11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 81点の アダム・エルスハイマーの作品がカタログにあります
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ギャラリーの視点では、アダム・エルスハイマーの最も有名な作品はPortrait of Paul Bril (1594)であり、その原画はミュンヘンのバイエルン州立絵画コレクションに展示されています。 Witch Riding Backwards on a Goat (1597)とChrist and the Disciples in Emmaus (1601)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるアダム・エルスハイマーの作品81点の中から、特に有名な80点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。
Adam Elsheimer’s Portrait of Paul Bril, executed about 1594, presents a formal, bust-length study of a man. The subject is positioned in a three-quarter view, facing slightly toward the viewer's left. His gaze is directed forward, meeting the observer with a steady, direct presence. The composition is centered on the head and shoulders, isolating the sitter against a dark, indistinct background that creates a sense of shallow depth. This lack…
The painting presents a vertical arrangement of figures set against a dark, shadowy background. At the upper level, a pale-skinned female figure sits atop a dark mass, facing left while her gaze is directed toward the right. She wears lavender drapery that flows around her form and holds a staff topped with a small creature. Below this central figure, three winged, cherubic figures occupy the midground and foreground. One figure…
The scene unfolds in Christ and the Disciples in Emmaus, a profound moment where recognition dawns amidst a shared meal. Adam Elsheimer captures this sacred encounter, a moment where the divine meets the human in a quiet, intimate setting. The figures gather around a table, their lives momentarily suspended in the tension of sudden realization. This work by Adam Elsheimer brings the viewer into the immediate presence of the disciples…
In this 1600 composition, the serenity of Eden is rendered through a delicate arrangement of figures and nature. Two primary angels occupy the foreground, positioned on opposite sides of the frame. The figure on the left stands beside a tree, holding an object with quiet intent, while the angel on the right holds a small creature, possibly a bird. Their presence anchors a landscape populated by smaller, distant figures and…
Saint Laurent is an oil painting executed by the artist Adam Elsheimer. The work dates to about 1605. This specific piece was created as part of a larger series consisting of ten panels that were intended to decorate a domestic altar.
To gaze upon this depiction of the Flight into Egypt is to step directly into a moment suspended between earthly peril and divine grace. Adam Elsheimer, in his masterful handling of oil paint on copper, has captured not merely a biblical narrative, but an entire atmosphere—a profound meditation on journey, refuge, and enduring hope. The scene unfolds under a vast, star-dusted night sky, rendered with a luminous quality that speaks…
In the quiet intimacy of a cabinet painting, where every brushstroke is a whispered secret, Adam Elsheimer’s “Apollo and Coronis” unfolds as a profound meditation on betrayal and divine retribution. Created around 1608, this masterpiece captures a pivotal, heart-wrenching moment from Greek mythology: the instant when the sun god Apollo, driven by the discovery of his lover's infidelity, strikes down the pregnant Coronis. Though the work is executed on a…
A Fragmentary Vision of Mythic Harmony Adam Elsheimer, a luminary amidst the turbulent currents of Baroque Rome, achieved renown not through grand canvases or prolific output but rather through his mastery of miniature oil paintings on copper – “cabinet paintings,” as they were known – a format that prioritized exquisite detail and atmospheric luminescence. Born in Frankfurt am Main in 1578, Elsheimer’s tragically curtailed life—he succumbed to tuberculosis at just…
The oil on copper work titled Saint John the Baptist in the Wilderness was executed by the German artist Adam Elsheimer. Created between 1600 and 1610, this small-scale painting captures a moment of quietude within a dense, wooded landscape. The figure of the saint rests upon a rugged stone, his presence integrated into the thick foliage and the soft, diffused light of the forest.
We are looking at Christ Crucified, a work by Adam Elsheimer. This piece was painted about 1603, a period during which the artist was establishing his presence within the intense artistic atmosphere of Italy. It is a quiet, intimate study of a profound moment, rendered with a precision that reflects the artist's specific technical focus.
