11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 35点の リュシアン・シモンの作品がカタログにあります
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ギャラリーの視点では、リュシアン・シモンの最も有名な作品はOn a Visit, Begging Sisters (1902)であり、その原画はパリのプチ・パレに展示されています。 The Friends (1899)とCirque forain, Finistère (1900)が加わり、誰もが一度は目にしたことのある至高のトリオが完成します。 当カタログに含まれるリュシアン・シモンの作品35点の中から、特に有名な32点を厳選してご紹介します。各作品は、制作年、所蔵美術館、そしてその作品ならではの魅力とともに、一点物のオリジナル作品として掲載されています。
The oil painting titled On a Visit, Begging Sisters captures a quiet, heavy moment of human connection. Created about 1902, the work is a product of the hand of Lucien Simon. The canvas holds a stillness that reflects the somber weight of the figures gathered within its frame.
The air in the room feels heavy, thick with the scent of old wood and the unspoken thoughts of five men. They sit closely, a dense cluster of figures pulled toward the center of a dimly lit interior. There is a profound sense of stillness here, as if the world outside has ceased to exist, leaving only this intimate circle of companionship. The light does not flood the space; instead,…
The oil painting depicts a circus scene set within a circular ring, viewed from the perspective of an observer situated within a darkened crowd. In the upper right quadrant, a female performer in a white tutu and pink tights is captured mid-motion, leaping or dancing while holding French tricolor flags. Below this central figure, the spectators are rendered as shadowed forms, their faces and bodies suggested through loose, expressive brushstrokes.…
In Jour d'été, portrait de mes enfants, Lucien Simon invites us into a quiet, sunlit interior where three children are positioned in a balanced triangular formation. This arrangement spans the foreground and middle ground, grounding the subjects within the airy space. A large open window serves as the primary source of light and depth, revealing a coastal landscape that extends toward a distant horizon. Through this aperture, the receding view…
In the Impressionist oil painting Bathers by Lucien Simon, a group of women is positioned at the edge of a body of water. The figures are shown in various states of undress, some engaged in the act of bathing while others prepare to enter the water. These women are situated near a large, dark cliff or rock formation that anchors the right side of the composition. The landscape consists of…
In this large-scale oil painting, The Communicants by Lucien Simon captures a moment of profound stillness. Created about 1911, the work presents a group of figures gathered within a solemn, architectural setting. These figures, who appear to be young girls or perhaps nuns, occupy the space with a quiet, ritualistic presence. They move through a dense and layered composition that draws the eye through the staggered formation of their bodies.
A group of figures gathers in a coastal village, their forms anchored against a heavy, overcast sky. The air feels thick, saturated with the moisture of the Atlantic. In the foreground, the people move with a quiet, stoic rhythm, their silhouettes defined by thick, textured brushstrokes that suggest the coarse fabric of their traditional attire. Earthy tones of ochre and muted brown settle over the scene, interrupted only by small,…
The oil painting titled Nausicaa presents a wide, horizontal scene set against a rugged, mountainous landscape. In the foreground and middle ground, a group of women are positioned near a body of water, such as a river or a coastline. The figures are distributed across the composition, creating a rhythmic movement through the space. Some women stand upon the rocky terrain, while others are situated within the water. The color…
In Le quai d'Audierne, Lucien Simon organizes the maritime landscape into distinct, layered planes. The foreground is anchored by the heavy presence of figures gathered upon a stone quay. These figures inhabit the immediate space, grounding the viewer in the physical reality of the harbor. Beyond them, the middle ground opens into a stretch of water where various sailing vessels rest. The composition relies on the diminishing size of these…
In "Sardine Fishery in Penmarc'h," Lucien Simon captures a bustling scene of a sardine fishery in Penmarc'h. Created about 1933, this impressionistic oil painting focuses on the labor and daily life of a fishing community. The work centers on the rhythmic, heavy movements of people engaged in their trade. It is a study of a coastal working area where the salt air meets the grit of manual toil.
