10月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 189点の ジョージ・ケイレブ・ビンガムの作品がカタログにあります
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ジョージ・ケイレブ・ビンガムが遺したオリジナル作品の中で最も有名なものは、ボストンのボストン美術館に収蔵されているThe Squatters (1850)です。 それに次いで、Country Politician (1849)とTrappers' Return (1851)が続きます。 ジョージ・ケイレブ・ビンガムによる189点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する100点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。
To gaze upon "The Squatters" is to be transported across time, standing at the threshold of a bygone American era. This painting captures more than just a scene; it encapsulates an entire ethos—the raw, tenacious spirit of early settlement in the vast American West during the mid-nineteenth century. The composition centers on two figures and their loyal dog, positioned before a humble, roughly constructed log cabin. It is a tableau…
Step closer and observe the quiet intensity within this dimly lit interior. We find ourselves in a rural Missouri tavern, a space where the air feels heavy with the weight of local discourse. The scene is centered upon a small group of men, their faces illuminated by a soft, diffused light that seems to emanate from a nearby stove. One man, likely a politician, leans forward in an attempt to…
In the quietude of George Caleb Bingham’s 1851 masterpiece, Trappers' Return, we are transported to the untamed heart of the nineteenth-century American Midwest. This evocative oil on canvas serves as a profound window into the era of westward expansion, capturing a moment of serene triumph along the winding Missouri River. The scene centers upon two rugged men navigating a canoe through the gentle currents, their journey marked by the presence…
The scene unfolds within the frame of The Mill Boy: The Boonville Juvenile Clay Club Banner. This work, painted by George Caleb Bingham, captures a specific moment of life from about 1844. The artist, George Caleb Bingham, focuses his attention on a single figure, presenting a portrait of a young man that feels immediate and present.
Bingham’s background profoundly shaped his artistic vision. Born in Augusta County, Virginia, he witnessed firsthand the challenges and opportunities presented by westward expansion – a theme that permeates much of his work. This experience instilled within him an understanding of the American spirit: resilience, determination, and a belief in self-governance. Washington himself becomes more than just a military commander; he transforms into an archetype of American virtue, representing the values…
This bust-length oil portrait is organized around a central subject who faces slightly toward the viewer's left. The composition is formal and somber, focusing the viewer's attention on the facial features and the character of the elderly man. A chiaroscuro-like lighting technique is employed, where light falls directly onto the subject's forehead, cheek, and collar. This directional light creates a sense of three-dimensional volume against the surrounding shadows. The background…
The room is dim, held in a soft, amber-hued stillness that seems to swallow the sounds of the outside world. An elderly woman sits at the center of this private universe, her body forming a steady, triangular shape that anchors the composition. She is lost in the pages of a large book, her gaze fixed upon the text with a focus that suggests a deep, internal dialogue. A single, unseen…
In this 1835 oil painting, we find ourselves drawn into a nocturnal classroom, a space defined by the heavy presence of shadow and the soft, localized glow of candlelight. The composition relies heavily on a chiaroscuro technique, where the darkness of the room is interrupted by the warm, directional light emanating from a central shaded lamp and small candles. This light directs our attention toward the figures at the heart…
The George Caleb Bingham Self-Portrait is a small-scale portrait painted by George Gillis Haanen. This intimate work, dated 1850, captures a quiet moment of presence. It offers a direct encounter with the subject through its modest dimensions.
