Thomas Barberの肖像画

ギャラリー厳選、Thomas Barberによる最も有名な33の絵画

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 45点の Thomas Barberの作品がカタログにあります

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Thomas Barberが遺したオリジナル作品の中で最も有名なものは、ノッティンガムのNottingham Castle Museum And Art Galleryに収蔵されているSelf Portrait (1841)です。 それに次いで、The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784)とFrancis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon (1812)が続きます。 Thomas Barberによる45点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する33点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。

1771 – 1843, Nottingham Neoclassicism 最多収蔵館: Nottingham Castle Museum And Art Gallery

Thomas Barberの代表作10選:ギャラリー厳選の作品集

1
Self Portrait (1841) による Thomas Barber

Self Portrait

1841 · Oil · Nottingham Castle Museum And Art Gallery, ノッティンガム

In this 1841 work, we encounter the artist himself, captured in a moment of quiet introspection. The portrait presents a man dressed in the formal attire of the nineteenth century, wearing a dark coat, a crisp white collar, and a tie. A mustache defines his features, lending a sense of maturity and gravity to his expression. It is an intimate study of character, rendered with a precision that suggests a…

2
The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784) による Thomas Barber

The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds)

1784 · Oil On Canvas · National Trust, チェスターフィールド

The subject sits anchored in a sea of dark blues and deep browns. He is a man of middle age, his face etched with the quiet gravity of a life spent in the public eye. Light falls from the upper left, carving the contours of his brow and the sharp lines around his mouth. He holds books against his chest, his hands resting with a heavy, certain stillness. These volumes…

3
Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon (1812) による Thomas Barber

Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon

1812 · Oil On Canvas

The oil painting titled Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon was executed by the artist Thomas Barber the Elder. This work depicts three children: Alfred Curzon, Francis James Curzon, and Mary Curzon. These subjects are the children of the 2nd Baron Scarsdale and Félicité de Wattines, of Flanders. The figures are presented in a three-quarter length portrait format.

4
Lady Caroline Gordon (1785–1866), Lady Chesham (1814) による Thomas Barber

Lady Caroline Gordon (1785–1866), Lady Chesham

1814 · Oil On Canvas · National Trust, チェスターフィールド

This oil on canvas portrait, executed in 1814, depicts Lady Caroline Gordon, later known as Lady Chesham. The subject is positioned in a seated posture, facing the viewer with a centered composition that emphasizes the head and upper torso. She is rendered against a dark, indistinct background that provides a high level of contrast to her pale skin and the light-colored fabric of her attire. The lighting is diffused from…

Thomas Barberのセレクションが続きます、11から33まで

11Francis James Curzon (1803–1851) Mary Curzon (1806–1868), Later Mrs John Beaumont and Alfred Curzon (1801–1850) (1812) による Thomas BarberFrancis James Curzon (1803–1851) Mary Curzon (1806–1868), Later Mrs John Beaumont and Alfred Curzon (1801–1850)1812 · National Trust 12Lady Anne Margaret Coke, Viscountess Anson (1815) による Thomas BarberLady Anne Margaret Coke, Viscountess Anson1815 · Shugborough Hall 13The Honourable Anne Margaret Anson, Countess of Rosebery (1815) による Thomas BarberThe Honourable Anne Margaret Anson, Countess of Rosebery1815 · Shugborough Hall 14General Sir George Anson (1769–1849) (1815) による Thomas BarberGeneral Sir George Anson (1769–1849)1815 · National Trust 15General Sir William Anson (1772–1847), 1st Bt (1815) による Thomas BarberGeneral Sir William Anson (1772–1847), 1st Bt1815 · National Trust 16Landscape near Bath (1835) による Thomas BarberLandscape near Bath1835 · National Gallery of Ireland 17Lord Denman (1779–1854) (1833) による Thomas BarberLord Denman (1779–1854)1833 · Nottingham Castle Museum And Art Gallery 18The Trent at Wilford (1840) による Thomas BarberThe Trent at Wilford1840 · Nottingham Castle Museum And Art Gallery 19The Reverend John Thomas Becher (1770–1848) による Thomas BarberThe Reverend John Thomas Becher (1770–1848) 20James Montgomery (1771–1854) による Thomas BarberJames Montgomery (1771–1854) 21Henry Kirke White, Poet による Thomas BarberHenry Kirke White, PoetNottingham Castle Museum And Art Gallery 22The Reverend Lewis Sneyd (c.1788–1858) による Thomas BarberThe Reverend Lewis Sneyd (c.1788–1858)National Trust 23Charles Compton Cavendish (1793–1863), 1st Lord Chesham による Thomas BarberCharles Compton Cavendish (1793–1863), 1st Lord CheshamNational Trust 24Cecil Brooke Boothby (1813–1883) による Thomas BarberCecil Brooke Boothby (1813–1883)National Trust 25Landscape with Cattle による Thomas BarberLandscape with CattleReading Public Museum 26Jonathan Dunn による Thomas BarberJonathan DunnNottingham Castle Museum And Art Gallery 27Joseph Murray (1737–1820) による Thomas BarberJoseph Murray (1737–1820) 28Reverend Richard Smith による Thomas BarberReverend Richard SmithNational Trust 29Benjamin Mayo (c.1779–1843), the Old General による Thomas BarberBenjamin Mayo (c.1779–1843), the Old General 30Sophia Baillie (1771–1843) による Thomas BarberSophia Baillie (1771–1843) 31David Love (1750–1827), Ballad Writer による Thomas BarberDavid Love (1750–1827), Ballad WriterNottingham Castle Museum And Art Gallery 32View across Nottingham Park with Lenton Priory in the Distance による Thomas BarberView across Nottingham Park with Lenton Priory in the DistanceNottingham Castle Museum And Art Gallery 33Cornelius Smelt (1748–1832), Lieutenant Governor of the Isle of Man (1805–1832) (1826) による Thomas BarberCornelius Smelt (1748–1832), Lieutenant Governor of the Isle of Man (1805–1832)1826 · Manx Museum

