Ludolf de Jonghの肖像画

世界的に有名なLudolf de Jonghの名作38点、そのすべてが唯一無二の芸術品

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 39点の Ludolf de Jonghの作品がカタログにあります

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The Terrace (1660)はLudolf de Jonghの作品の中で最も注目を集めている絵画です。原画はシカゴのシカゴ美術館に所蔵されています。 その後、視線はPortrait of Petrus Purmerent (1588 - 1663), pastor of the St. Johannes de Doper in Gouda. (1630)とMusical Couple (1641)へと移ります。 当カタログに含まれるLudolf de Jonghの39点の作品のうち、これら38点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。

1616 – 1679, Rotterdam 最多収蔵館: 国立美術館

ギャラリーの視点で選ぶ、Ludolf de Jonghによるトップ10作品

1
The Terrace (1660) による Ludolf de Jongh

The Terrace

1660 · Oil On Canvas · シカゴ美術館, シカゴ

The Terrace is an oil on canvas work by the Dutch artist Ludolf de Jongh. Executed about 1660, this genre scene captures a social encounter within an elegant outdoor setting. The artist, born in Rotterdam, Netherlands, was a prominent figure in the Dutch Golden Age, known for his ability to render complex human interactions and detailed environments.

2
Portrait of Petrus Purmerent (1588 - 1663), pastor of the St. Johannes de Doper in Gouda. (1630) による Ludolf de Jongh

Portrait of Petrus Purmerent (1588 - 1663), pastor of the St. Johannes de Doper in Gouda.

1630 · Oil · Museum Gouda, ハウダ

The portrait presents a medium close-up of an elderly man, identified as Petrus Purmerent, positioned slightly off-center against a dark, indistinct background. The subject is depicted from the chest up, wearing a heavy, matte black garment that absorbs much of the light. A stiff white collar provides the highest point of contrast in the composition, framing a face marked by weathered skin and a thin, coarse mustache. Light enters from…

3
Musical Couple (1641) による Ludolf de Jongh

Musical Couple

1641 · Graphite

In the faint traces of "Musical Couple" by Ludolf de Jongh, a quiet presence emerges from the off-white grain of the paper. The work appears as a highly faint, almost invisible sketch, a ghostly underdrawing that whispers of a thought once held by the artist. At the center of this minimalist composition, a portrait of a person, possibly a man, rests in a delicate arrangement of head and shoulders. The…

4
Portrait of Pastor Willem de Swaen (1652) による Ludolf de Jongh

Portrait of Pastor Willem de Swaen

1652 · Oil On Panel · Museum Gouda, ハウダ

The Portrait of Pastor Willem de Swaen by Ludolf de Jongh brings a quiet, scholarly presence into the room. Created in 1652, this work captures Willem de Swaen, who serves as a pastor at Gouda. He meets our gaze from within a formal, dignified setting, appearing as a man of significant intellect and spiritual weight. The portrait presents him in a three-quarter view, a position that invites the viewer into…

5
Landscape with a Shooting Party (1649) による Ludolf de Jongh

Landscape with a Shooting Party

1649 · Oil On Canvas · National Gallery of Ireland, ダブリン

Step into the quiet, expansive atmosphere of the 1640s. In this oil on canvas, we find ourselves looking out over a vast, rolling landscape that seems to stretch toward a hazy, distant horizon. The scene is set during that soft, directional light of late afternoon, where the sun casts long shadows across the rugged terrain. A group of figures, a shooting party, moves through the foreground, their presence grounding the…

8
Portrait of Willem Everwijn with his Horse and Two Huntsmen (1655) による Ludolf de Jongh

Portrait of Willem Everwijn with his Horse and Two Huntsmen

1655 · Oil On Canvas · Huis Zypendaal, アーネム

In this formal and dignified group portrait, Ludolf de Jongh presents the Portrait of Willem Everwijn with his Horse and Two Huntsmen, a work dating from about 1655. The composition is tightly grouped in the foreground, bringing the viewer into an intimate proximity with the subjects. Three men and a horse occupy the immediate space, set against a dramatic, cloudy sky that provides a sense of movement and depth behind…

