titled Paul of Thebes, was executed by the Italian Baroque artist Mattia Preti. The work dates to about 1675. The subject of the composition is a bearded man, identified as Saint Paul of Thebes, who is depicted in a moment of spiritual focus. He is shown holding a rosary within his hands.
Four men and one woman gather around a dead man who is dressed in a bright honey-gold cape and pointed hat, his stone-gray face resting on a stump or column in this dark vertical painting. All the people have peachy skin or light skin tinged with green. Shown from the knees up, Saint Gennaro, the dead man, twists and slumps to our right. On the stump, his eyes are closed…
The oil on canvas titled Self-portrait by Mattia Preti captures a quiet moment of introspection. Created about 1695, the work presents an older man, presumably the artist himself, caught in a state of solemn preparation. He sits amidst a heavy, dark atmosphere, his presence defined by the weight of his own gaze and the tools of his trade.
The Marriage at Cana (1655)（ナショナル・ギャラリー, ロンドン）。次いでTribute Money (1640)、St. John the Baptist Preachingが続きます。
42歳：The Marriage at Canaは1655年の作品で、マッティア・プレーティの生年は1613年です。
The Marriage at Cana, Tribute Money, St. John the Baptist Preaching, Christ in Glory, Clorinda Rescuing Sofronia and Olindo, Ecce Homo, Saint Paul the Hermit, Wedding at Cana, Doubting Thomas と The crucifixion of St Andrew。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1628年から1699年にかけて制作されたマッティア・プレーティによる99点の作品が収められています。
主にバイエルン州立絵画コレクション (ミュンヘン), カポディモンテ美術館 (ナポリ) と 聖ヨハネ修道院教会 (ヴァレッタ)に所蔵されています。上記の美術館一覧にすべて記載されています。
1650s年：このページにある全98作品のうち、22作品がその時期に制作されました。そのうちThe Marriage at Cana作品が含まれます。
このページでは、最も古い作品はSaint Anthony Abbot (1628)、最新の作品はThe Adoration of the Shepherds (1699)です。
このページに掲載されている98点の作品におけるMan (31), Woman (15) と Drapery (14)
このページに掲載されている全98作品のうち、54作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Baroque dramatic lightingです。
Bearded Old Man's Head, Return of the Prodigal Son と Mary Magdalene：バイエルン州立絵画コレクション, ミュンヘンには、このページに掲載されている作品のうち7点が所蔵されています。
