11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 23点の Alessandro Longhiの作品がカタログにあります
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ギャラリーの視点では、Alessandro Longhiの最も有名な作品はPortrait of a Musician (1747)であり、その原画はシカゴのシカゴ美術館に展示されています。 Portrait of a girl with a dog (1740)とPortrait of a Young Woman (1760)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるAlessandro Longhiの作品23点の中から、特に有名な22点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。
A gentleman is positioned in a three-quarter length portrait, seated slightly off-center against a background of warm, earthy browns. He wears a voluminous cloak of teal or seafoam green, which contrasts with the white of his lace cravat and cuffs. His face is framed by a powdered wig, and his expression carries a slight smirk. In the foreground, several musical objects are arranged near the subject, including a violin, a…
In a soft, luminous space, a young girl gazes directly at us, her expression serene and steady. She sits in a three-quarter view, her presence anchored by the weight of dark, velvet-like fabric that gathers in structured folds around her. A small, spaniel-type dog rests near her, its fluffy fur a tactile contrast to the smooth, pale skin of the child. The light descends from the upper left, catching the…
In Alessandro Longhi's Portrait of a Young Woman, a quiet elegance settles over the scene. This bust-length portrait captures a young woman positioned slightly off-center, her body turned toward the right while her gaze meets the viewer directly. The composition relies on a sense of poised stillness, set against a dark, indistinct, and monochromatic background that pushes her figure forward. The light enters from the upper left, washing over her…
In the quiet, shadowed corners of 18th-century Venice, where the glow of candlelight met the profound stillness of scholarly pursuit, Alessandro Longhi captured a moment of timeless devotion. His 1761 masterpiece, Painting and Merit, is far more than a mere portrait; it is an evocative window into the Venetian Rococo soul. The scene unfolds within a space defined by dramatic chiaroscuro, where deep, velvety shadows retreat to allow a brilliant,…
The work before us is titled Portrait of a Venetian lady, a piece that captures a specific moment of elegance from the mid-eighteenth century. It was painted by Alessandro Longhi, a figure deeply rooted in the artistic traditions of his home. This particular oil painting is dated 1758, a period when the Venetian Republic was navigating a significant era of social transition.
A heavy silence fills the room as the subject meets the viewer's gaze. This middle-aged man sits with a quiet, commanding presence, his body angled slightly toward the left while his eyes remain fixed forward. He is draped in the dark, substantial fabric of a judicial robe, a garment that seems to absorb the surrounding shadows. At his neck, the crisp white of clerical-style bands provides a sharp, bright contrast…
The oil on canvas titled Portrait of the Prefect of Brescia, Giovanni Grassi in a Red Robe was painted by Alessandro Longhi in 1783. The work captures the presence of Giovanni Grassi, who held the position of the Prefect of Brescia. He is presented in a formal manner, his figure anchored by the weight of his ceremonial attire.
In this three-quarter length portrait, Alessandro Longhi presents Francesco Maria Preti with a quiet, dignified presence. The subject is positioned slightly off-center, a choice that lends a sense of natural poise to the composition. He is dressed in a dark teal or navy blue coat, which anchors the figure against a background of earthy browns and ochres. This deep, muted color palette creates a somber, scholarly atmosphere, allowing the lighter…
In the quiet, contemplative depths of Alessandro Longhi’s Portrait of Carlo Lodoli, one finds much more than a mere likeness of a Franciscan friar; one encounters a profound dialogue between the fading grandeur of the Baroque and the rising intellect of the Enlightenment. Painted in 1761, this masterpiece serves as a poignant window into the soul of Venice during its Golden Age. Longhi, a master of the Venetian Rococo, captures…
To gaze upon Alessandro Longhi's Portrait of a Lady is to step directly into the luminous, sophisticated atmosphere of late eighteenth-century Venice. This painting, executed in 1770, transcends a mere likeness; it is a carefully composed study in aristocratic grace and quiet confidence. The subject, captured mid-pose, radiates an almost palpable warmth, suggested by the gentle curve of her smile. Longhi masterfully directs our attention to this central figure against…
Portrait of a Gentleman1780
12
Portrait of Jacopo Gradenigo1778 · ムゼオ・チヴィコ
13
Portrait of a Lady Holding a FanNational Gallery of Ireland
14
Portrait of a Man in a Brown Cloakボストン美術館
15
Caterina penzaナショナル・ギャラリー
16
An austrian prince
17
Portrait of Goldoni
18
Playwright carlo goldoni
19
Empress Maria Luisa (1745–1792), Grand Duchess of Tuscany and Empress of Austria
20
Herrenbild
21
Portrait of Gentleman
22
Portrait of a Woman
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 7 の美術館
| 美術館 | 都市 | Alessandro Longhiの作品 | このリストの絵画 |
|---|---|---|---|
 シカゴ美術館 |
シカゴ | 3 | Portrait of a Musician, Portrait of a girl with a dog, Portrait of a Young Woman |
 アカデミア美術館 |
ヴェネツィア | 2 | Painting and Merit, Portrait of Carlo Lodoli |
 ウフィツィ美術館 |
フィレンツェ | 1 | Portrait of a Lady |
 ムゼオ・チヴィコ |
パドヴァ | 1 | Portrait of Jacopo Gradenigo |
 National Gallery of Ireland |
ダブリン | 1 | Portrait of a Lady Holding a Fan |
 ボストン美術館 |
ボストン | 1 | Portrait of a Man in a Brown Cloak |
 ナショナル・ギャラリー |
ロンドン | 1 | Caterina penza |
その時代を象徴する名作を見るために、年代を選択してください。
A gentleman is positioned in a three-quarter length portrait, seated slightly off-center against a background of warm, earthy browns. He wears a voluminous cloak of teal or seafoam green, which contrasts with the white of his lace cravat and cuffs. His face is framed by a powdered wig, and his expression carries a slight smirk. In the foreground, several musical objects are arranged near the subject, including a violin, a…
The work before us is titled Portrait of a Venetian lady, a piece that captures a specific moment of elegance from the mid-eighteenth century. It was painted by Alessandro Longhi, a figure deeply rooted in the artistic traditions of his home. This particular oil painting is dated 1758, a period when the Venetian Republic was navigating a significant era of social transition.