9
Isaac van Buren (1651) による Ludolf de Jongh

Isaac van Buren

1651 · Oil

In the portrait of Isaac van Buren by Ludolf de Jongh, a sense of quiet gravity fills the space. The composition is a vertical bust-length study, positioning the man slightly off-center to create a subtle tension within the frame. He emerges from a deep, undifferentiated black background that offers no distractions, forcing the eye to settle entirely upon his presence. This void behind him makes the subject feel as though…

10
Elisabeth Kievit named Bishop (died 1700) (1651) による Ludolf de Jongh

Elisabeth Kievit named Bishop (died 1700)

1651 · Oil On Canvas

A quiet dignity settles over the canvas as we meet Elisabeth Kievit. She sits in a moment of stillness, her gaze steady and neutral, meeting the viewer from a shallow space that feels almost intimate. The light, descending softly from the upper left, brushes against the curve of her cheek and the delicate lace of her collar, carving her form out of a deep, dark void. Her gown, a heavy…

Ludolf de Jonghの名作、11〜38点目

Ludolf de Jonghが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

Ludolf de Jonghの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 8 の美術館

美術館 都市 Ludolf de Jonghの作品 このリストの絵画
国立美術館, アムステルダム国立美術館 アムステルダム 3 Portrait of Aletta van Ravensberg, Portrait of Jan van Nes, Fox hunting
Museum Gouda, ハウダMuseum Gouda ハウダ 2 Portrait of Petrus Purmerent (1588 - 1663), pastor of the St. Johannes de Doper in Gouda., Portrait of Pastor Willem de Swaen
National Gallery of Ireland, ダブリンNational Gallery of Ireland ダブリン 2 Landscape with a Shooting Party, A Canal Boat Station
シカゴ美術館, シカゴシカゴ美術館 シカゴ 1 The Terrace
North Carolina Museum of Art, RaleighNorth Carolina Museum of Art Raleigh 1 Soldiers at Reveille
Huis Zypendaal, アーネムHuis Zypendaal アーネム 1 Portrait of Willem Everwijn with his Horse and Two Huntsmen
Groninger Museum, フローニンゲンGroninger Museum フローニンゲン 1 Inn with Resting Hunters
バージニア美術館, リッチモンドバージニア美術館 リッチモンド 1 A Young Boy

Ludolf de Jonghの数十年にわたる軌跡:それぞれに唯一無二のオリジナル作品を

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

Ludolf de Jonghの絵画:ギャラリーへの質問

Ludolf de Jonghの最も有名な作品は何ですか?答えを見る

The Terrace (1660)(シカゴ美術館, シカゴ)。次いでPortrait of Petrus Purmerent (1588 - 1663), pastor of the St. Johannes de Doper in Gouda. (1630)、Musical Couple (1641)が続きます。

Ludolf de JonghがThe Terraceを制作したのは何歳の時ですか?答えを見る

44歳:The Terraceは1660年の作品で、Ludolf de Jonghの生年は1616年です。

Ludolf de Jonghの最も有名な10作品は何ですか?答えを見る

The Terrace, Portrait of Petrus Purmerent (1588 - 1663), pastor of the St. Johannes de Doper in Gouda., Musical Couple, Portrait of Pastor Willem de Swaen, Landscape with a Shooting Party, A Canal Boat Station, Soldiers at Reveille, Portrait of Willem Everwijn with his Horse and Two Huntsmen, Isaac van Buren と Elisabeth Kievit named Bishop (died 1700)。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Ludolf de Jonghの既知の作品数は?答えを見る

当カタログには、1630年から1676年にかけて制作されたLudolf de Jonghによる39点の作品が収められています。

最も有名なLudolf de Jonghのオリジナル作品はどこで見ることができますか?答えを見る

主に国立美術館 (アムステルダム), Museum Gouda (ハウダ) と National Gallery of Ireland (ダブリン)に所蔵されています。上記の美術館一覧にすべて記載されています。

Ludolf de Jonghが最も有名な作品を制作したのは、どの時期ですか?答えを見る

1650s年:このページにある全38作品のうち、14作品がその時期に制作されました。そのうちPortrait of Pastor Willem de Swaen作品が含まれます。

