Robert Herdmanの肖像画

Robert Herdmanの絵画:ギャラリーの視点で選ぶ、最も有名な52作品

10月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 52点の Robert Herdmanの作品がカタログにあります

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当ギャラリーの視点では、Robert Herdmanの最も有名な作品はJohn Campbell Shairp (1819–1885), LLD (1886)です。 The young seamstress (1860)とThe Arrochar Gleaner (1862)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるRobert Herdmanの作品52点の中から、特に有名な52点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。

1829 – 1888 Romanticism 最多収蔵館: スコットランド国立肖像画館

ギャラリーが選ぶRobert Herdmanのトップ10作品

1
John Campbell Shairp (1819–1885), LLD (1886) による Robert Herdman

John Campbell Shairp (1819–1885), LLD

1886 · Oil On Canvas

In this 1886 oil on canvas, we find ourselves in the presence of John Campbell Shairp. He is seated with a composed, thoughtful stillness, his hands clasped in a gesture of quiet contemplation. Clad in a dark robe, his figure carries the weight of a life dedicated to scholarship and letters. The composition is intimate, placing the viewer in a private space alongside him. A book rests near the bottom…

7
Morning (1861) による Robert Herdman

Morning

1861

The painting "Morning" by Robert Inerarity Herdman is a beautiful and captivating piece of art that showcases the artist's skill and attention to detail. Created in 1861, this oil on panel painting measures 31 x 23 cm and is currently displayed at the Glasgow Museums Resource Centre in the United Kingdom. Painting Description The painting features a young child wearing a blue hat with a bow on it, holding a…

