11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 47点の ジャンボローニャの作品がカタログにあります
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ギャラリーの視点では、ジャンボローニャの最も有名な作品はRape of the Sabines (1581)であり、その原画はフィレンツェのランツィのロッジアに展示されています。 Rape of the Sabines (1585)とCrouching Venusが加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるジャンボローニャの作品47点の中から、特に有名な47点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。
The struggle unfolds in marble, a frozen moment of intense movement known as the Rape of the Sabines. Created by the sculptor Giambologna, this work captures the sudden, violent abduction of Sabine women by Roman patricians. The figures twist and pull against one another, caught in a perpetual state of tension that defies the stillness of the stone. It is a scene of profound upheaval, where the force of the…
The sculpture titled Rape of the Sabines by the artist Giambologna depicts a specific moment of abduction and struggle. This work was completed between 1579 and 1583 for Francesco I de' Medici of Tuscany. The subject matter originates from the legendary tale of the founding of Rome, specifically the event where Etruscan kings abducted Sabine women to secure alliances. This narrative provides the basis for the physical interaction between the…
To gaze upon Giambologna's Crouching Venus is to encounter a moment suspended between dream and reality. This magnificent bronze sculpture does not merely depict the goddess; it embodies her very essence—a confluence of divine beauty, earthly sensuality, and exquisite artistic tension. The figure is captured in a pose that is both languidly graceful and dynamically charged. She seems caught mid-thought, or perhaps mid-sigh, allowing the viewer an intimate glimpse into…
Giovanni da Bologna, universally known as Giambologna (1529 – 1608), remains a titan amongst sculptors of the Italian Renaissance and Baroque eras. Born in Douai, Flanders—now France—his artistic trajectory began with foundational training under Jacques Du Broeucq in Antwerp before he decisively chose Rome in 1550 as his creative crucible. This relocation wasn’t merely geographical; it was a profound immersion into the intellectual currents of classical sculpture and the stylistic…
To stand before a depiction such as the Anointment of the Dead Christ is to be drawn into a moment suspended between profound death and nascent resurrection. This bronze painting captures an intimacy that transcends mere narrative; it breathes with the weight of sacred ritual. The composition centers on the figure reclined upon the stone slab, his hands folded in a gesture of ultimate surrender or quiet acceptance. It is…
Giambologna's "Astronomy," a bronze sculpture created around 1580, isn’t merely a depiction of a woman gazing upwards; it’s an invitation to contemplate the vastness and beauty of the cosmos. This masterpiece, currently residing within the Metropolitan Museum of Art in New York City, embodies the height of Mannerist artistry – a style characterized by its elegant restraint, dynamic poses, and profound psychological depth. The sculpture immediately draws the viewer in…
The bronze figure of Apollo emerges from the shadows, a classical male form captured in a moment of grace. Created by the sculptor Giambologna, this work presents the mythological deity in a state of poised vitality. The metal carries the weight of history, holding the shape of a god who moves with an effortless, rhythmic elegance. Every muscle and curve of the bronze speaks to a life caught in mid-motion,…
Giambologna's "Bathing Venus," a bronze sculpture of breathtaking elegance and subtle sensuality, isn’t merely a depiction of a goddess; it’s an embodiment of the Renaissance fascination with classical ideals, a testament to masterful technique, and a poignant exploration of beauty itself. Created during the late 16th century, this captivating work transcends its historical context, offering a timeless allure that continues to resonate with viewers today. The sculpture captures Venus in…
Mercury (rear view) is a bronze sculpture by the Flemish-born artist Giambologna. Created in 1580, the work represents the Roman messenger god, a figure defined by his swiftness and intellect. This specific perspective offers a view of the deity from behind, emphasizing the physical tension and the complex arrangement of the limbs.
