Marie Cazinの肖像画

世界的に有名なMarie Cazinの名作15点、そのすべてが唯一無二の芸術品

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 18点の Marie Cazinの作品がカタログにあります

要約すると

Les Oubliées (1890)はMarie Cazinの作品の中で最も注目を集めている絵画です。原画はトゥールのMusée des Beaux-Arts de Toursに所蔵されています。 その後、視線はShepherd (1905)とMother and Child (1905)へと移ります。 当カタログに含まれるMarie Cazinの18点の作品のうち、これら15点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。

1844 – 1924, Paimbœuf 最多収蔵館: ヨーク・アート・ギャラリー

ギャラリーの視点で選ぶ、Marie Cazinによるトップ10作品

1
Les Oubliées (1890) による Marie Cazin

Les Oubliées

1890 · Lithograph · Musée des Beaux-Arts de Tours, トゥール

Marie Cazin’s 1890 work, Les Oubliées, presents a somber, asymmetrical arrangement within a park-like setting. The primary subjects are concentrated in the lower right quadrant, where a seated woman gazes upward with an expression of longing or despair. A young girl leans against her, while a small child lies on the ground at their feet. This intimate grouping is balanced by the upper left, which is dominated by the airy,…

2
Shepherd (1905) による Marie Cazin

Shepherd

1905 · Oil On Canvas

Marie Cazin’s Shepherd presents a tranquil, rural scene of pastoral life. The composition is organized around a large tree positioned on the right side of the frame, beside which a shepherd stands. This figure is oriented toward a flock of sheep grazing within a hilly landscape. The arrangement directs the eye across the terrain, establishing a quiet connection between the human presence and the livestock.

3
Mother and Child (1905) による Marie Cazin

Mother and Child

1905 · Oil

In the medium shot of Mother and Child by Marie Cazin, a quiet stillness settles over a wooden bench. A woman sits in profile, her body turned toward the right. She wears a dark, heavy skirt that anchors the lower half of the frame, contrasted by the lightness of her blouse or shawl. Resting in her lap, an infant is draped in pale clothing, looking outward toward the viewer or…

4
Evening による Marie Cazin

Evening

The twilight settles over the coast in Evening, an oil painting by Marie Cazin. Born in 1844 in Paimbœuf, France, the artist captures a moment where the day retreats and the shadows begin to claim the land. This scene unfolds as a dramatic intersection of the natural world and human presence, where a heavy plume of smoke rises into the cooling air. The sky holds the last traces of light,…

5
The Harbour Lights (1885) による Marie Cazin

The Harbour Lights

1885 · Oil On Canvas · Sheffield City Art Galleries, シェフィールド

The evening air settles over the water in The Harbour Lights, a work painted by Marie Cazin in 1885. This scene captures a quiet moment at the edge of the sea, where the sky meets the horizon in a soft, dramatic transition. The light from the setting sun filters through heavy clouds, casting a glow across the landscape as the day begins to fade. Small boats drift upon the surface,…

6
Evening (1888) による Marie Cazin

Evening

1888 · Oil On Canvas

The scene unfolds in the work titled Evening, a creation by the French artist Marie Cazin. This oil paint on canvas captures a specific moment of transition, where the daylight begins to retreat and the atmosphere thickens with the presence of industrial smoke. The work emerges from about 1888, a period when the artist was deeply engaged with the shifting landscapes of her era.

Marie Cazinの名作、11〜15点目

Marie Cazinが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

Marie Cazinの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 6 の美術館

美術館 所在都市 Marie Cazinの作品 このリストの絵画
ヨーク・アート・ギャラリー, ヨークヨーク・アート・ギャラリー ヨーク 2 A Lane, Landscape, Village among Trees
Musée des Beaux-Arts de Tours, トゥールMusée des Beaux-Arts de Tours トゥール 1 Les Oubliées
ナショナル・ギャラリー, ロンドンナショナル・ギャラリー ロンドン 1 Evening
Sheffield City Art Galleries, シェフィールドSheffield City Art Galleries シェフィールド 1 The Harbour Lights
Paisley Art Institute Collection, ペイズリーPaisley Art Institute Collection ペイズリー 1 The Sentry
Russell-Cotes Art Gallery - Museum, ボーンマスRussell-Cotes Art Gallery - Museum ボーンマス 1 Stone Yard, Old Houses in Paris, France

Marie Cazinの数十年にわたる軌跡:それぞれに唯一無二のオリジナル作品を

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

Marie Cazinの絵画:ギャラリーへの質問

Marie Cazinの最も有名な作品は何ですか?答えを見る

Les Oubliées (1890)(Musée des Beaux-Arts de Tours, トゥール)。次いでShepherd (1905)、Mother and Child (1905)が続きます。

Marie CazinがLes Oubliéesを制作したのは何歳の時ですか?答えを見る

46歳:Les Oubliéesは1890年の作品で、Marie Cazinの生年は1844年です。

Marie Cazinの最も有名な10作品は何ですか?答えを見る

Les Oubliées, Shepherd, Mother and Child, Evening, The Harbour Lights, Evening, Figure on a Country Lane, Landscape with Mill, Outskirts of Abbeville と A Street in Normandy。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Marie Cazinの既知の作品数は?答えを見る

