11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 205点の ラウリッツ・アンデルセン・リングの作品がカタログにあります
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The wife of the old tailor. (1878)は、ラウリッツ・アンデルセン・リングの作品の中で最も注目を集めている絵画です。 その後、視線はThe old tailor. (1878)とFollow Along. From Dosseringen in København. (1884)へと移ります。 当カタログに含まれるラウリッツ・アンデルセン・リングの205点の作品のうち、これら100点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
The wife of the old tailor. by Laurits Andersen Ring is a somber and intimate oil portrait of a woman, executed about 1878. The composition is a close-up bust portrait where the subject is positioned slightly off-center. She is oriented toward the viewer's left, her gaze directed away from the center of the frame. The subject's expression appears pensive or weary, contributing to the quiet, domestic realism of the scene.
In "The old tailor." by Laurits Andersen Ring, a quiet, somber atmosphere settles over the scene. This close-up bust portrait captures a young man positioned slightly off-center, his gaze directed toward the viewer's left. He exists within a space defined by deep, dark tones, where blacks and dark greens dominate the surroundings. The composition feels intimate and heavy, pulling the viewer into a private, moody moment of introspection.
Follow Along. From Dosseringen in København. was painted by Laurits Andersen Ring. The artist was born in 1854 in the village of Ring, Denmark.
In this oil painting, Christmas visit, Laurits Andersen Ring invites us into a quiet, domestic moment. Created about 1882, the work captures a scene of stillness within a dimly lit, rustic interior. The atmosphere is one of hushed intimacy, focusing on the unvarnished reality of a private gathering. It is a study of presence and the weight of shared time.
In "Country interior" by Laurits Andersen Ring, a somber and quiet atmosphere settles over a domestic scene from about 1880. A large wooden table dominates the foreground, its heavy presence anchoring the space. This table creates a strong diagonal line that pulls the eye through the room toward the background. There, a seated figure rests in the shadows, quietly engaged in the rhythmic motion of needlework or knitting. The perspective…
Workers at a water pipe at Søndersø is an oil painting by the Danish artist Laurits Andersen Ring. The work dates to about 1885. The artist was born in Ring, Denmark, in 1854 and remained active until his death in 1933. His background was rooted in the rural traditions of his upbringing, as he was the son of a wheelmaker and a farmer's daughter.
A boy and a girl eating supper is an oil painting by the Danish artist Laurits Andersen Ring, executed about 1884. The work captures a quiet, domestic moment between two young children seated at a wooden table during a meal. Through this intimate arrangement, the artist explores themes of poverty, resilience, and the fundamental nature of familial connection.
In Et besøg i et skomagerværksted, Laurits Andersen Ring captures a quiet moment of conversation within a dimly lit interior. The scene, likely a shoemaker's workshop, is anchored by a small wooden table. A single glowing oil lamp sits at the center of the composition. This small flame dictates the entire world of the painting, casting a strong chiaroscuro effect that carves shapes out of the darkness. Deep shadows swallow…
In Drain Diggers, Laurits Andersen Ring presents a quiet, unvarnished moment of manual labor within a rural landscape. Painted about 1885, this realist oil painting captures two men engaged in the physical toil of working on a drainage system. One man stands at the edge of a trench, looking down into the earth, while the other is partially submerged within the excavation. There is a certain stillness to their labor,…
In Interior from a shoemaker's home. A man is reading the paper Socialdemokraten for two others., Laurits Andersen Ring captures a quiet, intimate scene within a modest room. Three men are gathered around a wooden table, their interaction forming the central focus of a medium shot. One man holds a newspaper, while another holds a pipe, suggesting a moment of shared reading or quiet discussion. The arrangement of the figures…
