10月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 87点の カルロ・ドルチの作品がカタログにあります
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The Adoration of the Kings (1649)はカルロ・ドルチの作品の中で最も注目を集めている絵画です。原画はロンドンのナショナル・ギャラリーに所蔵されています。 その後、視線はThe Guardian Angel (1675)とMadonna in Glory (1670)へと移ります。 当カタログに含まれるカルロ・ドルチの87点の作品のうち、これら86点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
To stand before Carlo Dolci's depiction of The Adoration of the Kings is to step across the threshold of time and into a sanctuary of profound, quiet devotion. This magnificent work captures not the bombast of grand public spectacle, but the intimate, luminous moment where divinity meets earthly reverence. The composition centers on Mary cradling the infant Jesus, figures bathed in a soft, almost palpable glow that speaks volumes about…
Carlo Dolci's “The Guardian Angel,” completed in 1675, transcends mere depiction; it embodies the spiritual fervor characteristic of Baroque art and stands as a testament to Dolci’s masterful artistic vision. Housed within the Museum of the Cathedral in Prato, Italy, this oil on canvas masterpiece invites contemplation and offers a glimpse into the profound symbolism woven throughout its composition.
Carlo Dolci's "Madonna in Glory," painted around 1670, is not merely a depiction of the Virgin Mary; it’s an immersion into the heart of Florentine Baroque piety. This intimate portrait, likely intended for private devotion, reveals a masterclass in restrained emotion and meticulous technique – qualities that cemented Dolci's reputation as one of Florence’s most revered artists during his era. The painting immediately draws the viewer in with its dark,…
Carlo Dolci executed the Vase of Flowers in 1662. This oil on canvas work belongs to the genre of still life painting. It is currently held within the collection of the Galleria degli Uffizi in Florence, Italy.
The figure of Christ is presented in a vertical bust-length portrait, his gaze directed slightly upward in a state of profound suffering. A crown of thorns encircles his head, the sharp points protruding into the space around him. He is draped in a deep crimson mantle over a blue undergarment, with a thick rope tied around his neck. The composition focuses on the immediate, intimate connection between the subject and…
The room falls away into an indeterminate darkness, leaving only the figure of an elderly man to meet the eye. He sits in a quiet, heavy stillness, his face emerging from the gloom as if caught in a sudden, soft beam of light from the upper left. This is Saint Philip Neri, and even in this frozen moment, there is a sense of profound, inward movement. His skin, rendered with…
Vittoria della Rovere is presented within an octagonal frame, her likeness transformed through the lens of religious iconography. Portrayed as St. Catherine, she gazes directly at the viewer with a poised, calm expression. The composition centers on her bust-length figure, where the light focuses intensely upon her face and chest. This use of tenebrism creates a deep sense of three-dimensionality, pulling the subject forward from a dark, warm background.
A Presence in Polished Steel The figure of Mattias de' Medici commands the space, frozen in a moment of quiet authority. He stands centrally, his body encased in the dark, reflective weight of black plate armor that catches the light from the upper left. This metallic surface gleams with subtle highlights, contrasting sharply against the deep scarlet red of his breeches. A decorative sash and a fine lace collar add…
In Saint Andrew the Apostle by Carlo Dolci, the viewer meets a figure caught in a moment of profound spiritual weight. The composition follows a vertical arrangement, pulling the gaze upward toward the saint's head and upper torso. He sits slightly off-center, creating a sense of natural, unforced presence. A large, dark wooden saltire cross cuts diagonally across the frame, its heavy shape anchoring the saint within the shadows. A…
The Virgin is a somber and deeply emotive Baroque portrait of a woman, likely the Virgin Mary, rendered in oil on canvas. The composition is a close-up, centered on the subject's downward-looking face, which is partially shrouded by a heavy dark blue mantle. The color palette is restrained, dominated by deep blues, shadows, and warm skin tones, with a single highlight of white fabric at the neck.