Robert Herdmanの絵画、ランキング11位から52位

11Evening (1862) による Robert HerdmanEvening1862 12'Who still in dreams can hear the heavenly harps' (1862) による Robert Herdman'Who still in dreams can hear the heavenly harps'1862 13Fern Gatherer (1866) による Robert HerdmanFern Gatherer1866 14After the Battle (1870) による Robert HerdmanAfter the Battle1870 · スコットランド国立美術館 15Sir Joseph Noel Paton (1821–1901) (1870) による Robert HerdmanSir Joseph Noel Paton (1821–1901)1870 16Aeneas Ranald McDonell (1820–1897) (1868) による Robert HerdmanAeneas Ranald McDonell (1820–1897)1868 17David Octavius Hill (1802–1870), RSA (1870) による Robert HerdmanDavid Octavius Hill (1802–1870), RSA1870 · Royal Scottish Academy of Art - Architecture 18A Fountain Group, South Italy (1868) による Robert HerdmanA Fountain Group, South Italy1868 19Mary, Queen of Scots The Farewell to France (1867) による Robert HerdmanMary, Queen of Scots The Farewell to France1867 20Emily Merelina Meymott (1830–1911), Baroness Shand (1867) による Robert HerdmanEmily Merelina Meymott (1830–1911), Baroness Shand1867 · スコットランド国立美術館 21Execution of Mary, Queen of Scots (1867) による Robert HerdmanExecution of Mary, Queen of Scots1867 22Evening Thoughts (1864) による Robert HerdmanEvening Thoughts1864 · スコットランド国立美術館 23La culla – Study in Italy (1864) による Robert HerdmanLa culla – Study in Italy1864 · Royal Scottish Academy of Art - Architecture 24Charles Shaw Lefevre (1794–1888), 1st Viscount Eversley, in the Uniform of the Hampshire Carabiniers (1875) による Robert HerdmanCharles Shaw Lefevre (1794–1888), 1st Viscount Eversley, in the Uniform of the Hampshire Carabiniers1875 25Sir James Falshaw (1810–1889), Bt, Lord Provost of Edinburgh (1874–1877) (1877) による Robert HerdmanSir James Falshaw (1810–1889), Bt, Lord Provost of Edinburgh (1874–1877)1877 26C. G. Shaw (1878) による Robert HerdmanC. G. Shaw1878 · County Buildings 27Sir George Harvey (1806–1876), Artist (1874) による Robert HerdmanSir George Harvey (1806–1876), Artist1874 · スコットランド国立肖像画館 28Sir James David Marwick (1826–1908), Town Clerk of Glasgow (1873–1903) (1873) による Robert HerdmanSir James David Marwick (1826–1908), Town Clerk of Glasgow (1873–1903)1873 29Sir George Harvey (1806–1876), PRSA (1874) による Robert HerdmanSir George Harvey (1806–1876), PRSA1874 · Royal Scottish Academy of Art - Architecture 30Thomas Carlyle (1876) による Robert HerdmanThomas Carlyle1876 · The National Trust For Scotland 31Pleasures of Hope (1877) による Robert HerdmanPleasures of Hope1877 32Lochiel's Warning (1878) による Robert HerdmanLochiel's Warning1878 33David Laing (1793–1878), Antiquary (1874) による Robert HerdmanDavid Laing (1793–1878), Antiquary1874 · スコットランド国立肖像画館 34A Conventicle Preacher before the Justices (1876) による Robert HerdmanA Conventicle Preacher before the Justices1876 · Royal Scottish Academy of Art - Architecture 35Sir Theodore Martin (1876) による Robert HerdmanSir Theodore Martin1876 · ナショナル・ポートレート・ギャラリー 36Thomas Carlyle (1795–1881) (1875) による Robert HerdmanThomas Carlyle (1795–1881)1875 · Dumfries Museum And Camera Obscura 37The Conference between Mary, Queen of Scots and John Knox at Holyrood Palace, 1561 (1875) による Robert HerdmanThe Conference between Mary, Queen of Scots and John Knox at Holyrood Palace, 15611875 38George Rough (1801–1888), Provost of Dundee (1853–1856) (1882) による Robert HerdmanGeorge Rough (1801–1888), Provost of Dundee (1853–1856)1882 39Wae's Me (1879) による Robert HerdmanWae's Me1879 40Alexander Laing, LLD, Newburgh (1885) による Robert HerdmanAlexander Laing, LLD, Newburgh1885 41Self Portrait (1883) による Robert HerdmanSelf Portrait1883 42Peter Clouston, Lord Provost of Glasgow (1860–1863) (1883) による Robert HerdmanPeter Clouston, Lord Provost of Glasgow (1860–1863)1883 43Reverend George S. Burns, Minister of Glasgow Cathedral (1881) による Robert HerdmanReverend George S. Burns, Minister of Glasgow Cathedral1881 44Sir William Collins (1817–1895), Lord Provost of Glasgow (1877–1880) (1881) による Robert HerdmanSir William Collins (1817–1895), Lord Provost of Glasgow (1877–1880)1881 45Sir James Watson (1801–1889), Lord Provost of Glasgow (1871–1874) (1882) による Robert HerdmanSir James Watson (1801–1889), Lord Provost of Glasgow (1871–1874)1882 46Bouverie Francis Primrose (1813–1898), Secretary to the Board of Trustees for Manufactures and Fisheries (1883) による Robert HerdmanBouverie Francis Primrose (1813–1898), Secretary to the Board of Trustees for Manufactures and Fisheries1883 · スコットランド国立肖像画館 47A Sprig of Arran Heather による Robert HerdmanA Sprig of Arran Heather 48A Pilot による Robert HerdmanA Pilot 49Saint Columba Rescuing a Captive (1883) による Robert HerdmanSaint Columba Rescuing a Captive1883 50Corrie, a Crofter's Harvest による Robert HerdmanCorrie, a Crofter's Harvest 51Sleep による Robert HerdmanSleepLeeds Art Gallery 52Sir Joseph Noel Paton (1821–1901), RSA による Robert HerdmanSir Joseph Noel Paton (1821–1901), RSARoyal Scottish Academy of Art - Architecture

