Timoteo Vitiの肖像画

ギャラリー厳選、Timoteo Vitiによる最も有名な4の絵画

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 4点の Timoteo Vitiの作品がカタログにあります

要約すると

Timoteo Vitiが遺したオリジナル作品の中で最も有名なものは、サンクトペテルブルクのエルミタージュ美術館に収蔵されているMadonna and Child (1488)です。 それに次いで、Madonna and Child with the Infant St John the Baptist (1500)とThe Holy Trinity with Saint John the Baptist and Saint Sebastianが続きます。 Timoteo Vitiによる4点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する4点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。

1469 – 1523, Urbino 最多収蔵館: エルミタージュ美術館

Timoteo Vitiの代表作10選:ギャラリー厳選の作品集

1
Madonna and Child (1488) による Timoteo Viti

Madonna and Child

1488 · Oil On Panel · エルミタージュ美術館, サンクトペテルブルク

This intimate portrait, titled Madonna and Child, was painted by Timoteo Viti. Created in Italy, the work offers a quiet moment of maternal connection. It is a piece that reflects the specific artistic sensibilities of the late fifteenth century.

Timoteo Vitiの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 3 の美術館

美術館 都市 Timoteo Vitiの作品 このリストの絵画
エルミタージュ美術館, サンクトペテルブルクエルミタージュ美術館 サンクトペテルブルク 1 Madonna and Child
Minneapolis Institute of Art, ミネアポリスMinneapolis Institute of Art ミネアポリス 1 The Holy Trinity with Saint John the Baptist and Saint Sebastian
Worcester Art Museum, 伍斯特Worcester Art Museum 伍斯特 1 Northbrook Madonna

Timoteo Vitiの歩み:その時代を象徴するオリジナル作品

1488年から1505年にわたり、Timoteo Vitiは18年間にわたって創作活動を続けてきました。その長いキャリアを辿り、最高傑作のオリジナル作品を厳選したセレクションです。

年別作品数

年代を選択して、当時のオリジナル作品を見る

Timoteo Vitiの絵画に関するコレクターからの質問

Timoteo Vitiの代表作は何ですか?答えを見る

Madonna and Child (1488)(エルミタージュ美術館, サンクトペテルブルク)。次いでMadonna and Child with the Infant St John the Baptist (1500)、The Holy Trinity with Saint John the Baptist and Saint Sebastianが続きます。

Madonna and Childが制作されたとき、Timoteo Vitiは何歳でしたか?答えを見る

19歳:Madonna and Childは1488年の作品で、Timoteo Vitiの生年は1469年です。

Timoteo Vitiが遺した作品数は?答えを見る

当カタログには、1488年から1505年にかけて制作されたTimoteo Vitiによる4点の作品が収められています。

Timoteo Vitiの名作は、どの美術館に収蔵されていますか?答えを見る

主にエルミタージュ美術館 (サンクトペテルブルク), Minneapolis Institute of Art (ミネアポリス) と Worcester Art Museum (伍斯特)に所蔵されています。上記の美術館一覧にすべて記載されています。

Timoteo Vitiによる最初と最後の代表的なオリジナル作品は何ですか?答えを見る

このページでは、最も古い作品はMadonna and Child (1488)、最新の作品はNorthbrook Madonna (1505)です。

Timoteo Viti:生涯と作品

The Painter of Urbino: The Life and Legacy of Timoteo Viti

Timoteo Viti, a name often whispered in the shadow of giants, remains one of the most compelling figures of the Italian Renaissance. Born in the vibrant intellectual hub of Urbino around 1469, Viti was not merely a witness to the golden age of the Quattrocento but a vital participant in its unfolding drama. As the grandson of the painter Antonio Alberti and the son of a fellow artist, his destiny was woven into the very fabric of the Florentine and Marches traditions from birth. His early years were defined by a profound connection to the local court, eventually leading him to step into the monumental role of successor to Giovanni Santi, the deceased father of the legendary Raphael. In doing so, Viti became more than just a painter; he became a custodian of the artistic soul of Urbino, completing unfinished masterpieces like the Muses in the Ducal Palace and ensuring that the lineage of local excellence remained unbroken.

A Journey Through Light and Line: Influences and Evolution

The aesthetic journey of Viti was shaped by a masterful blend of apprenticeship and companionship. His formative years were spent under the tutelage of Francesco Francia in Bologna, an experience that infused his work with a distinctive clarity and a luminous color palette. From Francia, Viti inherited a devotion to disegno—the meticulous observation of natural form—and a delicate touch that allowed him to imbally his subjects with a serene, almost ethereal grace. However, the most transformative chapter of his career was undoubtedly his relationship with Raphael. Though Raphael was fourteen years his junior, the two shared an intellectual and artistic bond that transcended age. Viti did not merely follow the rising star; he engaged in a profound dialogue with the High Renaissance style. While some scholars point to his later works as a conscious departure from Raphael’s increasingly complex aesthetic, it is more accurate to view Viti as an artist who navigated the tension between the graceful simplicity of his youth and the monumental grandeur of the Roman school.

Mastery in Motion: Achievements and Historical Significance

Viti's career was marked by a remarkable versatility that saw him moving seamlessly between delicate altarpieces and grand-scale fresco cycles. His ability to navigate the turbulent political waters of the era—working under the banners of Cesare Borgia one moment and decorating the sacred spaces of the Montefeltro court the next—speaks to his standing as a respected master of his craft. One of his most significant contributions lies in his collaborative spirit, notably his work alongside Girolamo Genga in the decoration of the Arrivabene Chapel and his participation in the massive team assembled by Raphael for the Chigi Chapel in Santa Maria della Pace. His works, such as the evocative Madonna and Child with the Infant St John the Baptist, demonstrate a profound ability to marry religious devotion with human emotion. Beyond the canvas, Viti’s historical significance is cemented by his role as a bridge between eras. He carried the meticulous traditions of the late 15th century into the transformative landscape of the 16th century, providing a sense of continuity in an age of rapid artistic upheaval. His legacy is found not only in the surviving pigments on plaster and wood but in the very way he helped define the visual identity of Urbino. Through his hands, the spiritual and the classical were harmonized, leaving behind a body of work that continues to resonate with the quiet dignity and enduring beauty of the Renaissance spirit.