Sydney Hodgesの肖像画

Sydney Hodgesの絵画:ギャラリーの視点で選ぶ、最も有名な46作品

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 46点の Sydney Hodgesの作品がカタログにあります

要約すると

ギャラリーの視点では、Sydney Hodgesの最も有名な作品はJames Tennant (1863)であり、その原画はLondonのKing's College Londonに展示されています。 James Bird Read, Mayor of Penryn (1837, 1847, 1853, 1855–1857, 1860–1862 1865) (1866)とSamuel Hey (1873)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるSydney Hodgesの作品46点の中から、特に有名な46点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。

1829 – 1900, Worthing Academic realism 最多収蔵館: Leeds General Infirmary

ギャラリーが選ぶSydney Hodgesのトップ10作品

1
James Tennant (1863) による Sydney Hodges

James Tennant

1863 · Oil On Canvas · King's College London, London

The room feels heavy with a stillness that seems to press against the very edges of the canvas. A man sits alone, his figure anchored to a chair at a table draped in a deep red cloth. He is dressed in the formal attire of 1863, a suit and tie that speak of a specific social gravity, yet his posture suggests a mind far from the immediate surroundings. His hands…

3
Samuel Hey (1873) による Sydney Hodges

Samuel Hey

1873 · Oil On Canvas · Leeds General Infirmary, Leeds

In this 1873 portrait, we find ourselves in the quiet, private space of an elderly gentleman named Samuel Hey. He is seated in a richly upholstered armchair, his figure filling much of the frame in a way that suggests a settled, permanent authority. There is a certain gravity to his posture, a stillness that comes from a life lived with purpose. The lighting, arriving from the upper left, carves his…

4
Sir John Russell Reynolds (1828–1896), Bt (1882) による Sydney Hodges

Sir John Russell Reynolds (1828–1896), Bt

1882 · Oil On Canvas

An elderly gentleman sits anchored in a high-backed chair, his presence filling the quiet space of the canvas. He is a man of substance, draped in the heavy, dark fabrics of the late nineteenth century. His hands rest upon a cane, a tactile connection to the physical world that grounds his seated form. The light is a soft, diffused glow, catching the ridges of his brow and the texture of…

5
Right Honourable Matthew Talbot Baines, QC, MP (1891) による Sydney Hodges

Right Honourable Matthew Talbot Baines, QC, MP

1891 · Oil On Canvas · The Shire Hall, Lancaster

An older gentleman sits at a desk, his presence commanding the frame through a traditional, academic composition. The portrait captures a moment of quiet authority, utilizing a dark, indistinct background to push the subject into the viewer's immediate space. Light falls sharply across his features, carving out the contours of his face and the texture of his attire with dramatic contrast. This chiaroscuro effect lends a somber weight to the…

6
Theophilus Redwood (1806–1892), First Professor of Pharmacy at the Pharmaceutical Society School (1887) による Sydney Hodges

Theophilus Redwood (1806–1892), First Professor of Pharmacy at the Pharmaceutical Society School

1887 · Oil On Canvas · Musée Victor Hugo, パリ

In this 1887 oil portrait, we encounter Theophilus Redwood, a man whose presence commands a quiet, scholarly respect. The subject is presented in a formal studio style, his face and upper body emerging from a deep, impenetrable black background. This choice of lighting creates a dramatic chiaroscuro effect, casting strong shadows that define the deep lines of his skin and the texture of his full white beard. There is a…

7
General Joseph Edwin Thackwell (1813–1900), CB (1894) による Sydney Hodges

General Joseph Edwin Thackwell (1813–1900), CB

1894 · Oil On Canvas

In this 1894 portrait, we find ourselves in the presence of General Joseph Edwin Thackwell, a man whose very posture commands the space around him. He is seated in a plush, upholstered chair, his presence anchored by a sense of quiet, settled power. The composition is centered, drawing the eye immediately to the intricate details of his military regalia and the weathered, dignified lines of his face. There is a…

