Peter Flötnerの肖像画

世界的に有名なPeter Flötnerの名作3点、そのすべてが唯一無二の芸術品

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 3点の Peter Flötnerの作品がカタログにあります

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Venus (1540)はPeter Flötnerの作品の中で最も注目を集めている絵画です。原画はシンシナティのシンシナティ美術館に所蔵されています。 その後、視線はPrudence (1546)とDesign for a wall decoration (1540)へと移ります。 当カタログに含まれるPeter Flötnerの3点の作品のうち、これら3点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。

1490 – 1546, Thurgau 最多収蔵館: シンシナティ美術館

ギャラリーの視点で選ぶ、Peter Flötnerによるトップ10作品

1
Venus (1540) による Peter Flötner

Venus

1540 · Bronze · シンシナティ美術館, シンシナティ

The bronze relief sculpture titled Venus by Peter Flötner, dating from about 1540, depicts two figures positioned in a narrative scene. The central figure is seated and oriented in profile. This figure possesses long hair and is draped in a garment that falls over one shoulder, leaving part of the torso exposed. In the left hand, the seated figure holds a small bird or animal, while the right hand is…

2
Prudence (1546) による Peter Flötner

Prudence

1546 · Acrylic On Canvas · ブダペスト美術館, ブダペスト

A Renaissance Echo in Bronze: Unveiling Peter Flötner’s “Prudence” Peter Flötner's "Prudence," crafted around 1546, isn’t merely a depiction of a mother and child; it’s a carefully constructed allegory steeped in the burgeoning humanist ideals of the Northern Renaissance. Born in Thurgau, Switzerland, around 1485, Flötner emerged as a significant figure in challenging the established sculptural traditions of his time, drawing heavily from the rediscovered elegance and dynamism of Italian…

3
Design for a wall decoration (1540) による Peter Flötner

Design for a wall decoration

1540 · Acrylic On Canvas · ベルリン国立博物館群, ベルリン

Design for a Wall Decoration by FLÖTNER, Peter Peter Flötner’s “Design for a Wall Decoration” stands as a testament to the burgeoning Renaissance Revival movement in Northern sculpture during the mid-fifteenth century—a period marked by an urgent desire to recapture the grandeur and humanist ideals of Italy. While overshadowed by luminaries like Albrecht Dürer, Flötner carved out a distinctive niche within German artistic circles, championing a stylistic approach that irrevocably…

Peter Flötnerが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

Peter Flötnerの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 3 の美術館

美術館 都市 Peter Flötnerの作品 このリストの絵画
シンシナティ美術館, シンシナティシンシナティ美術館 シンシナティ 1 Venus
ブダペスト美術館, ブダペストブダペスト美術館 ブダペスト 1 Prudence
ベルリン国立博物館群, ベルリンベルリン国立博物館群 ベルリン 1 Design for a wall decoration

Peter Flötnerの歩み:それぞれの作品が持つ唯一無二のオリジナル

1540年から1546年までの計7年間にわたり、Peter Flötnerはここに掲載されているすべての作品を、毎年欠かすことなく制作しました。

年別作品数

年代を選択して、当時のオリジナル作品を見る

Peter Flötnerの絵画:ギャラリーへの質問

Peter Flötnerの最も有名な作品は何ですか?答えを見る

Venus (1540)(シンシナティ美術館, シンシナティ)。次いでPrudence (1546)、Design for a wall decoration (1540)が続きます。

Peter FlötnerがVenusを制作したのは何歳の時ですか?答えを見る

50歳:Venusは1540年の作品で、Peter Flötnerの生年は1490年です。

Peter Flötnerの既知の作品数は?答えを見る

当カタログには、1540年から1546年にかけて制作されたPeter Flötnerによる3点の作品が収められています。

最も有名なPeter Flötnerのオリジナル作品はどこで見ることができますか?答えを見る

主にシンシナティ美術館 (シンシナティ), ブダペスト美術館 (ブダペスト) と ベルリン国立博物館群 (ベルリン)に所蔵されています。上記の美術館一覧にすべて記載されています。