Robert Herdmanが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

Robert Herdmanの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 8 の美術館

美術館 都市 Robert Herdmanの作品 このリストの絵画
スコットランド国立肖像画館, Edinburghスコットランド国立肖像画館 Edinburgh 5 Thomas Carlyle (1795–1881), Historian and Essayist, Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University, Sir George Harvey (1806–1876), Artist
Royal Scottish Academy of Art - Architecture, エディンバラRoyal Scottish Academy of Art - Architecture エディンバラ 5 David Octavius Hill (1802–1870), RSA, La culla – Study in Italy, Sir George Harvey (1806–1876), PRSA
スコットランド国立美術館, エディンバラスコットランド国立美術館 エディンバラ 3 After the Battle, Emily Merelina Meymott (1830–1911), Baroness Shand, Evening Thoughts
County Buildings, AyrCounty Buildings Ayr 1 C. G. Shaw
The National Trust For Scotland, EcclesburnThe National Trust For Scotland Ecclesburn 1 Thomas Carlyle
ナショナル・ポートレート・ギャラリー, ロンドンナショナル・ポートレート・ギャラリー ロンドン 1 Sir Theodore Martin
Dumfries Museum And Camera Obscura, DumfriesDumfries Museum And Camera Obscura Dumfries 1 Thomas Carlyle (1795–1881)
Leeds Art Gallery, リーズLeeds Art Gallery リーズ 1 Sleep

Robert Herdman、10年ごとに1枚の代表作

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

Robert Herdmanの絵画:ギャラリーの回答

Robert Herdmanの作品の中で、最も有名な絵画は何ですか?答えを見る

John Campbell Shairp (1819–1885), LLD (1886)。続いてThe young seamstress (1860)、The Arrochar Gleaner (1862)が続きます。

Robert HerdmanがJohn Campbell Shairp (1819–1885), LLDを完成させた時の年齢は?答えを見る

57歳:John Campbell Shairp (1819–1885), LLDは1886年の作品で、Robert Herdmanの生年は1829年です。

Robert Herdmanの代表的な絵画トップ10は?答えを見る

John Campbell Shairp (1819–1885), LLD, The young seamstress, The Arrochar Gleaner, Thomas Carlyle (1795–1881), Historian and Essayist, John Tulloch (1823–1886), Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University, Morning, The Time of Primroses, Bonny Bell と The Gleaner。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Robert Herdmanの作品数は?答えを見る

当カタログには、1854年から1886年にかけて制作されたRobert Herdmanによる52点の作品が収められています。

Robert Herdmanの最も有名なオリジナル作品はどこに展示されていますか?答えを見る

主にスコットランド国立肖像画館 (Edinburgh), Royal Scottish Academy of Art - Architecture (エディンバラ) と スコットランド国立美術館 (エディンバラ)に所蔵されています。上記の美術館一覧にすべて記載されています。

Robert Herdmanが最も有名な作品を描いたのはいつですか?答えを見る

1870s年:このページにある全52作品のうち、19作品がその時期に制作されました。そのうちThomas Carlyle (1795–1881), Historian and Essayist作品が含まれます。

Robert Herdmanの初期および後期の代表作は何ですか?答えを見る

このページでは、最も古い作品はThe Time of Primroses (1854)、最新の作品はJohn Campbell Shairp (1819–1885), LLD (1886)です。

Robert Herdman が最も多く描いた主題は何ですか?答えを見る

このページに掲載されている52点の作品におけるVictorian era (3), Portraiture (2) と Elderly man (2)

Robert Herdmanはどの芸術運動に関連していますか?答えを見る

このページに掲載されているオリジナル作品から判断すると、Romanticismです。

スコットランド国立肖像画館が所蔵するRobert Herdmanのオリジナル作品は何ですか?答えを見る

Thomas Carlyle (1795–1881), Historian and Essayist, Reverend John Tulloch (1823–1886), Theologian and Principal of St Andrews University と Sir George Harvey (1806–1876), Artist:スコットランド国立肖像画館, Edinburghには、このページに掲載されている作品のうち5点が所蔵されています。