Interior with a man reading and a woman writing.1884
12
Interior from the village Ring1882
13
Portrait of H. A. Brendekilde1882
14
A boy showing a green pea to his grandmother1881
15
Time in a Village School. A Girl is up by the Chalkboard Beside the Teacher; four other Girls on the School Bench1886
16
An Old Girl1888 · Ordrupgaard
17
Harvest1886
18
Skelet. Døden uden vinger1887
19
Food distribution in Frederiksberg1887 · Sorø Art Museum
20
Johanne Wilde at Her Loom1889
21
Teglværksarbejdere. Ladby teglværk1892
22
Boy with a crossbow at the foot of a hill1890
23
Smallholders in the village of Ring1887
24
Mogenstrup Church1888 · Hirschsprung Collection
25
Herman Kähler in his Workshop1890 · Randers Kunstmuseum
26
A turner at his lathe1890
27
Footpath near Herlufsholm, Zealand1890 · Statens Museum For Kunst
28
Evening. Death and the Old Woman1887 · Statens Museum For Kunst
29
A boy sitting at the village pond.1887
30
Young Woman Harvesting1889
31
People leaving the church at Mogenstrup1889 · Fuglsang Art Museum
32
The road through the village of Ring. Grey autumn day. A man is carrying a sack.1890
33
From the grocer's stall in Mogenstrup inn.1889
34
Road through a village with a man walking1887
35
Portrait of a young woman in coat with fur collar and hat with veil1886
36
Reclining nude1886
37
Foggy winter's day. Karrebæksminde1897 · Hirschsprung Collection
38
Six portraits of potter Herman A. Kähler's children1898
39
The Painter in the Village1897 · Statens Museum For Kunst
40
Twilight. The Artist's Wife1898 · Statens Museum For Kunst
41
Small-Holders. Zealand1898 · Statens Museum For Kunst
42
The Artist's Wife by Lamplight1898 · Statens Museum For Kunst
43
A Child Visiting his Grandparents on a Sunday1898 · Statens Museum For Kunst
44
A Sunday morning at Karrebæksminde near the bridge.1898
45
A boy doing his homework.1893
46
The artist's wife Sigrid sewing in the lamplight. Karrebæksminde1898
47
How are you, old friend1893
48
Visiting grandfather. Outside a house in Lille Næstved.1893
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Alone. Interior by lamplight with a man sitting in thought1899 · Ordrupgaard
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“The Sower”. Frederiksværk1901
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The sick man1902 · Hirschsprung Collection
52
Foggy winter day in Vinderø1901 · Fuglsang Art Museum
53
Autumn weather. A man with a wheelbarrow on a path1903
54
In the Month of June1899 · 国立美術館・建築・デザイン美術館
55
Moder fortæller. Kunstnerens hustru og datter1901 · Statens Museum For Kunst
56
A foggy morning. Boats on their way from Thurø to Svendborg, Denmark.1902
57
Snow landscape with the painter Aage Bertelsen at his work1905
58
An organ grinder playing for the children of a village.1904
59
The elderly couple have received a letter.1901
60
Interior from Hanehoved Huse, a small fishing village in the parish of Melby1900
61
Outside a farmhouse. Two women with a pram1906 · Ordrupgaard
62
A short rest1908 · Niedersächsisches Landesmuseum
63
The Sower1910 · Statens Museum For Kunst
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The Artist's Wife with the Family Caravan1911 · Statens Museum For Kunst
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Old thatched house.1910
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Interior with sewing woman1909
67
Goldsmith Workshop1917 · Ordrupgaard
68
Waiting for the Train. Level Crossing by Roskilde Highway1914 · Statens Museum For Kunst
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A son reading a letter to his mother.1913
70
Has it Stopped Raining?1922 · Statens Museum For Kunst
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At the Old House1919 · 国立美術館
72
Ole Ring looks over Roskilde1925 · Ordrupgaard
73
Parti fra Gasværkshavnen1882
74
Winter scene1881 · Hirschsprung Collection
75
Landscape, near Næstved. Evening light1880
76
Two children walking along a road in the early spring.1885
77
A Stream Between Karrebæk Fjord and the Sea1890 · Ordrupgaard
78
Along the rye field. Footpath with a grass-grown earthwork to the right, the rye field to the left. In the background a stile1887 · Randers Kunstmuseum
79
Et halvtag ved keglebanen i Mogenstrup1888 · Ribe Kunstmuseum