当カタログには、1885年から1905年にかけて制作されたMarie Cazinによる18点の作品が収められています。

最も有名なMarie Cazinのオリジナル作品はどこで見ることができますか?答えを見る

主にヨーク・アート・ギャラリー (ヨーク), Musée des Beaux-Arts de Tours (トゥール) と ナショナル・ギャラリー (ロンドン)に所蔵されています。上記の美術館一覧にすべて記載されています。

Marie Cazinが最も有名な作品を制作したのは、どの時期ですか?答えを見る

1880s年:このページにある全15作品のうち、2作品がその時期に制作されました。そのうちThe Harbour Lights作品が含まれます。

Marie Cazinの有名な絵画の中で、最も古い作品と最も新しい作品はどれですか?答えを見る

このページでは、最も古い作品はThe Harbour Lights (1885)、最新の作品はShepherd (1905)です。

Marie Cazinが好んだ主題は何ですか?答えを見る

このページに掲載されている15点の作品におけるLandscape (3), Clouds (3) と Woman (2)

Marie Cazinが最も多く使用した画材は何ですか?答えを見る

このページに掲載されている全15作品のうち、3作品のOil On Canvas

ヨーク・アート・ギャラリーでは、Marie Cazinのオリジナル作品を何点鑑賞できますか?答えを見る

A Lane と Landscape, Village among Trees:ヨーク・アート・ギャラリー, ヨークには、このページに掲載されている作品のうち2点が所蔵されています。

Marie Cazin:アーティストの肖像画

Marie Cazin: A Pioneer of Impressionistic Landscape Painting

Marie Cazin (1844 – 1924) stands as a remarkable figure in the annals of French art history, particularly recognized for her contribution to landscape painting and sculptural artistry during the Belle Époque. Born Marie Clarisse Marguerite Guillet in Paimbœuf, Brittany, she embarked on an artistic journey marked by unwavering dedication and collaboration with fellow artists like Juliette Peyrol-Bonheur and Jean-Charles Cazin—whom she married in 1868—establishing herself as a prominent voice within the burgeoning Impressionist movement. Her life’s work embodies a profound engagement with capturing the beauty of the natural world alongside exploring themes of femininity and labor, cementing her legacy as an artist who championed both artistic innovation and social commentary.
  • Early Life & Education: Cazin's formative years were spent in Paimbœuf, where she honed her artistic skills under the tutelage of Juliette Peyrol-Bonheur, a celebrated Impressionist painter herself. This mentorship instilled in her a deep appreciation for plein air painting—working outdoors directly from observation—a technique central to the Impressionistic aesthetic.
  • Marriage & Artistic Partnership: Her union with Jean-Charles Cazin fostered an enduring artistic collaboration. Together, they navigated the challenges of establishing a career as artists while raising a family, fostering a supportive environment for creative exploration.

The Flowering of Impressionism and Sculptural Recognition

Cazin’s artistic breakthrough arrived in the 1870s when she began exhibiting her paintings at the Salon des Artistes Français, gaining exposure to Parisian art circles and attracting critical acclaim. Notably, she participated in the Royal Academy of Arts exhibitions of 1874 and 1878, showcasing her talent alongside other prominent artists of the time. However, it was her foray into sculpture that truly distinguished her artistic achievements. Collaborating closely with Jean-Charles Cazin, she created monumental sculptures like “The Young Ladies,” which garnered considerable attention and were purchased by the government in 1899—now housed at the Musée du Luxembourg—demonstrating her versatility as an artist across mediums. Her involvement with Les XX, a group of avant-garde artists advocating for artistic freedom and experimentation, further solidified her position within the intellectual landscape of Belle Époque Paris.
  • Les XX & Artistic Innovation: Joining Les XX allowed Cazin to engage in dialogues about art’s role in society and contribute to discussions surrounding artistic expression beyond traditional conventions.
  • International Recognition: Her work was showcased at the Exposition Universelle of 1889 in Paris, attracting international visitors and bolstering her reputation as a skilled artist.

Themes of Femininity & Labor – A Distinctive Vision

Cazin’s artistic vision consistently centered on portraying women engaged in everyday activities—a deliberate choice that reflected the societal context of her time while simultaneously challenging conventional representations of femininity. Her paintings frequently depicted women working in rural settings, capturing scenes of agricultural labor and domestic life with sensitivity and realism. This focus wasn't merely stylistic; it served as a commentary on the role of women in society and championed their contributions to the economic fabric of France.

Legacy & Enduring Influence

Marie Cazin’s artistic legacy extends beyond her individual creations—she nurtured the creative spirit within her son, Michel Cazin, who became a celebrated engraver, continuing the family's artistic tradition. Her enduring influence can be seen in her contributions to decorative arts, particularly her frescoes commissioned for the Gobelins Manufactory, and her involvement in memorial sculpture projects honoring figures like Hubert Cazin and Paul perrochaud. Ultimately, Marie Cazin remains an inspiring example of a female artist who navigated the complexities of artistic ambition with unwavering conviction—a testament to her enduring contribution to French art history.