Flower Volcano2004 · Royal Free Hospital
12
Wrestlers in Brittany1898 · Museum of Fine Arts Ghent (MSK)
13
Returning from Mass in PenmarchFinnish National Gallery
14
Talking in the Twilight国立美術館
15
The Fair
16
Le goûter1906
17
Intimité1944 · Musée des Beaux-Arts de Quimper
18
The Burning of the Seaweed in Front of the Chapelle Notre-Dame-de-la-Joie in Penmarc'h1913 · Musée des Beaux-Arts de Quimper
19
Staging Post1913
20
The Fairground Parade1919 · Musée des Beaux-Arts de Quimper
21
After the War1919
22
Cheval effrayé1931
23
Quai de Kérity1938 · オルセー美術館
24
Bigoudènes devant les tréteaux1940 · Musée des Beaux-Arts de Quimper
25
In the Breton Countryside1945
26
Abstract Design2005 · Edgware Community Hospital
27
Red Abstract2004 · Royal Free Hospital
28
Departure of the Leave-Takers of the Great War at the Gare de Pont-l'Abbé
29
A Gust of Windプーシキン美術館
30
A Parisian Funeral
31
Strata2004 · Royal Free Hospital
32
Famille bigoudène en deuil1910 · Musée des Beaux-Arts de Quimper
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | リュシアン・シモンの作品 | このリストの絵画 |
|---|---|---|---|
 Musée des Beaux-Arts de Quimper |
カンペール | 5 | Intimité, The Burning of the Seaweed in Front of the Chapelle Notre-Dame-de-la-Joie in Penmarc'h, The Fairground Parade |
 プチ・パレ |
パリ | 3 | On a Visit, Begging Sisters, The Friends, Nausicaa |
 オルセー美術館 |
パリ | 3 | Jour d'été, portrait de mes enfants, The Communicants, Quai de Kérity |
 Royal Free Hospital |
ロンドン | 3 | Flower Volcano, Red Abstract, Strata |
 国立美術館・建築・デザイン美術館 |
オスロ | 1 | Cirque forain, Finistère |
 国立美術館 |
ブエノスアイレス | 1 | Bathers |
 エルミタージュ美術館 |
サンクトペテルブルク | 1 | Bretons |
 ミュゼ・ダンテルリンデ |
コルマール | 1 | Le quai d'Audierne |
その時代を象徴する名作を見るために、年代を選択してください。
The air in the room feels heavy, thick with the scent of old wood and the unspoken thoughts of five men. They sit closely, a dense cluster of figures pulled toward the center of a dimly lit interior. There is a profound sense of stillness here, as if the world outside has ceased to exist, leaving only this intimate circle of companionship. The light does not flood the space; instead,…
The oil painting titled On a Visit, Begging Sisters captures a quiet, heavy moment of human connection. Created about 1902, the work is a product of the hand of Lucien Simon. The canvas holds a stillness that reflects the somber weight of the figures gathered within its frame.
In this large-scale oil painting, The Communicants by Lucien Simon captures a moment of profound stillness. Created about 1911, the work presents a group of figures gathered within a solemn, architectural setting. These figures, who appear to be young girls or perhaps nuns, occupy the space with a quiet, ritualistic presence. They move through a dense and layered composition that draws the eye through the staggered formation of their bodies.
In Le quai d'Audierne, Lucien Simon organizes the maritime landscape into distinct, layered planes. The foreground is anchored by the heavy presence of figures gathered upon a stone quay. These figures inhabit the immediate space, grounding the viewer in the physical reality of the harbor. Beyond them, the middle ground opens into a stretch of water where various sailing vessels rest. The composition relies on the diminishing size of these…
In "Sardine Fishery in Penmarc'h," Lucien Simon captures a bustling scene of a sardine fishery in Penmarc'h. Created about 1933, this impressionistic oil painting focuses on the labor and daily life of a fishing community. The work centers on the rhythmic, heavy movements of people engaged in their trade. It is a study of a coastal working area where the salt air meets the grit of manual toil.
In the quiet corners of art history, certain works possess the unique ability to halt time, inviting the viewer into a sanctuary of stillness. Lucien Simon’s 1944 masterpiece, Intimité, is precisely such a work. This evocative portrait captures a profound moment of connection between two figures, seated amidst an abundance of floral arrangements that seem to breathe alongside them. The painting does not merely depict a room; it constructs an…
On a Visit, Begging Sisters (1902)（プチ・パレ, パリ）。次いでThe Friends (1899)、Cirque forain, Finistère (1900)が続きます。
41歳：On a Visit, Begging Sistersは1902年の作品で、リュシアン・シモンの生年は1861年です。
On a Visit, Begging Sisters, The Friends, Cirque forain, Finistère, Jour d'été, portrait de mes enfants, Bathers, The Communicants, Bretons, Nausicaa, Le quai d'Audierne と Sardine Fishery in Penmarc'h。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1898年から1945年にかけて制作されたリュシアン・シモンによる35点の作品が収められています。
主にMusée des Beaux-Arts de Quimper (カンペール), プチ・パレ (パリ) と オルセー美術館 (パリ)に所蔵されています。上記の美術館一覧にすべて記載されています。
1910s年：このページにある全32作品のうち、7作品がその時期に制作されました。そのうちThe Communicants作品が含まれます。
このページでは、最も古い作品はWrestlers in Brittany (1898)、最新の作品はIn the Breton Countryside (1945)です。
このページに掲載されている32点の作品におけるPeople (6), Water (4) と Sky (4)
このページに掲載されている全32作品のうち、6作品のOil
このページに掲載されているオリジナル作品から判断すると、Impressionismです。
Intimité, The Burning of the Seaweed in Front of the Chapelle Notre-Dame-de-la-Joie in Penmarc'h と The Fairground Parade：Musée des Beaux-Arts de Quimper, カンペールには、このページに掲載されている作品のうち5点が所蔵されています。
