10月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 99点の エミリー・カーの作品がカタログにあります
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Tanoo, Q.C.I.はエミリー・カーの作品の中で最も注目を集めている絵画です。原画はビクトリアのRoyal BC Museumに所蔵されています。 その後、視線はStrait of Juan de Fuca (1936)とDancing Trees (1940)へと移ります。 当カタログに含まれるエミリー・カーの99点の作品のうち、これら97点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
A Forest of Totems The air feels heavy with the scent of damp earth and cedar as we step into this lush, green expanse. Tall totem poles rise from the foreground, their surfaces etched with intricate, swirling designs that seem to pulse with a life of their own. These wooden sentinels stand guard over a quiet corner of the woods, where the light filters through a thick canopy of leaves.…
In the sweeping expanse of Emily Carr’s 1936 masterpiece, Strait of Juan de Fuca, the viewer is invited to witness a profound dialogue between the rugged earth and the restless sea. This evocative landscape captures more than just a geographical location; it captures a moment of atmospheric tension where the heavy, cloud-laden sky meets the enduring strength of the coastal mountains. The composition is anchored by two prominent rock formations…
Dancing Trees - Emily Carr (1871 - 1945) — A Pioneer's Vision of British Columbia Emily Carr’s *Dancing Trees*, painted in 1937-40, stands as a testament to her singular artistic vision—a fusion of Post-Impressionism and an unwavering connection to the landscape of British Columbia. More than just a depiction of trees; it embodies Carr's profound engagement with both the natural world and Indigenous culture, reflecting a period marked by significant…
In the heart of the dense, mist-shrouded landscapes of British Columbia, there exists a realm where the boundary between the physical world and the spiritual plane begins to dissolve. Emily Carr’s 1930 masterpiece, “British Columbia Forest,” serves as a profound gateway into this ethereal domain. This is not merely a landscape painting; it is an emotional excavation of the wild. Through her singular lens, the forest ceases to be a…
Emily Carr's “Tanoo,” painted in 1912, is more than just a depiction of totem poles; it’s a profound meditation on the spirit of the Pacific Northwest and the enduring connection between Indigenous peoples and their ancestral lands. Created during a pivotal period of change for both Canada and its First Nations communities, this watercolor offers a rare glimpse into a world largely untouched by modern influence – a world where…
In the 1931 painting House Near Woods, Emily Carr presents a serene and tranquil scene that captures a moment of quietude within the Canadian landscape. The composition centers on a small, white house with a red roof, positioned atop a hill as it overlooks a vast, surrounding forest. This wooden cabin sits nestled within a clearing, surrounded by the dense, thick growth of the woods.
Reforestation - A Vision of Resilience Emily Carr’s “Reforestation,” painted in 1936 during her prolific period exploring British Columbia's landscapes, stands as a testament to her unwavering fascination with the natural world and her ability to translate its spirit onto canvas. This monumental artwork embodies Group of Seven principles—bold brushstrokes, flattened perspective, and an uncompromising commitment to capturing raw emotion—resulting in a scene that transcends mere depiction; it communicates a…
In the quietude of the Pacific Northwest, where the mist clings to the rugged bark of ancient conifers, Emily Carr captures a moment of profound stillness in Young Pines And Sky. This evocative piece serves as a window into a world where the boundary between the earth and the heavens feels beautifully permeable. The composition centers on a cluster of resilient young pines, their silhouettes reaching upward with a quiet,…