Sydney Hodgesの絵画、ランキング11位から46位

11Edward Vivian (1808–1893), MA, JP, Founder Member and First Treasurer Torquay Natural History Society (1856) による Sydney HodgesEdward Vivian (1808–1893), MA, JP, Founder Member and First Treasurer Torquay Natural History Society1856 12Henry Cranmer March Phillipps, Esq. (1793–1880), JP (1865) による Sydney HodgesHenry Cranmer March Phillipps, Esq. (1793–1880), JP1865 · Torquay Town Hall 13Henry Philpotts (1778–1869), Bishop of Exeter, Controversialist (1866) による Sydney HodgesHenry Philpotts (1778–1869), Bishop of Exeter, Controversialist1866 14Mrs Henry Wood (1814–1887) (1875) による Sydney HodgesMrs Henry Wood (1814–1887)1875 · Worcester Guildhall 15William Thompson in Mayoral Chain (1877) による Sydney HodgesWilliam Thompson in Mayoral Chain1877 · Towneley Hall Art Gallery - Museum 16Right Honourable Sir James Fergusson (1832–1907), 6th Bt of Kilkerran, GCSI, KCMG, CIE (1875) による Sydney HodgesRight Honourable Sir James Fergusson (1832–1907), 6th Bt of Kilkerran, GCSI, KCMG, CIE1875 · County Buildings 17Robert Edward (1742–1801), 9th Lord Petre of Writtle (1885) による Sydney HodgesRobert Edward (1742–1801), 9th Lord Petre of Writtle1885 · The Library And Museum of Freemasonry 18Benjamin Disraeli (1874–1880), MP (1882) による Sydney HodgesBenjamin Disraeli (1874–1880), MP1882 · Maidstone Museum - Bentlif Art Gallery 19William Brown (1882) による Sydney HodgesWilliam Brown1882 · Leeds General Infirmary 20Claudius Galen Wheelhouse (1826–1909) (1884) による Sydney HodgesClaudius Galen Wheelhouse (1826–1909)1884 · Leeds General Infirmary 21John Darnton Luccock, Mayor (1845 1864) (1884) による Sydney HodgesJohn Darnton Luccock, Mayor (1845 1864)1884 · Leeds Civic Hall 22Sir P. Protheroe Smith (1810–1882) (1881) による Sydney HodgesSir P. Protheroe Smith (1810–1882)1881 23Philip Prothero Smith, Mayor (1871–1875 1878) (1881) による Sydney HodgesPhilip Prothero Smith, Mayor (1871–1875 1878)1881 · Truro City Council Municipal Buildings 24Reverend Henry Robert Reynolds, DD (1825–1896), President of Cheshunt College (1882) による Sydney HodgesReverend Henry Robert Reynolds, DD (1825–1896), President of Cheshunt College1882 25Reverend H. R. Reynolds, DD (1888) による Sydney HodgesReverend H. R. Reynolds, DD1888 · Cheshunt Foundation 26William Nevill (1826–1915), Marquess of Abergavenny (1887) による Sydney HodgesWilliam Nevill (1826–1915), Marquess of Abergavenny1887 · Tunbridge Wells Museum And Art Gallery 27John Alan Rolls (1837–1912), 1st Baron Llangattock (1888) による Sydney HodgesJohn Alan Rolls (1837–1912), 1st Baron Llangattock1888 28Reverend W. Relton (1816–1893), Vicar of St Mary's Church, Ealing (1853–1886) (1886) による Sydney HodgesReverend W. Relton (1816–1893), Vicar of St Mary's Church, Ealing (1853–1886)1886 29Sir Andrew Clark (1826–1893), Bt (after Frank Holl) (1889) による Sydney HodgesSir Andrew Clark (1826–1893), Bt (after Frank Holl)1889 · Barts And The London Queen Mary School of Medicine And Dentistry 30Right Honourable Richard Assheton Cross (1823–1914) (1891) による Sydney HodgesRight Honourable Richard Assheton Cross (1823–1914)1891 · The Shire Hall 31Admiral Arthur William Acland Hood (1824–1901), Baron Hood of Avalon (1891) による Sydney HodgesAdmiral Arthur William Acland Hood (1824–1901), Baron Hood of Avalon1891 · National Maritime Museum 32James Grierson (1827–1887), General Manager, Great Western Railway (1863–1887) (1888) による Sydney HodgesJames Grierson (1827–1887), General Manager, Great Western Railway (1863–1887)1888 33Her Majesty Queen Victoria (1819–1901) (1898) による Sydney HodgesHer Majesty Queen Victoria (1819–1901)1898 34Cornelius M. Foden (1893) による Sydney HodgesCornelius M. Foden1893 · Towneley Hall Art Gallery - Museum 35Henry Houlding (1900) による Sydney HodgesHenry Houlding1900 · Towneley Hall Art Gallery - Museum 36Charles Townsend Murdoch (1837–1898), MP (1900) による Sydney HodgesCharles Townsend Murdoch (1837–1898), MP1900 · Reading Museum - Town Hall 37Rear-Admiral Sir James Hope (1808-1881) による Sydney HodgesRear-Admiral Sir James Hope (1808-1881)National Maritime Museum 38Lord Winmarleigh (1802–1892) による Sydney HodgesLord Winmarleigh (1802–1892)The Shire Hall 39Rear Admiral Sir James Hope (1808–1881) による Sydney HodgesRear Admiral Sir James Hope (1808–1881) 40John Coutts (1699–1750), Lord Provost of Edinburgh (1743–1744) (after Allan Ramsay) による Sydney HodgesJohn Coutts (1699–1750), Lord Provost of Edinburgh (1743–1744) (after Allan Ramsay) 41Torquay による Sydney HodgesTorquayTorre Abbey Historic House And Gardens 42Archibald Campbell Tait (1811–1882), Archbishop of Canterbury による Sydney HodgesArchibald Campbell Tait (1811–1882), Archbishop of Canterbury 43Sir Charles Wheatstone による Sydney HodgesSir Charles Wheatstone 44Davies Gilbert (1767–1840), PRS, MP (copy of Henry Howard) による Sydney HodgesDavies Gilbert (1767–1840), PRS, MP (copy of Henry Howard) 45James Smith Turner (1832–1904), MRCS, LDS による Sydney HodgesJames Smith Turner (1832–1904), MRCS, LDSRoyal Society of Medicine 46Charles Chadwick (1873) による Sydney HodgesCharles Chadwick1873 · Leeds General Infirmary

