11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 156点の オズワルド・バーリーの作品がカタログにあります
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オズワルド・バーリーが遺したオリジナル作品の中で最も有名なものは、ロンドンのコートールド・ギャラリーに収蔵されているSir Robert Witt (1931)です。 それに次いで、Sir John Edwin Mitchell (1863–1931), OBE (1930)とErnest Rutherford (1871–1937) (1932)が続きます。 オズワルド・バーリーによる156点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する100点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。
This oil on canvas, titled Sir Robert Witt, was executed by the artist Oswald Birley in 1931. The portrait depicts a man seated in a formal manner, presented with a quiet dignity. The subject of the work was a successful lawyer and art historian who maintained a significant presence in the study of visual history.
In the quiet, commanding presence of Sir John Edwin Mitchell, one encounters the very essence of judicial authority and Edwardian gravitas. Painted in 1930, this portrait offers a profound window into a bygone era of legal prestige. The composition is masterfully centered, utilizing a classic three-quarter pose that invites the viewer into an intimate yet respectful encounter with the subject. As the eye meets the elderly man’s gaze, there is…
The oil on canvas depicts Ernest Rutherford, a man with graying hair and a mustache, presented in a formal academic setting. He is dressed in a black robe over a white shirt and a black tie. The subject is positioned centrally against a dark, muted background. A hint of a window appears on the right side of the frame, providing a subtle source of light that defines the contours of…
The subject is seated at a desk, his hands folded in a gesture of stillness. He wears the crimson robes of a Doctor of Civil Law, which contrast with the darker tones of his formal suit and tie. A pair of spectacles rests upon his face, and a well-groomed mustache sits above his mouth. The skin of his face shows the lines of age. In the background, the room contains…
The painting depicts a man in naval uniform seated at a desk. He is positioned in a way that suggests he is engaged in administrative or strategic work, with various papers spread before him. The subject wears a tie and a formal jacket, consistent with the attire of a high-ranking naval officer. His gaze is directed toward the documents, capturing a moment of quiet concentration. The lighting defines the contours…
In this 1905 portrait, we find ourselves in the presence of John Lancaster. He is seated in an ornate chair, his upper body filling the frame with a quiet, commanding presence. The composition is centered, drawing the eye immediately to the man himself, while the background remains dark and indistinct. This lack of environmental detail ensures that nothing distracts from the subject's steady, composed demeanor. He sits at a slight…
The room feels heavy with the silence of a courtroom, held within the stillness of this 1914 oil painting. Sir Ellis Jones Griffiths sits anchored in his chair, a figure of profound authority draped in the stark black of his judicial robe. A white wig, detailed with delicate frills, rests upon his head, framing a face that carries the deep lines of experience and the gravity of his station. The…
In this somber oil portrait, we encounter Mrs. Henry E. Huntington (Arabella Duvall Yarrow Huntington Huntington). The subject sits with a quiet, heavy dignity, her presence defined by the weight of her mourning attire. A dark veil rests upon her, partially obscuring her features, while dark beaded necklaces hang against her clothing. Every detail of her dress speaks to a period of profound loss and formal remembrance.