Thomas Barberが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

Thomas Barberの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 8 の美術館

美術館 都市 Thomas Barberの作品 このリストの絵画
Nottingham Castle Museum And Art Gallery, ノッティンガムNottingham Castle Museum And Art Gallery ノッティンガム 7 Self Portrait, Lord Denman (1779–1854), The Trent at Wilford
National Trust, チェスターフィールドNational Trust チェスターフィールド 7 The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds), Lady Caroline Gordon (1785–1866), Lady Chesham, Lady Harriet Cavendish (1785–1862), Countess Granville
National Trust, ダービーNational Trust ダービー 2 Mrs Garnett (1724–1809), in the Marble Hall, Francis James Curzon (1803–1851) Mary Curzon (1806–1868), Later Mrs John Beaumont and Alfred Curzon (1801–1850)
Shugborough Hall, Stoke-on-TrentShugborough Hall Stoke-on-Trent 2 Lady Anne Margaret Coke, Viscountess Anson, The Honourable Anne Margaret Anson, Countess of Rosebery
National Trust, MilfordNational Trust Milford 2 General Sir George Anson (1769–1849), General Sir William Anson (1772–1847), 1st Bt
Sheffield City Art Galleries, シェフィールドSheffield City Art Galleries シェフィールド 1 James Montgomery
Royal College of Physicians of London, ロンドンRoyal College of Physicians of London ロンドン 1 Matthew Baillie
National Gallery of Ireland, ダブリンNational Gallery of Ireland ダブリン 1 Landscape near Bath

Thomas Barberの年代別名作:各時代を象徴するオリジナル作品

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

Thomas Barberの絵画に関するコレクターからの質問

Thomas Barberの代表作は何ですか?答えを見る

Self Portrait (1841)(Nottingham Castle Museum And Art Gallery, ノッティンガム)。次いでThe Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784)、Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon (1812)が続きます。

Self Portraitが制作されたとき、Thomas Barberは何歳でしたか?答えを見る

70歳:Self Portraitは1841年の作品で、Thomas Barberの生年は1771年です。

Thomas Barberの最も有名な10作品とは?答えを見る

Self Portrait, The Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds), Francis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon, Lady Caroline Gordon (1785–1866), Lady Chesham, James Montgomery, Mrs Garnett, in the Marble Hall, Mrs Garnett (1724–1809), in the Marble Hall, Matthew Baillie, Matthew Baillie (1761–1823) と Lady Harriet Cavendish (1785–1862), Countess Granville。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Thomas Barberが遺した作品数は?答えを見る

当カタログには、1784年から1841年にかけて制作されたThomas Barberによる45点の作品が収められています。

Thomas Barberの名作は、どの美術館に収蔵されていますか?答えを見る

主にNottingham Castle Museum And Art Gallery (ノッティンガム), National Trust (チェスターフィールド) と National Trust (ダービー)に所蔵されています。上記の美術館一覧にすべて記載されています。

