Lance Calkinの肖像画

ギャラリー厳選、Lance Calkinによる最も有名な31の絵画

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 39点の Lance Calkinの作品がカタログにあります

要約すると

Lance Calkinが遺したオリジナル作品の中で最も有名なものは、ロンドンの大英図書館に収蔵されているSir John Tenniel (1820–1914) (1902)です。 それに次いで、Joseph Sim Earle (1839–1912) (1884)とDr John Hughlings Jackson (1895)が続きます。 Lance Calkinによる39点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する31点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。

1859 – 1936, London 最多収蔵館: ナショナル・ポートレート・ギャラリー

Lance Calkinの代表作10選:ギャラリー厳選の作品集

1
Sir John Tenniel (1820–1914) (1902) による Lance Calkin

Sir John Tenniel (1820–1914)

1902 · Oil On Canvas · 大英図書館, ロンドン

An elderly gentleman sits in a centered, formal pose, his presence commanding the frame through a quiet, somber gravity. He is captured in a moment of profound thought, with one hand resting against his chin in a gesture of wisdom or deep reflection. The lighting is dramatic, emerging from an unseen source above and to the left to cast heavy shadows across his features and hands. This chiaroscuro effect emphasizes…

2
Joseph Sim Earle (1839–1912) (1884) による Lance Calkin

Joseph Sim Earle (1839–1912)

1884 · Oil

An elderly man emerges from a dark, indistinct void. He is a study in shadow and bone, his face a map of lived experience. The light falls from above and to the left, catching the ridge of a brow and the silvered texture of a beard. Every line on his skin tells of a season passed. He sits in a quiet, centered stillness, his gaze fixed on a point beyond…

3
Dr John Hughlings Jackson (1895) による Lance Calkin

Dr John Hughlings Jackson

In this portrait of Dr John Hughlings Jackson, Lance Calkin captures the likeness of a man whose intellectual presence is felt through a quiet, steady gaze. Created about 1895, the work presents the English neurologist with a sense of formal dignity. The subject, born at Providence Green, Green Hammerton, near Harrogate, Yorkshire, is depicted with the gravity suited to his professional standing. He was the youngest son of Samuel Jackson…

4
King George V (1914) による Lance Calkin

King George V

In this 1914 oil portrait, Lance Calkin captures the presence of King George V. The subject meets the viewer with a steady, calm gaze that seems to hold the weight of a changing era. There is a profound sense of dignity in the way the monarch is presented, a quality that defines the character of the man within the frame. The portrait offers a glimpse into a moment of quiet…

5
Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886) (1888) による Lance Calkin

Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886)

1888 · Oil On Canvas · The Captain Christie Crawfurd English Civil War Collection, ストウ・ボロ

In this portrait of Reverend E. F. Witts, we encounter a man defined by his station and the gravity of his vocation. Painted in 1888, the work captures the Rector of Upper Slaughter during the final years of his life. There is a certain stillness here, a sense of a life lived within the structured rhythms of the Victorian church. The subject is presented in a three-quarter profile, his gaze…

6
Edward VII (1841–1910) による Lance Calkin

Edward VII (1841–1910)

Oil · Doncaster Mansion House, Doncaster

In this portrait, we encounter Edward VII, the King of England from 1901 to 1910, captured in a moment of profound stillness. He is seated, his presence commanding the space through a quiet, regal composure rather than through overt movement. In his right hand, he holds a scepter, a direct symbol of his authority and the continuity of the British monarchy. A crown rests upon his head, grounding the image…

7
John Feeney (1906) による Lance Calkin

John Feeney

1906 · Oil On Canvas · バーミンガム・ミュージアム&アートギャラリー, バーミンガム

In this 1906 oil on canvas, Lance Calkin captures the presence of John Feeney. The subject sits before us, a man whose life is deeply woven into the fabric of Birmingham. As a prominent newspaper proprietor and a dedicated philanthropist, Feeney carries a certain weight in his gaze. He is a figure of influence, someone whose decisions shaped the local landscape and whose generosity would eventually leave a lasting mark…

8
John Reynolds (1826–1919) (1881) による Lance Calkin

John Reynolds (1826–1919)

In this 1881 portrait, we find ourselves in the presence of John Reynolds, a man whose life spanned the transition from the early nineteenth century into the modern era. He sits in a chair, his hands clasped in a gesture of stillness, looking away from the viewer toward something unseen in the distance. There is a certain weight to his posture, the kind that comes from a life of intellect…

9
The Patchwork Quilt (1887) による Lance Calkin

The Patchwork Quilt

1887 · Oil On Canvas · Nottingham Castle Museum And Art Gallery, ノッティンガム

The Patchwork Quilt is an oil on canvas painted by Lance Calkin in 1887. This work represents an exploration of domesticity and texture, focusing on the quiet details of a private, interior life. Through his careful application of paint, Calkin captures a specific sense of material presence within a domestic setting.

