Leon Underwoodの肖像画

世界的に有名なLeon Underwoodの名作19点、そのすべてが唯一無二の芸術品

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 20点の Leon Underwoodの作品がカタログにあります

要約すると

Langston Hughes (1925)はLeon Underwoodの作品の中で最も注目を集めている絵画です。原画はWashington, D.C.の国立肖像画美術館に所蔵されています。 その後、視線はThe Temple of Olympian Zeus and the Acropolis in the background (1897)とBelgian children made orphans by the war (1915)へと移ります。 当カタログに含まれるLeon Underwoodの20点の作品のうち、これら19点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。

1890 – 1975, Shepherd's Bush 最多収蔵館: 国立肖像画美術館

ギャラリーの視点で選ぶ、Leon Underwoodによるトップ10作品

1
Langston Hughes (1925) による Leon Underwood

Langston Hughes

1925 · Black and White Photography · 国立肖像画美術館, Washington, D.C.

In this evocative black and white photograph from 1925, we are invited into a profound moment of stillness that transcends mere documentation. The subject, the legendary poet Langston Hughes, is captured in a pose of quiet dignity, wearing a uniform and hat that suggest a life shaped by both service and the weight of history. There is an undeniable gravity to his gaze, a sense of a man standing at…

4
Father and son in the Patras harbour (1897) による Leon Underwood

Father and son in the Patras harbour

1897 · Black and White Photography · Benaki Museum of Greek Civilization, アテネ

In the quiet, monochromatic depths of "Father and son in the Patras harbour," we are transported back to the year 1897, a time when the world moved at a more deliberate pace. This evocative piece captures a fleeting moment of human connection set against the industrious backdrop of a Greek port. The composition centers on two figures, a father and his son, whose presence anchors the scene with a sense…

5
V19244--Colored Veterans of the 15th Regt. 369th Infantry, Marching up Fifth Avenue, New York City (1919) による Leon Underwood

V19244--Colored Veterans of the 15th Regt. 369th Infantry, Marching up Fifth Avenue, New York City

1919 · Black and White Photography · National Museum of African American History and Culture, ワシントンD.C.

In the vast tapestry of early twentieth-century history, few images possess the raw, rhythmic power found in this evocative stereograph from 1919. Captured through the lens of the Keystone View Company, the scene depicts the legendary Colored Veterans of the 15th Regiment—famously known as the 369th Infantry, or the "Harlem Hellfighters"—marching with unwavering dignity up Fifth Avenue in New York City. This is not merely a photograph; it is a…

10
Amelia Earhart (1928) による Leon Underwood

Amelia Earhart

1928 · 国立肖像画美術館, Washington, D.C.

By 1928 Earhart was living in Boston, where she worked at a settlement house for immigrants. She continued to fly on weekends and also served as a sales representative for Kinner aircraft. That April she received a telephone call that would change her life forever. Amy Guest (1873–1959), a wealthy American who lived in England, had recently bought a trimotor plane that she named the Friendship and wished to underwrite…

Leon Underwoodの名作、11〜19点目

Leon Underwoodが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

Leon Underwoodの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 4 の美術館

美術館 都市 Leon Underwoodの作品 このリストの絵画
国立肖像画美術館, Washington, D.C.国立肖像画美術館 Washington, D.C. 5 Langston Hughes, Amelia Earhart, Amelia Earhart
Benaki Museum of Greek Civilization, アテネBenaki Museum of Greek Civilization アテネ 4 The Temple of Olympian Zeus and the Acropolis in the background, Father and son in the Patras harbour, The Lion Gate at Mycenae
Alexandra Palace, ロンドンAlexandra Palace ロンドン 1 Belgian children made orphans by the war
National Museum of African American History and Culture, ワシントンD.C.National Museum of African American History and Culture ワシントンD.C. 1 V19244--Colored Veterans of the 15th Regt. 369th Infantry, Marching up Fifth Avenue, New York City

Leon Underwoodの数十年にわたる軌跡:それぞれに唯一無二のオリジナル作品を

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

Leon Underwoodの絵画:ギャラリーへの質問

Leon Underwoodの最も有名な作品は何ですか?答えを見る

Langston Hughes (1925)(国立肖像画美術館, Washington, D.C.)。次いでThe Temple of Olympian Zeus and the Acropolis in the background (1897)、Belgian children made orphans by the war (1915)が続きます。

Leon UnderwoodがLangston Hughesを制作したのは何歳の時ですか?答えを見る

35歳:Langston Hughesは1925年の作品で、Leon Underwoodの生年は1890年です。

Leon Underwoodの最も有名な10作品は何ですか?答えを見る

Langston Hughes, The Temple of Olympian Zeus and the Acropolis in the background, Belgian children made orphans by the war, Father and son in the Patras harbour, V19244--Colored Veterans of the 15th Regt. 369th Infantry, Marching up Fifth Avenue, New York City, The Lion Gate at Mycenae, The archaeological site at Epidaurus, Untitled (245), Untitled (920) と Amelia Earhart。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Leon Underwoodの既知の作品数は?答えを見る