Peter Flötnerが最も有名な作品を制作したのは、どの時期ですか?答えを見る

1540年:このページにある全3作品のうち、2作品がその時期に制作されました。そのうちVenus作品が含まれます。

Peter Flötnerの有名な絵画の中で、最も古い作品と最も新しい作品はどれですか?答えを見る

このページでは、最も古い作品はVenus (1540)、最新の作品はPrudence (1546)です。

Peter Flötnerが最も多く使用した画材は何ですか?答えを見る

このページに掲載されている全3作品のうち、2作品のAcrylic On Canvas

Peter Flötner:アーティストの肖像画

Peter Flötner: Renaissance Revival in Northern Sculpture

Peter Flötner (Flettner), born around 1485 in Thurgau, Switzerland, stands as a pivotal figure in the artistic landscape of the early sixteenth century – specifically, the burgeoning movement to infuse German sculpture and decorative arts with the grandeur of Italian Renaissance ideals. Often overshadowed by contemporaries like Albrecht Dürer and the Vischer family, Flötner’s contribution was nonetheless substantial: he championed a stylistic shift that fundamentally reshaped artistic expression across Northern Europe.
  • Early Life & Training: Little is known about Flötner's formative years beyond his birthplace and apprenticeship in Augsburg with Adolf Daucher. Daucher, himself a respected goldsmith, instilled in Flötner a foundational understanding of craftsmanship and metalworking techniques – skills that would prove invaluable throughout his career. Notably, Flötner participated in the intricate goldwork adorning the Fugger Chapel, demonstrating an early aptitude for blending artistic vision with technical mastery.
  • Italian Influence & Artistic Transformation: A journey to Italy during the mid-1520s profoundly impacted Flötner’s aesthetic sensibilities. Exposure to Florentine sculpture and architectural design ignited a passion for classical forms and principles, propelling him toward a distinctly Renaissance style. This influence is palpable in his subsequent works, where he consciously adopted techniques and motifs characteristic of the Italian Renaissance masters.
  • Nuremberg & Bürgereid: Flötner established himself as a sculptor in Nuremberg in 1522, marking a significant turning point in his artistic trajectory. Taking the “bürgereid,” or citizen oath—a solemn declaration of allegiance to the city’s republican ideals—underscored his commitment to civic engagement and solidified his position within Nuremberg's artistic community.

Notable Sculptures & Artistic Achievements

Flötner’s oeuvre encompasses a remarkable breadth of media, yet two sculptures stand out as emblems of his artistic prowess: the nude figure of Adam in Vienna’s Kunsthistorisches Museum and Apollo firing a bow on Nuremberg's Apollo Fountain. The Adam sculpture, executed around 1530, exemplifies Flötner’s mastery of wood carving—a medium he skillfully employed to convey anatomical precision and spiritual contemplation. Similarly, the Apollo fountain, conceived for the Herrenschiesshaus in Nuremberg and cast by Pankraz Labenwolf, showcases his collaborative spirit and ability to translate architectural designs into tangible artistic creations.
  • Adam Sculpture: This 34.5 cm limewood depiction of Adam embodies Flötner’s dedication to anatomical accuracy and idealized beauty—traits that align seamlessly with Renaissance sculptural conventions.
  • Apollo Fountain: The Apollo fountain represents Flötner's contribution to monumental sculpture, demonstrating his understanding of bronze casting techniques and architectural integration.

Printmaking & Dissemination of Style

Beyond sculpture, Flötner excelled as a printmaker, producing designs for furniture, altarpiece surrounds, ornamental panels, book illustrations, playing cards, and even a decorative alphabet. These prints served not merely as artistic expressions but also as crucial vehicles for disseminating the Italianate Renaissance style across Northern Europe—a trend initiated by Dürer’s groundbreaking prints. Flötner's plaques appeared in various metals, predominantly brass, mirroring the stylistic innovations championed by his influential predecessor.
  • Printmaking Technique: Flötner skillfully utilized etching and engraving techniques to capture architectural designs and decorative motifs with remarkable fidelity.
  • Influence on Artistic Trends: His prints played a pivotal role in shaping artistic tastes and promoting Renaissance ideals throughout Germany and beyond.

Legacy & Historical Significance

Peter Flötner’s legacy resides not only in his individual artworks but also in his broader impact on the artistic landscape of his time. He stands as a testament to the transformative power of cultural exchange—demonstrating how exposure to Italian Renaissance art could inspire innovation and revitalize artistic traditions within Germany. By championing classical forms and techniques, Flötner helped usher in an era of stylistic refinement and architectural grandeur, securing his place as one of the foremost sculptors and printmakers of the sixteenth century.