10
David Powell (1840–1897), Governor of the Bank of England (1892–1895) (1892) による Lance Calkin

David Powell (1840–1897), Governor of the Bank of England (1892–1895)

1892 · Oil

The painting depicts a man seated in a chair, his hands resting in a crossed position. He possesses a beard and a mustache, features that define his facial structure. He is dressed in a formal suit and tie, consistent with the attire of a gentleman from the late nineteenth century. The subject is positioned centrally, occupying much of the frame. In the composition, two birds are visible: one is situated…

Lance Calkinのセレクションが続きます、11から31まで

Lance Calkinの代表作、時代別一覧

Lance Calkinが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

Lance Calkinの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 8 の美術館

美術館 都市 Lance Calkinの作品 このリストの絵画
ナショナル・ポートレート・ギャラリー, ロンドンナショナル・ポートレート・ギャラリー ロンドン 2 King George V, Arthur Wellesley Peel, 1st Viscount Peel
Doncaster Mansion House, DoncasterDoncaster Mansion House Doncaster 2 Edward VII (1841–1910), Edward VII
Nottingham Castle Museum And Art Gallery, ノッティンガムNottingham Castle Museum And Art Gallery ノッティンガム 2 The Patchwork Quilt, Alderman John Barber, JP, Sheriff of Nottingham (1846), Mayor of Nottingham (1867–1869)
Reading Museum - Town Hall, レディングReading Museum - Town Hall レディング 2 William Berkeley Monck (1842–1905), Owen Ridley (1838–1915)
City of Westminster Archives Centre, ロンドンCity of Westminster Archives Centre ロンドン 2 Councillor Edward Lygon Somers Cocks, Mayor of Westminster (1910–1911), Councillor Frank G. Rye, Mayor of Westminster (1922–1923)
大英図書館, ロンドン大英図書館 ロンドン 1 Sir John Tenniel (1820–1914)
Barts And The London Queen Mary School of Medicine And Dentistry, LondonBarts And The London Queen Mary School of Medicine And Dentistry London 1 Dr John Hughlings Jackson
The Captain Christie Crawfurd English Civil War Collection, ストウ・ボロThe Captain Christie Crawfurd English Civil War Collection ストウ・ボロ 1 Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886)

Lance Calkinの年代別名作:各時代を象徴するオリジナル作品

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

Lance Calkinの絵画に関するコレクターからの質問

Lance Calkinの代表作は何ですか?答えを見る

Sir John Tenniel (1820–1914) (1902)(大英図書館, ロンドン)。次いでJoseph Sim Earle (1839–1912) (1884)、Dr John Hughlings Jackson (1895)が続きます。

Sir John Tenniel (1820–1914)が制作されたとき、Lance Calkinは何歳でしたか?答えを見る

43歳:Sir John Tenniel (1820–1914)は1902年の作品で、Lance Calkinの生年は1859年です。

Lance Calkinの最も有名な10作品とは?答えを見る

Sir John Tenniel (1820–1914), Joseph Sim Earle (1839–1912), Dr John Hughlings Jackson, King George V, Reverend E. F. Witts (1813–1886), Rector of Upper Slaughter (1884–1886), Edward VII (1841–1910), John Feeney, John Reynolds (1826–1919), The Patchwork Quilt と David Powell (1840–1897), Governor of the Bank of England (1892–1895)。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Lance Calkinが遺した作品数は?答えを見る

当カタログには、1881年から1924年にかけて制作されたLance Calkinによる39点の作品が収められています。

Lance Calkinの名作は、どの美術館に収蔵されていますか?答えを見る

主にナショナル・ポートレート・ギャラリー (ロンドン), Doncaster Mansion House (Doncaster) と Nottingham Castle Museum And Art Gallery (ノッティンガム)に所蔵されています。上記の美術館一覧にすべて記載されています。

Lance Calkinが最も有名な作品を多く描いたのは何年ですか?答えを見る

1880s年:このページにある全31作品のうち、6作品がその時期に制作されました。そのうちJoseph Sim Earle (1839–1912)作品が含まれます。