Saint Lawrence, Reverse: Part of a Saint Christopher1594 · バイエルン州立絵画コレクション
12
Landscape with Tobias and Angel1594 · バイエルン州立絵画コレクション
13
Travel Altar with Six Scenes from the Life of Mary1600 · ベルリン絵画館
14
Tobias and the Angel1607 · Historisches Museum Frankfurt
15
The Frankfurt Altarpiece of the Exaltation of the True Cross: The Questioning of the Jew (bottom left)1604 · シュテデル美術館
16
The Frankfurt Altarpiece of the Exaltation of the True Cross: Heraclius on Horseback with the Cross (bottom right)1604 · シュテデル美術館
17
The Frankfurt Altarpiece of the Exaltation of the True Cross: The Embarkation of the Empress Helena (left)1604 · シュテデル美術館
18
The Frankfurt Altarpiece of the Exaltation of the True Cross: The Digging for the Cross (bottom middle left)1604 · シュテデル美術館
19
The Deluge1599 · シュテデル美術館
20
Pan and Syrinx1607 · シュテデル美術館
21
Mercury and Battus1607 · シュテデル美術館
22
Saint John the Baptist1605 · Petworth House
23
Saint Thomas Aquinas1605 · Petworth House
24
The Virgin and Saint Anne1605 · Petworth House
25
Saint Paul1605 · Petworth House
26
Saint Peter1605 · Petworth House
27
Saint John the Evangelist1605 · Petworth House
28
Saint Joseph and the Christ Child1605 · Petworth House
29
Tobias and the Angel1605 · Petworth House
30
Minerva as patroness of Arts and Sciences1600 · Fitzwilliam Museum
31
Venus and Cupid1600 · Fitzwilliam Museum
32
Christ, carrying the Cross, meets Veronica1594 · バイエルン州立絵画コレクション
33
The Mystic Marriage of St. Catherine1598 · バイエルン州立絵画コレクション
34
Self-portrait1606 · Vasari Corridor
35
Tobiah and the Angel1601 · Statens Museum For Kunst
36
Mocking of Ceres1605
37
The Young Virgin Mary with Saint Anne1612 · スコットランド国立美術館
38
The Frankfurt Altarpiece of the Exaltation of the True Cross: The Testing of the Cross (middle right)1604 · シュテデル美術館
39
The Frankfurt Altarpiece of the Exaltation of the True Cross: Emperor Heraclius’ Entry into Jerusalem1604 · シュテデル美術館
40
The Stoning of St. Stephen1605 · スコットランド国立美術館
41
Glorification of the Cross1605 · シュテデル美術館
42
Self-Portrait1606 · ウフィツィ美術館
43
Rest on Flight into Egypt (detail)1599 · ベルリン国立博物館群
44
Jupiter and Mercury in the House of Philemon and Baucis1612 · テ・パパ
45
St Paul at Malta1600 · ナショナル・ギャラリー
46
The Altarpiece Of The Exaltation Of The True Cross1605 · シュテデル美術館
47
The Conversion of Saint Paul1598 · シュテデル美術館
48
Landscape with the Walk to Emmaus1607 · シュテデル美術館
49
Baptism of Christ1594 · バイエルン州立絵画コレクション
50
Saint Elizabeth of Hungary Bringing Food for the Inmates of a Hospital1598 · Wellcome Collection
51
The Flight into Egypt1605
52
Jupiter and Mercury at Philemon and Baucis (detail)1609 · Gemäldegalerie Alte Meister
53
Il Contento1607 · スコットランド国立美術館
54
The Burning of Troy1601 · アルテ・ピナコテーク
55
The Presentation of the Head of Saint John the Baptist, NightStatens Museum For Kunst
56
Apollo and Coronis1607 · ウォーカー・アート・ギャラリー
57
The Flight into Egypt1605 · キンベール美術館
58
Judith Beheading Holofernes1601 · ウェリントン博物館
59
Ceres and Stellioプラド美術館
60
Rest on Flight into Egypt1599 · ベルリン国立博物館群
61
Tobias and the Angelエルミタージュ美術館
62
Landscape with the Flight into EgyptSchloss Weissenstein
63
Saint Jeromeボルドー美術館
64
Saint Helen
65
The Emmaus Miracle
66
Aeneas Saving Anchisis from Burning Troy
67
Landscape with a Wayfarer
68
Seated Young Woman
69
The Sermon of St John the Baptistエルミタージュ美術館
70
Jacob's Dreamシュテデル美術館
71
Tobias and the Angelオーストラリア国立美術館
72
St. christopherエルミタージュ美術館
73
Tobias and the Archangel Raphael
74
The Baptism of Christナショナル・ギャラリー
75
Saint Lawrence prepared for Martyrdomナショナル・ギャラリー
76
Tobias and the Angel Raphael国立美術館
77
Nymph Fleeing Satyrsベルリン国立博物館群
78
Ceres in the House of Hecuba1605 · プラド美術館
79
Aurora1606 · ヘルツォーク・アントン・ウルリヒ美術館
80
Jupiter and Mercury at Philemon and Baucis1609 · Gemäldegalerie Alte Meister