A Moment of Quiet Contemplation Old Man in his Study presents us with an intimate glimpse into a private world. The scene is centered on an elderly man, seated and lost in deep thought or perhaps succumbing to the weight of fatigue. He sits within a dimly lit room, where heavy, dark drapery frames the right and top edges of the composition, creating a sense of enclosure that pulls the…
Mrs. Henry Lewis (Elizabeth Morton Woodson)1838 · セントルイス美術館
12
Shooting for the Beef1850 · ブルックリン美術館
13
The Student (Dr. Oscar Fitzland Potter)1848 · セントルイス美術館
14
Fiddler (study for the Jolly Flatboatmen)1846 · ネルソン・アトキンス美術館
15
Study of a Boatman for Boatmen on the Missouri
16
Judge Henry Lewis1838 · セントルイス美術館
17
Deer in a Stormy Landscape1852
18
Order No. 111868
19
The Checker Players (also known as Playing Checkers)1850 · デトロイト美術館
20
Rachel Spears Johnston (1786-1850)1837 · Minneapolis Institute of Art
21
Dr. John Sappington1834
22
Major James Sidney Rollins1834
23
Miss Sallie Ann Camden1839
24
Landscape with Waterwheel and Boy Fishing1853 · ボストン美術館
25
Captain William Johnston (1776-1850)1850 · Minneapolis Institute of Art
26
Portrait of Reverend John Glanville1845
27
Lighter Relieving the Steamboat Aground1846
28
Family Life on the Frontier1845
29
John Locke Hardeman1850
30
Portrait of Mrs. George Caleb Bingham (nee. Eliza K. Thomas)1849
31
The Verdict of the People1854
32
Mississippi Boatman1850
33
The Wood Boat1850 · セントルイス美術館
34
Jolly Flatboatmen in Port1857 · セントルイス美術館
35
Washington Crossing the Deleware1856
36
Jolly Flatboatmen in Port1857
37
Mary Frances Ward1871 · ネルソン・アトキンス美術館
38
The Puzzled Witness1874
39
View of Pike's Peak1872 · Amon Carter Museum of American Art
40
Self Portrait1877 · ネルソン・アトキンス美術館
41
Samuel Bullitt Churchill1838
42
Self Portrait1834 · セントルイス美術館
43
Cottage Scene1845 · ナショナル・ギャラリー・オブ・アート
44
Raftsmen Playing Cards1847
45
Marketstall at Eveningボイジャンズ・ヴァン・ビューニンゲン美術館
46
Wood-Boatmen on a River1854 · Amon Carter Museum of American Art
47
Raftsmen Playing Cardセントルイス美術館
48
Canvassing for a Vote1851 · ネルソン・アトキンス美術館
49
Jane Breathitt Sappington (also known as Mrs. John Sappington)1834
50
Mrs. David Steele Lamme and Son, William Wirt1837
51
Leonidas Wetmore1839
52
Landscape with Cattle1846 · セントルイス美術館
53
part of a forest with figures1846
54
The Jolly Flatboatmen1846
55
Mrs. George Caleb Bingham (Sarah Elizabeth Hutchinson) and Son Newton1842
56
Landscape with Cattle1846
57
Landscape: Rural Scene1845
58
Captured by Indians1848 · セントルイス美術館
59
The Dull Story1843 · セントルイス美術館
60
The Concealed Enemy1845
61
Market By Moonlight1850 · Centraal Museum
62
Mississippi Boatman1850 · ナショナル・ギャラリー・オブ・アート
63
Sarah (Sallie) thomas1850
64
Stump Speaking1853 · セントルイス美術館
65
The County Election (no.2)1852
66
Watching the Cargo1849
67
In a Quandry (also known as Mississippi Raftsmen Playing Cards)1851
68
Watching the Cargo at Night (also known as Raftsmen at Night)1854
69
Portrait of a Woman with a Red Broach1849
70
In a Quandary, or Mississippi Raftsmen at Cards1851
71
The Emigration of Daniel Boone1851
72
Mrs. Robert Levi Todd (Sallie Woodson Hall) and Daughter Matilda Téte1860
73
Still Life With Jewelry Box1867 · Centraal Museum
74
Martial Law (also known as Order No. 11)1869
75
The Jolly Flatboatmen (2nd version)1877
76
Study of a Figure 41
77
Studies of Figures
78
Study of a Figure 33
79
Study of a Figure 44
80
Study of a Figure 42
81
Study of a Boatman 2
82
Study of a Boatman 3
83
Study of a Flatboatman
84
Study of a Figure 34
85
Study of a Figure 49
86
Study of a Figure 20
87
Study of a Boatman 1
88
Study of a Figure for Stump Speaking
89
Study of a Boatman for Boatmen on the Missouri 1
90
Study of a Figure 11
91
Study of a Young Spectator
92
Study of a Fiddler
93
Study of a Woodboatman 1
