11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 7点の Louis Caravaqueの作品がカタログにあります
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Louis Caravaqueが遺したオリジナル作品の中で最も有名なものは、モスクワのトレトヤコフ美術館に収蔵されているPortrait of Elizabeth of Russia (1750)です。 それに次いで、Portrait of Peter the Great on his Death-Bed (1725)とPortrait of Crown Princess Elizabeth Petrovna (1724)が続きます。 Louis Caravaqueによる7点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する7点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。
The Portrait of Elizabeth of Russia is a significant oil portrait by the French artist Louis Caravaque. Executed about 1750, this work captures the Empress Elizabeth of Russia in a formal, full-length pose. It represents a moment in the mid-18th century when Caravaque had become a central figure within the Russian imperial court, having transitioned from his origins in Marseille to the heart of the empire's political life.
A somber, dramatic oil painting captures a man in his final moments, lying in a state of unconsciousness or death. The composition centers on the subject's face, framed by a rectangular patch of dark, textured brown paint that isolates the visage from the surrounding environment. A muted palette of deep blacks, shadowy browns, and creams dominates the scene, punctuated by subtle hints of pale green and lavender. Lighting is concentrated…
The Portrait of Crown Princess Elizabeth Petrovna is an oil on canvas work by the French artist Louis Caravaque. Born in Marseille, France, Caravaque established himself within the Russian imperial court, where he became a significant figure in the development of courtly portraiture. This specific painting, executed in the 1720s, depicts the subject in her role as the future Empress of Russia, Elizabeth Petrovna. She is also identified in historical…
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 4 の美術館
| 美術館 | 都市 | Louis Caravaqueの作品 | このリストの絵画 |
|---|---|---|---|
 エルミタージュ美術館 |
サンクトペテルブルク | 3 | Portrait of Peter the Great on his Death-Bed, Portrait of Crown Princess Elizabeth Petrovna, Battle of Poltava |
 トレトヤコフ美術館 |
モスクワ | 2 | Portrait of Elizabeth of Russia, Portrait of Empress Anna Ioannovna |
 ワルシャワ国立博物館 |
ワルシャワ | 1 | Portrait of Grand Duchess Anna Petrovna. |
 ロシア国立美術館 |
サンクトペテルブルク | 1 | Portrait of Tsarevna Elizabeth Petrovna in Childhood |
その時代を象徴する名作を見るために、年代を選択してください。
A somber, dramatic oil painting captures a man in his final moments, lying in a state of unconsciousness or death. The composition centers on the subject's face, framed by a rectangular patch of dark, textured brown paint that isolates the visage from the surrounding environment. A muted palette of deep blacks, shadowy browns, and creams dominates the scene, punctuated by subtle hints of pale green and lavender. Lighting is concentrated…
The Portrait of Elizabeth of Russia is a significant oil portrait by the French artist Louis Caravaque. Executed about 1750, this work captures the Empress Elizabeth of Russia in a formal, full-length pose. It represents a moment in the mid-18th century when Caravaque had become a central figure within the Russian imperial court, having transitioned from his origins in Marseille to the heart of the empire's political life.
Portrait of Elizabeth of Russia (1750)（トレトヤコフ美術館, モスクワ）。次いでPortrait of Peter the Great on his Death-Bed (1725)、Portrait of Crown Princess Elizabeth Petrovna (1724)が続きます。
66歳：Portrait of Elizabeth of Russiaは1750年の作品で、Louis Caravaqueの生年は1684年です。
当カタログには、1716年から1750年にかけて制作されたLouis Caravaqueによる7点の作品が収められています。
主にエルミタージュ美術館 (サンクトペテルブルク), トレトヤコフ美術館 (モスクワ) と ワルシャワ国立博物館 (ワルシャワ)に所蔵されています。上記の美術館一覧にすべて記載されています。
1720s年：このページにある全7作品のうち、3作品がその時期に制作されました。そのうちPortrait of Peter the Great on his Death-Bed作品が含まれます。
このページでは、最も古い作品はPortrait of Tsarevna Elizabeth Petrovna in Childhood (1716)、最新の作品はPortrait of Elizabeth of Russia (1750)です。
このページに掲載されている7点の作品におけるWoman (2), Ermine fur (2) と Jewelry (2)
このページに掲載されている全7作品のうち、3作品のOil On Canvas
Portrait of Peter the Great on his Death-Bed, Portrait of Crown Princess Elizabeth Petrovna と Battle of Poltava：エルミタージュ美術館, サンクトペテルブルクには、このページに掲載されている作品のうち3点が所蔵されています。
Marseilles, Provence, provides the starting point for Louis Caravaque. He is born into a family of painter-decorators, men who specialized in the practical, rugged task of painting ships from Gascony. The son follows this lineage, beginning his professional life at the Arsenal Galeries in Marseille. The trajectory shifts in 1715. In Paris, his portraits catch the eye of Peter Lefort. A contract is signed. The terms are specific: Caravaque will travel to Russia for three years to serve as a painter and to train Russian pupils.
The transition from the Mediterranean coast to the northern reaches of the Russian Empire marks a permanent change in his life. By 1716, he is in Russia, painting a portrait of Peter the Great at Astrakhan. This work is later engraved by Massard and by Langlois. He settles on Vasilyevsky Island near the Menshikov Palace, living in a house presented to him by Peter I in 1722. He moves between the imperial centers of St. Petersburg and Moscow.
The Russian court becomes his primary stage. During the reign of Anna Ioannovna, he is appointed the first painter at court. His salary reaches 2000 rubles a year. He paints her coronation portrait and participates in the decoration of the coronation celebrations. His brush captures the likenesses of the ruling elite, including Catherine I of Russia and Anna Ioannovna. He remains a fixture of the court through the reigns of Anna Leopoldovna and Elizabeth Petrovna.
His influence extends to the very image of the monarchy. He becomes the author of the official, approved image of Elizabeth as the new Empress. In May 1743, he receives a heavy responsibility: the execution of fourteen portraits of Elizabeth to be sent to Russian embassies abroad. His work spans several genres, including:
Caravaque’s presence in the Russian capital is long-lasting. He navigates the shifting political tides of the 18th century, maintaining his position as a dominant force in portrait painting. He dies in St. Petersburg on June 9, 1754. He is buried in the cemetery at St. Sampson Cathedral.