80
Road with Boy1887
81
Raager på Pløjemarken1891 · トレド美術館
82
Moor landscape from Jutland. Scene from Bryrup by Aarhus1888 · Niedersächsisches Landesmuseum
83
Spring landscape with light green fields; small pond and to the right Mogenstrup1888
84
Gleaners1887
85
The Road at Mogenstrup, Zealand. Autumn1888 · Statens Museum For Kunst
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Gadekæret i Ring1890 · Statens Museum For Kunst
87
A landscape near Bryrup, Jutland1888 · Statens Museum For Kunst
88
Udsigt fra vinduet i Café Osborne op ad Frederiksberg Allé1889 · Statens Museum For Kunst
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A Rye Field near Ring Village1887 · Statens Museum For Kunst
90
Harvest scene near the village of Ladby.1892
91
From the garden of Lindegården in Horns Herred1890
92
View from the beach in Hellebæk1889
93
Road near Mogenstrup, Denmark.1889
94
Rain. View from my window.1887
95
Path Going past a Ripe Cornfield1886
96
At the River's Mouth. Flower-covered Slope to the Right. On the Other Side of the River a Long Spit into the Fjord. Karrebæksminde1897
97
Dansk sommerlandskap1895 · 国立美術館・建築・デザイン美術館
98
The Temple of Apollo, Pompeii1895 · 国立美術館・建築・デザイン美術館
99
Trunks of alders1893
100
Lady at Karrebæksminde Beach, Zealand1898 · Statens Museum For Kunst
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | ラウリッツ・アンデルセン・リングの作品 | このリストの絵画 |
|---|---|---|---|
 Statens Museum For Kunst |
コペンハーゲン | 33 | Et besøg i et skomagerværksted, Drain Diggers, Footpath near Herlufsholm, Zealand |
 Ordrupgaard |
ゲンテフテ | 16 | An Old Girl, Alone. Interior by lamplight with a man sitting in thought, Outside a farmhouse. Two women with a pram |
 Hirschsprung Collection |
コペンハーゲン | 8 | Christmas visit, Country interior, Mogenstrup Church |
 Fuglsang Art Museum |
Guldborgsund | 4 | Workers at a water pipe at Søndersø, People leaving the church at Mogenstrup, Foggy winter day in Vinderø |
 国立美術館・建築・デザイン美術館 |
オスロ | 4 | In the Month of June, Dansk sommerlandskap, The Temple of Apollo, Pompeii |
 Niedersächsisches Landesmuseum |
ハノーバー | 5 | A short rest, Moor landscape from Jutland. Scene from Bryrup by Aarhus |
 Randers Kunstmuseum |
Randers | 3 | Herman Kähler in his Workshop, Along the rye field. Footpath with a grass-grown earthwork to the right, the rye field to the left. In the background a stile |
 国立美術館 |
ストックホルム | 5 | At the Old House |
その時代を象徴する名作を見るために、年代を選択してください。
The wife of the old tailor. by Laurits Andersen Ring is a somber and intimate oil portrait of a woman, executed about 1878. The composition is a close-up bust portrait where the subject is positioned slightly off-center. She is oriented toward the viewer's left, her gaze directed away from the center of the frame. The subject's expression appears pensive or weary, contributing to the quiet, domestic realism of the scene.
Follow Along. From Dosseringen in København. was painted by Laurits Andersen Ring. The artist was born in 1854 in the village of Ring, Denmark.
The scene unfolds in the heavy, sunlit air of a brickworks, captured in the work titled Teglværksarbejdere. Ladby teglværk. Created about 1892, this oil painting by Laurits Andersen Ring places the viewer directly into the rhythmic, physical reality of manual labor. The artist, Laurits Andersen Ring, turns his gaze toward the grit and the earth, focusing on the quiet, persistent dignity of those engaged in the taxing process of brickmaking.…
“The Sower”. Frederiksværk” by Laurits Andersen Ring, created about 1901, presents a realistic landscape depicting a rural agricultural scene under a vast, bright sky. The composition is dominated by a diagonal line formed by a freshly plowed field, which leads the viewer's eye from the foreground right toward the background left. In the foreground, a man is captured in profile walking toward the left. He is the sower, shown scattering…
Laurits Andersen Ring produced The Sower about 1910. The work centers on the dignity and hardship inherent in peasant life, capturing a solitary moment of agricultural labor. Through the figure of the sower, the painting utilizes the act of sowing as a symbol of the cycle of life and the necessity of survival.