Lance Calkinによる最初と最後の代表的なオリジナル作品は何ですか?答えを見る

このページでは、最も古い作品はJohn Reynolds (1826–1919) (1881)、最新の作品はCouncillor Frank G. Rye, Mayor of Westminster (1922–1923) (1924)です。

Lance Calkin が最も多く描いた主題は何ですか?答えを見る

このページに掲載されている31点の作品におけるMan (8), Beard (5) と Chair (5)

Lance Calkin が最も多く使用した技法は何ですか?答えを見る

このページに掲載されている全31作品のうち、6作品のOil On Canvas

ナショナル・ポートレート・ギャラリーにはどのLance Calkinの作品が展示されていますか?答えを見る

King George V と Arthur Wellesley Peel, 1st Viscount Peel:ナショナル・ポートレート・ギャラリー, ロンドンには、このページに掲載されている作品のうち2点が所蔵されています。

Lance Calkin:生涯と作品

The Quiet Dignity of a Victorian Master

In the golden, twilight era of the nineteenth century, few artists captured the somber elegance and social gravity of British life as intimately as Lance Calkin. Born in London in 1859, Calkin was a product of both musical heritage and rigorous academic discipline. As the son of a musician, he likely developed an early sensitivity to rhythm and harmony—qualities that would later manifest in the balanced compositions and tonal precision of his oil paintings. His formal journey through the prestigious Slade School of Fine Art and the Royal Academy Schools provided him with a formidable foundation in classical principles, instilling a lifelong devotion to anatomical accuracy and the subtle interplay of light and shadow.

By 1895, Calkin had firmly established his professional presence by joining the Royal Institute of Painters in Oil Colours. This period marked his emergence as a significant voice within the British art community, a time when portraiture served not merely as a record of likeness but as a profound statement of character and social standing. His work was never characterized by the loud or the flamboyant; instead, he mastered the art of the understated. Through a meticulous application of paint, Calk in sought to reveal the inner essence of his subjects, using minute shifts in expression and posture to convey a sense of moral seriousness and quiet dignity that resonated with the Victorian ideals of his era.

A Legacy Captured in Oil and Ink

The breadth of Calkin’s oeuvre is a testament to his versatility as a chronicler of his time. While he is most celebrated for his portraits, his repertoire extends into historical scenes and poignant social commentaries that capture the tension of a changing world. His ability to navigate between the formal rigidity of high-society portraiture and the raw emotion of historical events allowed him to document the Victorian zeitgeist with unparalleled depth.

Among his most notable contributions to the art historical record are works that highlight his technical mastery and thematic range:

  • The Portrait of Arthur Wellesley Peel, First Viscount Peel: A definitive example of Calkin’s ability to utilize tonal gradation to bestow a sense of nobility and permanence upon his subjects.
  • Reverend E. F. Witts (1884–1886): In this depiction of the Rector of Upper Slaughter, Calkin demonstrates a profound capacity for spiritual solemnity, using light to evoke a sense of divine grace.
  • John Feeney: A 1906 masterpiece that showcases his skill in capturing the weight of industrial-era prominence through realistic textures and a commanding presence.
  • The Patchwork Quilt (1887): An exploration of domesticity and texture that reveals his ability to find beauty in the intricate details of everyday life.
  • Boer War: Wounded Soldiers Awaiting Medical Help: A departure from formal portraiture, this watercolor demonstrates his capacity for empathy and his ability to document the harrowing realities of conflict with a delicate yet powerful hand.

Historical Significance and Enduring Influence

Lance Calkin’s significance lies in his role as a visual historian. He did not merely paint faces; he painted the soul of an empire at its peak and during its transition into modernity. His work serves as a bridge between the rigid traditions of the Royal Academy and the burgeoning realism that would come to define much of late nineteenth-century art. By eschewing dramatic artifice in favor of truthful representation, he provided a window into the psychological landscape of the Victorian gentleman, the clergyman, and the common soldier alike.

Though his career spanned the turn of the century, the enduring power of his paintings lies in their timelessness. The meticulous detail with which he rendered fabric, skin, and light ensures that his subjects remain vibrant and present to the modern viewer. Today, as we look back upon the works of Calkin, we find more than just historical artifacts; we find a profound meditation on human dignity, captured through the steady, masterful hand of an artist who understood that the greatest truths are often found in the quietest moments.