This formal portrait painting by Oswald Birley depicts Joseph E. Widener. Created about 1928, the work presents the subject in a three-quarter view. Widener was an American Thoroughbred horse race owner and breeder who managed the family estate and was a member of the wealthy Widener family. He was also a prominent figure in the Jockey Club and a significant art collector who donated over 2,000 works of art to…
In this masterful oil portrait from 1932, Sir Oswald Birley captures more than just a likeness; he preserves the very essence of intellectual triumph. The subject, Ernest Rutherford, Lord Rutherford of Nelson, stands as a monumental figure of the twentieth century, rendered with a dignity that transcends the mere physical form. As the Cavendish Professor, Rutherford was a titan of physics, and Birley utilizes a traditional studio portrait style to…
Hastings Rashdall (1858–1924)1923 · New College
12
Andrew W. Mellon1933
13
Geoffrey Luttrell (1887–1957)1929 · Dunster Castle
14
Portrait of a Rhodes Trustee1929 · The Rhodes Trust
15
John Viscount Sankey1929 · Jesus College
16
Sir Thomas Kelly, Lord Provost of Glasgow (1929–1932)1932
17
John Sampson Furley (1855–1949), Mayor of Winchester1938
18
Diana Langton, Lady Montgomery-Massingberd (1872 -1963)1943
19
Field-Marshal Sir Archibald Montgomery-Massingberd GCB, GCVO, KCMG (1871-1947)1943
20
Air Marshal Sir Richard Peirse (1892–1970), KCB, DSO, AFC1940
21
Marye Frances Pole Carew (b. 1903)1947 · Antony House
22
Cynthia Mary Burns, Lady Carew Pole (d.1977)1945 · Antony House
23
Admiral of the Fleet Sir James Somerville (1882–1949), GCB1947
24
Admiral of the Fleet Viscount Cunningham (1883–1963)1947
25
Sir Charles Wright (1876–1950)1944
26
Viscount Bledisloe of Lydney (1867–1958), Governor General of New Zealand, Former Student and Chairman of Governors (1919–1922)1946
27
Right Honourable Edward William Spencer (1895–1950), 10th Duke of Devonshire1950 · The Library And Museum of Freemasonry
28
Sydney George Holland (1855–1931), 2nd Viscount Knutsford, Chairman of The London Hospital (1896–1914)1914 · Royal London Hospital
29
Colonel Charles Harold Tetley, DSO, TD, MA, LLD, DL, Pro Chancellor of the University of Leeds (1926–1946)1943 · The Stanley - Audrey Burton Gallery
30
William Francis Victor Bonney (1872–1953)1926
31
Henry Richard Lloyd Howard of Wigfair (1853–1922), CB1900
32
Admiral Sir Arthur J. Power (1889–1960)
33
Colonel Richard Prescott Decie (d.1927), on Retirement from the County Council1910
34
General the Lord Rawlinson (1864–1925), Commandant, Staff College (1905–1906) (copy of an earlier painting)1906
35
Field Marshal Sir Henry Wilson (1864–1922), Bt, GCB, DSOBelfast City Hall
36
Annie Allen Cunard (1863–1944), Lady WenlockNational Trust
37
Charles Lupton (1855–1935), Chairman of the Leeds General Infirmary (1900–1921), Lord Mayor of Leeds (1915–1916), Deputy Lieutenant of the West Riding, Yorkshire (1918)Leeds Art Gallery
38
The Spanish Plume1912
39
Rufus Isaacs (1860–1935)1914 · Reading Museum - Town Hall
40
Sir William Ffoulkes (1847–1912), Bt1912
41
HM King George V (1865–1936)1935 · The Fusilier Museum London
42
J. Bowan Jones1922 · Ludlow Museum Resource Centre
43
Glyn Warren Philpot1920 · ナショナル・ポートレート・ギャラリー
44
Sir Gerald Kelly1920 · ナショナル・ポートレート・ギャラリー
45
The Right Honourable Cecil John Rhodes (1853–1902)1922 · County Hall
46
George V (1865–1936)1928
47
Major General Ivor Herbert (1851–1933), 1st Baron Treowen1928
48
Llewellyn Lloyd Mostyn (1856–1952), 3rd Baron Mostyn1928
49
James Herbert Benyon (1849–1935)1928 · The University of Reading
50
Alfred Thomas (1840–1927), 1st Lord Pontypridd1927
51
Henry Campbell Bruce (1851–1929), 2nd Baron Aberdare1928
52
Bernard Moore (1850–1935)1924
53
George Blackall Simonds (1843–1929)1927 · Reading Museum - Town Hall