Thomas Barberが最も有名な作品を多く描いたのは何年ですか?答えを見る

1810s年:このページにある全33作品のうち、8作品がその時期に制作されました。そのうちFrancis James Curzon Mary Curzon, Later Mrs John Beaumont and Alfred Curzon作品が含まれます。

Thomas Barberによる最初と最後の代表的なオリジナル作品は何ですか?答えを見る

このページでは、最も古い作品はThe Honourable Charles James Fox (1749–1806), MP (after Joshua Reynolds) (1784)、最新の作品はSelf Portrait (1841)です。

Thomas Barber が最も多く描いた主題は何ですか?答えを見る

このページに掲載されている33点の作品におけるPortrait (4), Dignified (4) と Formal (4)

Thomas Barber が最も多く使用した技法は何ですか?答えを見る

このページに掲載されている全33作品のうち、4作品のOil On Canvas

Thomas Barberはどの芸術運動に属していますか?答えを見る

このページに掲載されているオリジナル作品から判断すると、Neoclassicismです。

Nottingham Castle Museum And Art GalleryにはどのThomas Barberの作品が展示されていますか?答えを見る

Self Portrait, Lord Denman (1779–1854) と The Trent at Wilford:Nottingham Castle Museum And Art Gallery, ノッティンガムには、このページに掲載されている作品のうち7点が所蔵されています。

Thomas Barber:生涯と作品

The Multifaceted Legacy of Thomas Barber

In the vibrant tapestry of the early nineteenth century, few figures embodied the intersection of military discipline and artistic refinement as uniquely as Thomas Barber. Known to many in his era as Barber Beaumont, this remarkable individual led a life that defied simple categorization. Born on December 21, 1774, in the heart of St Marylebone, London, Barber was far more than a mere painter; he was a British army officer, an author, a philanthropist, and a pioneer of miniature portraiture. His journey from the bustling streets of London to the service of royalty and the establishment of significant social institutions reflects a life driven by an unyielding ambition and a profound dedication to both aesthetic beauty and public service.

The artistic soul of Barber was nurtured through a rigorous classical education, which instilled in him a lifelong reverence for historical narrative and neoclassical ideals. Under the influential tutelage of Henry Kirke White, Barber developed a stylistic language characterized by meticulous detail and a dramatic use of light. This training allowed him to navigate the prestigious circles of the Royal Academy's aesthetic, where he mastered the ability to breathe life into both grand historical scenes and intimate portraits. His work often sought to capture the very essence of his subjects, blending the monumental scale of history painting with the delicate, emotive precision required for miniature portraiture.

Mastery of the Miniature and Royal Patronage

While his ambitions reached toward the epic, it was in the intimate realm of miniature painting that Barber achieved his most enduring acclaim. His ability to render the dignity and grace of the aristocracy within a small, exquisitely crafted frame made him a sought-after portraitist for the British elite. Most notably, his role as the miniature painter to the Duke of Clarence—who would later ascend the throne as King William IV—cemented his status within the highest echelons of society. Through these small-scale masterpieces, Barber did not merely record faces; he captured the social standing, character, and enduring legacy of a generation.

His portfolio serves as a window into the Neoclassical era, showcasing a range of subjects that highlight his technical versatility:

  • Lady Caroline Gordon: An 1814 oil portrait that stands as a testament to his ability to convey elegance and wealth through refined brushwork.
  • Henry Kirke White, Poet: A poignant neoclassical portrait that utilizes subtle expression and masterful oil techniques to evoke a sense of remembrance and intellectual status.
  • The Reverend John Thomas Becher: A later work from 1848 that demonstrates his command over dramatic lighting and meticulous detail, reflecting the dignified style of his mature period.

A Life of Service and Entrepreneurial Spirit

Beyond the studio and the battlefield, Barber’s life was defined by a remarkable entrepreneurial spirit and a commitment to social welfare. His experiences as an officer, which included service in South America, provided him with a worldly perspective that informed his later ventures in London. He was not content to remain solely within the realm of fine arts; he applied the same precision found in his paintings to the world of commerce and philanthropy. His involvement in founding insurance offices and his leadership roles in organizations such as the Royal Victoria Rifle Club and the Provident Institution reveal a man deeply invested in the stability and progress of British society.

Ultimately, the historical significance of Thomas Barber lies in this rare synthesis of talents. He was an artist who understood the weight of history, an officer who understood the necessity of order, and a businessman who understood the value of security. Though his name may sometimes be obscured by the alias Beaumont, his contribution to the visual and social fabric of the nineteenth century remains indelible. Through his canvases, we continue to witness the grace of a bygone era, preserved through the eyes of a man who mastered both the brush and the complexities of life itself.