Christ and Mary Magdalen in the House of Simon1645 · 国立美術館
12
Christ's Agony in the Garden of Gethsemane1658 · Statens Museum For Kunst
13
Archduchess Claudia Felicitas (1653-1676)1672 · 美術史美術館
14
The boy Jesus invites the Christian soul to crown it according to the Song of Songs1674 · 美術史美術館
15
Allegory of Sincerity1665 · 美術史美術館
16
St Andrew Praying before his Martyrdom1643 · バーミンガム博物館・美術館
17
The Flight into Egypt1648 · デトロイト美術館
18
The Trinity in Glory1640 · Rhode Island School of Design Museum of Art
19
Saint John the Baptist1645 · Hatchlands Park
20
Saint John the Evangelist1647 · プーシキン美術館
21
Saint Agnes1651 · バイエルン州立絵画コレクション
22
The Penitent Mary Magdalene1651 · バイエルン州立絵画コレクション
23
Penitent Mary Magdalene1651 · バイエルン州立絵画コレクション
24
Christ Carrying the Cross1651 · バイエルン州立絵画コレクション
25
Saint Agnes1651 · バイエルン州立絵画コレクション
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Christ Child with Flower Wreath1651 · バイエルン州立絵画コレクション
27
Diogenes1650 · パラティーナ美術館
28
Saint Christina of Bolsena1652 · Kedleston Hall
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Maria With Child1665 · 美術史美術館
30
Saint Sebastian1650 · Schloss Weissenstein
31
Saint Agnes1670 · National Gallery of Ireland
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Adoration of the Shepherds1670 · クリーブランド美術館
33
Sir Thomas Baines, F.R.S., F.R.C.P. 1622-16811667 · Fitzwilliam Museum
34
Sir John Finch F.R.S., F.R.C.P. 1626-16821667 · Fitzwilliam Museum
35
Salome with the Head of John the Baptist1667 · ロイヤル・コレクション
36
The Penitent Magdalen1670 · ロイヤル・コレクション
37
David with the Head of Goliath1680 · ボストン美術館
38
Blessing Christ1680
39
Portrait of Vittoria della Rovere in Widow's Weeds1680
40
St Cecilia at the Organ1671 · Gemäldegalerie Alte Meister
41
Head of Christ1658 · Statens Museum For Kunst
42
Moses1640
43
Self-Portrait1674 · ウフィツィ美術館
44
Saint Paul the hermit1640 · ワルシャワ国立博物館
45
The Holy Family with God the Father and the Holy Spirit1630
46
Madonna And Child1600 · Patrick and Beatrice Haggerty Museum of Art
47
Italian, )1616
48
Italian, dolci)1616
49
Portrait of Ainolfo de' Bardi1632
50
St Mary Magdalene1644 · エルミタージュ美術館
51
Saint John the Evangelist
52
John the Evangelist1650 · ジョン・アンド・メイブル・リンゴリング美術館
53
Magdalene1660 · パラティーナ美術館
54
St. Mary Magdalene
55
St Catherine Of Sienaダルウィッチ・ピクチャーギャラリー
56
Salome with the Head of St John the Baptist1665 · ロイヤル・コレクション
57
Head of ChristStatens Museum For Kunst
58
Allegory of PatienceBiennale Internazionale dell'Antiquariato di Firenze
59
Self-Portrait1674 · ウフィツィ美術館
60
Saint John the Evangelistベルリン絵画館
61
Mater DolorosaFitzwilliam Museum
62
Virgin and Child with the Infant Saint John the Baptistヒューストン美術館
63
The Penitent Mary Magdalene国立美術館
64
Madonna med barnet国立美術館
65
The artist's wife, Teresa Bucherelli, as Saint Agnes
66
Saint Mark
67
He Mourning Virgin
68
Thistle美術史美術館
69
Self portrait
70
Rescuing a mother and her child
71
Madonna and Childデトロイト美術館
72
Portrait of Agata Dolci
73
The Flight into Egypt
74
Saint Jerome In Prayer
75
Virgin with Child
76
Portrait of Stefano Della Bellaパラティーナ美術館
77
St. Cathrine reading a bookウォレス・コレクション
78
The Virgin and Child with Flowers
79
The Child Jesus with a crown of flowersティッセン・ボルネミッサ美術館
80
Death nature with flowers
81
The Penitent Magdalen
82
Mater Dolorosa1655 · 国立西洋美術館
83
The Angel of the Annunciation1653
84
The Virgin of the Annunciation1653
85
St. Cecilエルミタージュ美術館
86
St. Andrew kneeling before his crossパラティーナ美術館
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | カルロ・ドルチの作品 | このリストの絵画 |
|---|---|---|---|
 バイエルン州立絵画コレクション |
ミュンヘン | 7 | Ecce Homo, Saint Agnes, The Penitent Mary Magdalene |
 美術史美術館 |
ウィーン | 7 | Portrait of Vittoria della Rovere (1622-1694) as St. Catherine, Mattias de' Medici (1613-1667), Archduchess Claudia Felicitas (1653-1676) |
 Statens Museum For Kunst |
コペンハーゲン | 5 | Saint Andrew the Apostle, The Virgin, Christ's Agony in the Garden of Gethsemane |
 パラティーナ美術館 |
フィレンツェ | 4 | Diogenes, Magdalene, Portrait of Stefano Della Bella |