54
General Lord Rawlinson of Trent (1864–1925), GCB, GCSI, GCVO, KCMG1925
55
The Right Honourable Ailwyn Edward Fellowes (1855–1924), First Baron Ailwyn of Honingham1924
56
Cara Leyland Rogers (1867–1939), Lady Fairhaven1925 · National Trust
57
Huttleston Rogers Broughton (1896–1966), 1st Lord Fairhaven, in the Ceremonial Uniform of the 1st Life Guards1925 · National Trust
58
Sir John Moore (1761–1809), KB1927
59
Lieutenant Colonel George Augustus Anson (b.1857), CBE1930 · Staffordshire County Buildings
60
Lieutenant Colonel, Henry Gilbert Ralph Nevill, 3rd Marquess of Abergavenny (1854 – 1938)1930
61
Sir James Colquhoun Irvine (1877–1952)1933
62
Lloyd Kenyon (1864–1927), 4th Baron Kenyon1931
63
Lord Wakefield1932
64
Henry Nevill (1854–1938), 3rd Marquess of Abergavenney1930
65
Lieutenant General Sir Hastings Anderson (1872–1930), Commandant, Staff College (1919–1922)1931
66
Sir Arthur Churchman (1867–1949), Lord Woodbridge1929
67
Ivor Windsor Clive (1889–1943), 2nd Earl of Plymouth1933
68
Urban Hanlon Broughton (1857–1929)1931 · National Trust
69
Samuel Howard Whitbread (1858–1944), MP, CB, LL1930 · Bedford Magistrates' Court
70
Haywood Lonsdale (d.1976)1931 · Ludlow Museum Resource Centre
71
John Simon, Viscount Simon (1873–1954), Lord Chancellor1933
72
Sir William Reardon Smith (1856–1935)1930 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
73
Sir Joseph Priestly, KC, Chairman of the County Council (1930–1939)1929 · County Hall
74
Lady Ellen Reardon Smith (1857–1939)1930 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
75
Louis Carnac Rivett, Esq. (1888–1947), MA, MC, FRCS, MCOG1933 · Royal College of Obstetricians And Gynaecologists
76
William Ewert Berry, 1st Viscount Camrose1933
77
Lieutenant General Sir Thomas Snow (1858–1940), KCB, KCMG1931
78
Lieutenant Colonel Ralph Charles Donaldson Hudson (1874–1941)1929 · Ludlow Museum Resource Centre
79
King George V1933
80
Frederick Edwin Smith, 1st Earl of Birkenhead (replica of an original of c.1922 by the artist)1932
81
John Reith (1889–1971), 1st Baron Reith of Stonehaven, Director General of the British Broadcasting Corporation1933
82
Colonel Charles Elton Longmore (d.1930), County Treasurer (1878–1894), Clerk of the Peace and Chairman of the County Council (1894–1930), Honorary Colonel 1st Hertfordshire Regiment (1921–1930)1931 · County Hall
83
John Sampson Furley (1855 - 1949)1938
84
Captain Dale1936
85
The Right Honourable Joseph Chamberlain (1836–1914), PC, MP1937
86
William Henry Abbey1935
87
Alfred Charles Leney, JP1934
88
Sir William Crundall (b.1847)1936
89
Sir Cyril Norwood1934 · St John's College
90
Courtauld Greenwood (1865–1954), Later Baron Courtauld Thomson KBE, CB1937
91
Alderman H. Astley Bell1936 · Harris Museum - Art Gallery
92
Portrait of a Man in Academic Dress1937 · Ludlow Library - Museum Resource Centre
93
Sir James Crichton Browne (1840–1938)1934 · Crichton Royal Hospital
94
Sir Thomas Barlow (1845–1945), 1st Bt1935
95
Miss Winifred Mercier (1874–1934), MA, CBE, Principal of Whitelands College (1918–1934)1938 · Whitelands College
96
Lord Hirst of Witton1934
97
Christopher Maude Chavasse (1884–1962), Founding First Master of St Peter's Hall (1928–1939)1938 · St Peter's College
98
Gordon Hewart, 1st Viscount Hewart1935
99
Diana Langton (1872–1963), Lady Montgomery Massingberd1943
100
George VI (1895–1952)1939 · Royal Veterinary College
#7 Sir Ellis Jones Griffiths (1860–1926), KC
#11 Hastings Rashdall (1858–1924)
#28 Sydney George Holland (1855–1931), 2nd Viscount Knutsford, Chairman of The London Hospital (1896–1914)
#36 Annie Allen Cunard (1863–1944), Lady Wenlock
