Stefan Bubanの肖像画

Stefan Bubanの絵画:ギャラリーの視点で選ぶ、最も有名な7作品

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 10点の Stefan Bubanの作品がカタログにあります

要約すると

ギャラリーの視点では、Stefan Bubanの最も有名な作品はNear Spišská Nová Ves (1970)であり、その原画はポプラドのTatra Galleryに展示されています。 Native Zemplín (1981)とZemplín Fields (1981)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるStefan Bubanの作品10点の中から、特に有名な7点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。

1932 – 2026, Pavlovce nad Uhom 最多収蔵館: Vychodoslovenské Galéria

ギャラリーが選ぶStefan Bubanのトップ10作品

7
Near Spišská Nová Ves による Stefan Buban

Near Spišská Nová Ves

· Tatra Gallery, ポプラド

In the evocative landscape of Near Spišská Nová Ves, the viewer is immediately transported to a realm where the rugged majesty of the Slovakian mountains meets a profound sense of tranquility. The painting presents a breathtaking vista of a mountainous expanse, characterized by a striking red hue that bathes the peaks in a warm, ethereal glow. This chromatic choice does more than merely depict terrain; it imbues the entire scene…

Stefan Bubanの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 3 の美術館

美術館 都市 Stefan Bubanの作品 このリストの絵画
Vychodoslovenské Galéria, KošiceVychodoslovenské Galéria Košice 4 Native Zemplín, Zemplín Fields, Peaceful Landscape
Tatra Gallery, ポプラドTatra Gallery ポプラド 2 Near Spišská Nová Ves, Near Spišská Nová Ves
Gallery of Spis Artists, スピシュスカー・ノヴァ・ヴェスGallery of Spis Artists スピシュスカー・ノヴァ・ヴェス 1 Winter in Podlince

Stefan Buban、各年の代表作

Stefan Bubanの芸術の18年、1970から1987まで:各時代の最も有名なオリジナル作品を通じて、その歩みを年ごとに辿ります。

年別作品数

年代を選択して、当時のオリジナル作品を見る

Stefan Bubanの絵画:ギャラリーの回答

Stefan Bubanの作品の中で、最も有名な絵画は何ですか?答えを見る

Near Spišská Nová Ves (1970)(Tatra Gallery, ポプラド)。次いでNative Zemplín (1981)、Zemplín Fields (1981)が続きます。

Stefan BubanがNear Spišská Nová Vesを完成させた時の年齢は?答えを見る

38歳:Near Spišská Nová Vesは1970年の作品で、Stefan Bubanの生年は1932年です。

Stefan Bubanの作品数は?答えを見る

当カタログには、1970年から1987年にかけて制作されたStefan Bubanによる10点の作品が収められています。

Stefan Bubanの最も有名なオリジナル作品はどこに展示されていますか?答えを見る

主にVychodoslovenské Galéria (Košice), Tatra Gallery (ポプラド) と Gallery of Spis Artists (スピシュスカー・ノヴァ・ヴェス)に所蔵されています。上記の美術館一覧にすべて記載されています。

Stefan Bubanが最も有名な作品を描いたのはいつですか?答えを見る

1981年:このページにある全7作品のうち、3作品がその時期に制作されました。そのうちNative Zemplín作品が含まれます。

Stefan Bubanの初期および後期の代表作は何ですか?答えを見る

このページでは、最も古い作品はNear Spišská Nová Ves (1970)、最新の作品はLet Us Not Allow! (1987)です。

Vychodoslovenské Galériaが所蔵するStefan Bubanのオリジナル作品は何ですか?答えを見る

Native Zemplín, Zemplín Fields と Peaceful Landscape:Vychodoslovenské Galéria, Košiceには、このページに掲載されている作品のうち4点が所蔵されています。

Stefan Buban:アーティスト

A Life Shaped by Color and Landscape

Born on July 29, 1932, in Pavlovce nad Uhom, Slovakia, Štefan Bubán spent his life translating the textures of his homeland onto canvas. His early years were rooted in the traditions of the region, leading him to study at the art department of the Higher Pedagogical School in Prešov, which he completed in 1955. He later continued his formal education at the Faculty of Education of Comenius University in Bratislava between 1959 and 1964. This academic foundation provided the technical skill that would support a career spanning decades of experimentation.

His professional path was closely tied to Trebišov, where he worked from 1956. The landscapes of the East Slovak Lowland became a central part of his visual language. In his early works, he focused on figurative compositions that captured the essence of this region through distinct color effects. As time passed, his focus shifted toward the natural world, moving into landscape painting that explored the light and earth of the Slovakian terrain.

Evolution of Style and Technique

The progression of Bubán’s work shows a clear movement from representational forms to more complex, abstract visions. He began with figures and landscapes but eventually embraced a modernist style characterized by geometric-abstract-informal fantasies. This transition saw him moving toward what some describe as transavantgarde, where his paintings became structured through geometric-abstract visions. His technique was not limited to the brush; he worked with oil painting, sculpture, printmaking, woodcuts, and drawings.

His approach to color was deeply personal. In works such as Near Spišská Nová Ves, he used striking red hues to bathe mountain peaks in a warm glow, creating an atmosphere of a permanent sunset. He utilized color for psychological impact rather than mere accuracy. His later compositions often relied on an instinctive creative passion, using color and imaginative arrangements to build space within his paintings.

Recognition and Global Reach

Though deeply connected to Slovakian soil, Bubán’s presence was felt far beyond its borders. He exhibited his work in numerous countries, including Germany, Italy, France, Japan, and Egypt. His art found homes in prestigious venues such as the Salon d'Automne in Paris and the Kunsthalle Bratislava. For a period between 2008 and 2016, his paintings were even displayed at the Permanent Representation of Slovakia to the European Union in Brussels.

Throughout his career, he received several notable honors that reflected his standing in the international art community:

  • The Gold Plaque at the VII International Festival of Contemporary Painting in San Remo, Italy, in 1999.
  • The European Commission's Prize for Culture at the il Nittis Biennial in Barletta, Italy, in 2003.
  • A silver medal from the Salon in Cannes in 2006.
  • The Price za celoživotné dielo at Intersalón AJV in České Budějovice in 2008.

His memberships in various societies, such as the Slovak Art Society and the Association of Visual Arts Japan, further solidified his role as a bridge between local tradition and global modernism. He left behind a significant body of work that includes seventy solo exhibitions and nearly three hundred group exhibitions, ensuring his vision of the Slovak landscape remains part of the broader history of 20th-century art.