当カタログには、1915年から1937年にかけて制作されたLeon Underwoodによる20点の作品が収められています。

最も有名なLeon Underwoodのオリジナル作品はどこで見ることができますか?答えを見る

主に国立肖像画美術館 (Washington, D.C.), Benaki Museum of Greek Civilization (アテネ) と Alexandra Palace (ロンドン)に所蔵されています。上記の美術館一覧にすべて記載されています。

Leon Underwoodが最も有名な作品を制作したのは、どの時期ですか?答えを見る

1930s年:このページにある全19作品のうち、3作品がその時期に制作されました。そのうちAmelia Earhart作品が含まれます。

Leon Underwoodの有名な絵画の中で、最も古い作品と最も新しい作品はどれですか?答えを見る

このページでは、最も古い作品はBelgian children made orphans by the war (1915)、最新の作品はAmelia Earhart (1937)です。

Leon Underwoodが好んだ主題は何ですか?答えを見る

このページに掲載されている19点の作品におけるStereoscopic view (2), People (2) と Black and white (2)

Leon Underwoodが最も多く使用した画材は何ですか?答えを見る

このページに掲載されている全19作品のうち、3作品のBlack and White Photography

国立肖像画美術館では、Leon Underwoodのオリジナル作品を何点鑑賞できますか?答えを見る

Langston Hughes, Amelia Earhart と Amelia Earhart:国立肖像画美術館, Washington, D.C.には、このページに掲載されている作品のうち5点が所蔵されています。

Leon Underwood:アーティストの肖像画

Leon Underwood: Bridging Tradition and Innovation in British Sculpture

Leon Underwood (1890-1975) stands as a fascinating figure within the landscape of early twentieth-century British art, often overshadowed by his more celebrated contemporaries. While he may not command the immediate recognition afforded to artists like Henry Moore or Barbara Hepworth – figures who benefited from significant institutional support and whose stylistic explorations resonated deeply with the zeitgeist – Underwood’s contribution to sculpture and printmaking deserves a renewed appreciation for its quiet brilliance and profound engagement with artistic heritage.
  • Early Life & Training: Born George Claude Leon Underwood in 1890, he pursued his artistic education at Regent Street Polytechnic before honing his skills at the Royal College of Art (RCA) between 1910 and 1913. This formative period instilled in him a disciplined approach to technique and exposed him to influential teachers like Henry Tonks, shaping his aesthetic sensibilities.
  • Travels & Influences: Underwood’s adventurous spirit propelled him eastward in 1914, embarking on a perilous journey through Lithuania and Belarus amidst the escalating tensions of World War I. This expedition instilled within him an enduring fascination with Eastern European culture and traditions – influences that would subtly permeate his artistic output.

Sculpture: A Synthesis of Form and Emotion

Underwood’s sculptural practice distinguished itself by a remarkable fusion of stylistic approaches. He skillfully blended the formal rigor of Academic sculpture with expressive gestures derived from African art – a deliberate choice reflecting his conviction that “there should be a relationship between content and form in art.” This commitment to conveying emotion through meticulously crafted shapes resulted in works characterized by dynamism and psychological depth. Notable sculptures include pieces exploring themes of human figure, often imbued with subtle nuances of movement and gesture. His students—Henry Tonks and Blair Hughes-Stanton—were profoundly impacted by Underwood’s teaching methods and artistic vision.
  • Notable Works: Underwood's sculptural output includes pieces exploring themes of human figure, often imbued with subtle nuances of movement and gesture.
  • Teaching Legacy: Underwood’s influence extended beyond his own creations; he mentored a generation of artists who embraced his belief in the importance of intuition alongside technical mastery.

Printmaking: Exploring Rhythm & Texture

Beyond sculpture, Underwood excelled as a printmaker, particularly in wood engraving. His prints demonstrated an exceptional command of line and texture—techniques he honed during his travels to Mexico where he was captivated by the vibrant colours and bold patterns of Mexican art. Underwood’s prints are notable for their rhythmic compositions and meticulous attention to detail, reflecting his conviction that “inspiration and intuition have a value over science and logic.” His work stands as testament to the enduring power of traditional printmaking methods combined with artistic vision.
  • Technique & Style: Underwood’s prints showcased an exceptional command of line and texture—techniques he honed during his travels to Mexico where he was captivated by the vibrant colours and bold patterns of Mexican art.
  • Recognition & Exhibitions: Underwood's work gained recognition through exhibitions at Abbott and Holder, Pallant House and The Redfern Gallery, showcasing a retrospective in 1996.

Historical Significance & Legacy

Despite his understated profile within the broader canon of British Modernism—a movement largely defined by monumental forms and abstract explorations—Leon Underwood’s artistic integrity and unwavering dedication to craft ensured that he would be remembered as a pivotal figure in bridging the gap between Academic tradition and expressive innovation. His enduring influence can be discerned in the work of subsequent sculptors like Henry Moore and Barbara Hepworth, demonstrating his role as an educator and mentor who championed both technical precision and emotional resonance—a legacy deserving of renewed scholarly attention.