#37 Charles Lupton (1855–1935), Chairman of the Leeds General Infirmary (1900–1921), Lord Mayor of Leeds (1915–1916), Deputy Lieutenant of the West Riding, Yorkshire (1918)
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
#11 Hastings Rashdall (1858–1924)
#16 Sir Thomas Kelly, Lord Provost of Glasgow (1929–1932)
#26 Viscount Bledisloe of Lydney (1867–1958), Governor General of New Zealand, Former Student and Chairman of Governors (1919–1922)
#28 Sydney George Holland (1855–1931), 2nd Viscount Knutsford, Chairman of The London Hospital (1896–1914)
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | オズワルド・バーリーの作品 | このリストの絵画 |
|---|---|---|---|
 Ludlow Museum Resource Centre |
Ludlow | 5 | J. Bowan Jones, Haywood Lonsdale (d.1976), Lieutenant Colonel Ralph Charles Donaldson Hudson (1874–1941) |
 County Hall |
Hertford | 3 | The Right Honourable Cecil John Rhodes (1853–1902), Sir Joseph Priestly, KC, Chairman of the County Council (1930–1939), Colonel Charles Elton Longmore (d.1930), County Treasurer (1878–1894), Clerk of the Peace and Chairman of the County Council (1894–1930), Honorary Colonel 1st Hertfordshire Regiment (1921–1930) |
 National Trust |
Cambridge | 3 | Cara Leyland Rogers (1867–1939), Lady Fairhaven, Huttleston Rogers Broughton (1896–1966), 1st Lord Fairhaven, in the Ceremonial Uniform of the 1st Life Guards, Urban Hanlon Broughton (1857–1929) |
 Antony House |
4 | Marye Frances Pole Carew (b. 1903), Cynthia Mary Burns, Lady Carew Pole (d.1977) | |
 Staffordshire County Buildings |
Stoke-on-Trent | 3 | Sir John Edwin Mitchell (1863–1931), OBE, Lieutenant Colonel George Augustus Anson (b.1857), CBE |
 Reading Museum - Town Hall |
Reading | 2 | Rufus Isaacs (1860–1935), George Blackall Simonds (1843–1929) |
 ナショナル・ポートレート・ギャラリー |
ロンドン | 2 | Glyn Warren Philpot, Sir Gerald Kelly |
 Llyfrgell Genedlaethol Cymru / The National Library of Wales |
アベリストイース | 2 | Sir William Reardon Smith (1856–1935), Lady Ellen Reardon Smith (1857–1939) |
その時代を象徴する名作を見るために、年代を選択してください。
In this 1905 portrait, we find ourselves in the presence of John Lancaster. He is seated in an ornate chair, his upper body filling the frame with a quiet, commanding presence. The composition is centered, drawing the eye immediately to the man himself, while the background remains dark and indistinct. This lack of environmental detail ensures that nothing distracts from the subject's steady, composed demeanor. He sits at a slight…
The room feels heavy with the silence of a courtroom, held within the stillness of this 1914 oil painting. Sir Ellis Jones Griffiths sits anchored in his chair, a figure of profound authority draped in the stark black of his judicial robe. A white wig, detailed with delicate frills, rests upon his head, framing a face that carries the deep lines of experience and the gravity of his station. The…
In this somber oil portrait, we encounter Mrs. Henry E. Huntington (Arabella Duvall Yarrow Huntington Huntington). The subject sits with a quiet, heavy dignity, her presence defined by the weight of her mourning attire. A dark veil rests upon her, partially obscuring her features, while dark beaded necklaces hang against her clothing. Every detail of her dress speaks to a period of profound loss and formal remembrance.
This oil on canvas, titled Sir Robert Witt, was executed by the artist Oswald Birley in 1931. The portrait depicts a man seated in a formal manner, presented with a quiet dignity. The subject of the work was a successful lawyer and art historian who maintained a significant presence in the study of visual history.
The subject is seated at a desk, his hands folded in a gesture of stillness. He wears the crimson robes of a Doctor of Civil Law, which contrast with the darker tones of his formal suit and tie. A pair of spectacles rests upon his face, and a well-groomed mustache sits above his mouth. The skin of his face shows the lines of age. In the background, the room contains…