Giambologna's "Astronomy," a bronze sculpture commanding attention with its opulent gilding and dynamic pose, isn’t merely a depiction of a figure; it’s an invitation to contemplate the vastness of the cosmos. Created during the height of Mannerism in the early 17th century, this piece transcends simple portraiture, embodying a profound connection between humanity and the heavens. The sculpture, housed within the Metropolitan Museum of Art in New York City, immediately…
Rape of the Sabines1581 · ランツィのロッジア
12
Fountain of Neptune1563 · Piazza Maggiore
13
Triumph of Virtue over Vice1564 · パラッツォ・ヴェッキオ
14
Mercury1563 · Museo Civico Medievale
15
Neptune from the Fountain of Neptune1563 · Piazza Maggiore
16
Rape of the Sabines (12)1581 · ランツィのロッジア
17
Schreitender Mars1590
18
Abduction of a Sabine Woman1583 · パラッツォ・ヴェッキオ
19
The Rape of a Sabine Woman1583
20
Turkey1560 · バルディーニ国立美術館
21
Venus1573
22
Venus1573
23
The Fountain of Oceanus1576 · ボボリ庭園
24
Perseus1576 · ボボリ庭園
25
Appenine1570 · メディチ・ヴィラの庭園
26
Appenine (detail)1570 · メディチ・ヴィラの庭園
27
Rape of the Sabines1581 · ランツィのロッジア
28
Mercury (front view)1580 · バルディーニ国立美術館
29
Rape of the Sabines (back view)1581 · ランツィのロッジア
30
Equestrian Portrait of Cosimo I1587 · Piazza della Signoria
31
Equestrian Portrait of Cosimo I (11)1587 · Piazza della Signoria
32
Equestrian Portrait of Cosimo I (12)1587 · Piazza della Signoria
33
Cosimo I Triumphant over Siena (detail)1595 · Piazza della Signoria
34
Hercules and the Centaur1600 · ランツィのロッジア
35
Saint John the Evangelist1602
36
Bullメトロポリタン美術館
37
Francesco I De' Mediciメトロポリタン美術館
38
Anointment of the Dead Christメトロポリタン美術館
39
Psychomachia Or Victory of Virtue over Vice
40
Hercules and CerberusWalters Art Museum
41
Fortunaメトロポリタン美術館
42
Tugend, das Laster bezwingend1600
43
Mars Gradivus1580
44
Door Knockerメトロポリタン美術館
45
Triton
46
Virgin of Humility with Saints
47
Lion Attacking a HorseWalters Art Museum
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | ジャンボローニャの作品 | このリストの絵画 |
|---|---|---|---|
 メトロポリタン美術館 |
ニューヨーク | 10 | Crouching Venus, Anointment of the Dead Christ, Astronomy |
 ランツィのロッジア |
フィレンツェ | 6 | Rape of the Sabines, Rape of the Sabines, Rape of the Sabines (12) |
 Piazza della Signoria |
フィレンツェ | 4 | Equestrian Portrait of Cosimo I, Equestrian Portrait of Cosimo I (11), Equestrian Portrait of Cosimo I (12) |
 パラッツォ・ヴェッキオ |
フィレンツェ | 3 | Apollo, Triumph of Virtue over Vice, Abduction of a Sabine Woman |
 バルディーニ国立美術館 |
フィレンツェ | 3 | Mercury (rear view), Turkey, Mercury (front view) |
 Piazza Maggiore |
ボローニャ | 2 | Fountain of Neptune, Neptune from the Fountain of Neptune |
 ボボリ庭園 |
フィレンツェ | 2 | The Fountain of Oceanus, Perseus |
 メディチ・ヴィラの庭園 |
プラトリーノ | 2 | Appenine, Appenine (detail) |
その時代を象徴する名作を見るために、年代を選択してください。
The Fountain of Neptune is a bronze and stone monument located in Piazza del Nettuno, adjacent to Piazza Maggiore in Bologna, Italy. Created by the sculptor Giambologna, the work emerged from a collaboration with the architect Tommaso Laureti. The project was commissioned to glorify the Papal State of Pope Pius IV. It was constructed between 1563 and 1566.
The struggle unfolds in marble, a frozen moment of intense movement known as the Rape of the Sabines. Created by the sculptor Giambologna, this work captures the sudden, violent abduction of Sabine women by Roman patricians. The figures twist and pull against one another, caught in a perpetual state of tension that defies the stillness of the stone. It is a scene of profound upheaval, where the force of the…
The bronze sculpture titled Schreitender Mars captures a singular moment of movement. Created by the sculptor Giambologna, the work presents a muscular male figure in a heroic pose. This depiction of a Roman god occupies the space with a sense of weight and purpose. The metal holds the tension of a stride caught in mid-motion.
The marble sculpture Hercules and the Centaur by Giambologna captures a moment of violent collision. Created about 1600, the work freezes the struggle between the hero Hercules and the centaur Nessus. It is a study of muscle against muscle, a knot of limbs caught in a sudden, heavy tension.
Rape of the Sabines (1581)（ランツィのロッジア, フィレンツェ）。次いでRape of the Sabines (1585)、Crouching Venusが続きます。
52歳：Rape of the Sabinesは1581年の作品で、ジャンボローニャの生年は1529年です。
Rape of the Sabines, Rape of the Sabines, Crouching Venus, Mercury, Anointment of the Dead Christ, Astronomy, Apollo, Bathing Venus, Mercury (rear view) と Astronomy。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1560年から1602年にかけて制作されたジャンボローニャによる47点の作品が収められています。
主にメトロポリタン美術館 (ニューヨーク), ランツィのロッジア (フィレンツェ) と Piazza della Signoria (フィレンツェ)に所蔵されています。上記の美術館一覧にすべて記載されています。
1580s年：このページにある全47作品のうち、15作品がその時期に制作されました。そのうちRape of the Sabines作品が含まれます。
このページでは、最も古い作品はTurkey (1560)、最新の作品はSaint John the Evangelist (1602)です。
このページに掲載されている47点の作品におけるSculpture (20), Bronze (15) と Man (14)
このページに掲載されている全47作品のうち、17作品のBronze
このページに掲載されているオリジナル作品から判断すると、Mannerismです。
Crouching Venus, Anointment of the Dead Christ と Astronomy：メトロポリタン美術館, ニューヨークには、このページに掲載されている作品のうち10点が所蔵されています。
