康熙帝の肖像画

世界的に有名な康熙帝の名作4点、そのすべてが唯一無二の芸術品

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 4点の 康熙帝の作品がカタログにあります

要約すると

Two Figures of Ladies on Stands (1700)は康熙帝の作品の中で最も注目を集めている絵画です。原画はニューヨーク市のフリック・コレクションに所蔵されています。 その後、視線はPortrait of the Kangxi Emperor in Informal Dress Holding a Brush (1700)とDish with Broad Flat Rim (1722)へと移ります。 当カタログに含まれる康熙帝の4点の作品のうち、これら4点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。

1654 – 1722, 北京市 最多収蔵館: フリック・コレクション

ギャラリーの視点で選ぶ、康熙帝によるトップ10作品

1
Two Figures of Ladies on Stands (1700) による 康熙帝

Two Figures of Ladies on Stands

1700 · Ceramics · フリック・コレクション, ニューヨーク市

To gaze upon these two porcelain figurines is to step directly into the refined elegance of early eighteenth-century Chinese artistry. They are not merely decorative objects; they are exquisite narratives cast in glazed ceramic, embodying an ideal vision of femininity and prosperity from a bygone era. The overall impression is one of breathtaking symmetry and meticulous craftsmanship. These figures, depicting elegant ladies poised upon ornate stands, invite the viewer into…

2
Portrait of the Kangxi Emperor in Informal Dress Holding a Brush (1700) による 康熙帝

Portrait of the Kangxi Emperor in Informal Dress Holding a Brush

1700 · Ink · 故宮博物院, 北京

The Kangxi Emperor sits at a desk, captured in a moment of quiet intellectual engagement. Clad in a pale lavender or light grey garment, he eschews the heavy, ceremonial regalia typically associated with imperial portraiture. Instead, he holds a calligraphy brush, a gesture that emphasizes his identity as a scholar and a patron of the written word. His expression is steady, meeting the viewer with a sense of composed authority.…

3
Dish with Broad Flat Rim (1722) による 康熙帝

Dish with Broad Flat Rim

1722 · Acrylic On Canvas · フリック・コレクション, ニューヨーク市

The “Dish with Broad Flat Rim,” a masterpiece from the reign of the Kangxi Emperor (1662–1722), transcends mere decorative artistry. It's a meticulously crafted window into the opulent world of 18th-century China, offering a glimpse into courtly life, philosophical contemplation, and the burgeoning artistic sensibilities of the Qing Dynasty. This exquisite porcelain dish, now housed in prestigious collections worldwide, is not simply an object; it’s a testament to imperial patronage,…

4
Four Covered Jars with Blue and White Decoration (1700) による 康熙帝

Four Covered Jars with Blue and White Decoration

1700 · フリック・コレクション, ニューヨーク市

Beginning in the early eighteenth century, jars with plum-blossom decoration were made in China for export to Europe, where they were sought by early collectors of Chinese porcelain, among them, Augustus the Strong. The art dealer Henry Duveen acquired this jar and three similar jars (1915.8.02-04) in the late nineteenth century: the first in 1886, in England, at the Duke of Marlborough’s celebrated Blenheim Palace sale; the second in 1891,…

康熙帝が心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

康熙帝の原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 2 の美術館

美術館 都市 康熙帝の作品 このリストの絵画
フリック・コレクション, ニューヨーク市フリック・コレクション ニューヨーク市 3 Two Figures of Ladies on Stands, Dish with Broad Flat Rim, Four Covered Jars with Blue and White Decoration
故宮博物院, 北京故宮博物院 北京 1 Portrait of the Kangxi Emperor in Informal Dress Holding a Brush

康熙帝の歩み:それぞれの作品が持つ唯一無二のオリジナル

23年にわたるキャリア、1700年から1722年まで:康熙帝の最も有名なオリジナル作品を、年代ごとにご紹介します。

年別作品数

年代を選択して、当時のオリジナル作品を見る

康熙帝の絵画:ギャラリーへの質問

康熙帝の最も有名な作品は何ですか?答えを見る

Two Figures of Ladies on Stands (1700)(フリック・コレクション, ニューヨーク市)。次いでPortrait of the Kangxi Emperor in Informal Dress Holding a Brush (1700)、Dish with Broad Flat Rim (1722)が続きます。