An elderly man stands framed within the dark geometry of a doorway, his silhouette a heavy presence against the interior gloom. He leans slightly, peering out from the sheltered porch into a garden that feels damp and heavy with the scent of recent rain. His hands hold a closed umbrella, a silent companion in this moment of stillness. The world outside is a study in desaturated tones—muted greens, weathered teals,…
The wife of the old tailor. (1878)。続いてThe old tailor. (1878)、Follow Along. From Dosseringen in København. (1884)が続きます。
24歳：The wife of the old tailor.は1878年の作品で、ラウリッツ・アンデルセン・リングの生年は1854年です。
The wife of the old tailor., The old tailor., Follow Along. From Dosseringen in København., Christmas visit, Country interior, Workers at a water pipe at Søndersø, A boy and a girl eating supper, Et besøg i et skomagerværksted, Drain Diggers と Interior from a shoemaker's home. A man is reading the paper Socialdemokraten for two others.。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1878年から1925年にかけて制作されたラウリッツ・アンデルセン・リングによる205点の作品が収められています。
主にStatens Museum For Kunst (コペンハーゲン), Ordrupgaard (ゲンテフテ) と Hirschsprung Collection (コペンハーゲン)に所蔵されています。上記の美術館一覧にすべて記載されています。
1880s年：このページにある全100作品のうち、46作品がその時期に制作されました。そのうちFollow Along. From Dosseringen in København.作品が含まれます。
このページでは、最も古い作品はThe wife of the old tailor. (1878)、最新の作品はOle Ring looks over Roskilde (1925)です。
このページに掲載されている100点の作品におけるWoman (28), Man (28) と Table (16)
このページに掲載されている全100作品のうち、42作品のOil On Canvas
Et besøg i et skomagerværksted, Drain Diggers と Footpath near Herlufsholm, Zealand：Statens Museum For Kunst, コペンハーゲンには、このページに掲載されている作品のうち20点が所蔵されています。
北欧美術の歴史において、ラウリッツ・アンデルセン・リングほど深く、心を揺さぶる声を持つ芸術家は他にいません。1854年8月15日、シェラン島南部の静かな村リングに生を受けた彼の名は、まさに彼を育んだ大地の息吹を宿しています。車輪職人と農家の娘の間に生まれたリングの幼少期は、職人の手仕事、移ろいゆく季節、そして農村生活のありのままの現実という、デンマークの田舎特有のリズムに深く浸されていました。この大地との親密な結びつきは、後に彼の作品の鼓動となり、単なる風景画の枠を超えて、変革期にある国家の精神そのものを捉える力となったのです。
父の仕事場での徒弟から、デンマーク・モダニズムの巨匠へと至るリングの歩みは、絶え間なく探求を続ける独立した知性に彩られていました。コペンハーゲンのデンマーク王立美術アカデミーで学び、高名なP.S. クロイヤーの指導を受けたものの、彼はアカデミズムの息苦しい教条を拒絶したことで知られています。古典的な規律が自身のヴィジョンを抑え込むことを本能的に拒み、代わりに光と影が持つ生々しく感情的な可能性を追求することを選んだのです。この自己探求の時期を経て、彼は社会主義リアリズムと象徴主義という二つの強力な潮流を橋渡しする独自の境地に達しました。
リングの傑作を眺めることは、形あるものと形なきものとの間で繰り広げられる、繊細なダンスを目撃することに他なりません。社会主義リアリズムの先駆者として、彼は疎外された人々へと眼差しを向け、困窮、労働、そして下層階級が持つ静かな尊厳を、揺るぎない眼差しで描き出しました。デンマークが激動の時代を迎えていた頃、政治的な「ライフル運動」に関わった経験は、彼のキャンバスに深い共感と社会正義の精神を吹き込みました。彼は単に貧しさを描いたのではありません。そこにある葛藤、強靭な精神、そして生の実存が放つ重苦しい空気までも描き出したのです。
しかし、それら写実的な描写の底流には、どこか忘れがたい象徴主義的な響きが潜んでいます。リングには、ロスキレ・フィヨルドのありふれた景色や静かな夏の日に、深い神秘性と実存的な重みを与える類まれな才能がありました。彼の描く風景は、まるで精神的な静止状態の中で呼吸しているかのように感じられます。色彩の微妙な変化と光の巧みな操り方によって、彼は見慣れたデンマークの田園風景を人間の精神を描くための舞台へと変貌させ、物理的な世界と内面的な感情の風景との境界を、美しく曖昧に溶け込ませたのです。
L.A. リングが芸術界に遺した貢献の大きさは、いくら強調してもしすぎることはありません。彼の作品は単なる時代の反映ではなく、デンマークの文化的意識を根本から再構築するものでした。政治、社会、そして精神性を織り交ぜる彼の卓越した手腕により、その絵画はデンマークの国境を越えて人々の心に響き渡ることとなりました。代表作の一つであるロスキレ・フィヨルドの夏の風景は、2006年のデンマーク文化カノンに選出され、国家のアイデンティティを象徴する巨匠としての地位を不動のものにしました。
今日においても、人間と自然との関係性を捉える視点の中に、リングの影響は色濃く残っています。彼の遺したレガシーは、以下の重要な柱によって形作られています。
1933年にラウリッツ・アンデルセン・リングがこの世を去ったとき、彼は単なる絵画のコレクションではなく、デンマークの魂を表現するための「視覚的な語彙」を遺しました。彼の作品は今もなお、鮮烈で、喚起的で、深く心を揺さぶり続けています。それは、いかにありふれた風景の中であっても、発見されるのを待っている深遠で神聖な奥行きが必ず存在することを、私たちに語りかけているのです。