Ludolf de Jonghの有名な絵画の中で、最も古い作品と最も新しい作品はどれですか?答えを見る

このページでは、最も古い作品はPortrait of Petrus Purmerent (1588 - 1663), pastor of the St. Johannes de Doper in Gouda. (1630)、最新の作品はA formal Garden: three Ladies surprised by a Gentleman (1676)です。

Ludolf de Jonghが好んだ主題は何ですか?答えを見る

このページに掲載されている38点の作品におけるMan (9), Woman (6) と Horse (5)

Ludolf de Jonghが最も多く使用した画材は何ですか?答えを見る

このページに掲載されている全38作品のうち、12作品のOil On Canvas

国立美術館では、Ludolf de Jonghのオリジナル作品を何点鑑賞できますか?答えを見る

Portrait of Aletta van Ravensberg, Portrait of Jan van Nes と Fox hunting:国立美術館, アムステルダムには、このページに掲載されている作品のうち3点が所蔵されています。

Ludolf de Jongh:アーティストの肖像画

The Dramatic Legacy of Ludolf Leendertsz de Jongh

In the heart of the Dutch Golden Age, a period defined by unparalleled artistic flourishing and mercantile prosperity, the name Ludolf Leendertsz de Jongh resonates with the dramatic intensity of a master storyteller. Born in 1616 in Overschie, Netherlands, de Jongh’s ascent from the son of a shoemaker to a celebrated figure in Rotterdam’s vibrant artistic circle is a testament to an extraordinary dedication to his craft. His journey was not merely one of technical mastery but of profound stylistic evolution, as he navigated the complex influences of the Utrecht School and the revolutionary shadows of the Caravaggisti. Through his brush, the quiet landscapes and bustling scenes of the seventeenth century were imbued with a psychological depth that captured the very essence of the human experience.

The foundations of de Jongh’s artistry were laid in Delft, where he studied under the tutelage of Cornelis Saftleven and Anthony Palamedes. This early training deeply embedded him within a tradition that revered the dramatic use of light and shadow. The influence of Caravaggio is palpable throughout his oeuvre; de Jongh mastered the technique of chiaroscuro, using stark contrasts to pull figures from the darkness and lend them a visceral, tactile reality. This mastery allowed him to transform simple genre scenes into profound meditations on movement and emotion. His travels further expanded his horizons, most notably a transformative voyage to France in 1635 alongside Frans Bacon, an experience that undoubtedly broadened his intellectual and visual vocabulary before he eventually established his permanent studio in Rotterdam.

A Versatile Visionary of the Dutch Golden Age

De Jongh was far more than a specialist in a single niche; he was a versatile virtuoso whose repertoire spanned a breathtaking array of subjects. He was equally adept at capturing the rugged energy of a fox hunt, the architectural grandeur of cityscapes, and the serene stillness of landscapes. His ability to blend human activity with the natural world is perhaps most evident in his hunting scenes, where the frantic motion of hounds and horses is balanced by a meticulous attention to the surrounding woods and light. In these works, one can observe his skill as a staffage painter—a specialist capable of breathing life into larger compositions by adding precisely rendered figures that interact seamlessly with the environment.

Beyond the canvas, de Jongh’s life was deeply intertwined with the civic fabric of his time. He was not merely an observer of society but an active participant, serving as a merchant, an officer in the Rotterdam civil guard, and even as the schout (sheriff) of Hillegersberg. This multifaceted existence provided him with a unique vantage point from which to observe the social hierarchies and daily rhythms of Dutch life, which he then translated into his portraits and genre paintings. His influence was so significant that by the 1650s, he stood as the leading genre painter in Rotterdam, leaving an indelible mark on subsequent generations of artists, including the renowned Pieter de Hooch.

The enduring significance of Ludolf Leendertsz de Jongh lies in his ability to synthesize the dramatic tension of the Southern European tradition with the meticulous realism of the Dutch school. His works remain captivating windows into a bygone era, offering much more than mere documentation. They provide an emotional resonance that continues to stir the modern viewer, reminding us of a time when light and shadow were used not just to illuminate a scene, but to reveal the very soul of the subject.