康熙帝がTwo Figures of Ladies on Standsを制作したのは何歳の時ですか?答えを見る

46歳:Two Figures of Ladies on Standsは1700年の作品で、康熙帝の生年は1654年です。

康熙帝の既知の作品数は?答えを見る

当カタログには、1700年から1722年にかけて制作された康熙帝による4点の作品が収められています。

最も有名な康熙帝のオリジナル作品はどこで見ることができますか?答えを見る

主にフリック・コレクション (ニューヨーク市) と 故宮博物院 (北京)に所蔵されています。上記の美術館一覧にすべて記載されています。

康熙帝が最も有名な作品を制作したのは、どの時期ですか?答えを見る

1700年:このページにある全4作品のうち、3作品がその時期に制作されました。そのうちTwo Figures of Ladies on Stands作品が含まれます。

康熙帝の有名な絵画の中で、最も古い作品と最も新しい作品はどれですか?答えを見る

このページでは、最も古い作品はTwo Figures of Ladies on Stands (1700)、最新の作品はDish with Broad Flat Rim (1722)です。

フリック・コレクションでは、康熙帝のオリジナル作品を何点鑑賞できますか?答えを見る

Two Figures of Ladies on Stands, Dish with Broad Flat Rim と Four Covered Jars with Blue and White Decoration:フリック・コレクション, ニューヨーク市には、このページに掲載されている作品のうち3点が所蔵されています。

康熙帝:アーティストの肖像画

The Sovereign of Art and Empire

The Kangxi Emperor was not a visual artist in the traditional sense, but rather a monumental figure of history whose imperial patronage and scholarly pursuits shaped the very fabric of Chinese aesthetic identity. As the third emperor of the Qing dynasty and the second to rule over China proper, his sixty-one-year reign stands as one of the most significant eras in the nation's history. Known by his temple name, Emperor Shengzu of Qing, and his personal name, Xuanye, he presided over a period of profound cultural flourishing. His influence was not found in the stroke of a brush on canvas, but in the meticulous direction of craftsmen, the standardization of language, and the cultivation of an imperial court that became a beacon of sophisticated design and philosophical depth.

A Legacy of Craftsmanship and Scholarly Pursuit

The era defined by his rule is often characterized by an unparalleled mastery of material and form, particularly in the realm of porcelain. Under his patronage, the artistry of the Qing Dynasty reached new heights of elegance and technical precision. The exquisite ceramics produced during this time, such as the breathtaking blue and white porcelain dishes and intricate figurines, serve as enduring testaments to the refined sensibilities of his court. These works often utilized precious pigments like cobalt blue, imported through vast trade networks, to create intricate patterns of bamboo, plum blossoms, and geometric harmonies that reflected a sophisticated understanding of spatial relationships. Beyond the physical beauty of decorative arts, the Emperor’s intellectual contributions left an indelible mark on Chinese civilization. He was a dedicated scholar-emperor who sought to foster a sense of cultural unity and Confucian orthodoxy. His commitment to the written word led to monumental achievements in linguistics and lexicography:
  • The compilation of the Kangxi Dictionary, a massive undertaking intended to improve upon previous works and standardize the Chinese writing system.
  • The establishment of the Kangxi radicals, a set of 214 radicals that provided a systematic method for categorizing characters, which remains a cornerstone of Chinese dictionary organization to this day.
  • The issuance of the Sacred Edict, a collection of moral maxims designed to instruct the citizenry in the fundamental principles of Confucianism.

Historical Significance and Cultural Impact

The historical significance of the Kangxi Emperor lies in his ability to blend political stability with cultural expansion. His reign provided the economic and social foundation upon which the subsequent prosperity of the Qing Dynasty was built. By patronizing both the fine arts and the scholarly disciplines, he ensured that the aesthetic and intellectual legacies of his era would transcend his lifetime. The objects created under his influence—from delicate porcelain to authoritative texts—continue to be studied and admired in prestigious collections worldwide, serving as a window into the opulent and intellectually vibrant world of 18th-century China. His life remains a profound study of how imperial power can be harnessed to cultivate a lasting cultural identity that resonates through the centuries.