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | アダム・エルスハイマーの作品 | このリストの絵画 |
|---|---|---|---|
 シュテデル美術館 |
フランクフルト | 13 | Christ Crucified, The Frankfurt Altarpiece of the Exaltation of the True Cross: The Questioning of the Jew (bottom left), The Frankfurt Altarpiece of the Exaltation of the True Cross: Heraclius on Horseback with the Cross (bottom right) |
 Petworth House |
ペットワース | 8 | Saint John the Baptist, Saint Thomas Aquinas, The Virgin and Saint Anne |
 バイエルン州立絵画コレクション |
ミュンヘン | 6 | Portrait of Paul Bril, Saint Lawrence, Reverse: Part of a Saint Christopher, Landscape with Tobias and Angel |
 Statens Museum For Kunst |
コペンハーゲン | 3 | Christ and the Disciples in Emmaus, Tobiah and the Angel, The Presentation of the Head of Saint John the Baptist, Night |
 ベルリン国立博物館群 |
ベルリン | 3 | Rest on Flight into Egypt (detail), Rest on Flight into Egypt, Nymph Fleeing Satyrs |
 ナショナル・ギャラリー |
ロンドン | 3 | St Paul at Malta, The Baptism of Christ, Saint Lawrence prepared for Martyrdom |
 エルミタージュ美術館 |
サンクトペテルブルク | 3 | Tobias and the Angel, The Sermon of St John the Baptist, St. christopher |
 アルテ・ピナコテーク |
ミュンヘン | 2 | Flight into Egypt, The Burning of Troy |
その時代を象徴する名作を見るために、年代を選択してください。
Adam Elsheimer’s Portrait of Paul Bril, executed about 1594, presents a formal, bust-length study of a man. The subject is positioned in a three-quarter view, facing slightly toward the viewer's left. His gaze is directed forward, meeting the observer with a steady, direct presence. The composition is centered on the head and shoulders, isolating the sitter against a dark, indistinct background that creates a sense of shallow depth. This lack…
The scene unfolds in Christ and the Disciples in Emmaus, a profound moment where recognition dawns amidst a shared meal. Adam Elsheimer captures this sacred encounter, a moment where the divine meets the human in a quiet, intimate setting. The figures gather around a table, their lives momentarily suspended in the tension of sudden realization. This work by Adam Elsheimer brings the viewer into the immediate presence of the disciples…
The oil on copper work titled Saint John the Baptist in the Wilderness was executed by the German artist Adam Elsheimer. Created between 1600 and 1610, this small-scale painting captures a moment of quietude within a dense, wooded landscape. The figure of the saint rests upon a rugged stone, his presence integrated into the thick foliage and the soft, diffused light of the forest.
Portrait of Paul Bril (1594)（バイエルン州立絵画コレクション, ミュンヘン）。次いでWitch Riding Backwards on a Goat (1597)、Christ and the Disciples in Emmaus (1601)が続きます。
16歳：Portrait of Paul Brilは1594年の作品で、アダム・エルスハイマーの生年は1578年です。
Portrait of Paul Bril, Witch Riding Backwards on a Goat, Christ and the Disciples in Emmaus, Follwer of ), Saint Laurent, Flight into Egypt, Apollo and Coronis, Apollo and the Cattle of Admetus, Saint John the Baptist in the Wilderness と Christ Crucified。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1594年から1610年にかけて制作されたアダム・エルスハイマーによる81点の作品が収められています。
主にシュテデル美術館 (フランクフルト), Petworth House (ペットワース) と バイエルン州立絵画コレクション (ミュンヘン)に所蔵されています。上記の美術館一覧にすべて記載されています。
1600s年：このページにある全80作品のうち、45作品がその時期に制作されました。そのうちChrist and the Disciples in Emmaus作品が含まれます。
このページでは、最も古い作品はPortrait of Paul Bril (1594)、最新の作品はSaint John the Baptist in the Wilderness (1610)です。
このページに掲載されている80点の作品におけるLandscape (20), Man (17) と Trees (17)
このページに掲載されている全80作品のうち、46作品のOil On Copper
このページに掲載されているオリジナル作品から判断すると、Baroqueです。
Christ Crucified, The Frankfurt Altarpiece of the Exaltation of the True Cross: The Questioning of the Jew (bottom left) と The Frankfurt Altarpiece of the Exaltation of the True Cross: Heraclius on Horseback with the Cross (bottom right)：シュテデル美術館, フランクフルトには、このページに掲載されている作品のうち13点が所蔵されています。