The world settles into a quiet, silvered stillness. Before a modest wooden dwelling, a Haida ceremonial pole rises against the landscape, its carved face fixed in a steady, unblinking gaze. This black-and-white watercolor captures a moment of profound gravity, where the textures of wood and shadow merge. The house, with its dark walls and a hint of a red roof, sits tucked beneath the presence of the totem. There is…
Created in 1911, this oil on cardboard work captures a specific moment of transition in the artist's development. The composition focuses on the structural presence of a dwelling within the Brittany landscape. Through a controlled application of paint, the work explores the relationship between built forms and the surrounding environment. The medium of cardboard lends a specific texture to the surface, influencing the way the oil pigment sits upon the…
Trees in France1911 · McMichael Canadian Art Collection
12
(forest landscape)Royal BC Museum
13
Cha-atl, Field with PoleRoyal BC Museum
14
Crécy-en-BrieRoyal BC Museum
15
Brittany, France1911 · McMichael Canadian Art Collection
16
Totem Poles, Kitseukla1912 · Vancouver Art Gallery
17
Indian Totem pole, Yan, Queen Charlotte Islands1912
18
Totem Mother1928 · Vancouver Art Gallery
19
Kitwancool1928
20
Portrait of Woo1932 · カナダ国立美術館
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Indian Hut, Queen Charlotte Islands1930 · カナダ国立美術館
22
Totem and Forest1931 · Vancouver Art Gallery
23
Guyasdoms D'Sonoqua1930 · オンタリオ美術館
24
Tree In Autumn
25
Forest (Tree Trunks)1938 · カナダ国立美術館
26
Landscape1940 · カナダ国立美術館
27
Self-portrait1939 · カナダ国立美術館
28
Sawmills, Vancouver1912 · McMichael Canadian Art Collection
29
A Haida Village1929 · McMichael Canadian Art Collection
30
Logger’s Cull
31
Shoreline
32
Heart Of The Forest
33
A Rushing Sea Of Undergrowth
34
Yan Q.C.I.1912 · Art Gallery of Hamilton
35
Dancing Sunlight1937 · McMichael Canadian Art Collection
36
lampRoyal BC Museum
37
Self-portrait1924 · Vancouver Art Gallery
38
Four Children in a Breton Cottage1911 · カナダ国立美術館
39
Breton Farm Yard1911 · McMichael Canadian Art Collection
40
Autumn in France1911 · カナダ国立美術館
41
Indian Totem pole, Hazelton, Skeena River, BC1912
42
Graveyard Entrance, Campbell River1912 · カナダ国立美術館
43
The Welcome Man1913 · カナダ国立美術館
44
Totem Pole at Hazelton1912 · カナダ国立美術館
45
Memalilaqua, Knight Inlet1912 · カナダ国立美術館
46
Community House Ucluelet1912 · モントリオール美術館
47
Indian War Canoe1912 · モントリオール美術館
48
First Nations War Canoes in Alert Bay1912
49
Arbutus Tree1922 · カナダ国立美術館
50
Heina1928 · カナダ国立美術館
51
Vanquished1930 · Vancouver Art Gallery
52
Tree Trunk1931 · Vancouver Art Gallery
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Tree (spiralling upward)1933 · Vancouver Art Gallery
54
Red Cedar1931 · Vancouver Art Gallery
55
Old Timer1932
56
Big Raven1931 · Vancouver Art Gallery
57
Forest Landscape1932 · カナダ国立美術館
58
Among the Firs1931
59
Untitled (Seascape)1935
60
In the Forest, BC1935 · オンタリオ美術館
61
Blue Sky1936
62
A Forest Clearing1935
63
Sky1935 · カナダ国立美術館
64
Forest Landscape No. 21935 · カナダ国立美術館
65
Seascape1935 · カナダ国立美術館
66
Strait of Juan de Fuca1936 · カナダ国立美術館
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Landscape1935 · カナダ国立美術館
68
Wind in the Tree Tops1939
69
Sombreness Sunlit1940
70
Happiness1939
71
Clearing1942 · カナダ国立美術館
72
Forest Landscape No. 11939 · カナダ国立美術館
73
Odds and Ends1939
74
Kispiox VillageRoyal BC Museum
75
MelonsRoyal BC Museum
76
Untitled (forest scene)Royal BC Museum
77
Kitseukla
78
Heina, Maude Island, Queen Charlotte IslandsRoyal BC Museum
79
Odds And Ends
80
Heina
81
Forest, British Columbia
82