Robert Herdman:アーティスト

A Victorian Visionary: The Life and Legacy of Robert Inerarity Herdman

Robert Inerarity Herdman (1829–1888) stands as a luminous figure within the landscape of nineteenth-century Scottish art, a painter whose brush captured not merely the physical likeness of his subjects but the very soul of the Celtic Revival. Born in the quiet beauty of Rattray, near Blairgowrie, Perthshire, Herdman’s early life was marked by a profound intellectual depth. Though he initially turned his studies toward theology at St Andrews University, the calling of the canvas proved irresistible. This transition from the spiritual study of divinity to the visual exploration of light and form would define his career, allowing him to infuse his later works with a sense of sacredness and mythic resonance that few of his contemporaries could replicate. By 1847, Herdman had migrated to Edinburgh, seeking the mentorship of the era's most distinguished masters, Robert Scott Lauder and John Ballantyne. Under their rigorous tutelage, he developed a meticulous technique characterized by an extraordinary command over oil painting. His training was not merely technical but deeply philosophical; through his friendship with Professor John Stuart Blackie, Herdman became intimately acquainted with the richness of Celtic mythology and folklore. This influence acted as a guiding star for his artistic development, steering him away from mere academic realism toward a more evocative, narrative style that celebrated the pastoral beauty and spiritual heritage of Scotland.

Mastery of Portraiture and the Pastoral Ideal

Herdman’s professional ascent was marked by significant institutional recognition, including his election as an Associate of the Royal Scottish Academy in 1861 and his subsequent elevation to Fellow in 1863. His reputation as a premier portraitist was solidified through prestigious commissions from various Scottish city councils, where he captured the dignity, character, and gravitas of the nation's most prominent figures. In these works, one observes a masterful use of chiaroscuro, where light and shadow dance across the features of his subjects to reveal layers of psychological depth. His portrait of Thomas Carlyle in 1875 remains a hauntingly beautiful study, utilizing heavy impasto and somber tones to embody the intellectual intensity of the great historian. Yet, while his portraits commanded respect in the halls of power, it is perhaps his more intimate, idyllic scenes that have secured his place in the hearts of art lovers. Herdman possessed a unique ability to weave storytelling into the landscape, most notably through his celebrated series of paintings featuring young girls amidst picturesque, folkloric settings. In works such as "Morning", created in 1861, he presents a serene world where a child in a blue hat holds a musical instrument against a backdrop of tranquil mountains and water. These compositions are more than mere depictions of childhood; they are windows into a romanticized, pastoral Eden, reflecting a deep-seated nostalgia for a vanishing way of life.

Historical Significance and Artistic Endurance

The breadth of Herdman’s impact is evidenced by the enduring presence of his work in some of the world's most esteemed collections. From the National Portrait Gallery in London to the Royal Scottish Academy, his canvases continue to serve as vital touchstones for understanding the Victorian era's aesthetic and cultural shifts. His ability to bridge the gap between formal, high-society portraiture and the emotive, myth-driven landscapes of the Celtic movement allowed him to speak to a wide audience, from the political elite to the romantic dreamer. As we reflect on his life, several key elements define his enduring historical importance:
  • The Synthesis of Traditions: His unique ability to blend the rigorous academic training of Edinburgh with the burgeoning spirit of the Celtic Revival.
  • Narrative Depth: The use of landscape not just as a setting, but as a vessel for folklore, emotion, and spiritual contemplation.
  • Technical Versatility: A mastery that spanned from the somber, realistic studies of historical figures to the bright, delicate textures of his pastoral scenes.
Though he passed away in 1888, the vision of Robert Inerarity Herdman remains undimmed. His work continues to resonate as a testament to a period when art sought to reconcile the burgeoning modern world with the ancient, enchanting echoes of the Scottish past.