Sydney Hodgesの代表作、時代別一覧

Sydney Hodgesが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

Sydney Hodgesの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 8 の美術館

美術館 都市 Sydney Hodgesの作品 このリストの絵画
Leeds General Infirmary, LeedsLeeds General Infirmary Leeds 4 Samuel Hey, William Brown, Claudius Galen Wheelhouse (1826–1909)
The Shire Hall, LancasterThe Shire Hall Lancaster 3 Right Honourable Matthew Talbot Baines, QC, MP, Right Honourable Richard Assheton Cross (1823–1914), Lord Winmarleigh (1802–1892)
Towneley Hall Art Gallery - Museum, BurnleyTowneley Hall Art Gallery - Museum Burnley 3 William Thompson in Mayoral Chain, Cornelius M. Foden, Henry Houlding
National Maritime Museum, ロンドンNational Maritime Museum ロンドン 2 Admiral Arthur William Acland Hood (1824–1901), Baron Hood of Avalon, Rear-Admiral Sir James Hope (1808-1881)
King's College London, LondonKing's College London London 1 James Tennant
Musée Victor Hugo, パリMusée Victor Hugo パリ 1 Theophilus Redwood (1806–1892), First Professor of Pharmacy at the Pharmaceutical Society School
Lancaster Town Hall, LancasterLancaster Town Hall Lancaster 1 Alderman Charles Blades, JP
Torquay Town Hall, TorquayTorquay Town Hall Torquay 1 Henry Cranmer March Phillipps, Esq. (1793–1880), JP

Sydney Hodges、10年ごとに1枚の代表作

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

Sydney Hodgesの絵画:ギャラリーの回答

Sydney Hodgesの作品の中で、最も有名な絵画は何ですか?答えを見る

James Tennant (1863)(King's College London, London)。次いでJames Bird Read, Mayor of Penryn (1837, 1847, 1853, 1855–1857, 1860–1862 1865) (1866)、Samuel Hey (1873)が続きます。

Sydney HodgesがJames Tennantを完成させた時の年齢は?答えを見る

34歳:James Tennantは1863年の作品で、Sydney Hodgesの生年は1829年です。

Sydney Hodgesの代表的な絵画トップ10は?答えを見る

James Tennant, James Bird Read, Mayor of Penryn (1837, 1847, 1853, 1855–1857, 1860–1862 1865), Samuel Hey, Sir John Russell Reynolds (1828–1896), Bt, Right Honourable Matthew Talbot Baines, QC, MP, Theophilus Redwood (1806–1892), First Professor of Pharmacy at the Pharmaceutical Society School, General Joseph Edwin Thackwell (1813–1900), CB, Alderman Charles Blades, JP, Henry Cooper, Mayor of Canterbury と W. M. Tweedy。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Sydney Hodgesの作品数は?答えを見る