Don’t pickle me away as a ‘done’
83
Self Portrait
84
Indian Church -
85
Sunshine And Tumult
86
Trees
87
Autumn Woods
88
Trees Love To Toss And Sway; They Make Such Happy Noises
89
Gitwangak, Queen Charlotte Islands
90
Totem Walk At Sitka
91![Untitled [Skedans, Queen Charlotte Islands] による エミリー・カー](/media/artworks/images-thumb/d0/d7/d0d77f9fa039d25a761f21e549246072.jpg)
Untitled [Skedans, Queen Charlotte Islands]Royal BC Museum
92
Ada and Louise Outside Cedar CanimRoyal BC Museum
93
Mrs. Douse, Chieftainess of KitwancoolRoyal BC Museum
94
RootsRoyal BC Museum
95
Study in Colour and FormRoyal BC Museum
96
Scorned As Timber, Beloved Of The SkyVancouver Art Gallery
97
Indian Churchオンタリオ美術館
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | エミリー・カーの作品 | このリストの絵画 |
|---|---|---|---|
 カナダ国立美術館 |
オタワ | 22 | House in Brittany, Portrait of Woo, Indian Hut, Queen Charlotte Islands |
 Royal BC Museum |
ビクトリア | 15 | Tanoo, Q.C.I., Kitwangar Pole, (forest landscape) |
 McMichael Canadian Art Collection |
ヴォーン | 11 | Strait of Juan de Fuca, Dancing Trees, British Columbia Forest |
 Vancouver Art Gallery |
バンクーバー | 10 | Totem Poles, Kitseukla, Totem Mother, Totem and Forest |
 オンタリオ美術館 |
トロント | 3 | Guyasdoms D'Sonoqua, In the Forest, BC, Indian Church |
 モントリオール美術館 |
モントリオール | 2 | Community House Ucluelet, Indian War Canoe |
 The Robert McLaughlin Gallery |
Oshawa | 1 | House Near Woods |
 Art Gallery of Hamilton |
ハミルトン | 1 | Yan Q.C.I. |
その時代を象徴する名作を見るために、年代を選択してください。
Emily Carr's “Tanoo,” painted in 1912, is more than just a depiction of totem poles; it’s a profound meditation on the spirit of the Pacific Northwest and the enduring connection between Indigenous peoples and their ancestral lands. Created during a pivotal period of change for both Canada and its First Nations communities, this watercolor offers a rare glimpse into a world largely untouched by modern influence – a world where…
In the sweeping expanse of Emily Carr’s 1936 masterpiece, Strait of Juan de Fuca, the viewer is invited to witness a profound dialogue between the rugged earth and the restless sea. This evocative landscape captures more than just a geographical location; it captures a moment of atmospheric tension where the heavy, cloud-laden sky meets the enduring strength of the coastal mountains. The composition is anchored by two prominent rock formations…
Dancing Trees - Emily Carr (1871 - 1945) — A Pioneer's Vision of British Columbia Emily Carr’s *Dancing Trees*, painted in 1937-40, stands as a testament to her singular artistic vision—a fusion of Post-Impressionism and an unwavering connection to the landscape of British Columbia. More than just a depiction of trees; it embodies Carr's profound engagement with both the natural world and Indigenous culture, reflecting a period marked by significant…
Tanoo, Q.C.I.（Royal BC Museum, ビクトリア）。次いでStrait of Juan de Fuca (1936)、Dancing Trees (1940)が続きます。
Tanoo, Q.C.I., Strait of Juan de Fuca, Dancing Trees, British Columbia Forest, Tanoo, House Near Woods, Reforestation, Young Pines And Sky, Kitwangar Pole と House in Brittany。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1911年から1942年にかけて制作されたエミリー・カーによる99点の作品が収められています。
主にカナダ国立美術館 (オタワ), Royal BC Museum (ビクトリア) と McMichael Canadian Art Collection (ヴォーン)に所蔵されています。上記の美術館一覧にすべて記載されています。
1930s年：このページにある全97作品のうち、32作品がその時期に制作されました。そのうちStrait of Juan de Fuca作品が含まれます。
このページでは、最も古い作品はHouse in Brittany (1911)、最新の作品はClearing (1942)です。
このページに掲載されている97点の作品におけるLandscape (11), Forest (8) と Trees (8)
このページに掲載されている全97作品のうち、10作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Post-impressionism と Modernismです。
House in Brittany, Portrait of Woo と Indian Hut, Queen Charlotte Islands：カナダ国立美術館, オタワには、このページに掲載されている作品のうち22点が所蔵されています。