 ウフィツィ美術館 |
フィレンツェ | 3 | Vase of Flowers, Self-Portrait, Self-Portrait |
 国立美術館 |
ストックホルム | 3 | Christ and Mary Magdalen in the House of Simon, The Penitent Mary Magdalene, Madonna med barnet |
 Fitzwilliam Museum |
3 | Sir Thomas Baines, F.R.S., F.R.C.P. 1622-1681, Sir John Finch F.R.S., F.R.C.P. 1626-1682, Mater Dolorosa | |
 ロイヤル・コレクション |
ロンドン | 3 | Salome with the Head of John the Baptist, The Penitent Magdalen, Salome with the Head of St John the Baptist |
その時代を象徴する名作を見るために、年代を選択してください。
A Presence in Polished Steel The figure of Mattias de' Medici commands the space, frozen in a moment of quiet authority. He stands centrally, his body encased in the dark, reflective weight of black plate armor that catches the light from the upper left. This metallic surface gleams with subtle highlights, contrasting sharply against the deep scarlet red of his breeches. A decorative sash and a fine lace collar add…
To stand before Carlo Dolci's depiction of The Adoration of the Kings is to step across the threshold of time and into a sanctuary of profound, quiet devotion. This magnificent work captures not the bombast of grand public spectacle, but the intimate, luminous moment where divinity meets earthly reverence. The composition centers on Mary cradling the infant Jesus, figures bathed in a soft, almost palpable glow that speaks volumes about…
The figure of Christ is presented in a vertical bust-length portrait, his gaze directed slightly upward in a state of profound suffering. A crown of thorns encircles his head, the sharp points protruding into the space around him. He is draped in a deep crimson mantle over a blue undergarment, with a thick rope tied around his neck. The composition focuses on the immediate, intimate connection between the subject and…
Carlo Dolci executed the Vase of Flowers in 1662. This oil on canvas work belongs to the genre of still life painting. It is currently held within the collection of the Galleria degli Uffizi in Florence, Italy.
Carlo Dolci's “The Guardian Angel,” completed in 1675, transcends mere depiction; it embodies the spiritual fervor characteristic of Baroque art and stands as a testament to Dolci’s masterful artistic vision. Housed within the Museum of the Cathedral in Prato, Italy, this oil on canvas masterpiece invites contemplation and offers a glimpse into the profound symbolism woven throughout its composition.
The canvas captures a moment of heavy stillness following a violent upheaval. A young man, David, stands in the center of a vertical frame, his body a study in quiet triumph. He holds a large sword over his shoulder, the metallic edge catching a sharp light that cuts through the surrounding gloom. His hand rests upon the severed head of Goliath, a gruesome weight that anchors the composition. The skin…
The Adoration of the Kings (1649)（ナショナル・ギャラリー, ロンドン）。次いでThe Guardian Angel (1675)、Madonna in Glory (1670)が続きます。
33歳：The Adoration of the Kingsは1649年の作品で、カルロ・ドルチの生年は1616年です。
The Adoration of the Kings, The Guardian Angel, Madonna in Glory, Vase of Flowers, Ecce Homo, Saint Philip Neri (1515–1595), Portrait of Vittoria della Rovere (1622-1694) as St. Catherine, Mattias de' Medici (1613-1667), Saint Andrew the Apostle と The Virgin。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1630年から1680年にかけて制作されたカルロ・ドルチによる87点の作品が収められています。
主にバイエルン州立絵画コレクション (ミュンヘン), 美術史美術館 (ウィーン) と Statens Museum For Kunst (コペンハーゲン)に所蔵されています。上記の美術館一覧にすべて記載されています。
1650s年：このページにある全86作品のうち、18作品がその時期に制作されました。そのうちEcce Homo作品が含まれます。
このページでは、最も古い作品はThe Holy Family with God the Father and the Holy Spirit (1630)、最新の作品はDavid with the Head of Goliath (1680)です。
このページに掲載されている86点の作品におけるMan (22), Woman (20) と Dark background (10)
このページに掲載されている全86作品のうち、34作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Baroqueです。
Ecce Homo, Saint Agnes と The Penitent Mary Magdalene：バイエルン州立絵画コレクション, ミュンヘンには、このページに掲載されている作品のうち7点が所蔵されています。