当カタログには、1856年から1900年にかけて制作されたSydney Hodgesによる46点の作品が収められています。

Sydney Hodgesの最も有名なオリジナル作品はどこに展示されていますか?答えを見る

主にLeeds General Infirmary (Leeds), The Shire Hall (Lancaster) と Towneley Hall Art Gallery - Museum (Burnley)に所蔵されています。上記の美術館一覧にすべて記載されています。

Sydney Hodgesが最も有名な作品を描いたのはいつですか?答えを見る

1880s年:このページにある全46作品のうち、16作品がその時期に制作されました。そのうちSir John Russell Reynolds (1828–1896), Bt作品が含まれます。

Sydney Hodgesの初期および後期の代表作は何ですか?答えを見る

このページでは、最も古い作品はHenry Cooper, Mayor of Canterbury (1856)、最新の作品はHenry Houlding (1900)です。

Sydney Hodges が最も多く描いた主題は何ですか?答えを見る

このページに掲載されている46点の作品におけるVictorian era (9), Formal art (6) と Portrait (6)

Sydney Hodges が最も多く用いた技法は何ですか?答えを見る

このページに掲載されている全46作品のうち、8作品のOil On Canvas

Sydney Hodgesはどの芸術運動に関連していますか?答えを見る

このページに掲載されているオリジナル作品から判断すると、Academic realismです。

Leeds General Infirmaryが所蔵するSydney Hodgesのオリジナル作品は何ですか?答えを見る

Samuel Hey, William Brown と Claudius Galen Wheelhouse (1826–1909):Leeds General Infirmary, Leedsには、このページに掲載されている作品のうち4点が所蔵されています。

Sydney Hodges:アーティスト

A Legacy Forged in Cornish Mist and Academic Rigor

Born amidst the rugged, evocative landscapes of Truro, Cornwall, in 1828, Joseph Sydney Willis Hodges was a child of an era where landscape and legend were inextricably linked. The burgeoning Cornish art scene, revitalized by the dramatic rediscovery of Tintagel Castle and its deep associations with Arthurian myth, provided a backdrop of mythic grandeur that would forever color his artistic sensibilities. His early education at Marlborough College allowed him to master the delicate nuances of drawing and watercolor, yet it was his subsequent journey to the Slade School of Fine Art in London that truly forged his professional identity. Here, amidst the rigorous demands of academic realism, Hodges learned to translate the physical world into a language of profound precision, preparing him for a career that would eventually define the very essence of Victorian portraiture.

The Soul Behind the Surface: The Art of Portraiture

As his career matured, Hodges transitioned from the sweeping vistas of his homeland to the intimate, often formal, chambers of Britain's most distinguished figures. He became a master of the psychological portrait, an artist who looked far beyond the velvet and lace to capture the quiet dignity and inner strength of his subjects. His technique was characterized by an unwavering commitment to detail; every subtle shadow and intricate brushstroke served to heighten the realism of his compositions. Whether depicting the scholarly presence of Theophilus Redwood or the commanding, sophisticated air of Charles Chadwick, Hodges utilized oil on canvas to create a depth of color and texture that felt almost tactile. His mastery was evident in several key elements:
  • Meticulous attention to facial features, ensuring each subject possessed a unique, recognizable character and psychological depth.
  • Subtle use of light and shadow, which lent a dramatic, often somber, weight to his formal compositions, reflecting the gravity of his subjects' roles in society.
  • A profound sense of Victorian elegance, capturing the sartorial splendor and social importance of the 19th-century elite through rich textures and precise rendering.
Through works such as his 1873 portrait of Samuel Hey, Hodges demonstrated an ability to imbue even a seated figure in an armchair with a sense of narrative importance and historical weight.

An Enduring Echo of the Victorian Era

The significance of Joseph Sydney Willis Hodges extends far beyond the mere documentation of faces; he was a chronicler of an age. Through his portraits of clergy, military leaders, and civic luminaries like Lord Winmarleigh, he preserved the social fabric of a Britain in transition. His ability to blend the mythic influences of his Cornish upbringing with the disciplined realism of the London art world allowed him to create works that were both historically grounded and emotionally resonant. As we look upon his canvases today, we see more than just historical figures; we witness the meticulous craftsmanship of an artist who captured the very heartbeat of Victorian society, leaving behind a visual testament to the nobility and leadership of his time.