The subject of this oil on canvas is the Right Honourable Edward William Spencer, the 10th Duke of Devonshire. He is depicted as an elderly man, positioned slightly off-center to the right of the frame. He wears ceremonial robes that suggest a high-ranking position or membership in an esteemed order. These garments feature heavy folds and textures rendered in shades of white, cream, and grey, accented by touches of red…
Sir Robert Witt (1931)（コートールド・ギャラリー, ロンドン）。次いでSir John Edwin Mitchell (1863–1931), OBE (1930)、Ernest Rutherford (1871–1937) (1932)が続きます。
51歳：Sir Robert Wittは1931年の作品で、オズワルド・バーリーの生年は1880年です。
Sir Robert Witt, Sir John Edwin Mitchell (1863–1931), OBE, Ernest Rutherford (1871–1937), Clement Attlee (1883–1967), 1st Earl Attlee, Wearing DCL Robes, Commoner, Prime Minister (1945–1951), Admiral Sir Bertram Ramsay (1883–1945), KCB, John Lancaster (1842–1918), Sir Ellis Jones Griffiths (1860–1926), KC, Mrs. Henry E. Huntington (Arabella Duvall Yarrow Huntington Huntington), Joseph E. Widener と Ernest Rutherford, Lord Rutherford of Nelson (1871–1937), Cavendish Professor (1919–1937)。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1900年から1950年にかけて制作されたオズワルド・バーリーによる156点の作品が収められています。
主にLudlow Museum Resource Centre (Ludlow), County Hall (Hertford) と National Trust (Cambridge)に所蔵されています。上記の美術館一覧にすべて記載されています。
1930s年：このページにある全100作品のうち、46作品がその時期に制作されました。そのうちSir Robert Witt作品が含まれます。
このページでは、最も古い作品はHenry Richard Lloyd Howard of Wigfair (1853–1922), CB (1900)、最新の作品はRight Honourable Edward William Spencer (1895–1950), 10th Duke of Devonshire (1950)です。
このページに掲載されている100点の作品におけるPortrait (14), Man (13) と Portraiture (7)
このページに掲載されている全100作品のうち、24作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Contemporary realismです。
J. Bowan Jones, Haywood Lonsdale (d.1976) と Lieutenant Colonel Ralph Charles Donaldson Hudson (1874–1941)：Ludlow Museum Resource Centre, Ludlowには、このページに掲載されている作品のうち3点が所蔵されています。
サー・オズワルド・ホーンビー・ジョセフ・バーリーは、英国肖像画の歴史において極めて重要な足跡を残した人物であり、その筆致は、変革と壮麗さが交錯する時代の真髄を捉えてきました。1880年3月31日、軍事史において重い足跡を持つ父ヒュー・フランシス・バーリーの血筋のもとに生まれた彼は、英国上流階級の規律ある伝統の中でその幼少期を過ごしました。ハロー校やケンブリッジ大学トリニティ・カレッジでの学びは、単なるエリート教育に留まりませんでした。それは彼の中に古典学への深い造詣と、後に彼の芸術的習熟の代名詞となる緻密な観察眼を育んだのです。この知的な基盤があったからこそ、彼は肖像画を単なる技術的な習練としてではなく、被写体の内面を探求する深い心理学的探究として捉えることができました。
バーリーの人生の軌跡は、第一次世界大戦の勃発によって決定的に変容することになります。王立フュジリア連隊、そして後に諜報部において見事な功績を挙げた彼は、その勇気により1919年にミリタリー・クロスを受章しました。この激動の戦時下における経験は、彼の精神に比類なき深みをもたらし、後の作品に人間の強靭さ、指導力、そして責任の重みに対する深い洞察を吹き込むこととなりました。戦争の影と諜報活動という重責に触れた経験は、世界的な影響力を持つ人物を描く際、その表面的な名声を超えて、その奥底に潜む人間性を描き出す、繊細で魂のこもったリアリズムへと昇華されていったのです。
バーリーが芸術界の頂点へと登り詰めたのは、英国王室との類まれな関係によって確固たるものとなりました。国王ジョージ5世とクイーン・メアリーの庇護を得たことで、彼はエドワード朝から戦間期にかけての時代を記録する、最も重要な画家となったのです。光の精緻な操り、繊細な階調の変化、そして質感への細やかなこだわりを特徴とする彼のスタイルは、王室の装飾品を息を呑むような正確さで描き出すと同時に、被写体の精神との親密な繋がりを維持することに成功しました。彼は単に王冠やアーミン（白テンの毛皮）を描いたのではありません。彼はそこに宿る威厳と、統治という重責そのものを描き出したのです。
その才能は宮廷の壁を越え、真にグローバルな広がりを見せました。20世紀を代表する指導者たちが次々と彼の前に姿を現したのです。彼のポートフォリオはまさに歴史の視覚的記録であり、以下のような象徴的な人物たちの面影を今に伝えています。
貴族階級の華麗な舞台から、政治的革命家たちの峻厳で力強い存在感まで、その対象を自在に描き分ける能力は、彼の天才的な多才さを証明しています。シルクやベルベットの質感と、被写体の眼差しが放つ剥き出しの心理的強度が絶妙な均衡を保つ彼の作品群は、構図の美しさのみならず、人物の品格そのものを語りかけてくるのです。
サー・オズワルド・バーリーが不朽の価値を持ち続けている理由は、伝統的なアカデミックな肖像画と、より現代的な心理的リアリズムとの架け橋となった点にあります。その技法は、緻密なディテールと形式的な優雅さという古典的伝統に根ざしていましたが、被写体の内面的な生命に焦点を当てたその姿勢は、後の肖像画家たちに見られる感情的な深みの先駆けとなりました。彼は光を単に形を定義するためだけではなく、情緒や歴史的な重みを示唆するために用いる稀有な才能を持っていました。一筆一筆が意図的であり、それが作品全体に永続性と追憶の空気感をもたらしているのです。
彼の生涯と作品を振り返るとき、バーリーは単なるエリートの画家であることを超え、「人間の顔の歴史家」であったと言えるでしょう。彼の肖像画は、失われた世界へと通じる窓であり、近代を形作った人々の面影を保存しています。その卓越した表現力によって、サー・オズワルド・バーリーは、被写体たちが抱いた威厳、葛藤、そして勝利の記憶を、芸術界の集合的記憶の中に永遠に刻み込んだのです。