In Alessandro Longhi's Portrait of a Young Woman, a quiet elegance settles over the scene. This bust-length portrait captures a young woman positioned slightly off-center, her body turned toward the right while her gaze meets the viewer directly. The composition relies on a sense of poised stillness, set against a dark, indistinct, and monochromatic background that pushes her figure forward. The light enters from the upper left, washing over her…
To gaze upon Alessandro Longhi's Portrait of a Lady is to step directly into the luminous, sophisticated atmosphere of late eighteenth-century Venice. This painting, executed in 1770, transcends a mere likeness; it is a carefully composed study in aristocratic grace and quiet confidence. The subject, captured mid-pose, radiates an almost palpable warmth, suggested by the gentle curve of her smile. Longhi masterfully directs our attention to this central figure against…
The oil on canvas titled Portrait of the Prefect of Brescia, Giovanni Grassi in a Red Robe was painted by Alessandro Longhi in 1783. The work captures the presence of Giovanni Grassi, who held the position of the Prefect of Brescia. He is presented in a formal manner, his figure anchored by the weight of his ceremonial attire.
In this three-quarter length portrait, Alessandro Longhi presents Francesco Maria Preti with a quiet, dignified presence. The subject is positioned slightly off-center, a choice that lends a sense of natural poise to the composition. He is dressed in a dark teal or navy blue coat, which anchors the figure against a background of earthy browns and ochres. This deep, muted color palette creates a somber, scholarly atmosphere, allowing the lighter…
Portrait of a Musician (1747)（シカゴ美術館, シカゴ）。次いでPortrait of a girl with a dog (1740)、Portrait of a Young Woman (1760)が続きます。
14歳：Portrait of a Musicianは1747年の作品で、Alessandro Longhiの生年は1733年です。
Portrait of a Musician, Portrait of a girl with a dog, Portrait of a Young Woman, Painting and Merit, Portrait of a Venetian lady, portrait of a judge, Portrait of the Prefect of Brescia, Giovanni Grassi in a Red Robe, Portrait of Francesco Maria Preti, Portrait of Carlo Lodoli と Portrait of a Lady。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1747年から1800年にかけて制作されたAlessandro Longhiによる23点の作品が収められています。
主にシカゴ美術館 (シカゴ), アカデミア美術館 (ヴェネツィア) と ウフィツィ美術館 (フィレンツェ)に所蔵されています。上記の美術館一覧にすべて記載されています。
1760s年：このページにある全22作品のうち、3作品がその時期に制作されました。そのうちPortrait of a Young Woman作品が含まれます。
このページでは、最も古い作品はPortrait of a Musician (1747)、最新の作品はPortrait of Francesco Maria Preti (1800)です。
このページに掲載されている22点の作品におけるMan (5), Lace (4) と Portrait (4)
このページに掲載されている全22作品のうち、8作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Rococoです。
Portrait of a Musician, Portrait of a girl with a dog と Portrait of a Young Woman：シカゴ美術館, シカゴには、このページに掲載されている作品のうち3点が所蔵されています。
Alessandro Longhi (born Venice, Italy, 1733 – died 1813) was a prominent Venetian portrait painter and printmaker. He came from an artistic family; his father was the celebrated genre painter Pietro Longhi. Alessandro received his initial training under his father’s guidance, developing a foundation in observation and detail. He further honed his skills studying with Giuseppe Nogari (1699–1763), another respected Venetian artist.
Longhi specialized in portraiture, particularly depictions of Venetian nobles and prominent figures. He excelled in capturing the elegance and status of his sitters through meticulous detail and a refined Rococo style. Unlike some contemporaries who focused on grand historical or mythological scenes, Longhi concentrated on portraying individuals within their social context. His portraits often feature elaborate robes and emblems of office, reflecting his subjects’ positions and power – a characteristic noted in comparison to artists like Sebastiano Bombelli.
While deeply influenced by his father's realistic approach, Alessandro Longhi also demonstrated an appreciation for other masters. His etching technique, in particular, reveals a clear understanding and admiration of Rembrandt van Rijn’s work. This is evident in the “tumultuous and unusual” quality of his etchings, as described by Olimpia Theodoli, showcasing a first-hand knowledge of Rembrandt's techniques.
Alessandro Longhi’s work provides valuable insight into the social and political landscape of 18th-century Venice. His portraits serve as historical records, preserving the likenesses and status symbols of a fading aristocratic class. He captured a period of transition – the elegance and refinement of the Rococo era alongside the beginnings of decline for the Venetian Republic. While not as widely celebrated as his father, Alessandro Longhi’s contributions to Venetian portraiture are significant, offering a unique perspective on the lives and times of his subjects.