94
Study of a Figure 46
95
Study of a Figure 37
96
Study of a Pioneer
97
Study of a Figure 30
98
Study of a Figure 6
99
Study of a Figure 17
100
Study of a Figure 13
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | ジョージ・ケイレブ・ビンガムの作品 | このリストの絵画 |
|---|---|---|---|
 セントルイス美術館 |
セントルイス | 15 | Mrs. Henry Lewis (Elizabeth Morton Woodson), The Student (Dr. Oscar Fitzland Potter), Judge Henry Lewis |
 デトロイト美術館 |
デトロイト | 4 | Trappers' Return, John Quincy Adams, The Checker Players (also known as Playing Checkers) |
 国立美術館 |
アムステルダム | 3 | Old Woman Reading, Night School, Old Man in his Study |
 Amon Carter Museum of American Art |
フォートワース | 3 | View of Pike's Peak, Wood-Boatmen on a River |
 ネルソン・アトキンス美術館 |
カンザスシティ | 3 | Self Portrait, Canvassing for a Vote |
 ナショナル・ギャラリー・オブ・アート |
ワシントン | 3 | Cottage Scene, Mississippi Boatman |
 ボストン美術館 |
ボストン | 2 | The Squatters, Landscape with Waterwheel and Boy Fishing |
 ネルソン・アトキンス美術館 |
カンザスシティ | 2 | Fiddler (study for the Jolly Flatboatmen), Mary Frances Ward |
その時代を象徴する名作を見るために、年代を選択してください。
The room is dim, held in a soft, amber-hued stillness that seems to swallow the sounds of the outside world. An elderly woman sits at the center of this private universe, her body forming a steady, triangular shape that anchors the composition. She is lost in the pages of a large book, her gaze fixed upon the text with a focus that suggests a deep, internal dialogue. A single, unseen…
Step closer and observe the quiet intensity within this dimly lit interior. We find ourselves in a rural Missouri tavern, a space where the air feels heavy with the weight of local discourse. The scene is centered upon a small group of men, their faces illuminated by a soft, diffused light that seems to emanate from a nearby stove. One man, likely a politician, leans forward in an attempt to…
To gaze upon "The Squatters" is to be transported across time, standing at the threshold of a bygone American era. This painting captures more than just a scene; it encapsulates an entire ethos—the raw, tenacious spirit of early settlement in the vast American West during the mid-nineteenth century. The composition centers on two figures and their loyal dog, positioned before a humble, roughly constructed log cabin. It is a tableau…
A frontier home stands as the silent witness to a sudden upheaval. Under a heavy sky, a group of men, women, and children gather in the dust, their faces etched with the quiet weight of uncertainty. The domestic peace of the house is broken by the presence of horses and a carriage, signaling a departure that feels both sudden and inevitable. There is a rhythmic balance to the figures, a…
The Squatters (1850)（ボストン美術館, ボストン）。次いでCountry Politician (1849)、Trappers' Return (1851)が続きます。
39歳：The Squattersは1850年の作品で、ジョージ・ケイレブ・ビンガムの生年は1811年です。
The Squatters, Country Politician, Trappers' Return, The Mill Boy: The Boonville Juvenile Clay Club Banner, Washington Crossing the Delaware, John Quincy Adams, Old Woman Reading, Night School, George Caleb Bingham Self-Portrait と Old Man in his Study。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1833年から1877年にかけて制作されたジョージ・ケイレブ・ビンガムによる189点の作品が収められています。
主にセントルイス美術館 (セントルイス), デトロイト美術館 (デトロイト) と 国立美術館 (アムステルダム)に所蔵されています。上記の美術館一覧にすべて記載されています。
1850s年：このページにある全100作品のうち、27作品がその時期に制作されました。そのうちThe Squatters作品が含まれます。
このページでは、最も古い作品はOld Man in his Study (1833)、最新の作品はSelf Portrait (1877)です。
このページに掲載されている100点の作品におけるPortrait (13), 19th century (11) と Man (8)
このページに掲載されている全100作品のうち、19作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、American realismです。
Mrs. Henry Lewis (Elizabeth Morton Woodson), The Student (Dr. Oscar Fitzland Potter) と Judge Henry Lewis：セントルイス美術館, セントルイスには、このページに掲載されている作品のうち11点が所蔵されています。
